View allAll Photos Tagged ectoplasm
"Syncope is a temporary absence of self or suspension of movement, a hesitation or dissonance. Examples include fainting, the backward dip in the Tango, a weak musical beat between two strong beats, the spin of dervishes, sneezing, coughing, hiccuping, uncontrollable laughter, screaming, facial spasms and tics, squinting, tremors, heart palpitations, choking, uncontrolled excretion, cold sweats, tears, tingling, prickling, tickling, wheezing, auditory hallucinations, orgasm, visions of gods speaking, religious ecstasy, falling in love, and enjambment in poetic metrics."
Another collaboration with GALE47.
My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
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From my set, "Cold Press:"
www.flickr.com/photos/motorpsiclist/sets/72157631942231008/
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
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From my set, "Ectoplasm:"
Another projection in another part of the gardens, this time onto clouds created by a dry ice machine, flickering faces on the glowing clouds, like the supposed ectoplasm and apparitions mediums in the Victorian and Edwardian era would miraculously produce in darkened seance rooms (until folk like Harry Houdini exposed them as total frauds using stage magic tricks). In the chill dark of the gardens on a winter night, frozen autumn leaves crunching under foot, the dry ice mist floating around and this "ghost" floating around in the air, it was all very spooky and phantasmagoric.
From my set, "Ectoplasm:"
www.flickr.com/photos/motorpsiclist/sets/72157630588178246/
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and International Copyright Laws.
This photo is NOT authorized for use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.
ANY use without my permission in writing is forbidden by law.
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７月２５日(木)から始まる大阪のあべのハルカス近鉄本店の雑貨イベントに出品します！
詳細はブログで！
hennageijutsu.blogspot.ca/2013/07/ranbu-in.html?spref=tw
I'll participate in a Zakka event in Japan!
Day 121
January 4, 2012
Séance
“We all have ghosts, remorse, dreams, things we love and hate. One day something in life - a word, a phrase, something in a book, a beautiful woman - clicks, and part of that world takes on a special meaning. And you realize you have a story to tell.” -Arturo Perez Reverte
This photograph is inspired by the spiritualism movement of the late 1800s and early 1900s. I saw some photographs of what mediums said were spirits trying to break through into our world. The spirits used the medium as a platform to create ectoplasm, or a physical manifestation of themselves. It was most likely trick photography, but it became a sensation. Death seems to fascinate many of us and its mystery is answered only in the coming of it. I believe that something happens to us after death. When I was little I thought everyone became an angel and we could watch from heaven over our loved ones. Now that I'm older, I'm not sure what I believe, but I do know what I feel. I feel my deceased loved ones with me everywhere I go. It may sound crazy but I just feel their love with me. Sometimes I feel like my soul gets a hug from the other side right when I need it the most....just as a reminder. It's like they're saying, "Hey...I'm still here." Whatever happens after death, I don't ever want to fear it, because deep down in my heart, I know it's much more beautiful than any place here.
The image of the woman I used is a scanned photograph from an old family album.
Scattergun tossed aside, she dug deep into its neck with the blade, letting it seep out. The ectoplasm that animated it drained swiftly.
Pinback button sets from my original felt sculptures are available on my Etsy! (see my profile page)
Why goggles? One of my favorite lists: "Spitting cobras, metal shavings, ray guns, changewinds during time travel, actinic glare from metalworking, ectoplasmic observations, sandstorms on Mars. Seriously, where are goggles NOT useful?" - Dr. Fidelius
This mysterious collection of images have been discovered within the photographic collections of Tyne & Wear Archives & Museums.
Reference: TWCMS -H13098-73-13
The lantern slides are from a series titled 'Psychic Photography From A New Angle' and feature eerie images of the supposedly paranormal and unknown forces caught on camera.
Very little is known of the origins of this collection. The slides were designed to accompany a lecture by a Mr C.P. MacCarthy of 15 Wilkinson Street, Sheffield.
Mr MacCarthy produced the images under test conditions in 1934 in front of an invited committee at 76 Clarkehouse Road, Sheffield. He states the intention was to ‘demonstrate under test conditions Fake Psychic Photography’ to this committee.
Mr MacCarthy states his three reasons for this demonstration.
1.To prove the possibility of Fake under test conditions.
2.To show you cannot be too critical of such phenomena.
3.To indicate the increasing scope for fraud with the probability of genuine spirit photography.
Mr MacCarthy further guarantees ‘in the sum of five pounds, payable to any charitable institution, that no collusion exists, or has existed between myself and any other party in connection with this demonstration.’
Little is currently known of the Psychic demonstration. Who sat on the invited committee? Who was Mr MacCarthy? Why was he investigating Psychic Photography?
Can you help us with this information?
(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk
...and slightly out of focus.
(Drink was taken, in a 150
year old wine bar with
sawdust on the ground.)
WTF???
So last night we went to the boat club to enjoy some quiet in the snow.
The falling snow was perfect for snowballs.
So I propped the camera on the car and snapped a couple shots.
This is SOOC.
So what is the swirl of light around me????
Those are not Northern Lights.
So what is it????
This is a real photo and I just don't get it. o _ O
No, it's not smoke. There was no smoke around.
No, it's not steam. No one was breathing by the camera.
My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
.
From my set, "Ectoplasm:"
En Biodiversidad virtual y también en Instagram como @proyectoagua.
Tomó Acantharia no se sabe dónde, los rayos de luz de algún arcoiris, haciéndose sol.
Rosa de los vientos que en sus gelatinas cabalga las olas, prendiendo en su nube lo que le mar dejó
Los acantarios son organismos unicelulares marinos y planctónicos y en ciertos ecosistemas son los rizarios más numerosos, amebas muy especiales que sobrepasan con creces en densidad a otros radiolarios. Pueden hallarse a cualquier profundidad desde la superficie, hasta el fondo de los abismos más remotos
La clase Acantharia está representada por unos 50 géneros y cerca de unas 150 especies de protistas planctónicos caracterizados por presentar un pesado esqueleto de afiladas espinas moldeadas con cristales de sulfato de estroncio (celestina). Este armazón no fosiliza ni deja rastro de su huella, y a pesar de su elevada densidad, flotará como una burbuja en el agua mientras todo lo que sustenta viva.
Además de ser predadores activos que capturan a sus presas como las amebas sol, ayudados por sus finos brazos (axopodios), establecen también frecuentemente relaciones de simbiosis con pequeñas algas que viven en su interiora las que protegen a cambio de los azúcares que sintetizan en la fotosíntesis.
El esqueleto de los acantarios está compuesto por veinte espículas radiales (diez diametrales), más o menos unidas en el centro de la célula de muy diversos modos. La disposición de las espículas es muy precisa y está determinada por patrones constantes de simetría en este grupo.
La forma en que las espículas se unen entre sí en el centro de la célula varía según las especies y ésta es una de las características primarias utilizadas en la taxonomía del grupo. En algunas especies las espículas tan solo se cruzan en el centro de la célula, mientras que en otras se fusionan en él dando lugar a formas de estrella como las de hoy.
El citoplasma en estos organismos está organizado en dos porciones bien diferenciadas, un endoplasma más denso en la parte central y una zona periférica de ectoplasma separado por la cápsula central. En el endoplasma están contenidos los núcleos y otra gran cantidad de orgánulos celulares: aparato de Golgi, retículo endoplasmático, mitocondrias, ribosomas y otros.
La cápsula central que contiene al endoplasma se compone de microfibrillas organizadas en veinte placas, cada una de las cuales presenta un orificio a través del cual se proyecta una espícula mientras que el ectoplasma periferérico contiene las vacuolas digestivas y a menudo presenta zooxantelas u algas simbióticas. Rodeando al ectoplasma se encuentra una corteza de fibras microscópicas ligada a las espículas por unas fibras denominadas mionemas. Estas ayudan a la flotación, junto con las vacuolas del ectoplasma.
El número de axopodios es fijo en cada una de las especies, en ellas los individuos adultos son casi siempre multinucleados. La reproducción se realiza mediante la formación de células nadadoras que pueden ser flageladas. No se han observado todas las etapas del ciclo vital de estos organismos, y su estudio se ve obstaculizado por la imposibilidad de mantener a estos organismos en cultivo.
Acantharia es común en la superficie de las aguas oceánicas tropicales y subtropicales en todo el mundo pero también está presente en mares templados y polares, así como en áreas cercanas a la costa donde aparecen en cantidades mucho menores. Parece que las perturbaciones causadas por el viento o la lluvia, hace que descienden rápidamente a las zonas más profundas, desde donde regresan a la superficie una vez que se han restablecido las condiciones adecuadas.
Todos los datos de estos organismos prácticamente desconocidos sugieren que son organismos cosmopolitas. Casi todas las especies tienen una distribución tropical y / o subtropical, mientras que el número de las que habitan en aguas templadas-frías es comparativamente bajo, probablemente alrededor de 10-20 % del total, aunque la mayoría de sus registros en aguas más frías están asociados con la influencia de las corrientes de aguas cálidas.
El ancantario que mostramos aquí, posiblemente Astrolithyum, ha sido fotografiado en vivo a 400 aumentos con las técnica de campo oscuro, contraste de interferencia, epifluorescencia y contraste de fase + epifluorescencia combinadamente, se han realizado sobre una muestra de agua recogida a 2 metros de profundidad en la costa de Zumaia, frente a la playa de Itzurun el día 12 de agosto de 2025.
Peluches Nintendo :
- Pokémon Pichu (x2)
- Pokémon Pikachu (x9)
- Pokémon Marill
- Pokémon Ho-oh
- Pokémon Togepi
- Pokémon Ectoplasma (Gengar en anglais)
- Pokémon Têtarte (Poliwhirl en anglais)
- Pokémon Kaïminus (Totodile en anglais)
- Pokémon Dracolosse (Dragonite en anglais)
- Pokémon Miaouss (Meowth en anglais)
- Kirby (x3)
- Mario (x2)
- Toad
- Yoshi
Peluches Sega :
- Sonic
- Tails
- Knuckles
- Shadow
Peluches Ubisoft :
- Lapins Crétins (x2)
Peluche Square-Enix :
- Chocobo