View allAll Photos Tagged emulators
Yo tenía más espectativas con Rosetta, pero termino siendo un vil emulador de mierda, que come ram como loco.
NECESITO MAS RAM!!!! :(
I made an HP82240B printer emulator for my HP50G using pygame and pybluez. It connects over Bluetooth and renders the tape to the screen or to disk.
Mission:
Emulate the work of Karl Blossfeldt (1865-1932)
Karl Blossfeldt was a sculptor and amateur photographer in turn-of-the-(last) century Berlin. His entire photographic portfolio is devoted to plant parts: twig ends, seed pods, tendrils, leaf buds, etc. These he meticulously arranged against stark backgrounds and photographed in magnification, so that unfamiliar shapes from the vegetal world are revealed as startling, elegant architectural forms. The subjects were typically photographed against white or gray cardboard, sometimes against a black background in weak daylight (think northern window), much as though he were photographing architectural details. His black-and-white, sharp-focus images appear semi-abstract to the viewer unfamiliar with his subjects.
Insight into Blossfeldt’s process for creating working collages that were used as source material for his 1928 book Urformen der Kunst (published in English as Art Forms in Nature, 1929) reveal the transformation of selected contact prints into their final published form. It is surprising to learn that his plant photographs were highly manipulated (he would have appreciated digital post processing). Art historians note that the “isolation of particular motifs—so typical of Blossfeldt's work took place not at the time of the negative's exposure, but at a later stage, during enlargement."
Blossfeldt's practice involved selection and alteration at nearly every stage. He is reported to often photograph several (and different) plants at once and then later, cut up his contact prints and rearrange individual elements. When enlarging an image to emphasize detail, Blossfeldt would often crop again, selecting only a portion of a plant. Unwanted details such as leaves, roots, distracting shadows, or even photographic blemishes were eliminated from the contact prints by hand.
Blossfeldt achieved overnight fame after he first published his plant photographs in 1928. His images influenced artists of the time and continue to affect the work of visual artists, craftsmen, and architects to this day. The true value of Blossfeldt’s photographs lay in their precise focus, and in the revelation of natural forms through magnification. He is often seen as a transition between looking at photography as just science and looking at photography as art.
Although Blossfeldt's aim was to produce a pure catalogue of forms, he created one of the most stunning bodies of work in the history of photography. Andrew Roth’s highly regarded Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century includes Blossfeldt’s 1928 publication amongst works from the likes of Ansel Adams, Margaret Bourke-White, and yes, William Eggleston.
Duotone images are traditionally used when the photographer wants to emphasize the form and structure of a subject (as was Blossfeldt’s goal), but there is probably no reason why color would not also work for this assignment.
WIT
1. Inspiration
2. Frankly, I am indifferent to KB's work. It reminds me of illustrations in early 20th c. books. Perhaps I would feel different if I had a deeper understanding of the history of photography, but as a newcomer to photographer, perhaps I take a bit too much for granted.
3. I knew I would be shooting this bud for this assignment from the point I purchased the flowers for my wife's birthday. Normally, I would have shot in my basement studio, but given how simple KB's style of lighting is (clean backgrounds, single light source), I chose to try something equally simple. I held the stem in one hand against a wall and shot with the other hand. The flash was bounced off the ceiling to the right. One shot.
4. Clean background, slight underexposure, minor graininess, single soft light source, high contrast, split toning. The main divergence of my image is that it is not symmetrical unlike most of KB's work.
5. From a shooting/lighting perspective, I did not learn much, but from a post-processing perspective, it forced me to identify shades of color in the split tone and concentrate on tone curve settings.
Pokemon Sword and Shield is now fully playable and working 100% in Yuzu Emulator for PC. The Isle of Armor DLC update is also playing perfectly well with the base game. So try it out now!
Pokemon SWSH XCI/NSP ROM: bit.ly/pokeswshyuzupc
Official Yuzu Emulator: yuzu-emu.org/
System Requirements:
CPU: Atleast 4 cores (Higher Core count = better performance)
GPU: atleast GTX 1060 or amd equivalent
RAM: 8GB RAM (16GB is recommended)
Storage: atleast 1TB since Switch games are large in file size
Related Tags:
pokemon sword and shield
pokemon sword and shield the isle of armor
pokemon sword and shield expansion pass
pokemon sword and shield gameplay
pokemon sword and shield yuzu emulator
pokemon sword and shield pc gameplay
pokemon sword and shield dlc download
pokémon sword and shield expansion pass download
pokémon sword and shield pc
pokémon sword and shield the isle of armor download
pokémon sword usa version download xci
pokémon shield usa version download xci
how to download pokemon sword and shield on pc
how to setup pokemon sword and shield on pc
how to play pokemon sword and shield on pc
how to install pokemon sword and shield on pc
how to get pokemon sword and shield on pc
#pokemonswordandshield #pokemonswshexpansionpass #pokemonswordandshielddlc
PCA PRO 87: Emulate the work of Nadav Kander (1961–):
dWIT .
I looked at several of NK's series before finally deciding on the
"Signs that we exist".
His description of this series is: the effect humans have on our surroundings. The way the marks we make and the objects we leave behind act as evidence of our existence.
My initial focus was on the temporary changes that we make to the environment around us, and how that relates to us, personally. I ended up deciding to take a picture of the door of my refrigerator, as this has a series of magnets, that not only provide some record of my travels, but also provide words, that mysteriously re-arrange themselves into phrases and sentences. Anyone who comes into the kitchen feels an obligation to construct a phrase - and show signs of their existence. Many of these phrases have no known author (or at least anyone who will 'fess up).
Technical details of composition, lighting and exposure: Flash was not an option, as the reflections in the enamel made a bright spot that distracted from the objects. The direct lighting I used, cast sharp shadows, which I think helped to emphasise the fact that it was a 'fridge door. (a bit like the handle that we can see in the bedroom door of NK's shot). My next problem was to compose the subject as a landscape shot (as all NK's series were). The fridge made a natural portrait shot, and I was forced to omit several interesting objects that could have been included if I had used that orientation. I ended up with a near to square shot - not the best, but the best I could do!
Photo that inspired me: Stickers on Door, England
This was a challenging assignment for me. My initial impression was that I did not like NK's work - the subjects sometimes seemed a little mundane for my tastes, and I was not struck on his composition. However this assignment forced me to look more closely at the work, and I started to appreciate the ideas he puts across. My favourite were the Obama series and some of the work he had in the miscellaneous archive and especially I liked the shot "Swimmer, Cannes France" (that was my favourite), but not a possibility to emulate in a West of Scotland November! Subsequently I looked at the more "mundane" subjects and began to see something that I could look for. I liked the concept behind the "signs that we exist" and I had great fun shooting a series of photographs - mainly consisting of the garbage we leave behind! In the end, though, I wanted a slightly deeper recognition, that we as humans have thoughts, and when we leave some evidence of human existence.
How to Play Pokemon Legends Arceus on Yuzu Emulator for PC
Dive in to the latest Pokemon Legends Arceus game today! This game just got released and is now playable on PC. If you are interested in playing this game into your computer and don't know how. Then, let me help you by watching this video and follow all the step by step guide.
Official Site approms.com/pokelegendsarceusryuzu
System Requirements:
CPU: Atleast 4 cores (Higher Core count = better performance)
GPU: atleast GTX 1060 or amd equivalent
RAM: 8GB RAM (16GB is recommended)
Storage: atleast 1TB since Switch games are large in file size
Related Tags:
pokemon legends arceus
pokemon legends arceus gameplay
pokemon legends arceus yuzu emulator
pokemon legends arceus ryujinx emulator
pokemon legends arceus pc gameplay
pokemon legends arceus pc
pokemon legends arceus download xci
pokemon legends arceus download nsp
how to download pokemon legends arceus on pc
how to setup pokemon legends arceus on pc
how to play pokemon legends arceus on pc
how to install pokemon legends arceus on pc
how to get pokemon legends arceus on pc
#pokemonlegendsarceus #pokemonlegendsarceusdownload #pokemonlegendsarceuspc
The finished version of the I2C emulator.
More details and all the schematic of this project are available at github.com/dilshan/i2c-test-terminal
hi.kingdomsalvation.org/videos/emulate-the-Lord-Jesus.html
पूरा किया परमेश्वर के आदेश को यीशु ने,
हर इंसान के छुटकारे के काम को,
क्योंकि उसने परमेश्वर की इच्छा की परवाह की,
इसमें न उसका स्वार्थ था, न योजना थी।
परमेश्वर की योजना को केंद्र में रखा उसने।
स्वर्गिक पिता की इच्छा की खोज करते हुए,
प्रार्थना की स्वर्गिक पिता से उसने।
उसने खोज की, और प्रार्थना की सदा।
गर यीशु की तरह, परवाह करो परमेश्वर की तुम सभी,
और मोड़ लो मुँह देह-सुख से तुम,
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
प्रार्थना की उसने, "हे परमपिता परमेश्वर!
अपनी इच्छा को पूरा कर।
मेरे इरादों के मुताबिक नहीं,
योजना पूरी हो तेरी तू ऐसे काम कर।
तू उस कमज़ोर इंसान की परवाह न कर,
जो चींटी की तरह है तेरे हाथों में।
है मेरी कामना मैं वो करूँ जो इच्छा है तेरी।
जो तू चाहे वो कर मुझमें।"
गर यीशु की तरह, परवाह करो परमेश्वर की तुम सभी,
और मोड़ लो मुँह देह-सुख से तुम,
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
यरूशलेम की राह पर,
महसूस की व्यथा यीशु ने,
फिर भी, निभाया वचन अपना, बढ़ता गया उस ओर जहाँ,
सलीब पर चढ़ाया जाना था उसे।
सलीब पर आख़िरकार, चढ़ा दिया गया उसे,
बन गया छवि पापमय देह की,
छुटकारे का काम पूरा करके,
मौत की बेड़ियों से ऊपर उठ गया वो।
गर यीशु की तरह, परवाह करो परमेश्वर की तुम सभी,
और मोड़ लो मुँह देह-सुख से तुम,
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
यीशु तैंतीस बरस जिया,
परमेश्वर की संतुष्टि के लिये सबकुछ किया।
नफ़े-नुकसान की कभी परवाह नहीं की,
पूरी की परमपिता परमेश्वर की इच्छा मगर।
सेवा प्रभु यीशु की
थी परमेश्वर की इच्छा के अनुरूप सदा।
छुटकारे के दायित्व को इसलिये,
वो निभाने के काबिल था।
अपार यातनाएं सहीं उसने,
जाने कितनी बार शैतान ने लालच दिया उसे।
मगर मायूस न हुआ वो कभी।
भरोसे और प्यार में ये काम दिया परमेश्वर ने उसे।
गर यीशु की तरह, परवाह करो परमेश्वर की तुम सभी,
और मोड़ लो मुँह देह-सुख से तुम,
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
तो सौंप देगा परमेश्वर सेवा कर पाने का अहम काम तुम्हें।
ऐसे ही वक्त में क्या
तुम साहस करोगे कहने का, तुम करते हो इच्छा पूरी उसकी,
करते हो उसके आदेश को पूरा,
कि सही मायनों में करते हो सेवा परमेश्वर की।
"मेमने का अनुसरण करना और नए गीत गाना" से
स्रोत: सर्वशक्तिमान परमेश्वर की कलीसिया
उपयोग की शर्तें: hi.kingdomsalvation.org/disclaimer.html
सम्बन्धित सामग्री:
2019 जीसस सॉन्ग—— क्रूस के रास्ते पर चलो——ईसाई धर्म के अनिवार्य तत्व
This screenshot shows the Facedancer board catching an update that was intended for an Ubertooth. With minor patching, you should be able to catch damned near any DFU update.
To be presented at Breakpoint 2012 in Melbourne.
Eliot Porter (1901-1990)
Mission: Emulate the work of American landscape and nature photographer Eliot Porter.
Considered by many to be the grandfather of color landscape and nature photography, Eliot Porter was among the first to successfully bridge the gap between photography as a fine art and its roots in science and technology. Porter drew inspiration from photographers Alfred Stieglitz, Ansel Adams, and Paul Strand. By taking their subjects and mimicking their compositions, Porter earned a remarkable solo exhibition in late 1938 at Stieglitz's renowned gallery An American Place. The show vaulted Porter into the ranks of the leading American photographers. Yet rather than rest on those accolades, Porter almost immediately began a sustained commitment to exploring the expressive potential of color.
Wit - This was taken from the Jungfraujoch in Switzerland. I had wanted to capture the texture of some great looking rock on a sunny day. Porter didnt inspire me very much to be honest although I can appreciate his value to todays photographer.
Crevasses scare me witless and my shot doesnt really demonstrate the scale at all. Not much done in pp, cropped and a minor tweak with curves.
Camera Canon EOS Digital Rebel XTi
Exposure 0.001 sec (1/1600)
Aperture f/10.0
Focal Length 55 mm
ISO Speed 200
Nikon D5100/D3100/D7000 Unlimited Length HD Video Firmware Patch by Simeon is now available for download:
[http://simeonpilgrim.com/nikon-patch/Nikon-Patch.html]
Unlock the 20 minute video length limit of Nikon D5100/D3100/D7000 DSLRs and save JPGs at 99% quality.
New longest HD video recording length: 76 minutes @ 1280x720p 24 frames/sec, normal quality
The Beta has passed the 500+ users mark without reports of issues.
ratSraW beta2 v1.01 D5100 firmware is now available for download:
[www.mediafire.com/?py37w1tlx0egwyh]
Rename the file to .bin and copy onto SD card.
To install go into Setup Menu -> Firmware Version -> Update -> Yes
The original Nikon D5100 v1.01 firmware can be restored at any time.
For support, questions or feature requests please use the forum:
[nikonhacker.com/viewtopic.php?f=4&t=12]
Nikon D5100 Fujitsu FR Emulator v2.xx by Vicne is available for download!
Java emulator:
[code.google.com/p/nikon-firmware-tools/]
Demo video of emulator running B firmware binary:
[screencast.com/t/EGnLaYGuWB7o]
See [nikonhacker.com] for instructions on how to decrypt, customize and repackage firmware for Nikon D5100, D7000, and D3100 DSLRs.
Special thanks to Peter at [nikonrumors.com] for announcing the Beta's availability.
Kudos to Wired for running the story [www.wired.com/gadgetlab/2011/12/nikon-d5100-gets-hacked-s...]
Get the base game of Pokemon Sword and Shield, its DLC and its 1.2.0 version update which is 11.3GB in total size. Play it now in PC using yuzu emulator.
Pokemon SWSH XCI/NSP ROM: bit.ly/pokeswshyuzupc
Official Yuzu Emulator: yuzu-emu.org/
System Requirements:
CPU: Atleast 4 cores (Higher Core count = better performance)
GPU: atleast GTX 1060 or amd equivalent
RAM: 8GB RAM (16GB is recommended)
Storage: atleast 1TB since Switch games are large in file size
Related Tags:
pokemon sword and shield
pokemon sword and shield the isle of armor
pokemon sword and shield expansion pass
pokemon sword and shield gameplay
pokemon sword and shield yuzu emulator
pokemon sword and shield pc gameplay
pokemon sword and shield dlc download
pokémon sword and shield expansion pass download
pokémon sword and shield pc
pokémon sword and shield the isle of armor download
pokémon sword usa version download xci
pokémon shield usa version download xci
how to download pokemon sword and shield on pc
how to setup pokemon sword and shield on pc
how to play pokemon sword and shield on pc
how to install pokemon sword and shield on pc
how to get pokemon sword and shield on pc
#pokemonswordandshield #pokemonswshexpansionpass #pokemonswordandshielddlc
The GoodFET here is wired into a MAX3421 chip to act as either a Host or Device in USB. This allows you to write horrifically standard-incompliant protocol implementations in order to find exploitable vulnerabilities in both hosts (by emulating devices) and devices (by emulating hosts).
Ain't that nifty?
Fonte Official Slayer FB Page :
Slayer, the long-reigning titans of thrash, returns with Repentless, the band’s 11th studio album and its first album for Nuclear Blast. Produced by Terry Date, Repentless was written and recorded by guitarist Kerry King and singer/bassist Tom Araya at Henson Studios in Los Angeles, along with returning drummer Paul Bostaph and guitarist Gary Holt. Repentless is crushing and brutal, steadfastly refusing to cater to the mainstream.
Thirty-four years into its career, Slayer remains the preeminent punk-thrash band that helped establish the genre and that up-and-coming metal heads continue to revere and emulate. Slayer is a five-time nominated, two-time Grammy Award-winning metal juggernaut that writes songs which mirror the turmoil and aberrations of our society. Repentless, the band’s first new album in six years, continues the Slaytanic offensive with a twelve-song, blood-shaking sonic attack. Repentless is dark, fast, aggressive and without mercy. It was also the most challenging record Slayer has ever had to make.
In 2013 the world mourned the loss of guitarist Jeff Hanneman who died from complications following a two-year illness. A co-founder of Slayer, losing Jeff was very difficult for the band. During Jeff’s illness, friend of the band, guitarist Holt stepped in to help out on tour with Jeff’s blessing and stayed on. Around that time, drummer Dave Lombardo exited the band for the third time and Paul Bostaph, (who played with the band from 1992 – 2001), returned to take over the throne. Slayer never skipped a beat and since Holt and Bostaph both played in Exodus, it was all-in-the-thrash-family.
But it didn’t come easily. As guitarist and Slayer co-founder Kerry King puts it, “I remember the day that Jeff died. It was the day of the Revolver Golden Gods Awards. We knew he’d been sick but nobody expected it to be so quick. I assumed I’d be able to go out there and see him after I got done with whatever business I had to do and that day never came.
“We went out and toured afterwards to see how we felt about it. That’s what you do as a musician: you either go out and tour or you stop working. Even though we’d been touring for two years without Jeff, thinking he was going to come back, now there was finality to it. And the thing with Gary was that we were all friends. Exodus was the first band we’d ever met that became our friends immediately and we stayed friends throughout the years. Gary is just a guitar dynamo and he was the guy.”
Tom Araya agrees. “Jeff would want us to continue. I’d think that if something were to happen to someone else in the band, whoever it was would feel the same way. Just get on with it. Gary’s a friend, a friend of Jeff’s, he knew what was going on and he wanted to help in any way he could, so Gary made Slayer a comfortable place to be. Having Paul back was also a comforting feeling. He’s a former member and that’s the best thing about it. It wasn’t some other guy. Having Paul and Gary made everything a little easier to handle. It’s about the band. Slayer was a big thing for Jeff, and so I’m looking at it in that sense. It was his baby, too. And we hope we’ve done Slayer and him justice.”
King said that Slayer still had to test the water. “Now we were out to see if it made sense to continue, to see if we liked it, to see if the band still enjoyed it. And the way I looked at it was: if it wasn’t this, it was going to be something that sounded exactly like this, so why not continue doing this? It’s super-potent. We’re really tight right now and we’re stoked that we’re still doing it. Once we had that under our belts we started thinking about a record and never looked back.”
After two decades with American Recordings, Slayer found a new home with Nuclear Blast, the German independent label known for its metal roster. King is enthusiastic about the move, “I like it,” he declares, stressing the work like. “Having been with American for so long we wanted to give them first right of refusal because that’s how we are. I think continuity is far stronger than switching all the time. But at the end of the day, Nuclear Blast made us a great offer and so it was time to move on. At Nuclear Blast, people go to work, they do their job, get paid and they fuckin’ like it. All hands. So it was the right choice.”
When the time came, Slayer entered the studio with producer Terry Date. Date is the first producer the band has worked with since leaving American, where all their albums were produced or executive produced by Rick Rubin. On working with Date, Tom says, “He’d done all these great albums – Soundgarden, Pantera – and as a singer I need someone I respect who can tell me whether he likes it or not as opposed to telling me how to do something I’ve been doing for 30 years. He would guide me. That’s why I really liked working with him, because he was so cool. I regard him as a friend, for sure.”
Kerry adds, “It was as business as usual as it could be. The oddest thing for me was Jeff’s presence… not being there. When we were recording, in the past, whether he played or not, having him there and having his opinion and stuff like that: that was what I missed. Jeff’s not being there was the oddest thing.”
Gary Holt came on board to help out with tour commitments when Jeff first became ill. “My role in Slayer started out as a tour and happened to come when I was taking time off from Exodus and I spoke to Kerry who asked if I could help out. I went down to rehearsal and Jeff showed me some things. I’ve known Jeff forever but it wasn’t until his memorial that I learned how much of his blessing I really had. At the end of the day, we all wanted Jeff to come back and then tragedy struck; so here we are five years later and Repentless is coming out and I think Jeff would have loved it. I’m super-excited. It’s a good feeling and I know it’s got to be a great feeling for Tom and Kerry for all the work they’ve done – and Paul as well. Everybody’s excited.”
Repentless marks the return of drummer Paul Bostaph, who was extremely enthusiastic.
“Before I was in the band I was a fan and just because I’m the drummer doesn’t mean I stop being a fan: it just means my tickets are cheaper. After I left in 2002 I never thought I’d be sitting on the drum throne with the band again. This particular style of music delivers something for me, musically and physically, that’s challenging and exciting. I feel better as a player and I’m more mature and the band is maturing and getting better, like fine wine. It feels natural to be back and it’s good to be back with Kerry and Tom. The San Francisco Bay-area metal scene is very tight knit: everybody knows everybody. I consider Slayer to be part of that even though they’re from Southern California. Gary I played together in Exodus and he’s amazing – one of the godfathers of thrash with Exodus – so it’s like coming home for me. And we’re having fun and I think if we weren’t having fun we wouldn’t be doing this.”
Repentless marks a number of transitions for the band but with their undisputed attitude, Slayer emerges triumphant, says Tom. “After 35 years, the thing that Kerry and I share is our dedication to the band, and Jeff’s included in that. It’s the same with Gary. He’s been doing this a long time and he’s had the same commitment. It’s a common bond we share with a lot of musicians out there. I’m really excited about the new album, we’ve put a lot of work into it, Kerry especially, and it was all for Slayer.”
Repentless is loaded with sensational songs, from the hyper-aggressive metallic blasts of the title track, “Take Control”, “Implode” and “Atrocity Vendor” to the ferocious thrash pounding of “Vices” “When The Stillness Comes” and “Pride In Prejudice” the album is Slayer through and through. For Paul Bostaph it’s simple: “The songs are awesome.”
Tom puts it bluntly, “This is definitely Slayer. No one will be disappointed with what we’ve done.”
For Kerry King, the feeling is mutual. “Musically for me – it’s certainly not an “I told ya so” because Jeff’s not a part of it – but I do know that a lot of people assumed Slayer’s not going to be functional with Dave not being here and Jeff never being here again. But we did it and it fuckin’ sounds like Slayer – period.”
Slayer's place in music history is secure as one of The Big Four (alongside Metallica, Megadeth and Anthrax): they helped define the thrash-metal genre. With Repentless Kerry, Tom, Paul and Gary affirm that Slayer is unstoppable. Slayer continues fearlessly, aggressively and without contrition; and most importantly, fucking Slayer still rules!
The idea behind this photo was to emulate a famous photographer from the past. The assignment required that we pick a photographer born before 1940, look at their work, get to know their style, copy an image and then go shoot our own image that we think emulates the style of the photographer. This is the photo I took after studying Carleton Watkins.
I know you can buy 74LS293s for $1 from Mouser. I did this 100% for amusement value, because misapplying technology like this makes me giggle, not because I couldn't figure out another way to replace a 4 bit binary counter. Though it did get me the immediate gratification of having it working that same night, instead of having to wait for a package in the mail. :)
An ebay-purchase in quite good condition. Consistent yellowing of course. But a good base for a Gotek floppy-emulator. ;-)
Pokemon Sun and Moon has been out quite a while now but if you still don't know how to play it or download it for your PC then watch this video cause I'm going to show you how to do that!
Official Yuzu Emulator: citra-emu.org/
Pokemon SWSH XCI/NSP ROM: bit.ly/31KsqmZ
Music: www.bensound.com
System Requirements:
CPU: Atleast 4 cores (Higher Core count = better performance)
GPU: atleast GTX 1060 or amd equivalent
RAM: 8GB RAM (16GB is recommended)
Storage: atleast 1TB since Switch games are large in file size
Related Tags:
pokemon x and y
pokemon omega ruby and alpha sapphire
pokemon sun and moon
pokemon ultra sun and ultra moon
pokemon x and y citra emulator
pokemon omega ruby and alpha sapphire citra emulator
pokemon sun and moon citra emulator
pokemon ultra sun and ultra moon citra emulator
pokemon x and y pc
pokemon omega ruby and alpha sapphire pc
pokemon sun and moon pc
pokemon ultra sun and ultra moon pc
#PokemonXandY #PokemonORAS #PokemonUSUM
PRO87 – Emulation Assignment 07: Nadav Kander
Emulate the work of Nadav Kander (1961–):
Nadav Kander is one of the most successful and well-known photographers of today. When you study his work, take note of how varied his portfolio is. It seems there is nothing Kander can't do. His work ranges from portraits, advertising, magazine covers, music album artwork to landscapes, interiors, and nudes. Visit Kander's Web site and study his work; his work is organized into sets (go to Work, Assigned, and Archive to see the different sets) and see what makes his work stand out. For the purpose of this assignment, pick a set and emulate the work within that set. You can take just one photograph or build a set and post your best photograph to the pool. Many of Kander's subjects are location independent. For sets that portray a specific place, you could pick a location near you and look at it through Kander's eyes (e.g., without meaning to draw a comparison, the Chernobyl set could inspire a series of shots taken in an abandoned building; the Yangtze set could inspire photos taken at a river or body of water near you; etc.). You might also be inspired by some of Kander's magazine work (go to Assigned > Editorial).
Kander's photographs encompass many different techniques and styles. There is a certain degree of minimalism in much of his work. Some of Kander's images have a slightly cross-processed look while others are vibrant, high-contrast photographs. His portraits are not your average portraits; some are high contrast, some are cross-processed, some subjects seem to be floating, some are colorized while some are blurred.
Background notes:
Nadav Kander was born in Israel in 1961. In 1963, Kander's family moved to South Africa where he grew up. Today he lives in Great Britain. You can read about his background and life in the biography that's available on Kander's Web site. Two recent awards include "2009 International Photographer of the Year" and the coveted Prix Pictet 2009. Links to articles about Kander's work can be found on his Web site (go to Information > Selected Articles), including an interview.
Online Resources:
WIT
I of course went the route of his landscape works.
In particular his works from the swamps, showing the Spanish moss.
I did not want to copy or try and take a photo that looked just like his work, but instead take some of his style and inject it into what I am already doing.
These trails you may have seen before, they are from a large wetland preserve with miles of trails running through and around the water/swamps and cypress.
I took this nearly at night, 1/30th shutter speed, my IS set to full, f 5.6 and ISO 800. I had my 100-400L IS on the camera as that is normally all I carry on these long hikes, this was at 120ish mm and hand held with front elbow locked onto my chest acting like a tripod mount while standing. Took a sequence of 4 shots just to make sure I got one or two without movement. the other one I will post below as the original image.
I then started to mess with it, The original was dark, but had many details, so I started to adjust highlights, moved the saturation up, then adjusted for more shadows, in there somewhere I adjusted the temperature to give it a more blue tint, This blue tint I saw running as the theme for many of his landscape works.
Then ran it through noiseware to soften it up a touch, coming back to Picasa to sharpen on time and add a tad of a glow effect (I think I could actually duplicate the workflow too, which for me is strange).
I also noticed on more than one shot of his, there was not solid subject that jumped out in the landscapes, only patterns and bright areas (a bit more subtle than my foreground grass here),
my normally preferred way of taking these shots is more of a pastel look with the light shooting through the trees. I also do not normally go anywhere near this high a contrast and normally warm a shot, not cool the temperature.
I wanted some fog across the wetlands, but that never happened on any of my swamp visits this month. (now tomorrow I will probably get it).
With the current trend of high contrast, dark shadows and over saturation I am seeing not only in photography, but also in video, ad print and TV, this was interesting to study some works where this style is used and accepted.
My other choices were more of minimalistic landscapes using birds as subjects instead of peope (tough to talk someone into standing out in a gator infested wetland for a shot).
Like I said, I wanted to use his style and influences into something that is my style or locations, That is why I picked a shot that I have taken many times before over the last year to process in his style. Nice assignment, diverse, different but fitting many peoples interests.
Just want to show you guys my smooth gameplay for Pokemon Sword and Shield which is running 30fps without no issue at all. I'll also link to you guys the early access build for yuzu emulator. Watch the video carefully and follow the steps in order to play Pokemon SWSH.
Pokemon SWSH XCI/NSP ROM: bit.ly/pokeswshyuzupc
Official Yuzu Emulator: yuzu-emu.org/
System Requirements:
CPU: Atleast 4 cores (Higher Core count = better performance)
GPU: atleast GTX 1060 or amd equivalent
RAM: 8GB RAM (16GB is recommended)
Storage: atleast 1TB since Switch games are large in file size
Related Tags:
pokemon sword and shield
pokemon sword and shield the isle of armor
pokemon sword and shield expansion pass
pokemon sword and shield gameplay
pokemon sword and shield yuzu emulator
pokemon sword and shield pc gameplay
pokemon sword and shield dlc download
pokémon sword and shield expansion pass download
pokémon sword and shield pc
pokémon sword and shield the isle of armor download
pokémon sword usa version download xci
pokémon shield usa version download xci
how to download pokemon sword and shield on pc
how to setup pokemon sword and shield on pc
how to play pokemon sword and shield on pc
how to install pokemon sword and shield on pc
how to get pokemon sword and shield on pc
#pokemonswordandshield #pokemonswshexpansionpass #pokemonswordandshielddlc
MISSION: Emulate the work of Nadav Kander (1961–):
Nadav Kander is one of the most successful and well-known photographers of today. When you study his work, take note of how varied his portfolio is. It seems there is nothing Kander can't do. His work ranges from portraits, advertising, magazine covers, music album artwork to landscapes, interiors, and nudes. Visit Kander's Web site and study his work; his work is organized into sets (go to Work, Assigned, and Archive to see the different sets) and see what makes his work stand out. For the purpose of this assignment, pick a set and emulate the work within that set. You can take just one photograph or build a set and post your best photograph to the pool. Many of Kander's subjects are location independent. For sets that portray a specific place, you could pick a location near you and look at it through Kander's eyes (e.g., without meaning to draw a comparison, the Chernobyl set could inspire a series of shots taken in an abandoned building; the Yangtze set could inspire photos taken at a river or body of water near you; etc.). You might also be inspired by some of Kander's magazine work (go to Assigned > Editorial).
Kander's photographs encompass many different techniques and styles. There is a certain degree of minimalism in much of his work. Some of Kander's images have a slightly cross-processed look while others are vibrant, high-contrast photographs. His portraits are not your average portraits; some are high contrast, some are cross-processed, some subjects seem to be floating, some are colorized while some are blurred.
WIT:
1. Which photo(s) inspired you?
I was mostly inspired by the "Signs That We Exist" set of photos because they were both in my range of self efficacy and they provided an excellent concept for me to work with.
2. What do you like or not like about Nadav Kander's work?
Nadav Kander is by no means my favorite photographer, even after emulating him. In fact, attempting to emulate him has probably lead to me liking him even less. His ad sets were the only ones that I liked, but they were way out of my range. And while I believe that his "Signs That We Exist" set is an interesting concept, I still do not like the direction he took with it. To me, the empty voids and very stagnant composition threw me off and, IMHO, limited my imagination. I do not, personally, see why Kander has become a noted photographer. I am sorry if this blunt opinion offends.
3. What are your thoughts and/or thought process behind your assignment submission?
I knew that the void of empty space with one thing in there somewhere was the general style of Kander's "Signs That We Exist" set. So I immediately thought of litter on a roadside. Leaves and grass and other natural patterns that are broken every so often by the trash that we carelessly throw out the window of our cars. This concept was one that I believed to both have a message and to create a situation where I would have several pictures to choose from.
4. How does your photo reflects Kander's work?
I believe that my work reflects Kander's in many ways. The empty void with the subtle hints of human life was something that I worked very hard to obtain. Also I wanted to obtain the almost dreary feel of Kander's photography, which was one of the defining factors in my choice. While this picture may be a bit too warm, I believe that it still gives off a dreary mood. Also, it was pointed out to me that Kander never used square crops. This is something that I will have to disregard in this instance. I believe that this is the best picture that I could have gotten for this emulation and anything other than a square crop would have thrown off the composition.
5. What did you gained as a photographer from studying Nadav Kander's work?
I think that I gained a new mindset from this emulation. While I do not necessarily like Kander's work, I can appreciate the difficulty of capturing some of his pictures. It was difficult to think of ideas and, even more so, to carry them out. This emulation really forced me to think in ways that I am not used to and to really look for signs that we exist.
In one of the few free moments of Turkey Day, my cousin and I went about town looking for signs that we exist. We were originally looking for an idea that she had but I was mostly looking for litter. While we were searching, I found a large, round cement flower pot that had mulch but no flowers. When I looked again I saw a cigarette butt in the mulch. So I took the picture. When I got home, I cropped it only to find that there was a screw in the pot that I had not noticed before. So that part was entirely luck. So enjoy my Sign That We Exist.
TECHNICAL:
Camera:Nikon Coolpix S570
Exposure:0.008 sec (1/125)
Aperture:f/2.7
Focal Length:5 mm
ISO Speed:80
Exposure Bias:0 EV
Flash:Auto, Fired
POST PROCESSING:
I used a square crop because any other crop would have shown the circular edges of the pot, which threw off the void of the picture. I saturated the rust of the screw just a little and desaturated the yellow of the cigarette, as it looked a little fake naturally.
Emulating nice film colours from 70s. The original RAW in Adobe Lightroom processed with Cambria preset from www.reallyniceimages.com.
PRO73 - Emulation Assignment 03: Pete Turner
Mission:
Emulate the work of Pete Turner. Seek out color. Place as much importance on color as on the subject and composition. In other words, color should play a major role in your photo. Use it for drama, intensity, mood and impact. Study Turner's photographs and see what makes them stand out. Present your assignment photo in any format. Turner's work is not only found in galleries but on albums, books, magazines, and in advertising.
dWIT:
1,2. I am impressed by almost all of his photo. The reason why I do not have one favourite is because I find his style really consistent and prominent.
Besides what we brought up about using colour, or inventing / introducing colour that is not present in the actual moment to create mood, I think I am missing something.
Besides colour, which is one of the ways he surprises, I think his unprocessed photos would contain surprising elements also. When I see his photos, I see surrealism, surprising juxtaposition of elements (shapes, forms and colours). Examples will be the giraffe (colour), the horizon sitting on the rubbish bin (shapes).
3. I was definitely very interested in the surrealism elements in his photographs. I was trying to find a surreal photo / scene to begin with, which I failed.
4. So I made do with a photo that is normal, and gave it some mood. I tried to bring out the red again after the RAW processing because of his emphasis on primary colours, but I couldn't. I really like this tint, so I am going to stick to this, instead of re-doing one with primary colours.
5. Personally I love surrealism, and I am surprised to find it in photography. Given how famous painters carefully construct a world that is so real but illogical to the point where it can't be found in real life. I am surprised it can be done as shown by Pete Turner. To me, colour is just one of his tools. From now onwards, instead of looking at the classic composition, I will also keep a lookout for weird composition keeping in mind that I can try achieving the kind of surprise Pete Turner generates using his photos. I think one of the important thing is to keep the end product in mind when taking that photo, which I think a lot of us are applying for this assignment, but might not be what I am doing usually. Begin with the end in mind, to quote someone famous.. lol..
Mission:
Emulate the work of Karl Blossfeldt (1865-1932)
Feb.1 - Feb. 28
Karl Blossfeldt was a sculptor and amateur photographer in turn-of-the-(last) century Berlin. His entire photographic portfolio is devoted to plant parts: twig ends, seed pods, tendrils, leaf buds, etc. These he meticulously arranged against stark backgrounds and photographed in magnification, so that unfamiliar shapes from the vegetal world are revealed as startling, elegant architectural forms. The subjects were typically photographed against white or gray cardboard, sometimes against a black background in weak daylight (think northern window), much as though he were photographing architectural details. His black-and-white, sharp-focus images appear semi-abstract to the viewer unfamiliar with his subjects.
Insight into Blossfeldt’s process for creating working collages that were used as source material for his 1928 book Urformen der Kunst (published in English as Art Forms in Nature, 1929) reveal the transformation of selected contact prints into their final published form. It is surprising to learn that his plant photographs were highly manipulated (he would have appreciated digital post processing). Art historians note that the “isolation of particular motifs—so typical of Blossfeldt's work took place not at the time of the negative's exposure, but at a later stage, during enlargement."
Blossfeldt's practice involved selection and alteration at nearly every stage. He is reported to often photograph several (and different) plants at once and then later, cut up his contact prints and rearrange individual elements. When enlarging an image to emphasize detail, Blossfeldt would often crop again, selecting only a portion of a plant. Unwanted details such as leaves, roots, distracting shadows, or even photographic blemishes were eliminated from the contact prints by hand.
Blossfeldt achieved overnight fame after he first published his plant photographs in 1928. His images influenced artists of the time and continue to affect the work of visual artists, craftsmen, and architects to this day. The true value of Blossfeldt’s photographs lay in their precise focus, and in the revelation of natural forms through magnification. He is often seen as a transition between looking at photography as just science and looking at photography as art.
Although Blossfeldt's aim was to produce a pure catalogue of forms, he created one of the most stunning bodies of work in the history of photography. Andrew Roth’s highly regarded Book of 101 Books, The: Seminal Photographic Books of the Twentieth Century includes Blossfeldt’s 1928 publication amongst works from the likes of Ansel Adams, Margaret Bourke-White, and yes, William Eggleston.
Duotone images are traditionally used when the photographer wants to emphasize the form and structure of a subject (as was Blossfeldt’s goal), but there is probably no reason why color would not also work for this assignment.
dWIT (detailed What it Took)
1. which photo(s) inspired you
Really liked his photos of seed pods and tendrils.
2. what you like and/or don't like about Karl Blossfeldt's style
They have a symmetry and cadence, as well as wonderful details. Also like the sepia tones of several of the photos.
3. your thoughts and/or thought process behind your assignment submission
I really liked this assignment a lot, even thought my own final photo was not what I hoped. Tried several photos of vines and bark that didn't turn out quite right. This was the best one of the lot.
To create this capture I took a portion of a tree photo and cropped. Adjusted the contrast a hair to enhance the details of the bark, and turned to sepia through Aperture.
4. how your photo reflects elements of Blossfeldt’s style
It's actually a young tree's trunk, and offset to the side, so in those ways it deviates from Blossfeldt, though I hope the details and tone are still in line with emulation of his work.
5. what you gained as a photographer from studying Blossfeldt's work
I love the way he shows us new worlds in the visual close-ups of nature. The monochromatic photos allow the viewer to focus on the patterns and details so clearly. This assignment made me slow down and admire the small details and natural patterns in vegetation all month. :) I will keep that with me.
How to develop cross-platform mobile apps on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
Emulating Instagram filters in Lightroom.
I use Instagram presets for Lightroom downloaded from www.reallyniceimages.com.
Please don't hesitate to check other sizes and ask any questions.
PCA 301 - Emulate Ansel Adams
Take a picture int he style of the great B&W landscape photographer, Ansel Adams
The first picture I took was rushed and not quite what I had wanted to capture, especially with the mountains so close to me. So, the day the assignment was due, I packed a picnic for the kids and I and we took an hour drive to the mountains. We stopped at a road side pull out and ate while I took pictures. It was great fun. We saw two black bears and then we threw rocks into the creek.
In post, I blended two pictures at different exposures together. This is the first time I've tried this and have been quite pleased with my efforts.
I realize that this does not "deserve" a critique, - I have already a picture posted for this assignment, but am very happy to hear any thoughts you have.