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Think about it first, what is your guess? Likely you already had a gender
in mind....Well if you expected we're having a *BOY*, you're wrong!! We're
having a girl! :) We had the long ultrasound appointment yesterday, and we
visited with my doctor today so she could explain everything to us. At
first the technician could not determine the gender because the baby was
sitting down sort of indian-style, so she had me get up and touch my toes 3
times. After that both she and the doctor were certain that it's a girl.
The ultrasound was the coolest experience ever! I feel so blessed that we
have moving pictures now to actually see the baby moving around. The tech
who performed our ultrasound, Joy, was an expert, she's been doing it for
30+ years. She said when she started they didn't even have moving pictures!
We got to see the baby moving her mouth in the drinking motion, so cute! We
saw all the bones of the arms, legs, fingers & toes. Everything appears to
be perfectly healthy with the spine, kidneys, heart, head & stomach. They
gave us a perfect report! Also, this confirmed that we have the lowest
chance of all that our baby has Down's syndrome.
The only thing that they said they're going to monitor, is a very slight
risk of growth depression due to the odd placement of the umbilical cord on
the placenta. My doctor assured me that it's not statistically proven at
all because she's seen plenty of baby's with this issue that are enormous.
But since our baby's umbilical cord connects to the edge of the placenta
(rather than somewhere toward the middle), theoretically she could have
trouble getting all the nutrients and growing. However, she said so far our
baby's even a little bit ahead so the ultrasound showed us having a due
date of Dec 27th, rather than the 30th, so we'll see! It's actually kind of
cool though because this means we get to do another ultrasound in 9 weeks,
when normally we wouldn't! I'm really excited to see the baby when she's
that big.
I attached a picture that has our 2 favorite pictures from the ultrasound.
You can see her cute profile with nose & lips (whose do they look like?!),
and the other one is looking directly at her face and she's smiling! I also
attached pictures of me in our new apartment! We moved last month to an
apartment in Chinatown and we're really enjoying it. Who wants to come
visit?!
With love,
Giulian, Christy & baby girl
PS: We're still mulling around with names, but we're not telling anyone
till she's born! :D
On Sat, Jun 16, 2012 at 12:44 PM, Christy Giusti wrote:
> Hi family,
>
> Giulian and I were thinking that it'd be nice to send a quick update to
> our family after our every-four-week doctor's appointments to keep you all
> in the loop. They'll be brief for the most part, but you can just skim
> through it if you want! Is this the preferred email address for everyone?
>
> I'm almost to Week 12, so I'm only about 2 weeks away from the 2nd
> trimester. I had a short doctor's appointment last week and everything went
> well! Nothing new, got to know my doctor better who I really like, and to
> hear the baby's heartbeat with the fetal doppler instrument which was
> awesome. My first experience with the gel on my stomach, very interesting.
> Afterward I scheduled our 18 week super long appointment where we have the
> detailed ultrasound that tells us gender and such. Really excited for that!
>
> Even though these past couple of weeks have been better for me
> health-wise, I'm still struggling a bit with nausea/vomiting which accounts
> for the 2 pounds I lost during the 1st 10 weeks. So I'm really looking
> forward to the 2nd trimester when that is supposed to lay off and my energy
> to return. We went camping last weekend and I felt great, we even went
> white water rafting! Call me crazy. It's good for the baby to get a taste
> of our life you know? :) Also, my stomach is definitely starting to fill
> out, I have to unbutton my pants sometimes when I sit down. Oh joy!
>
> Pretty soon here we're going to announce the news via facebook after we
> finish telling the rest of our key friends & extended family. So once you
> see that you can talk more openly about it. Thanks for letting us tell
> everyone ourselves, it's a joy!
>
> Love you all a ton! Talk to you again in 3 weeks. :)
>
> PS: Let me know if there's any other information you'd like to hear.
>
> --
> *Christy Giusti*
>
>
Peek Email Reader
Left: Back side of the front half of the circuit board. On top is the LCD, below is the aluminum backplate to the keyboard.
Right: Back side of main circuit board.
Good day.I hope I'm not interrupting you with my letter.I got on my emails, your email.It has been written that you want to meet.I'm looking for a serious relationship, just like you!I want to meet you and get to know you.If you're real, then write me I have to finish my letter, because I need to work.I will be very happy if you answer me.In the next letter I will tell you more about her on life.
This reading is a voice recorded reading that is emailed to you. Please email me with the focus question after paying for the reading. More info: www.ladypersephone.com/portfolio/concise-email-reading/
We all know very well what the internet is and the additional business opportunities it offers us. The role of e-mail marketing in the virtual environment is small. It is not wrong to say that we are surrounded by e-mails today. Normally we use many e-mail services per day as a requirement of...
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This photo / comic / funny was sent to me via email. I take no credit for it, just sharing by a different means.
Hope you get a chuckle. :D
Creosote Shadows, Morning Tracks in Sand. Death Valley National Park, California. March 28, 2010. © Copyright 2012 G Dan Mitchell - all rights reserved.
A clump of creosote brush casts a morning shadow across tracks in the sand, Mesquite Dunes, Death Valley National Park
While reviewing some old raw files near the end of 2012, I went back to some Death Valley photographs made during the past few years. I came upon this photograph that I had more or less forgotten. I wonder if at the time I was distracted by other photographs that appealed to me more, or if I perhaps just wasn't sure how to treat it at the time. In any case, it still surprises me - even though I should know better by now - that I find photographs that I like among images that I thought I had finished with several years ago!
Looking through the other photographs that were part of the series that this one comes from, I recalled that I had gone out into dunes in Death Valley before dawn to photograph pre-dawn, dawn, and early morning conditions. As I often do, I approached these dunes by a roundabout route, not only to make the walk a bit easier but also to avoid other photographers and to have a better chance of finding sand that had not yet been tracked up by other human visitors. This small clump of creosote was growing in shallow sand, and its roots had slowed the windblown sand enough to create a very small hill. In turn, this let the low angle sun cast a shadow that led downhill into lower sand and which crossed the tracks of some wildlife that had passed this way the night before.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
BT changed their email today, followed the instructions, deleted my old account, added news ones, nadder, just error messages, got on with some real work, then had another go, got home, tried a different computer, nadder, getting fractious at this point, use the BT help line, no, been there before, not a good idea when I already feel fractious!
Go out to look for a photograph, it's raining and my mind is not on photography, back to the computers, another go, reassuringly the same result, nadder. Brain wave, both laptops have a microsoft product on them (wash mouth out with soap), fired each one up, success first time, ok so it's not me, BT again! Now where did I put the iPhone ........
TK-027 is not known for being subtle, lol.
He wanted to order custom candy hearts that said "She-Ruler" and "Stormie" on them, but I stopped him before he could get a hold of my credit card. Now that he knows the She-Ruler loves him again, he's just as puffed up and insufferable as ever.
All summer I have been meaning to unpack finally and explain how I travel, and what I travel with, and everything. And only now -- as I get ready to leave home for London, Singapore, Sydney and onwards -- have I actually got round to it.
So, welcome to my life, unpacked.
One large suitcase (out of shot)
One purple and grey laptop shoulderbag
One small grey iPad manbag
One brown moleskin jacket
Two pairs of jeans
One pair of cream trousers
Two pairs of cargo shorts
One pair of swimming trunks
Nine days' change of boxers
Seven pairs of socks (they're from Next, this season, before you ask)
Twelve t-shirts
Nine button-down shirts
Zip up light brown ankle boots, out of shot
Purple Crocs, out of shot
Vibram FiveFingers Classic Trainer
Brown slip-on driving moccasins (from Next this season)
iPad (first generation, 3G + Wi-Fi)
Two backup hard drives, 500GB each
USB memory stick (2GB)
Approximately 12 microSIM cards
USB 3G modem
Canon PowerShot S95 + charger
iPhone (4, 32GB, out of shot on account of using it to take this picture
UK multiplug extension power board, three sockets (out of shot)
Universal plug adaptor
iPhone headphones
Sunglasses
Swiss Army Knife (Swiss Champ)
Berocca
Starbucks Via instant coffee (you guys, this is good crack)
Splenda tablets
Sudafed (the good stuff)
Antihistamines
Ibuprofen
Bulldog clips
Business cards
Wallet & ID & stuff
just uploading to get a url so I can attach to my emails. This is what I have been working on for 2 solid days. If you want to see the glitter animation go to all sizes
Lindi Ortega
OCA Spazio Ansaldo (MI)
19 Marzo 2013
© Mairo Cinquetti
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com
Immagine protetta da copyright © Mairo Cinquetti.
Tutti i diritti sono riservati.
L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.
Per contatti: mairo.cinquetti@gmail.com
Nashville beckoned, and Lindi Ortega answered the call.
Armed with an inimitable, irresistible singing voice The Independent hails as “a truly magnificent instrument,” and a heart bursting with creative ambition, the Canadian songstress whom American Songwriter calls “the love child of Johnny Cash and Nancy Sinatra” decided to relocate to Music City from her
native Toronto to birth her brand new musical offspring, Cigarettes & Truckstops.
A logical follow-up to her 2011 critically acclaimed alt-country masterpiece Little Red Boots, the 10-song Cigarettes & Truckstops further flaunts Ortega’s distinctive vision; one that embraces the oft-neglected, politically incorrect realism of traditional country and frames it in a charmingly, and sometimes darkly humourous contemporary context.
Bookended by a couple of romantic road ballads in the title track and the reflective “Every Mile Of The Ride,” Cigarettes & Truckstops further evolves the promise foreshadowed by the JUNO-Award nominated-and-Polaris-Music-Prize-long-listed Little Red Boots.
The writing is stellar, her musical discipline undoubtedly galvanized by a fearless 2010-2012 tour schedule that saw Lindi open for a variety of acts, from punk vets Social Distortion; pop icon Burton Cummings; country fave Dierks Bentley; folk outfit Noah & The Whale and Academy Award winner Kevin Costner with attention-grabbing finesse, making serious inroads with North American and European audiences, and prompting Exclaim! to declare Ortega an “electrifying” performer.
Whether it’s the plucky shuffle of the hilarious “The Day You Die;” the angry harrumph of “Don’t Wanna Hear It;” the high lonesome feel of “Heaven Has No Vacancy” or the haunting twang of guilt that is “Murder of Crows,” Ortega continues to deliver a refreshing twist that walks vintage and contemporary lines in imaginative and inventive manners.
But in order to realize this next step of her artistic fruition, the two-time JUNO Award nominee (Canada’s equivalent to the Grammy Awards) had to pull up her Canadian stakes and come to the well.
“I was really inspired by being here in Nashville,” explains Ortega, the daughter of a Northern Irish mother and Mexican father who has been performing since she picked up a guitar at age 16.
“I wanted the authenticity of my influences to shine through on this record. I knew I liked country and I think moving here, I wanted to delve into those influences more genuinely.
“To be able to read a Hank Williams biography and then go to where his house was, or the places that they talk about, and absorb that was invaluable.”
As Ortega is the first to admit, she’s anything but a “straight-up country artist,” so other elements played into the equation.
“I found that I was really inspired by going to New Orleans, after I shot that music video for (Little Red Boots’) “Black Fly” – and the Deep South.
“After Little Red Boots I read the Hank Williams biography and I learned that he was very highly influenced by a man named “Tee-Tot.” (Rufus Payne). Tee-Tot was a blues guy, and I discovered that a lot of early country drew influence from early blues. So I really started getting into listening to blues.”
She recruited a sympathetic visionary to produce the album in fellow Canadian Colin Linden, (O Brother Where Art Thou, Blackie & The Rodeo Kings, Bruce Cockburn, The Band), who also happens to reside in Nashville.
“When it was time to start working with producers, Colin’s name was thrown in the hat,” recalls Ortega. “I looked him up on YouTube,and the first thing I saw him perform was this crazy awesome Dobro solo.
“I realized that I loved that instrument, and I needed to have it all over my record,” she laughs.
“There was something about the sound of it that resonated so much with me. Colin was very influenced by the blues and had a lot of knowledge about its background and history, and I thought it would be cool to bring that into the record.”
The blues touch is a subtle one, a seasoning of sorts on this album of longing and vulnerability; travel and romance; of anger and passion; of fact and fiction.
A big breakthrough was Ortega’s topical candour.
“I was sort of delving into the darker corners of my mind with some things, which was interesting for me, and not being afraid to put some other things out there,” she reveals. “The song from my first record, “All My Friends,” alludes to certain things in a metaphorical way, where on this album, I’m a little more straight up about it. I’m not trying to hide.
“I guess that I’m just willing to take that risk. I’m just being honest and talking about my experiences, and by doing that, I’m not advocating anything and I’m not telling anybody they need to do anything: I’m just writing about my life and the experiences that I go through.”
But it’s not all autobiographical: “Murder of Crows,’ co-authored by Matt Nolan and one of three co-writes on Cigarettes & Truckstops, is pure Man In Black-inspired fiction.
“I was actually thinking of Johnny Cash’s Murder album when I wrote that,” Ortega chuckles. “I just wanted to delve into fictitious territory, and not write from experience – sort of make up stories.
“In a lot of old Cash songs, there’s a lot that didn’t come from his experience: he made them up. It’s cool to be able to make up crazy stories like that.”
One of the album’s real kickers is the Bruce Wallace co-write “The Day You Die,” a humorous look at love’s clichés, a future classic that begins with the opening stanza,
“You said you’d love me ‘til the cows comes home/Well I’m hoping that they all go blind.”
“That’s why I love writing with Bruce, because we never set out to write,” Ortega admits. “We just get together as friends and pick up guitars and it just happens naturally. He’s a quirky guy, because he totally gets where I’m coming from in that respect.
“We pick up the guitar and make up joke songs. We thought it would be cool if all these cliché things that people say to people, things like ‘Love you ‘til this, love you ‘til that’,” were taken literally, what would they have to do to keep the love going?”
There are more gems on Cigarettes & Truckstops that are ripe for personal discovery, a riveting tour-de-force of an album that will open up more ears and hearts to the scintillating sounds of Lindi Ortega and an appreciation of the unique perspective she brings to her craft.
Two trademarks impel her artistry: sincerity and honesty.
“I’m not going to deny it because I can’t,” Ortega admits. “It just comes out. I owe it to the song and to myself to expel that expression, put it into music and be very honest and forthright about the good, the bad and the ugly of Lindi Ortega.”
This is part of an email I sent to my family back home in Australia, trying to describe a Northern Autumn. At the time, I didn't have a camera, so I had to try and describe it in written form (with the aid of an old friend, Keats...)
Autumn in Northern Ireland is beautiful.
When the leaves are just starting to turn, the Irish countryside is an array of green, orange, red, and yellow. Individually, the colours seem plain enough, but together, when tickled by the sunlight, the beauty and serenity catches your breath with surprise. Everywhere you walk, you have mounds of fallen burnt amber leaves to kick and crunch through, and when you drive through them, they float up as if they have one last breath of air in them.
The farmers have all their silage in and there are big, round, barrel-shaped hay stacks everwhere waiting for the coming winter months. Apples are falling off their trees ready to be simmered and spiced, then baked within hot flaky pastry and served with homemade custard and warmed apple cider. Everyone's chimneys are starting to get cleared out and the smell of chimney smoke wafts through the air, tempting you to rush home to sit by your own crackling fire. The twittering of the last avian families can be heard while they are readying themselves for their holiday homes in the south. The pumpkins and costumes were out to scare you one haunted night, adding another thrill to the already chilly air, and fireworks urgently light the clear night as if to guide you quickly home.
There IS a mist in the air, and at times it does feel mellow. The apple trees DO bend, burdened with the weight they hold. The sun DOES seem old and mature, stubbornly holding on. But when the wind starts to howl through the night, taking away the last songs of Summer and vestiges of Autumn, you start to feel a chill to the bone and realise it's now time to snuggle-up and hibernate...
Stay warm and cosy,
Pier x
When using any email service, you will not avoid unwanted emails (spam), so you need to regularly clean up, remove them to increase storage capacity. The following article will guide you how to delete all email in Yahoo as quickly as possible.
www.ymail-login.info/2018/05/ymail-sign-up-create-new-yma...
Lydia Lunch
Circolo Magnolia (MI)
17 Aprile 2013
© Mairo Cinquetti
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com
Immagine protetta da copyright © Mairo Cinquetti.
Tutti i diritti sono riservati.
L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.
Per contatti: mairo.cinquetti@gmail.com
Lydia Lunch (born Lydia Anne Koch, June 2, 1959, Rochester, New York) is an American singer, poet, writer, and actress whose career was spawned by the New York No Wave scene. The Boston Phoenix named Lunch "one of the 10 most influential performers of the 1990s."
Her work typically features provocative and confrontational delivery and has maintained an anti-commercial ethic, operating independently of major labels and distributors.
Dopo essere arrivata a New York City all'età di 16 anni, Lunch si stabilì in una casa comunale in cui si ritrovavano artisti e musicisti, tra cui Kitty Bruce (figlia di Lenny Bruce). Dopo essere divenuta amica dei Suicide, entrò a far parte di un'altra band No Wave, i Teenage Jesus & the Jerks, nel 1976. Con lei entrò anche il suo partner artistico, James Chance. In seguito Lunch apparve in un album di Chance: Off White (accreditato a James White and the Blacks; Lunch usò lo pseudonimo "Stella Rico") del 1978.
Apparve poi in due film diretti dai registi (marito e moglie) Scott B e Beth B; nel cortometraggio Black Box (1978) recitò la parte di una torturatrice, mentre nelVortex (1983) indossò i panni di una investigatrice privata di nome "Angel Powers". In quel periodo apparve anche in alcuni film di Vivienne Dick, inclusi She Had her Gun All Ready (1978) e Beauty Becomes The Beast (1979).
Nella sua carriera solista di musicista Lunch collaborò con altre grandi personalità del rock alternativo, come J. G. Thirlwell, Kim Gordon, Thurston Moore,Nick Cave, Billy Ver Plank, Steven Severin, Robert Quine, Sadie Mae, Rowland S. Howard, Michael Gira, Einstürzende Neubauten, Sonic Youth, Die Haut eBlack Sun Productions. Inoltre recitò, scrisse e diressi diversi film underground, a volte collaborando con il regista e musicista Richard Kern. Più recentemente ha pubblicato dei dischi parlati, collaborando con altri musicisti underground, come Exene Cervenka, Henry Rollins, Don Bajema, Hubert Selby Jr. e Emilio Cubeiro. Nel 2009 ha pubblicato l'eccellente album "Big Sexy Noise" (5 stelle per la rivista RollingStone), con un omonimo "supergruppo".
Sunrise, Yellowstone National Park Yellowstone lake, September 7th.
@jackis83
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Jacki Smith
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Email marketing list building being the first task in the entire process, building trust of the individual is the last and continuing task that needs to be done.