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Public Enemy performing at the O2 Academy Bournemouth 07.12.15
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Fotos para el Web Magazine The Concert in Concert Arch Enemy - Sala La Riviera - 26/10/12
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Erase The Enemy live at Buddha's Place in Newport News, VA on March 27, 2009.
f/3.2 @ 70 mm, 1/60, ISO 1600
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The Enemy playing to their home crowd at Coventry's Godiva Festival on the same weekend their debut album We'll Live and Die in these Towns went to number 1 in the UK album chart.
A worker stabilizes the bottom of the "Walgreen Drugs" sign as it is lowered from its spot on the side of The Exclusive Company Saturday afternoon. Megan Sheridan/ of The Northwestern
"Love your enemies. They hate that." Calligraphy by Melissa Goza 2013
8x10 poster www.zazzle.com/love_your_enemies_posters-228936705800809049
Klaus Friedeberger
Gouache on paper, pasted to backing sheet of card with newspaper sheet on verso
This poster was produced in 1941 for a musical revue, Journey Round the World, staged by the Dunera internees at the camp at Tatura, Victoria. Friedeberger ironically refers to the Dunera experience as three men on a corrugated-iron flying carpet are carried by the winds of fate to the accompaniment of a honky-tonk piano. One studies a map, tracing their journey through a telescope for a first glimpse of the new land, while a third sits at the back looking at the world left behind.*
From the exhibition
Klaus Friedeberger: drawings from an Australian Internment
(January 2023 – June 2023)
Klaus Friedeberger (1922–2019) was not yet 17 when he arrived in England as a German refugee from Nazism in 1939.
Born in Berlin to middle-class, secular Jewish parents, he was rounded up as an 'enemy alien' and, in 1940, was transported to Australia on the prison ship Dunera with 2,542 detainees, some 2,000 of whom were refugees, mostly of German and Austrian Jewish background.
Friedeberger spent a period of 18 months in three internment camps behind barbed wire in outback Australia: Hay and Orange in New South Wales, and Tatura in Victoria. His drawings and watercolours record the routine of the internees in the camps – manual work, playing football, sleeping, attending hut meetings – with the vast Australian landscape heightening the surreal experience of their internment.
In 1942 Friedeberger was released from the camps after volunteering to join a labour corps of the Australian Army. After demobilisation, he studied painting at East Sydney Technical College before returning to England to pursue his career as a painter and graphic designer.
This display was a selection of drawings and watercolours that Friedeberger made in the camps. They came from a gift of 34 works on paper recently presented to the British Museum by the artist's widow, Julie Friedeberger. This gift also included a group of 12 monotypes and a sketch-book from the 1950s produced after his return to England, as well as a few juvenile works made prior to his deportation on the Dunera.
[*British Museum]
Taken in the British Museum