View allAll Photos Tagged ecn2
Not much call for sunglasses or ice cream on the boardwalk in February. Contax IIIa, Silberra Color 50, ECN-2 development.
This tunnel can be seen in Vittorio De Sica's Bicycle Thieves. The buildings along the left are visible.
The main character tries chasing the thief down the street & loses him in the tunnel.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 200T 35mm ECN2 film.
Obi’s Filling Station is a fun place to eat. The whole place is car themed. There’s even a table you can eat at that’s made of a car hood. Pentax 17, Harman Phoenix, ECN-2 development. Phoenix was absolutely the right choice to capture this wall.
Last week on a day when both of our cars were in the shop, we walked up to the diner a couple of miles from the house to see the old cars and to get some dessert. Shot with my Soviet-made KMZ-FT2 on Santa Color 100, developed in ECN-2.
The building along the right is the Wentworth Dwellings building where Jack The Ripper left the torn piece of apron belonging to Catherine Eddowes in one of the entrances.
The entrance where the Ripper left the apron piece is the one with the red & white graffiti on the shutter near the two black posts.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
In Shoreditch. Mary Jane Kelly was taken from here to be buried at St. Patrick's Roman Catholic Cemetery in Leytonstone. Her burial took place on the 19th of November 1888.
Nikon F4. AF Nikkor 14mm F2.8D lens. Mr. Negative 250D 35mm ECN2 film.
This building on Goulston Street is the Wentworth Dwellings building where Jack The Ripper left the torn piece of apron belonging to Catherine Eddowes on September 30 1888.
The entrance where it was found is the doorway to the left of the Happy Days sign.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative Bat Country 400T 35mm ECN2 film.
The bears at the Akron Zoo engauge in a "friendly" wrestling match.
While I could tell that this was nothing serious it became apparent that bears play rough.
canon AE1P
canon fd 200mm f2.8
multi image + tri-color filters
kodak vision 5218 500T expired
diy home brew ECN2
v600 scan
Double exposure of the obelisk at Piazza del Popolo, with one shot slightly out of focus.
Nikon F4. AF Nikkor 24mm F2.8D lens. Mr. Negative 50D 35mm ECN2 film.
Part of the frame really close up along the old boarding school that stands on Durward Street, looking in the direction where Mary Ann Nichols became a victim of Jack The Ripper on August 31 1888.
The spot is on the other side of the tube station entrance which is straight ahead.
Durward Street was known as Buck's Row at the time, but was changed to its current name in October 1892.
Nikon F4. AF Nikkor 14mm F2.8D lens. Mr. Negative 250D 35mm ECN2 film.
The front of a Cadillac Eldorado, captured during the 28th London Flickr Photowalk at the end of June. I suppose you wouldn't believe me, if I said I couldn't get the whole car in shot? Taken on Silbersalz35 500T film, which was processed and scanned by Analogue Wonderland.
Shutter priority
1/125
f6.7
ISO 250
70mm
London at night looking toward the Christmas stalls at Trafalgar Square.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.
Experimental double exposure of parts of Bologna's Fountain Of Neptune, taken with a green Hoya Pop Colour Filter & an orange filter.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 250D 35mm ECN2 film.
A room inspired by Fellini's library where visitors can sit down & browse these books.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.
Early evening. The light was starting to fade.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 200T 35mm ECN2 film.
Standing on Commercial Street looking into Thrawl Street.
It was around 2 am on the 9th of November 1888 on the corner of Thrawl Street where George Hutchinson saw Mary Jane Kelly meet up with this man, & he watched them walk up to Dorset Street & into Miller's Court. He stood outside waiting for about 45 minutes before leaving after no one left.
Thrawl Street was also where Mary Ann Nichols was turned out for a bed at the doss house she was trying to stay at the night she became a victim of The Ripper.
Nikon F4. Nikkor 50mm F1.2 lens. Mr. Negative 500T 35mm ECN2 film.