View allAll Photos Tagged equalizer
Wren Rovers advanced to the next round with a 4-2 penalty shootout win over tital rivals Longridge Town. The game finished with 10 players on each side and Longridge equalized in the last minute
Luminance HDR 2.3.1 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Equalization factor: 1
Saturation Factor: 1.15
Detail Factor: 99
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PreGamma: 0.27
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new 2011 setup - hmm I think the halos actually work on this picture, eh
axes, shredding, cannons, stompers, mixers and equalizers
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New Haven Railroad heavyweight Pullman parlor car Warwick Light, plan 3916 B, is seen in a yard, ca 1940's. This car has an air conditioning duct mounted on the roof. This car most likely has an electro-mechanical air conditioning system, since no ice storage bunkers are seen on either side of the under-body. The trucks used on this car are an older style six wheel bolt on pedestal style drop equalized truck.
The name of the photographer that captured this image on film is unknown. This is a modified, enhanced and cropped photo scan that is from a B&W image that was on the Internet.
Copyright Disclaimer under Section 107 of the Copyright Act of 1976, allowance is made for “fair use” for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
This piece of American history, "the Equalizer," is a Colt model 1873, Single Action Army (SAA) revolver, the gun that you see in all the old western movies, and the gun that, along with the Winchester '73 repeating rifle, is generally referred to as one of the guns that won the west. You saw it in "Showdown at the O.K. Coral," and in real life, it was adopted as the standard U.S. military service revolver in 1892 and was favored by lawmen, cowboys and desperadoes alike. Often one would be armed with a Colt SAA and a Winchester '73, both chambered for the .44-40, a pretty meek cartridge by today's standards, but it got the job done and had the very real advantage of providing one round that fit both the rifle and the revolver.
I bought this one, chambered for the .44 special, 25 years ago, and had I really wanted to maximize the "Classic" value of it, I would probably have been better off buying one in the more traditional .45 Colt chambering; but this has the advantage that I can use the same dies for reloading the .44 special as I can for my .44 magnum, and with the cost of ammunition being what it is today, loading your own ammunition is a must, unless you're a lot wealthier than I am (I've been hand loading all my ammunition since I was 17}. I haven't shot it all that much (haven't done any shooting in the past couple of years), and when I have shot it, I've tended to baby it, using only light loads and staying far away from the near .44 magnum loads loads that Elmer Keith favored before he and Smith & Wesson developed the real .44 magnum by stretching the .44 special cartridge case a small fraction of an inch. It's a crying shame to leave it locked away in a dark closet, and I've really gotta take it to the range, which is only three miles from my house, and give it some exercise.
ODT, "Blast from the Past," "Arms," "Classic," "Historic."
Yesterday I attended TIFF to see the Premier of The Equalizer, starring Denzel Washington. During the show, the fire alarm went off and we all had to evacuate the building. Luckily the fire dept. gave us clearance to re-enter and see the end of the show. It was a violent, but very good show.
Thanks for visiting and stay blessed:)
My entry for Light Painting Competitions and Themes- December 2011 - Household Objects
Quite a frustrating shoot, first the switch on my digital light wand falls to bits and then my el wire breaks. Grrrrr. It could also really do with a slight exposure, contrast and white balance tweak, but the competition has a SOOC rule (although not everyone seems to obey it!)
Title and idea inspired by a comment made by Sprogz
New Haven Railroad Pullman heavyweight parlor car Noank, Pullman plan 3917, is seen in a yard, ca 1940's. This car is has an ice activated air conditioning system, with three ice storage bunkers mounted to the under-body. The trucks used on this car are of the more modern design six wheel straight equalized integral cast design with the pedestals included.
The name of the photographer that captured this image on film is unknown. This is a modified, enhanced and cropped photo scan that is from a B&W image that was on the Internet.
Copyright Disclaimer under Section 107 of the Copyright Act of 1976, allowance is made for “fair use” for the purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Yes My Dear Visitor .. You might wonder about my point … Well I will explain it for you, Sit somewhere in an open area I prefer the beach usually it makes me think a lot.
Then Start thinking about the universe we live in, think about every single creature in this world animals, birds, plants, humans .. Etc.
There is no one strong in it, yes NO ONE, the Lion can be hunt by human or by another lion, A big huge elephant you know how big they are but it can be killed if a small little mice goes in its ears, Human can be killed by animals or from their own kind.
NO one stays the hero Forever and no one stays the bravest or strongest in this world forever.
Countries they were leading the world one day and now its vice versa and they are controlled by the countries the were controlling earlier.
Read the news papers watch the news .. no one stays as they are.
God Made the universe in a very nice and perfect system that no one stays with their power so that they wont reach to the level of deception and destroy every and not to let people believe in their power.
Yes this is the amazing life we live one day you are the boss and control everything and one day you will be controlled by someone else.
But over all we are all controlled by only one person in this huge universe By GOD yes Some people under estimates the power of GOD and they don’t know what GOD can do in life, he can make you rich in a second or make you poor in another.
What made me write all of the above is when I was driving that day and the sun kept really bothering me with those sharp rays Since my sunglasses wasn’t with me and after a while the sun rays it was gone at that moment I saw the clouds covering the sun it even made me See the sun as its moon or a piece of candy.
Anyway myself I don’t have much time to write more so enjoy the shot.
A "tea equalizer" at the Chá Porto Formoso museum factory. Founded in the 1920, the factory operated until the 1980s, serving both the national market and exporting internationally. The operations ceased due to the small production, limited by Sao Miguel's characteristics, and in 1998 the facilities were restored to operate at small volumes, compensated for by the side operation as a museum. It is very interesting to go through the factory and see each stage of the tea production process. Porto Formoso, together with the nearby Gorreana Tea Factory, are the only facilities in Europe to process the leaves of "Camellia sinensis" for tea production. Some scholars argue that this plant, the source of green tea and black tea, was introduced in the Azores in 1750 by the ships returning from the East.
CLAHE stands for Contrast Limited Adaptive Histogram Equalization, implemented as plugin module for ImageJ.
Suggested by Bushman.K it was found to be not quite compatible with the solar images, but works well on the Moon :)
The lunar image of 04.07.2015, around 23:30 MSK, taken with TIS DMK23 via 2x Barlow on Meade series 6000 80 mm f/6 triplet refractor.
Panoramic image of six panels, 20% of 1000 (ok, 200) frames stacked, stitched in MS ICE, deconvolved (AstraImage Richardson-Lucy, Cauchy, 0,3-9), wavelet-sharpened (1-10-15-5-1), CLAHEd in ImageJ (127-255-2), wavelet again (1-5-10-5-1) and some contrast added in PS.
Note: the white square is the histogram trap for deconvolution to correctly normalise the processed image. I was finally able to save Aristarchus from becoming saturated.
A Model 2 coilgun, heavily customized by an unknown interplanetary gang. Has a cut-down stock, a different, much more compact barrel assembly made from an ''Ultracompact'' kit. Has a customized Mk.3 bayonet found on an M2c MIR, but it can come without it as well. The gun itself is fairly rare, as the gang didn't last long before disappearing.
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I got bored and did this. Hope you like it I guess.
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Credit goes to caiobrazil (a fella from dA), for the inspiration.
Luminance HDR 2.3.1 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Equalization factor: 0.94
Saturation Factor: 1.16
Detail Factor: 3.9
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PreGamma: 1
May Day Eve - Sony A77 II with Hoya Cross Screen Filter on Sony DT 18-70 mm 1:3.5-5.6 Zoom - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Camera: Nikon P600, 1920x1080 (Full HD), 30frames/s, Full-time AF, AE-LOCK, Program-Auto, stabilized-NR-ed-color-balanced-graded-edited with Davinci Resolve, audio - basic NR, little equalizing to hear the slap better on picigin balls, not to strong though.
From one clip I got these 4 scenes. I am particularly proud of color balancing. If you have any suggestions, please feel free to comment. Keep in mind that you have not much of freedom since the dynamic range is really awful but hey... at least I had this camera on me, so thumbs up for doing a great job still.
Date taken: April 15,2025.
Until now, uploading videos to Flickr has felt somewhat inadequate to me, as I’ve always seen it more as a platform for still images rather than moving pictures.
Even though I enjoy shooting videos from time to time, I’ve found that most of my time spent with a camera in my hands tends to lean towards photography.
And that’s primarily because I know, in the back of my mind, that if I’m going to post something online, it will likely be on Flickr—and that automatically makes me feel like I need to shoot stills.
But today, as I was walking down to the beach, the strong Jugo wind (a southern wind) was going wild—pounding the shore, kneading the waves, and creating all kinds of acrobacies in the air.
I instantly knew: today, I’ll primarily shoot video.
First and foremost, because I enjoy the process.
Second, because today’s scenes were calm yet dramatic, and simply perfect for video—capturing something stills just can’t.
That’s what my videos will always be about—no exceptions.
Only videos that capture something stills can't.
That’s the purpose of this series and the new album I’m opening.
I’m curious to see where it takes me.
I recently attended a filmography course, and I feel like I know what I’m doing—while being careful not to slip into arrogance or self-importance.
Care about the scenery, composition, and color—these are all things I’m already mindful of when shooting stills.
So why not experiment with moving stills?
It’s just one extra word, isn’t it?
Anyway, hit the lik… fave! or leave a comment if you’ve read all the way to the end... and thank You.
I’ll eliminate sound in most videos, unless it truly needs to be there, and only if I feel like it.
If there is sound, I want it to be perfect—recorded with professional equipment and carefully edited, which I currently don’t plan to buy or do.
Maybe sometime soon, in the days to come.
So just lay back and enjoy.
My goal is to make videos we can all relax with—maybe even have it on repeat, with our own music or ambient sound in the background that suits us the most.
I don’t want to steal your full attention or be invasive on your senses. Just your eyes… because, as I’ve heard, they never lie, do they?
Jokes aside, please enjoy these scenes and try to immerse yourself, as if you’re right there.
That will be imperative #1 from me with these series.
Enjoy in video number 2.
Student activists from CT Students for a Dream (C4D) and supporters rally to demand justice in higher education for undocumented students with legislation that equalizes access to student-generated funds: State Capitol, Hartford, Connecticut, Thursday, April 13, 2017.
"In Connecticut, public colleges and universities set aside a proportion of tuition revenue to be used as ‘institutional aid’ to assist students with a demonstrated financial need. However, immigrant students who have grown up in CT and have graduated high school here are not eligible for this student-generated aid. All Connecticut students, including undocumented students, pay tuition and therefore contribute towards this institutional aid pool of funds. Yet Connecticut does not allow immigrant students access to institutional aid themselves. This aid is student funded, we believe all students who pay tuition should be be eligible to receive it.”
The Equalizer / El protector
--¿Qué ve cuando me mira?--¿Qué ve usted cuando me mira a mí?..
--"What do you see when you look at me?"-- "What do you see when you look at me?"...
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the great equalizer.
Water is in short supply in the deserts of Namibia. All kinds of animals gather in these small collections of water called waterholes. They drink together peacefully till some of the big cats show up.
A little girl splashing her mother with brightly colored powder celebrates the Indian Hindu festival of Holi in Foster City, California. The look of joy on her face is worth a million dollars. The ancient tradition "Holi", also known as the "Festival of Colors" dates back to as early as the fourth century and commemorates the beginning of spring, the harvest and the triumph of good versus evil. Rooted in Indian mythology, the festival also celebrates equality. The colors that people throw at each other during the festival serve as a symbolic equalizer in the contest of India's caste system (it means that the caste doesn't matter anymore).