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The Kine Exakta was the first 35mm SLR still camera in the world.
Made by Ihagee Kamerawerk Steenbergen GmbH, Dresden, Germany. Johan Steenbergen, a Dutchman, founded a camera company called Industrie- und Handelsgesellschaft (Industry and Trade Society) in Dresden in 1912, Ihagee factory was destroyed during the Allied bombing of Dresden in April 1945.
The company was taken over by Pentacon, the maker of the successful Praktica camera, in 1951.
Another work for CONTAX G1. Approx 16mm, F340 pinhole module. akihindo.blogspot.com/2010/08/this-aint-g16.html
assembled step-up e-stim board with temporary power-amp board. temporary board is a simple LM386 audio-amp circuit. made with parts from RadioShack(tm)!
Just received a package from Amazon with a new Lumix 45-150 zoom lens. So far impressed with lens' light weight and decent build quality. It feels right and balances well on the GX1 body.
I took this picture of the GX1 and lens with my E-M5 and 20mm
Demo video: www.youtube.com/watch?v=yzBaRP04bq8
Main article: baronvonbrunk.com/2015/?page_id=490
Built in 2012 and released in 2013, this is the revised design for my gargantuan LEGO creation! I've rebuilt the outsides to be more ascetically pleasing, and above all, I removed the inner circuits and constructed a grid of wires connected to an Arduino Micro. Thus, this new edition is much sturdier, but can only play computer games, and not original NES like the the Mk.I edition.
my veteran camera, I used it for 12 years
Manufactured by Chinon Industries Inc., Tokyo, Japan
Model: c.1978, (produced between 1974- ?)
35mm film SLR electronic camera
Lens: Chinon Auto, 55 mm, f/1.4, Multi-coated, M-42 mount, (Pentax/Practica)
w/ Manual and Auto lens settings feature, by a lever on the back of the lens,
filter thread 55 mm, serial no.168732, do not change the lens when the camera is on
Aperture: f/1.4-f/16 setting: ring and scale on the lens
Focusing: Fresnel lens, Matte screen w/ central microprism split image rangefinder and ground glass collar, by ring on the lens w/ distance scale and DOF scale
Focus range: 0.5-10m +inf
Shutter: Seiko MFC-ES, stepless electromagnetic focal plane metal shutter, verticaly travelling, speeds: Auto: 4 to 1/1000, Mechanical: at X 1/100, Manual : B, X, 4 to 1/1000
setting : dial on the top plate, Auto-manual 4 to 1000-X-B modes
Shutter operates only with batteries except X and B modes.
Shutter release: beside the cocking lever, w/ a lock lever
Cocking lever: also winds the film, retractable, short stroke, on the top plate, right
Frame counter: auto-reset advance type, window right of the winding lever
attention when advancing the first two blank exposures of newly loaded film, make sure that the shutter is on X or Manual speeds mode, otherwise the shutter will remain open a long time and film will not wind, when number is 1 visible in the counter window, you can turn the speed dial to Auto mode
Viewfinder: SLR pentaprism, Speeds Scale and Exposure Indicator Needle are visible in it
Eye-piece blind feature: a lid closes by a small lever, just left to the prism
Exposure meter: TTL CdS meter, two cells, centre weighted, aperture priority automatic exposure control
Film speed range: ASA 25-3200, setting ring and window on the EV compensation dial
Auto exposure range: EV 1-18, at 100 ASA
Exposure setting: in Auto mode, turn the aperture ring until the needle in the speed scale in the finder points to the desired/accurate speed, indicator needle moves when half way pressing of the shutter release, there are over and under exposure red marks in the speed scale
in Manuel mode: you can see the correct speed pointing by the needle, independent from your speed setting
AE Memory Button (Memotron): for holding the metered exposure in memory,
on the lower left side of the lens mount, for this:
in Auto mode, depress the shutter in half-way for metering then press and lock the Memory Button, then release the shutter on another frame composition
Auto Exposure compensation feature: -1/2x to +2x EV, 1/3 F-stop increments,
dial beneath the re-wind lever
Re-wind lever: folding crank type, turns when film winding
Re-wind release: on the bottom plate
Flash PC socket: left side of the lens mount, set X on speed dial, sync. 1/100
Hot-shoe
Self-timer: time adjustable, 7-12 seconds
Back cover: Hinged, opens by pulling-up the re-wind lever
Memory holder: on the back cover, place your film's box top cover
Tripod socket: 1/4''
Strap lugs
Body: Metallic, Weight: 620g, wo/the lens
Battery: 3v, two silver oxide 1.5v, eg.G13/S76, (accepts lithium Kodak K58L or two alkaline, eg. LR44), attention: minus side facing upwards,
battery compartment on the bottom plate,
Battery check: green LED on the eye-piece frame, in Auto mode turns on when half way pressing of the shutter release, if battery OK
On/off switch: not seperate one, electronics of the camera is off when speed dial on X mode
Posemeter's on/off switching is incorporated to the winding mechanism, it is on after a film winding/cocking shutter, after exposure it will be off
External motor drive socket and connections: on the bottom plate
Chinon Power Winder is a sophisticated device, employs a special computer memory chip, and has many fonctions: Single and Continuous frame modes, Pre-set exposure counter (up-to 24 frames), Interval timer (up-to 30 seconds intervals between exposures), on/off switch and LEDs.
serial no.106092
+ Chinon Power Winder + B&K Sky 1A filter + Focusing handle + Cable release
+ Strap
CE-3 was also sold under the name of Revueflex AC1 and some other brand names
Chinon Industries Inc. is owned by Kodak Japan Limited in 2004, the Japanese daughter company of Eastman Kodak Co. Before that time Chinon had been an independent camera manufacturer for around 50 years.
See this car in the video here: www.youtube.com/watch?v=o-8R8OyG1DE
You don't have to go too far back into history to find this controversial machine, spawned from a great idea, but resulted in the destruction of the car industry in Northern Ireland and the near imprisonment of the company's founder John DeLorean.
John DeLorean (1925 - 2005) was a very talented car designer at the General Motors Corporation, designing many classics such as the Pontiac GTO and the Chevy Vega.Unsatisfied with his maverick way of business he was eventually let go from GMC in 1973, despite being the Vice-President.
But this was not the end of his story as he chose instead to create an ethical utopian sports car that wasn't built with the planned obsolescence that the big Detroit businesses were building their cars. With that, he formed the DeLorean Motor Company, affectionately dubbed DMC.
Originally his plan was to open a factory in Puerto Rico, but eventually settled in Northern Ireland after £100 million was offered by the Northern Ireland Development Agency, who also made a deal that it would be funded by the British Government at a rate of which every £100 paid into the company by the taxpayer, DeLorean only had to repay £1. In 16 months a 660,000 ft² factory had been built in the Dunmurry suburb of Belfast.
At the same time he began to design the company's first (and what would turn out to be only) product the DMC-12. Designed by Giorgetto Giugiaro, the car was meant to look like a machine that was not of this world, or had accidentally be sent back in time by some fuddy duddy in the future (I'll get round to that later). With Gullwing doors, a stainless steel body and top of the range safety features including airbags and a crash-resistant plastic understructure.
However, beneath the futuristic body the car was very primitive. DeLorean had signed a deal with Lotus to help him develop the car, but this would ultimately result in the car being more a Lotus Esprit with a different body.
The promised rigidity of the car during crashes using ERM (Elastic Reservoir Moulding) was replaced by a conventional chassis and resin. Eventually even Airbags weren't included in the final model.
In a panic to get the cars into production in 2 years rather than the recommended 5, hastily put together durability tests were carried out by driving the cars round and round a racetrack constantly until bits fell off.
The built quality too was very much shambolic to say the least. The iconic Gullwing doors were given struts that were too weak and therefore never worked properly, resulting in them not fully opening.
The engine was not sterling and new, but instead was an age old 2.6L Renault V6 from a Renault 30, producing only a measly 130bhp resulting in the car being heavily underpowered.
The suspension had to be modified with springs, the driving experience was claustrophobic and dark, the alternator was too weak for the electronics and thus went flat in no time, often with the result of locking the occupants inside due to the electric central locking system, the stainless steel body was easily stained even by fingerprints, it had panel gaps that you could drive a bus through, the car handled like soap and was supposed to cost $12,000 but ended up entering sales at £26,000, which made it impossible to compete with similar Porsche's and Merc's of that price range which were also much, much better.
But either way the car went on sale in 1981 to a huge fan-fare, with the car outselling Porsche and having deposits backing up at showrooms across America.
However, the honeymoon soon wore off and by 1982 only 4,500 of the proposed 10,000 cars per year were sold. In fact eventually only 8,000 cars would be built, meaning DeLorean had failed to reach this target on both accounts.
But DeLorean continued to be ambitious and floated the company on the stock market, upping production at the factory to make things look busy and putting raw recruits straight onto the shop floor. The result was that Belfast's workforce were churning out thousands of cars no one wanted and thus were losing a fortune.
Eventually he turned to the British Government for some extra money, but the new government under Mrs. Thatcher was no longer willing to give subsidies following their confrontations with British Leyland.
The end came when DeLorean was arrested by the FBI for brokering Cocaine deals to help fund the company. Although acquitted on the grounds of entrapment, the company went bust in 1983 and the 2,600 Belfast workers, who despite working to the very end to keep on making cars, were turned away, with the remaining cars and equipment being auctioned off for what little money they could salvage.
Of the £800 million put into the company by the American and British governments, the resulting accounting recalculations found that only about £100,000 of that could be reclaimed, with another $17 million disappearing without trace.
But the DMC-12 went on to find a celebrity future as its space-age looks made it the perfect Time-Machine for the fantastic Back to the Future trilogy. This one here has been set up as such, and yes, it even has a Flux Capacitor!
But that is very much the thing that made the DMC-12 win in the end, the fact that even today seeing one parked on the street, people cannot help but stop and stare in fascination. Although not everyone knows about the trouble that surrounded this car's short construction life, it is what most people recognize it by, a pure mixture of style and scandal, a car with a criminal past...
My humble collection of canon RF lenses and cameras. Definitely not the most expensive collection but the best in terms of price vs quality.
Canon PowerShot 350 (1997)
Capteur de 310 000 pixels (640x480)
Stockage : 2mb CompactFlash
3 700 F
=============================================
Canon PowerShot 350 (1997)
310,000-pixel sensor (640x480)
Storage: 2MB CompactFlash
3 700 F
Voir le Konica Q mini (1997) p.18
An Arduino-compatible audio player designed for Seeedstudio's PCB assembly service and open parts library (www.seeedstudio.com/wiki/Open_parts_library).
Now since it is a no Frills Car, the interiors are also no frills. Its a Major Plastic Dashboard with only one color. The console is on the center.
The funny part that I felt were the speakers.for a second I thought they were something else,but then realized they were speakers. Two dark grey boxes just SIT.thankfully they perform that way decent.
Though what was fascinating was this model had Bluetooth and USB connectivity.Tech at a cheap price eh??
The windscreen that way is not huge.So one big wiper does the Job.
Strobist:
Nikon SB 600 1/1 front camera.
Yongnuo 460MK II 1/2 shoot through umbrella camera right
DIY: One Big Bed Sheet.
Damn those Flares! And the Steering should have been straight!
My old N65 suddenly died while metering for the 1st shot on a new roll of film ready for the holidays... a day out in the cold with sudden change to indoor temperature caused the malfunction? No film pics because of malfunctioning electronics... grrr!
I can't even unwind the film manually!
Time for an all mechanical, no batteries needed (except for metering) Nikon FM!
And I can use all my Non-AI (50mm F1.4 Nikkor-S, 50mm F2.0 Nikkor-H,
200mm F4.0 Nikkor-Q), AI-coupling AF-N lenses (28mm F2.8, 85mm F1.8).
Yeyyy!
Cam: D40
Lens: "Nikkor-H 50mm F2" Pre-AI
Manual-focusing via split-image range-finder focus screen.
Focus-screen: Canon EC-L focus-screen hand-cut (by me) for the Nikon D40.
// tell me if you're interested, I can customize one for you.
Manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, East Germany
Model: c.1962, version 5.2 (A&R 1.1,1.2, Hummel 063)
Produced between 1960-63 with quantity 88700 units
as to Andrzej Wrotniak
35mm SLR film camera
Engraving on the top plate: Ihagee Dresden
BODY
Lens release: lever on the lens flange
Focusing: simple matte glass screen, ring and scale on the lens
Shutter: Focal plane cloth vertical shutter; speeds: in geometric progression 1/2-1/250,
Setting: dial on the left of the top plate
Shutter lock lever: on the back of the top plate
Shutter release: on front of the camera, w/ cable release socket
Cocking lever: also winds the film, on the right of the top plate
Frame counter: decreasing type, manual reset, on the winding knob
Viewfinder: eye level SLR pentaprism, fixed
Mirror: not instant return
Re-wind knob: on the left of the top plate, on the shutter speeds dial
Re-wind release: near the cocking lever
Flash PC socket: on front of the camera, bulb and electronic flash markings near the speeds dial
Cold-shoe: none
Memory dial : on the winding knob
Self-timer: none
Back cover: hinged, opens bya latch on the left of the camera
Special removable take-up spool
Tripod socket: ¼"
Strap lugs
Body: metal; Weight:
serial no. 237208, on the bottomplate
Exa II line are fixed finder cameras.
The Exa II line was introduced earlier than Exa I, in 1959, and manufactured concurrently with first Exa, and then Exa I models until 1963, to be replaced with Exa IIa and later, IIb.
The prism is permanently fixed (with a plain groundglass, at least in this one), and the camera has a regular focal-plane shutter running vertically. The wind lever is not as smooth as that of Exa Ia, probably because of a different shutter mechanism.
The body shape, size, and weight are similar to those of the Exa I line, and the feel and finish
somewhat better.
LENS
Standard lens:
Carl Zeiss Jena Tessar 50mm f/2.8, 4 elements, (black), fully automatic type, (no internal aperture coupling, diaphragm always in open position, pressing the plunger on the lens closes the aperture to the pre-set f number then the shutter releases),
Exakta bayonet mount, filter thread 49mm, serial no. 6860863 (introduced in 1961)
Aperture: f/2.8 - f/22, setting: ring and scale on the lens
Focus range : 0.50 - 15m +inf
More info :Andrzej Wrotniak, Captain Jack, Maurizio Frizziero, in Photo.net
Portrait of my Panasonic Lumix DSC-G3 sporting a Canon FD 200mm f/4 lens. See www.flickr.com/photos/trevordurrittlrps/16763567355/in/ph... taken with this set-up.
Canon EOS 600D + Yashinon 50mm M42 lens, available light.
When I saw this I knew I had to try one. AKA Ilford Sportmaster and Hanimex Electra II, the Dacora-Matic 4D has 4 shutter buttons.
You pick the button based on subject distance, a zone focusing arrangement. In use, actually not that bad! Except I don't play one, it reminds me of playing an accordion.
The exposure automation leaves something to be desired however. Seems the shutter has a fixed speed based on film ASA - the top ASA speed of 200 gets you 1/500, ASA 100 gets you 1/250, and so on. The shutter speed does not vary. On the other hand, you can select aperture manually (for flash photography), in which case the shutter speed is fixed at 1/30.
There is a little mirror/flag in the viewfinder that seems to reflect the aperture? But no, it seems to reflect the DIN of the film? On mine, this doesn't seem to ever change, so I'll have to test the DIN theory. Oh, and see how the first roll is exposed.
VF itself is spacious and has projected frame lines with a center cross hair. There are no lugs on the camera and mine did not come with a case.
Ovvero una Chinon CM-4 ma con attacco M-42. Otturatore Seiko a lamelle metalliche orizzontali ed esposimetro TTL a 3 LED verticali rosso/verde/rosso esterni all mirino e stranamente non ha l'autoscatto. Il marchio REVUE appartiene al colosso tedesco FOTO-QUELLE, che dalla metà degli anni '50 è una delle maggiori catene al mondo specializzate nel commercio di articoli fotografici.
Accanto ai prodotti tradizionali (Nikon, Canon, ecc.), Foto-Quelle ha sempre offerto alla sua clientela articoli con marchio proprio "REVUE", commissionati di volta in volta a costruttori terzi (spesso giapponesi come Ricoh, Chinon e Cosina).
Seguendo questa filosofia di acquistare fotocamere prodotte da terzi e rivenderle con marchio proprio, la "REVUEFLEX SD1" è una variante della "CHINON CS-4".
Si tratta dunque, di una figlia della rivoluzione avvenuta verso la fine degli anni '70 nel campo della fotografia reflex, quando sulla scia della Olympus "OM", anche gli altri costruttori attuarono una miniaturizzazione dei corpi macchina.
La "REVUEFLEX SD1" del 1980, pur con un corpo di dimensioni compatte, resta fedele alla tradizione dei modelli a controllo completamente manuale e l'elettronica viene impiegata solo per il funzionamento dell'esposimetro mentre l'otturatore resta di tipo completamente meccanico.
Inoltre, per favorire la compatibilità con un più ampio parco di ottiche, CHINON-REVUE scelsero di adottare su questo modello il passo a vite che rende la macchina compatibile con una miriade di lenti (dalle eccellenti Revue alle Pentax, Yashica, Pentacon, Ricoh e a quelle di terze parti) per ogni tasca.
La REVUEFLEX SD1 é di fatto, uno dei modelli più versatili di quella generazione e perfino oggi, ad oltre 30 anni di distanza, è un prodotto ancora moderno e attraente.
La dotazione tecnica comprende:
- Obiettivo con lente "AUTO REVUENON" con focale di 35mm
- Diaframma a iride con aperture da f/2,8 a f/22
- Otturatore sul piano focale, con tendine in metallo e tempi di scatto da 1sec. a 1/1.000sec più la posa B
- Esposimetro CDS con lettura di tipo TTL e sensibilità ISO da 25-1600
- Slitta flash con contatto caldo
- Baionetta con passo a vite 42mm (M42) che rende la macchina compatibile con una miriade di lenti
L'aspetto più notevole di questa fotocamera riguarda il suo funzionamento, di tipo completamente meccanico. Anche in assenza di batterie per l'esposimetro, la macchina è comunque in grado di funzionare correttamente e tutte le principali funzioni (messa a fuoco, settaggio dei tempi e apertura diaframma) sono accessibili.
Dunque, un modello di assoluto riguardo non solo per il "purista" e l'esperto ma anche un'ottima macchina per lo studente di fotografia e per chi, avendo già una buona esperienza con le macchine del passato, voglia rispolverare le sue qualità di fotografo "vecchia scuola".
The new jewel of my camera collection, made in only 1500 copies.
The camera seems to have been heavily used, with the leather changed to black on the front and top right side. It's also loosened around the focusing screen. Also, I don't have the original waistlevel finder.
Otherwise the camera should be fully operational, with working NiCad-batteries and all. I like the fact that it's not in pristine condition, because I won't be too afraid to use it!
Edit: I'm now using it with a home-made battery adapter (9-volt battery in a film can, not my idea) and it works great, with exception of a bit faster battery drainage than would be normal.
Did you get your hands on a Raspberry Pi and need a little monitor to complete your tiny desktop computer? Or maybe you just need a good field monitor. This TFT LCD from Lilliput is the answer to your problems! It runs on only 12VDC and takes several types of signal input Including HDMI. Also, the native resolution of the monitor is fairly high for an inexpensive 7" display at 800x480.
Simply power the screen with the included 12V wall wart adapter or car adapter and connect an HDMI or Composite video source and you're ready to go. The screen is lightweight and portable and has built-in brightness and contrast control, which is ideal for field use.
Optioのアウトドア防水モデルにもGPSの波が。この強烈なデザインは好きだし、GPSロガー並に常時15秒おき測位とかしてくれるが、ログファイルのフォーマットがKMLというのはちょっと。あと、Optioだから画質には不安。
primeramente: holaa! ya volví, weno, a medias porke me keda el último examen el día 5 y luego me iré de fiesta y el 8 parto hacia Vitoria-Gasteiz, así ke a lo mejor desaparezco fugazmente de nuevo ;( pero volveré!!
bueno, ahora a lo nuestro!
hoy he visto a yeSus y a abeL, ke hacía más de una semana ke no los veía, y nos fuimos a la aLdea de este último con la intención de veR Shrek Tercero, pero la decepción no tardó en llegar! se nos olvidó el mando del DVD y sólo podíamos ver la primera película de cada DVD xDD y Shrek no estaba de primera, así ke nos conformamos con La Marca del Lobo y sólo tengo ke decir ke podía haber sido muchísisisisimo peor, pero aun así no la veais!!!
una de las cosas buenas de la visita es ke descubrimos ke Abel tiene una pedazo kasa acojonante, enserio! y ke además es muy fotogénica jejeje una de las cosas ke más me gustó fue esta televisión del año de la patata tan llamativa y ke yo sin duda tendría en mi kasa aun ahora porke me encantaaaaaaaaa!! xDD
y bueno, el titulo os podeis imaginar por ké es, no?
my veteran camera, I used it for 12 years
Manufactured by Chinon Industries Inc., Tokyo, Japan
Model: c.1978, (produced between 1974- ?)
35mm film SLR electronic camera
Lens: Chinon Auto, 55 mm, f/1.4, Multi-coated, M-42 mount, (Pentax/Practica)
w/ Manual and Auto lens settings feature, by a lever on the back of the lens,
filter thread 55 mm, serial no.168732, do not change the lens when the camera is on
Aperture: f/1.4-f/16 setting: ring and scale on the lens
Focusing: Fresnel lens, Matte screen w/ central microprism split image rangefinder and ground glass collar, by ring on the lens w/ distance scale and DOF scale
Focus range: 0.5-10m +inf
Shutter: Seiko MFC-ES, stepless electromagnetic focal plane metal shutter, verticaly travelling, speeds: Auto: 4 to 1/1000, Mechanical: at X 1/100, Manual : B, X, 4 to 1/1000
setting : dial on the top plate, Auto-manual 4 to 1000-X-B modes
Shutter operates only with batteries except X and B modes.
Shutter release: beside the cocking lever, w/ a lock lever
Cocking lever: also winds the film, retractable, short stroke, on the top plate, right
Frame counter: auto-reset advance type, window right of the winding lever
attention when advancing the first two blank exposures of newly loaded film, make sure that the shutter is on X or Manual speeds mode, otherwise the shutter will remain open a long time and film will not wind, when number is 1 visible in the counter window, you can turn the speed dial to Auto mode
Viewfinder: SLR pentaprism, Speeds Scale and Exposure Indicator Needle are visible in it
Eye-piece blind feature: a lid closes by a small lever, just left to the prism
Exposure meter: TTL CdS meter, two cells, centre weighted, aperture priority automatic exposure control
Film speed range: ASA 25-3200, setting ring and window on the EV compensation dial
Auto exposure range: EV 1-18, at 100 ASA
Exposure setting: in Auto mode, turn the aperture ring until the needle in the speed scale in the finder points to the desired/accurate speed, indicator needle moves when half way pressing of the shutter release, there are over and under exposure red marks in the speed scale
in Manuel mode: you can see the correct speed pointing by the needle, independent from your speed setting
AE Memory Button (Memotron): for holding the metered exposure in memory,
on the lower left side of the lens mount, for this:
in Auto mode, depress the shutter in half-way for metering then press and lock the Memory Button, then release the shutter on another frame composition
Auto Exposure compensation feature: -1/2x to +2x EV, 1/3 F-stop increments,
dial beneath the re-wind lever
Re-wind lever: folding crank type, turns when film winding
Re-wind release: on the bottom plate
Flash PC socket: left side of the lens mount, set X on speed dial, sync. 1/100
Hot-shoe
Self-timer: time adjustable, 7-12 seconds
Back cover: Hinged, opens by pulling-up the re-wind lever
Memory holder: on the back cover, place your film's box top cover
Tripod socket: 1/4''
Strap lugs
Body: Metallic, Weight: 620g, wo/the lens
Battery: 3v, two silver oxide 1.5v, eg.G13/S76, (accepts lithium Kodak K58L or two alkaline, eg. LR44), attention: minus side facing upwards,
battery compartment on the bottom plate,
Battery check: green LED on the eye-piece frame, in Auto mode turns on when half way pressing of the shutter release, if battery OK
On/off switch: not seperate one, electronics of the camera is off when speed dial on X mode
Posemeter's on/off switching is incorporated to the winding mechanism, it is on after a film winding/cocking shutter, after exposure it will be off
External motor drive socket and connections: on the bottom plate
Chinon Power Winder is a sophisticated device, employs a special computer memory chip, and has many fonctions: Single and Continuous frame modes, Pre-set exposure counter (up-to 24 frames), Interval timer (up-to 30 seconds intervals between exposures), on/off switch and LEDs.
serial no.106092
+ Chinon Power Winder + B&K Sky 1A filter + Focusing handle + Cable release
+ Strap
CE-3 was also sold under the name of Revueflex AC1 and some other brand names
Chinon Industries Inc. is owned by Kodak Japan Limited in 2004, the Japanese daughter company of Eastman Kodak Co. Before that time Chinon had been an independent camera manufacturer for around 50 years.