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super soft local cormo wool + local kid mohair + local angora bunny fluff + recycled bamboo + recycled soymilk + camel down + sparkle
Did we know everything about realistic texturing?
The most crucial skill and struggle for creating a realistic texture or material in a project, is the knowledge of texture behaviour about real matters. It is important to note that texture behaviour knowledge is not only the description of the reflectiveness and bump values. Knowing the behaviour of textures on edges and and surfaces is also essential for a texture and material artist.
Let me explain better with these images down below. (These pictures are from Texturing & Modeling Reference - HardSurface Collection.)
We can easily notice where exactly the abrasion of a material is most prominent in objects or study how the color of an object changes by corrosion and overtime.
Generally, when we want to use these abrasion like grunge or stencil maps on a texture, we behave completely aimlessly and always try to find a more beautiful texture relying on tools such as substance generator, Vraydirt or Corona Ao. But first it is very important that we learn enough knowledge and vision of how these elements function and exist in the real world. When this knowledge is obtained, then we can utilise these tools and make them work effectively.
Let me give you another example from the same collection of images.
Now let me zoom in, a little. These images are high quality and as so I can easily zoom in and show you more details.
Let me give you yet another hint. How can we achieve this knowledge of photoreal details?
By looking more closely at the real world and real matters, and these little things are what bring your work on top of the line because you now have added some details to your textures that maybe haven't or doesn't cross other people's minds.
Based on the subjects that we specified We have provided a collection of pictures as our Texturing & Modeling Reference - HardSurface that significantly help you grasp useful knowledge about the world of texturing.
300 Texturing & Modeling Reference - HardSurface - VOL 01
live from Heaven, London, supporting The Rumble Strips. Zane Lowe has champtioned these, and he's not wrong to; a great performance.
© Lauren Miller 2006
One of Josh's coworkers made everyone these cute little Christmas trees with ornaments!!!!
---- a series of shots taken in the street and from the street (Sicily) ----
---- una serie di scatti realizzati nella strada e dalla strada (Sicilia) ----
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© 2011 - Bart Notermans Fotografie. Please do NOT republish without written permission from the author Bart Notermans.
The modern towers on the right mirror the towers on the Steel Bridge. Portland, Oregon. (October 2013)
i've been so caught up in my thoughts lately. what's wrong with me?! grr. welp, i'm getting my hurr cut in a few days. then i'm dying it. now so sure what i'm gonna do quite yet.
5\20
E come una foglia si stacca dal suo ramo, tu te ne sei andato. Sei volato via, per andarti a posare più in basso, sull'erba verde tra la rugiada e la terra. Ma una foglia non può vivere senza il suo albero.
Prima o poi appassirai e verrai sbriciolato in mille pezzi, calpestato da qualcuno che non si accorgerà della tua sofferenza.
"Never one we got the other We made a pact
Sometimes when i miss you
I put those records on"
This is the dressing room at Everythings Jake - an amazing men's vintage shop. Now where is Don Draper?
On soapbox…
Please help me understand why, WHY people purchase expensive full-frame cameras along with expensive lenses and then proceed to make the photos they make look old.
Now I’m not speaking like old as in 100 year old photos. I’m speaking like it was made using an old POS camera from 1970 and crappy film and it has been drug across the concrete and had water splashed on it.
Why are you using $6000 worth of camera gear to make the photos look like this?
… off soapbox.
Oh... I thought about using a flash for this. I was too lazy to get it out of the bag, sorry.