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"Your work is to discover your world and then, with all your heart

give yourself to it.

 

~Lord Buddha

 

Best viewed large or in slideshow on black background.

 

©All Rights Reserved Dorella Rosi

You may not use, print, distribute, reproduce, alter, edit, or manipulate my work in any way, either in it's entirety, or in portion, without express consent from me.

  

Kaleidoscope Gown/Evolve

Paris dark brown hair/Emo-tions

Enchanted emerald jewelry set/Lazuri

Glossy pout lipstick /[PF]

J curl v1 Destiny eyelashes/Angel Rock

Soleil red Stilettos/N-Core

Evolved fish stands on its own two feet.

“Io non abbocco all'amo” in italian language is “i'm not going to bite”.

T-shirts with thinking fish are now availables for children, soon availables also for adults.

Rabaris do have very rich cultural past and present. They are known for their "Rabari Bharat (Embroidery)" ,especially in Kutch. Embroidery is a vital, living and evolving expression of the crafted textile tradition of the Rabaris. Rabari women diligently do embroidery on textiles as an expression of creativity, aesthetics and identity as far as the tribe’s collective memory goes. Afternoons are time for embroidery in all Rabari villages when women routinely embroider trousseaus, everyday apparel, dowry bags, bride's ghagro (skirt), kanchali (blouse) and ludi (veil), the groom's kediyan or shirt, children's cradle cloths as well as dowry bags and auspicious torans. Rabari embroidery is very vigorous, with bold shapes. Designs are taken from mythology and from their desert surroundings. They use glass mirrors in various shapes: round, lozenge, rectangular, square, triangular, and beak shaped. The stitches are square chain interlaced with buttonhole for mirror work, single chain, knot, Romanian, blanket interlaced with herringbone, running, and double running. Another interesting aspect of Rabari women is their earrings which is the most abstract form of snake earrings. Women in Puskar, Rajasthan describe a mushroom as snake umbrella, because it comes out after the rains and snakes have the habit of hiding under its hood. The nagali earring is supposed to stand for the double shape of the mushroom.

 

Rabari tribes, now living in Kutch passed the Puskar region on their migration from the north of Rajasthan and may have seen the local earrings there, or rather transferred their main designs to the village people.

 

The nagali earrings of the Kutchi Rabari with their spiral, spring like shape can be considered as the form most closely related to snake. Their attire(clothes),which is different on regional basis,also shows their culture. We can see that in Navratri festival days,urban people try to imitate their attire. The Rabari women are easily distinguished by their long, black headscarves, which fall loosely to the ground. They wear distinctive heavy brass earrings which hang low, stretching the earlobes. They tattoo magical symbols onto their necks, breasts and arms. Their jewelry is modest in comparison to other tribal women. They wear small gold nose ring and silver and gold chains around the neck on which protective amulets are hung. Few simple glass bracelets adorn their arms.

 

In contrast to woman, a Rabari man commonly appears in white dress, golden earrings and a big stick in the hand. They wear dhoti and on the top a short double breasted waist coat (all white) laced over the chest and tied, long sleeves which are gathered up and folded at the arms. The head is covered with 'Paghadi'(Turban).

 

They also do have mass collection of rare folk songs and stories. Rabari women even sing on their loved one's death occasion,which is their tradition.

 

One of the most common thing in their culture is highlighted in their food habit, it is that from wherever they may belong, they consume lots of milk and milk products.

  

I found a doll meme on Els82 gallery and I wanted to do mine.

It's fun to see the changes of a collection, to see how our tastes are evolving in time...

 

I think I discovered dolls in end 2009 but I waited 'till july 2010 to buy my first doll, Lily. She was a Limhwa ToYou and I chose her because of her mature body but tiny size. I was so afraid by SD dolls size. But my real "love at the first sight" was for a Dream of Doll E-An.

4 months later, I bought one on second hand and called her Lisbeth. Ume arrived for Christmas.

 

In 2011, my mind was totally obsessed by dolls. I had so many plans and ideas... I ordered many dolls this year but a lot of them didn't stay very long (I'm thinking about Jack or Rain). It was a year of experimentations and discovers.

 

In 2012, my life changed a lot. I moved back to France after 3 years in New-Caledonia. I left my job to go back to school. I was too busy to think about dolls... This year, I received dolls ordered in end 2011/early 2012. Blanche, Perséphone + an event head. With Dreva and Ume, they stayed in their boxes for one year and I didn't take any picture of them...

 

In 2013, I was missing my dolls... I started to unbox them. Unfortunately for Blanche, one year in her box without playing with her was fated for her. The crush was not here anymore and I sold her with Khlada, Lisbeth V2 and the Dollzone event head. This year was the "too poor year" too (as a student, I don't have a salary anymore. It's hard to resist to BJD temptation).

 

In 2014, I finally decided to buy a new doll. I was able to buy her thanks to my other BJD sales. Ume left me a few months ago. Finally, the SD size was not for me.

Now, I would love to buy a Minifee but I'm still "too poor" so I'm waiting.

Photo by Chris Smith

Christine Otts, Marc Surplus, Vishal Nayak

Shanghai, China

It would be easy to look at St Augustine and not see past the belltower. What belltower I hear you ask. Well, that triple candlesnuffer thing beside the stable like entrance of the porch.

 

You see, I had forgotten how fantastic St Augustine was. I was early into the church odyssey thing back in 2009, and I was new to the whole church thing.

 

Yes, it has the belltower. Yes it has that porch with those stable doors. Yes it has that wonderful cast iron font. The church is huge, and difficult for me to judge how it evolved over the centuries.

 

Let me leave it to others to describe the church:

 

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The Church of St Augustine was constructed circa 1250 on a mound to protect it from flooding, probably on the site of a Norman church. The church is entered by the fourteenth century North door with wooden gates, the upper two were stored within the church and the lower doors were topped with spikes to prevent horses jumping the gates during Divine service. There was once a mounting block outside the church however it was removed less than 50 years ago.

 

Once through the porch you enter the North Aisle, in the western end is a closed off Chapel, near to this is the mechanism for the clock which is dedicated to the men of Brookfield who lost their lives whilst serving in World War Two, and the east end, which once housed a chapel to Blessed Virgin, is now home to an organ, installed in 1969.

 

An arcade separates the North Aisle from the Nave, at the end of this at the eastern end is a corbel carved into a face. The font can be found at the western end of the nave and is one of only thirty lead fonts in the country, it is decorated with the zodiac sings and occupations of the months. The Nave and North Aisle hold box pews, and at the eastern end of the Nave is the two tier pulpit with was once three tier, this stands besides the choir pews. Within the Chancel is the alter which stands in front of the remains of an aumbry, to the south is an early piscine and a two-seated sedilia. The arcades separating the North and South Aisles have suffered severe subsidence, the result being they both lean quite obviously. It has been said by an architect that the arcades separating the Nave and South Aisle lean so much that it is beyond the theoretical point of collapse!

 

The south aisle has had its box pews removed due to a very bad case of woodworm which now leaves room for the altar from the east end of the North Aisle and now used as the War Memorial Altar. At the western end is the Tithe Pen, this housed the weights and measures from the times when the vicar was entitled to a tithe, the complete set are now shown in a glass case and are the only remaining items of this kind in Kent. The eastern end of the South Aisle has a piscine and above this is a remarkable painting, dated from the late 1200?s and repainted in the 14th century. It depicts Thomas Becket's martyrdom. Where an altar once stood near this wall painting is now a large table tomb in memory to John Plomer who was three times Mayor of Romney.

 

Beside the church is a free standing belfry, there are many theories giving the reason for the belfry to stand upon the ground, one being that it was blown down from atop the church twice during strong winds and it was decided as it was so keen to stay on the ground then that is where it will stay. The tower holds six bells, only one being original and dated from 1450, three dated 1685 and the old tenor bell also dated 1685 was cast into two smaller bells.

 

www.kenthistoryforum.co.uk/index.php?topic=4992.5;wap2

 

BROOKLAND,

 

SO called from the several brooks and waterings within the bounds of it, lies the next parish southeastward, mostly within the level of Walland Marsh, and within the jurisdiction of the justices of the county; but there are some lands, which are reputed to be within this parish, containing altogether about 124 acres, which lie in detached pieces at some distance south-eastward from the rest of it, mostly near Ivychurch, some other parishes intervening, which lands are within the level of Romney Marsh, and within the liberty and jurisdiction of the justices of it.

 

The PARISH of Brookland lies on higher ground than either Snargate or Fairfield last described, and consequently much drier. It is more sheltered with trees, and inclosed with hedges, than any of the neighbouring parishes. The village is neat and rather pleasant, considering the situation, and the houses, as well as inhabitants, of a better sort than are usually seen in the Marsh. The church stands in the middle of it. The lands towards the south are by far the most fertile, for towards Snargate they are very poor and wet, and much covered with rushes and thistles. It consists in general of marsh-land, there not being above thirty acres of land ploughed throughout the parish, which altogether contains about 1730 acres of land.

 

A fair is held here yearly on the feast of St. Peter ad Vincula, or Lammas-day, being August I, for toys and pedlary.

 

The MANORS of Fairfield, Apledore, Bilsington, and Court at Wick, extend over this parish, subordinate to which is THE MANOR OF BROOKLAND, which has long since lost even the reputation of having been a manor. It was in early times the patrimony of the family of Passele, or Pashley, as they were afterwards called, whose seat was at Evegate, in Smeeth, (fn. 1) of whom Edward de Passeley is the first that is discovered in public records to have been possessed of this manor, and this appears by the inquisition taken after his death, anno 19 Edward II. Soon after which it was alienated to Reginald de Cobham, a younger branch of the Cobhams, of Cobham, whose descendants were seated at Sterborough castle, in Surry, whence they were called Cobhams, of Sterborough, and they had afterwards summons to parliament among the barons of this realm. At length Sir Thomas Cobham died possessed of it in the 11th year of king Edward IV. leaving an only daughter and sole heir, who carried it in marriage to Sir Edward Borough, of Gainsborough, in Lincolnshire, whose son and heir Thomas was summoned to parliament as lord Burgh, or as it is usually pronounced, Borough, anno 21 king Henry VIII. and left a son and heir Thomas, lord Burgh, whose lands were disgavelled by the act anno 31 Henry VIII. His son William, lord Burgh, about the 12th year of queen Elizabeth's reign, passed it away to Eversfield, of Suffex, from whom it was alienated soon afterwards to Godfrey, of Lid, at which time this estate seems to have lost its name of having been a manor. He, before the end of that reign, sold it to Wood, by whom it was again alienated in the beginning of king James I.'s reign to Mr. John Fagge, of Rye, whose descendant John Fagge, esq. of Wiston, in Suffex, was created a baronet in 1660. He had a numerous issue, of which only three sons and two daughters survived. Of the former, Sir Robert, the eldest, was his successor in title; Charles was ancestor of the present baronet, the Rev. Sir John Fagge, of Chartham; and the third son Thomas Fagge, esq. succeeded by his father's will to this estate at Brookland. His son John Meres Fagge, esq. of Glynely, in Sussex, left surviving an only daughter Elizabeth, who on his death in 1769, entitled her husband Sir John Peachy, bart-of West Dean, in Sussex, to the possession of it. He died s. p. and she surviving him, again became entitled to it in her own right, and is at this time the present owner of it.

 

There are noparochial charities.

 

BROOKLAND is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Limne.

 

The church, which is dedicated to St. Augustine, is a very large handsome building, consisting of three isles and three chancels. The steeple stands on the north side, and at some small distance from it, in which are five bells. The church is kept exceedingly neat and clean. It is cieled throughout, and handsomely pewed. In the high chancel there is a confessionary, and a nich for holy water within the altar-rails. There are several memorials in it, but none of any account worth mentioning. At the west end is a gallery, lately erected at the charge of the parish. The font is very curious, made of cast lead, having on it two ranges of emblematical figures, twenty in each range. The steeple is framed of remarkable large timber. It is built entirely of wood, of an octagon form, perpendicular about five feet from the bottom, and from thence leffening to a spire at top, in which it has three different copartments or stories, the two uppermost larger at the bottom, and projecting over those underneath them. Although there are but five bells in it, yet it has frames for several more. The whole is much out of the perpendicular leaning towards the church. In the church-yard are several tombs and gravestones for the Reads.

 

The church of Brookland was part of the antient possessions of the monastery of St. Augustine, to which it was appropriated by pope Clement V. at the request of Ralph Bourne, the abbot of it, in king Edward II.'s reign, but the abbot declined putting the bull for this purpose in force, till a more favourable opportunity. At length John, abbot of St. Augustine, in 1347, obtained another bull from pope Clement VI for the appropriation of it, and having three years afterwards obtained the king's licence for this purpose, (fn. 2) the same was confirmed by archbishop Islip in 1359, who next year endowed the vicarage of this church by his decree, by which he assigned, with the consent of the abbot and convent, and of the vicar, of the rents and profits of the church, to John de Hoghton, priest, then admitted perpetual vicar to the vicarage of it, and canonically instituted, and to his successors in future in it, a fit portion from which they might be fitly maintained and support the undermentioned burthens. In the first place he decreed and ordained, that the religious should build on the soil of the endowment of the church, at their own costs and expences, a competent mansion, with a sufficient close and garden, for the vicar and his successors, free from all rent and secular service, to be repaired and maintained from that time by the vicar for the time being; who on the presentation of the religious to be admitted and instituted by him or his successors, into the vicarage, should likewise have the great tithes of the lands lying on the other side of le Re, towards Dover, viz. beyond the bridge called Brynsete, and towards the parish churches of Brynsete, Snaves, and Ivercherche, belonging to the church of Brokelande, and likewise the tithes arising from the sheaves of gardens or orchards dug with the foot, and also all oblations made in the church or parish, and all tithes of hay, calves, chicken, lambs, pigs, geese, hens, eggs, ducks, pidgeons, bees, honey, wax, swans, wool, milkmeats, pasture, flax, hemp, garden-herbs, apples, vetches, merchandizes, fishings, fowlings, and all manner of small tithes arising from all things whatsoever. And he taxed and estimated the said portion at the annual value of eight marcs sterling, at which sum he decreed the vicar ought to contribute in future, to the payment of the tenth and all other impositions happening, of whatsoever sort. Not intending that the vicar of this church should be entitled to, or take of the issues and rents of it, any thing further than is expressed before, but that he should undergo the burthen of officiating in the same, either by himself or some other sit priest, in divine offices, and in the finding of lights in the chancel, and of bread and wine for the celebration of masses, the washing of vestments, and the reparation of the books of the church, and should nevertheless pay the procuration due to the archbishop, on his visitation. But the rest of the burthens incumbent on the church, and no ways here expressed, should belong to the abbot and convent, &c. (fn. 3) After this, the church and advowson of the vicarage of Brookland remained part of the possessions of the above monastery till the final dissolution of it, anno 30 Henry VIII. when it was, with all its revenues, surrendered into the king's hands, where this rectory and advowson staid but a short time, for the king, by his dotation charter, settled them on his newerected dean and chapter of Canterbury, part of whose possessions they continue at this time.

 

On the abolition of deans and chapters, after the death of king Charles I. this parsonage was surveyed in 1650, when it appeared that it consisted of a close of land of one acre, on which stood the parsonage barne, and other outhouses, with the tithe of corn and other profits belonging to it, estimated coibs annis at twenty four pounds, all which were by indenture, in 1635, demised for twenty-one years, at the yearly rent of eight pounds, but were worth, over and above the said rent, sixteen pounds per annum, and that the lessee was to repair the premises, and the chancel of the parish church.

 

In 1384 this church or rectory appropriate was valued at 13l. 6s. 8d. but anno 31 Henry VIII. it was demised to ferme at only 8l. 3s. 4d. It is now demised on a beneficial lease by the dean and chapter, at the yearly rent of eight pounds to Mrs. Woodman, the present lessee of it. The vicarage of this church is valued in the king's books at 17l. 12s. 8½d. and the yearly tenths at 1l. 15s. 3¼d. In 1587 it was valued at sixty pounds, communicants one hundred and sixtysix, and in 1640 the same, and it is now of about the same value.

 

There is a modus of one shilling per acre on all the grass-lands in this parish. The vicar is entitled to all the small tithes, subject to this modus, throughout the parish, and to the tithes of corn of those lands, being one hundred and twenty-four acres, which lie in detached pieces beyond Brenset bridge, in Romney Marsh, as mentioned before, in the endowment of this vicarage.

 

www.british-history.ac.uk/report.aspx?compid=63502

 

A long low church with the most famous spire in Kent. This three-stage 'candle-snuffer' erection which stand son the ground instead of on a tower is the result of several enlargements of a thirteenth-century bell cage and its subsequent weatherproofing with cedar shingles. It contains a peal of six bells, the oldest of which is mid-fifteenth century in date. The spire is surmounted by a winged dragon weathervane, dating from 1797. The monster has a prominent forked tongue. The reason for the bells being hung in a cage rather than a tower is shown inside the church where the pillars of the nave have sunk into the soft ground and splayed out to north and south. The tie-beams of the roof came away from the walls and have had to be lengthened by the addition of new timber supports. The outstanding Norman font in cast lead has been fully described in Part 1. To the south of the church is a headstone incorporating the only 'Harmer Plaque' in Kent - a terracotta panel made in East Sussex where they are a common feature.

 

www.kentchurches.info/church.asp?p=Brookland

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