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Soldiers and Airmen assigned to the Virginia National Guardâs Fort Pickett-based 34th Civil Support Team conduct a Training Proficiency Evaluation Oct. 26, 2016, at Camp Pendleton in Virginia Beach, Virginia. Unit members were evaluated on 12 different collective tasks including deploying the team, establishing communications and medical support, conducting survey, technical decontamination and analytical functions as well as conducting interagency coordination. The evaluation was supervised by U.S. Army Northâs Civil Support Readiness Group-East in order to validate the unit's level of readiness. The 34th CST mission is to support first responders in potential biological, chemical, nuclear, radiological and explosive incidents and the team undergoes an evaluation approximately every 18 months. (Photo by Cotton Puryear, Virginia National Guard Public Affairs)
2018-09-06: Ms. Bajabulile Swazi Tshabalala, Senior Vice President of the African Development Bank Group; Pierre Guislain, Vice-President, Private Sector, Infrastructure and Industrialization; Nkosozana Dlamini Zuma, Chairperson, African Union Commission (AUC) attending during Evaluation week 2018 Day-2 along with the other delegates.
This sign gave me the willies. Then I saw the room and it gave me a whole different kind of willies.
Researchers evaluating hybrid and high yielding cowpea in cowpea trial. Photo by IITA. (file name: CO_612).
Pacific Women aims to develop and deliver evidence-based activities that contribute to the advancement of gender equality in the region. To do this strategically, Pacific Women undertakes targeted activities that help to define the direction of the program, called ‘direction-setting activities’. These include planning, evaluation and research activities that inform program activities supported by Pacific Women.
Direction-setting activities include Country Plan review activities. Country Plans are the mechanism through which Pacific Women activities are planned and agreed between DFAT and counterpart governments. Country Plans are developed to cover a three to four-year period and are informed by extensive national consultations. They provide detail on activities to be funded and how funding decisions are made. Country Plan Summaries can be downloaded from the Pacific Women website.
Teams from the Support Unit and Australian High Commission Posts engage with Pacific governments and stakeholders to review these plans. Country Plan reviews measure progress towards Pacific Women’s outcomes and identify barriers to implementing activities and changes in country context. The reviews include recommendations for future directions.
In February 2018, country plan review activities took place in the Republic of the Marshall Islands (RMI).
Read more about Pacific Women’s partnerships in RMI: pacificwomen.org/our-work/locations/republic-of-the-marsh...
Pictured: Marie Maddison (National Consultant for RMI Country Plan Review) and Kathryn Relang (SPC RRRT) at the workshop
Photo credit: Pacific Women Support Unit.
convert list-of-jpgs -evaluate-sequence subtract outfile.jpg
A bit of playing around with imagemagick
Researcher and field workers evaluating ripe and mature cowpea pods ready for harvesting. Photo by IITA. (file name: ISS_258). ONLY low res available.
www.youtube.com/watch?v=nmjX0Fzv4do
The first thing you would notice in my animation is the look style I went for. Started off as a bit too realistic model, I decided to give everything a slightly softer look. The edges of the couch and the pillow with the background wall do not seem disturbing and do not seem to take away attention from the action. The face of the table facing the camera, however – does, but when deciding on whether to change it, I thought that having the strong illumination at the near side of the table will help give an impression of what the scene is.
As the animation begins, there is a series of two pause-action cycles which make it look a bit repetitive straight away. Yet, there is some overlapping action, some follow-through and a good feeling of weight as the character gets up. Essentially, the character complies to the principles of animation. The aim of these two acts is to show the character is surprised by what he has just seen, that he finds it hard to believe.
As the character is up, a couple of quick aggressive actions follow, the first being a seeming attempt to hit something beneath him that seems to have good timing and easing, as well as some follow-through. Trying to hit something is a typical act driven by anger. This is followed by a second act that has less of an apparent goal (not trying to hit anything specific), it only lets the person release some of his energy/anger. That’s something angry people tend to want to do, regardless of whether the act helps them or not. Just the fact that it is a quick movement is enough for the angry person to feel in power, strong and respectful.
After a sudden burst of rage, most sensible people would usually get a hold of themselves for a brief period of time to reconsider their actions, whether they are accidentally hurting someone or something. In my animation, this is expressed by the slow turn towards the camera and the couple of looks around. Most of the body is held constrained to prevent any further damage that may have been done, but the head movement is still sharp and aggressive. After spotting a target who’s injury/damage the person is willing to allow (breaking the plate, glass…), another burst of rage follows, usually unconstrained in any manner, as all the possibilities have been evaluated. In my animation this is when the character hits and pushes the items on the table. Ideally, the entire act should finish with the character calming down after he’s done the strongest expression of anger he can allow himself (in my case, the hitting of the items). My animation does show the character reverting back to a much more constrained and themed pose – standing almost straight with the arms near the body, but it does not show any of the further thought of the person.
Again, the character tries to comply with all the animation principles, especially easing, follow-through and overlapping action, although expressed in a subtle way.
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Elizabeth Morris from VMNH examines one of the pieces in the collection.
Staff from the Virginia Museum of Natural history visited EMU to assist in evaluating the collections of the Hostetter Museum of Natural History.
An excellent second crop of mung bean at Pangasinan. This was broadcast as a relay after rice.
books.google.com.ph/books/irri?id=shbGSidoHQUC&pg=PA8...
Part of the image collection of the International Rice Research Institute (IRRI)