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Feeling a little derailed this weekend.
A simple distortion effect, using the ‘Warp’ script in Paint Shop Pro.
Wishing everyone a safe and Happy Sliders Sunday.
Cheers,
Phil
DSC_3194_4
Test shot for 52 weeks of 2022/week 37
Created using GIMP
Originally, the Harris shutter was a device with three colour filters, allowing the photographer to make a single photo of a time series of shots with different primary colours. When the camera is kept steady, areas of the photo without any change end up having the same colour as in reality, whereas areas where motion takes place give a kind of rainbow effect.
Former Army Air Corps Westland Gazelle AH.1 XZ329 aka
G-BZYD flares to the hover before a lunch-time landing at Shoreham Airport
276A8349
Lotus leaf and water droplet: ultrahydrophobicity
Lotus leafes show up ultrahydrophobicity, that means that a water droplet has a contact angle > 160 degrees, and there is no wetting of the surface.
Lotus leaves have a micro-nano structure. The micro structure shows up as tiny balls with an diameter around 10 microns and an average distance of 20 microns. This structure is made visible with a rather low magnification objective (7.5x) here, but with the help of a very small water droplet (diameter 0.2 mm), which is used as an additional lens, the micro-structure becomes visible.
On top of this micro-structure is an even smaller nano structure of small wax particles, which can not be seen here.
This 100x image gives some more insight
Mitutoyo 7.5x NA 0.21, tube lense 165mm (Thorlabs)
Illumination: oblique and trans
Popped over to one of my favorite spots and was lucky enough that the conditions were almost perfect. Due to full moon the tide was higher and there was hardly any wind either so the water reflected the skyline better. Also bought a little platform just high enough to sit in the water with the lense just a cm above the water to maximise the reflections.
Two things that would improve this image. Shoot on a weekday to get all the office lights and NO wind whatsoever to get the perfect mirror image.
Image post processed in Photomatix. 7 exposures at F10, ISO 200 and focal length 24mm.
captured by my frnd AASTHA..
try a Lof for this effect.. and finally its captured so naturally..
thanks aastha.. !
very natural captured.. and effect..
No use of photoshop.. just normal sharpness and framing..
Tell me all your lies
Play tricks on my mind
I don't care
I switched on the lights
You went on the side
I don't care
Why do you look so confused?
I know what you didn't do
You still want to play your games
I am wiser, I have changed
Yeah, and now the joke's on you
It's a side effect of love to lose control
Just to realize you're better on your own
It's a side effect of love to want it all
You can't get enough until the feeling is gone
Sponsors Available @ TMD -
VOLKSTONE-
{Zev Facial Hair & Hairbase}
REALEVIL-
{Hellspawn Rings & Claws}
ERAUQS-
{Diogo Jumpsuit}
Untitled Photo by Larry Brown
VIew on black www.flickr.com/photos/declarationsphotography/5659146067/...
16/52 Mirrors
The Butterfly Effect: the phenomenon whereby a small change at one place in a complex system can have large effects elsewhere, ex. how a butterfly flapping its wings in Rio de Janeiro might change the weather in Chicago.
For: The 52 Week Project (Mirrors) and Cliche Saturday -Mirror Shot scavanger hunt
Butterfly texture: www.flickr.com/photos/27639319@N00/3352657824/
I used Cameringo, a mobile editing app., to create this first by creating a negative, then an effect called twist, deepx. 😄
Last Dollar Road
Colorado
Join my Colorado - Arizona - Utah Landscapes group at: www.flickr.com/groups/us_southwest/pool/
just going back and editing old pictures.
i ordered a remote today. finally.
school starts in two weeks from today.
How to take control of your self-narrative for a better, happier life.
Edited magazine cover, New Scientist, 7 Jan 2023.
Sydney
Sim-wide winter landscape at 21strom in Second Life.
Trom Búr magic trees, frozen and snowy winter trees and landscapes with smooth wind effect, shores with icicles.
Best place for hanging out during your virtual wintertime.
See HD video at Youtube.
Blogpost at 21strom blog.
Post-processed with ReShade.
This is a effect on efffect on effect. Really this has much work on the original painting. A greting to all from Bogota. ...
Keeping with the theme of juvenile snowflakes, this one had just begun to grow its branches before was sent out of the clouds. Even though the branches are tiny, there’s a lot to discover here! view large!
This snowflake also harbours three-fold symmetry, albeit much less obvious than yesterday’s snowflake. The best place to see it is in the central bubbles; notice how every other “trapezoid” has roughly the same pattern? This even-odd symmetry is quite common, you’d be surprised how often you find it when you go looking!
Most of the surface details of this snowflake are on the opposite side of the crystal. They can be seen through the ice (ice is transparent) with a little less detail. I enjoy this look better of certain snowflakes, revealing stronger lines around the outside edges and allowing internal features to become more prominent. While nature creates these beauties, the photographer has a lot of control for how to present them to the world!
Snowflakes are all about lighting and angles. If I can photograph the snowflake on an angle where the light from the ring flash partially reflects back off the surface of the crystal into the lens (like glare), the surface lights up. Multiple surfaces make certain parts of the snowflake brighter, which is most often caused by bubbles in the ice. The brighter central area? It’s just ice like the other parts, but because the bubble creates multiple layers of ice, there are now multiple reflective surfaces and more light coming back to the camera.
This is also true along the branches. A very bright feature in most snowflakes, one or two running lines through the center of the branch reflect a ton of light. If the image is severely under-exposed, these regions reveal solid rainbows of colour. At normal exposures, you can still see the bleeding of colour away from their bright white centers. These bright areas could be caused by ridges above the surface of the ice (in this case, on the opposite side) that can evoke the prism effect. Alternative they could be bubbles in the ice, but something would need to be special about them to be so much brighter than other bubbles.
Photography is the melding of art and physics, and snowflake photography is a great example of that. If you want to know all the photographic (artistic) techniques, as well as all the physics of snowflakes, you need to own a copy of Sky Crystals: skycrystals.ca/book/ - you won’t be disappointed, it’ll make winter much more tolerable!
If you enjoy this series of images, your eyes might light up when you see “The Snowflake” print – consisting of over 400 snowflakes put together over 5 years with 2500 hours of work… all into a single image: skycrystals.ca/poster/ - do me a favour and take a look!
London Docklands - Adams Plaza Bridge. Designed by Foster Partners and Adamsons Associates, the bridge opened in 2015. In 2020 French artist Camille Walala, transformed with colourful transparencies as part of the London Mural Festival. A flickr photowalk organised by the London Group.
London Borough of Tower Hamlets, Canary Wharf, London, England - Adams Plaza Bridge, Adams Place, North Colonnade
May 2022
Photo taken and edited with iphone4, camera apps: Hipstamatic and ProCamera, edit apps: Superimpose, Noir Photo, Afterlight, Halftones 2, Photo Power, Phonto.
Twitter/IG/EyeEm/Tumblr: @adesantora
"Ripple Effect:" Standing alongside one of the fast-flowing rapids of the Colorado River down in the Grand Canyon, seen splashing along towards the middle of the image, I became aware of some ripples in the sand below the water's surface near the shoreline. I kept having to move further back as the water level was rising throughout this particular evening and overnight. It was interesting to study how the changing flows of water affected not just our ride on the rafts, but the scenery surrounding the river.
Added filter to regular colour photograph
This is my last photograph taken + editted for my Photography course I took in Summer 2019. It was so much fun experimenting with equipment I never thought I'd have the chance too, as well as discovering a passion I had that I didn't even know existed! I still have my phone camera (IPhone 7) that I'll be taking photographs with, hopefully I'll still be able to post some more once I have access to Photoshop (or just post them unedited, that also works!)
I went back to this site to reshoot it, for several reasons. For one, the original had a light leak around the lensboard (garbage lensboard provided by Intrepid), which I wanted to fix. I also wanted to vary my process a little bit, so I shot this on Ilford HP5+ and processed it in Rodinal.
Now, I want to say this about how I used the Rodinal: I did a "stand" process of the neg, using Rodinal 1:100 dilution and allowing a slow process of an hour, with only one agitation cycle at the 30 minute mark (plus a 1 minute agitation at the start). I don't usually use the Stand Development process because it almost always introduces artifacts (uneven areas), but that is more an issue with roll film than sheet film, so I felt it was worth risking one sheet of film to try for this shot.
What did I get? Well, the negative is a bit less contrasty overall, with better shadow information and less blocking of the highlight areas. I knew that the reciprocity effect would increase contrast of this scene, as the bare wood (horizontal wedged in the roots) was considerably brighter than most other areas. I expected the stand process would help restrain the bright regions while allowing the shadows to develop more fully, and it seems this is what happened. As I say, I do NOT advocate for this approach to film processing in most circumstances (the mythology of the process is grossly exaggerated, IMO) but with sheet film, it sometimes has benefits. I wouldn't expect to develop a shot that had large expanses of a single value (blue sky?) because some unevenness would likely become apparent.
I've done this with HP5+ in the past and it seems this Ilford emulsion behaves very well in dilute Rodinal and minimal agitation.
Camera: Intrepid 8x10
Lens: Turner-Reich 12" convertible, exposure 25 seconds @ f22