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St Patrick's night celebration 2020

St. Paul's Episcopal Cathedral, Tremont Street, Boston, MA

The building is totalled and what's left will be demolished and cleared soon

This is the first cocktail that I invented!

 

I have fiddled with recipes in the past to tweak flavors to my (and my family and friends') liking, but I have never been confident in my abilities to formulate my own flavor profiles.

 

Without my noticing, though, over the years, I've developed enough know-how to create my own drink. This was inspired by my huge array of unique bitters. I was eager to find a use for my peach bitters!

 

So here it is... presenting my baby, Everything is Peachy:

 

2 oz vodka

1 oz peach vodka

1/2 oz vanilla vodka

1/2 oz bourbon

1 tsp Maraschino liqueur

1 tsp peach bitters

 

Shake all ingredients well with lots of ice. Select the prettiest small cocktail glass you have, and pour.

 

This is a sweeter cocktail - more of a dessert cocktail - so you don't want to have too much of it. The dash of bourbon mixed with the vanilla gave the drink a smoky, caramelized note and cut through the sweetness.

 

Happy drinking!

  

Getting a cover always feels great. So when the chance came to shoot Everything Shook for The Thin Air came up, I took it. The ladies were a joy to work with and everything was super chill. I took the bus up so travelled fairly light, especially as I was walking for a fair bit to get to them.

 

For the shot, I used a single Cactus Image RF60 with V6II trigger. The flash was set to full power, and zoomed to 105 to give a tight, but powerful beam of light. This was place to camera left. It was on a Manfrotto Nano 5001b, which as at full height to allow the shadows to drop behind the girls onto the corrugated fencing behind them. The angle was such to allow a loupe light on the faces. The great thing about the Cactus RF-60 is that you can control both the zoom and the power from the V6II trigger.

 

I shot with a Fujifilm X-T10 with the 18-55mm, lens set at 40.7mm. That does mean I could've potentially used the 35mm f1.4, but for ease for the whole shoot (there are other images in the magazine), I went with a zoom. The exposure setting chosen were based on a few things. Firstly I wanted to used the ambient light as fill. Secondly, I didn't want it to be a super flashed looking shots. The base ISO on the X-T10 is ISO200, so I started with that. The Flash Sync Speed was 1/180, so I started with that. The aperture gave a slightly underexposed ambient. Finally I set the flash power-which happened to be full power in this instance. Had I needed more, I could've moved the flash in closer.

 

As the shot was for the cover, and the text is located in the same place with each issue, I knew to leave space at the top for the title. Thanks to Brian and Loreana at The Thin Air for giving me the job! The print version of the magazine will be out soon, and available for free in venues and music stores around Ireland.

Canon 1000FN

Tamron 28-300mm f/3.5-6.3

Kodak ColorPlus 200

Epson V550

this is the opposite street corner of this.

One Leader and Two Ghosts in Field

 

The ownership of everything.

By those who have accumulated sufficient wealth.

To invest in their power and privilege.

To suppress intellectual dissent.

And destroy the mass.

Of their resiliency

Of their voice.

 

All that is left is the voice of the elite.

Who form captured bureaucracies.

Who form captured corporations.

 

Until doctors, scientists, academics, and teachers are contained.

And Whistle Blowers are removed as fringe rage.

Until knowledge is subservient to the functional use of the authority.

  

Read more: www.jjfbbennett.com/2021/06/ghosts-behind-wall.html

"If they say it's impossible, it's impossible for them, not for you." -Unknown

 

Start small but achieve big things! Call 1(213)4198914 ☎ for #businesssuccess!

Everything changes, under our eyes. Entropy is always increasing in the universe. Searching the ordinary into the ordinary.

everywhere I see.

Everything is honey,

and that's quite alright with me.

 

Made with Sony A900 and a 1986 Hasselblad Sonnar CF 150mm f/4.0 with about 60% crop

   

Justin is my everything ♄♄♄

Just Pinned to Everything Gothic & steampunk: Digital art selected for the Daily Inspiration #1198 ift.tt/25X3Oqj

Michael Moravek and Bernd Wengert performing their latest Music / Literature Program "Everything Is Alright" in the Figurentheater Ravensburg.

  

Michael Moravek - guitar, stylophon, voc.

Bernd Wengert - voc.

tirando de archivo, buscaba algĂșn retrato, y he encontrado este, a ver que os parece!

 

la chica es lucia, y hay otra foto suya colgada. es una modelo genial!

 

explore 266

A remix of 'Angels and Demons' without the religious overtones and serendipitous flow assisted augmentation.

Everything has to be tweaked to perfection. A custom fit really means it.

It's the little things in life that I find the most beautiful. The simplest things.

 

There's something so innocent about this picture, I just like it a lot. I'm proud of it.

 

It looks lovely large.

Ricoh XR 50mm f/1.7

It's you, it's you, it's all for you

Everything I do

I tell you all the time

Heaven is a place on earth with you

Tell me all the things you want to do

I heard that you like the bad girls

Honey, is that true?

It's better than I ever even knew

They say that the world was built for two

Only worth living if somebody is loving you

Baby now you do

~Lana Del Rey~Video Games

 

Listen

 

Happy almost Valentine's Day!

 

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Now this is a real camera. You dictate what it does, everything is dependant on you, and to an extent on luck. Can do stuff on this which a digital won't. Even if you get ten zilion pixels into a digital, it is an inferior machine. Basically, a digital is a foolproof toy. And whatever anybody says, scanning from a print taken with a film will be beter than taking direct with the best digital in the world and downloading the result to the computer.

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