View allAll Photos Tagged echo
5769, 7183 and 6857 head away from Echo UT with a westbound Union Pacific intermodal service.
Friday 5th July 2024
red, white, blue. the same colours as the sign above her. she bends over the walker. the parking lot is hot. on the car’s hood she appears again, upside down, coming apart. two of her now. neither stops.
In silent echoes, whispers play,
Capturing souls in shades of gray.
Where shadows dance, and light does fade,
A timeless portrait, quietly made.
Through misty veils of memory's hue,
The past and present softly accrue.
In the stillness of the silent night,
Echoes of souls take their flight.
Each line etched upon the face,
Tells a story of time and space.
In every crease, a tale is told,
Of love, of loss, of dreams untold.
Oh, how the monochrome canvas sings,
Of life's complexities, of all it brings.
In every shadow, a truth revealed,
In every silence, a soul unsealed.
So let us pause in this silent gaze,
In the depths of monochrome's maze.
For within these shades of gray,
Lies the beauty of life's fleeting play.
Katoomba Cascades is a small waterfall on the Kedumba River, a 20km long perennial river which rises at Lake Catalina in Katoomba. This river starts as a small creek flowing through parkland west of the Katoomba town centre, before it drops into the Jamison Valley via Katoomba Falls, one of the most impressive waterfalls in the Blue Mountains. The river then flows through the Jamison and Kedumba valleys, and ultimately joins Coxs River which in turn feeds into Lake Burragorang. (Sourced from Syndey Uncovered)
Model: Madeline Masarik
Another photograph from my trip to NYC for Flickr20under20. After spending our time in the MoMA, admiring the works of extraordinary artists such as Vincent Van Gogh and Matisse (just to name a couple), Madeline and I decided we'd use the last moments of daylight to dance in the streets of New York and take pictures. It's something I've always wanted to do and it'll be a memory I'll treasure forever. I ended up snapping this picture of Madeline while we were waiting to cross the road.
This week has been quite tough, as my family and I sadly had to say goodbye to our dog Max. We've now lost both Cinta and Max this year, which has left our family incomplete. I miss them very dearly and think of them everyday <3
I'll be sharing photographs from my NYC trip as well as other photographs over the next month or so. If you head on over to my blog, you'll be able to see photographs from the most recent wedding I shot. I hope you've all been well.
Southwark Cathedral is a location I've had the pleasure of visiting and photographing several times over the years, but their recent late-night photography event provided an opportunity to capture the building in a way I hadn't seen before. As the two-hour session drew to a close and the remaining staff began to lock up, I had the cathedral almost entirely to myself, with only the light from the nave overhead to illuminate the central aisle and the occasional emergency light to prevent people from stumbling. As eerie as the scene was, it was riveting to photograph.
The final image is a stitch of two tiles, both of them a blend of nine bracketed exposures combined using luminosity masks in Photoshop. It was important to me to capture the magnificent 19th-century reconstruction of the nave's original Gothic ceiling, and even with a wide-angle lens I found that keeping the vertical lines straight meant compromising on how much of the ceiling I could include, so two shots -- taking in the aisle and then the ceiling -- were merged and the perspective then corrected. Using luminosity masks, I was able to apply my brighter exposures to the shadows and emphasise the light along the aisle, as well as darker exposures that allowed me to control the highlights along the ceiling. A high ISO compensated for the narrow aperture I used to ensure the foreground seats would be in focus as well as the altar, choir and stone screen in the distance; even then, the low light meant each exposure's shutter speed was between 10 and 30 seconds, and in the time it took to bracket 18 of these the cathedral's staff had switched off the lights above the choir, plunging the eastern side of the building into darkness.
Colour-grading the image mostly involved finding the right shades of yellow and orange to convey the glow inside the cathedral while avoiding an overload of warm tones. I applied Selective Colour and Hue/Saturation adjustments with a hint of cyan and green to offset the red and magenta across the ceiling, and a mixture of Colour Balance and Gradient Map adjustments to play up the soft blue tones in the shadows, which I felt helped to emphasise the cold evening atmosphere. Inside Nik Colour Efex Pro, I targeted the Pro Contrast and Tonal Contrast filters to the aisle to bring out the texture of the panelling along the wooden floor, while lowering the midtone and shadow contrast across the colder stone walls that had initially seemed quite harsh. Finally, using the Low Key filter, I gently darkened the edges of the frame to focus viewers' attention on the dramatic light along its centre.
The final adjustment was to remove a couple of leaves which had blown into the cathedral during what had been a very windy day. Although removing these takes away part of the memory of that blustery evening, I like how the outline of several branches from a tree outside the cathedral are still visible through the window to the right of the frame, and the memory of those silhouettes dancing in the wind while I captured this scene seems like a perfect reminder of an experience that was both spooky and captivating.
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In the lifetime of many days,
I hold in mind the days of ‘solstice’,
And every one was in his way,
And every – midst themselves not noticed.
And, link by link, the whole chain
Was self-assembled by collecting
Just those days, exclusive, when
We dream that time is stopped and waiting.
I do recall them one by one:
The winter to his first half go,
The road’s wet and roof is run,
And sun warms self on an ice-floe....
- Boris Pasternak,
The Exclusive Days, 1959
(translated by Yevgeny Bonver, May, 2001)
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COLLAGE:
Just an "Echo" of my previous quotes from
Erte"s fashion drawings.
Inspired by Erte and by the "Art Deco" epoch.
Made with the "Harper"s Bazaar""s-
cover of the period (by Erte).
As well in this work is used my own baggy pleaty
"Monogram Denim" from Louis Vuitton
"Collection Automne-Hiver 2005"
PHOTO:
for collage taken in January 2006, Tel-Aviv, Israel
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ERTE
(born Nov. 23, 1892, St. Petersburg, Russia-died April 21,
1990, Paris, France) Russian-born French fashion illustrator
and designer. In 1912 he arrived in Paris, where he worked briefly
with the couturier Paul Poiret. From 1916 to 1937 he
published elegant, highly stylized illustrations depicting
models in mannered poses against Art Deco interiors in
Harper's Bazaar. He also designed theatrical scenery and
costumes for the Folies-Bergère in Paris (1919–30), and in
the 1920s he costumed performers in U.S. musicals, most
notably the Ziegfeld Follies. His designs continue to be
widely reproduced.
( Britannica Concise )
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Echo's owner is in the reflection of his eyeball. No photo trickery, just a cool thing that horses' eyes do.
An echo is the repetition of sound, but it also can mean the p=repetitions of ideas, and reminders of the past.
...In Cumbria!
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An image from Keswick Landings, Derwent Water.
award count
www.cameralenscompare.com/photoAwardsCounterDetails.aspx?...
ODC-Echo
This is the front of my house in echo. My iPad Pro has a mirror feature which I really love! I've read a few definitions of echo and one is reflection. So I thought why not do a mirror reflection of something...
Amid the first blush of morning, the world stirs in gentle harmony. The mist weaves through the canyons like a silken veil, and the falls whisper their endless song, a hymn to the waking earth. Here, where the dawn’s embrace mingles with the quiet breath of the land, my soul feels a kinship with nature.
Boundless...
Eternal...
Whole...
Et voici à nouveau deux bulles de réalité personnelles qui se croisent en écho sans même se calculer... Comment résister ?
High in the Rocky Mountains in Colorado, these rocky slopes are populated by hearty trees whose roots seem to be searching for any morsel of nourishment, any drop of water.
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
Dance Again
Credits: Echo - Florist's Favor ---- Esclusive items for Uber event--- more details in Blogg .
My Blogg:
lunarubydeveraux.blogspot.com/2020/04/dance-again.html
My flickr
... somos ecos, simplemente ecos!!!
... we are echoes, simply echoes!!!!!
... salud, buenas luces y muchas gracias!!! ..... xo♥ox ...
... health, good lights and thanks so much!!! ... xo♥ox ...
... Series: "Temporal Fracture"
... Music: "Echoes" by Pink Floyd ... enjoy this short version!!!
Woke up, crossed paths with a coyote in a misty forest, and then watched the fog lift off Echo Lake to reveal a brilliant layer of foliage along the shore. It was a memorable morning in the White Mountains.
at the lighthouse keeper's house..
Our trip to the Northeast began in Portland, Maine, where we stayed at a really nice Hampton Inn. Got up before dawn to get here, to the Portland Head Lighthouse - the most famous, most photographed lighthouse in the US - and luckily, one of the most accessible. No more than a ten-minute drive from our waterfront hotel in Portland..
I made the decision not to attempt bringing a tripod on the plane, and really, this was the only time I wished I had one. But I made do with a fence rail, held my breath, waited till both lights synched up, and I'm satisfied with the result. I like the notion that the two lighthouses are communicating somehow, echoing each other's message to passing mariners..
This was also the only dawn of the trip that had any color in the sky, as we were blessed with ridiculously beautiful weather for the entire trip. And in Maine - that's quite a blessing. As was us choosing this particular morning to be at the lighthouse when dawn broke..
Doug Harrop Photography • June 5, 1988
With a ubiquitous quartet of EMD SD40-2s for power, a Union Pacific intermodal train meets a rail train, with GE C30-7s (lead by class engine 2400), tied down on the center siding at Echo, Utah.
UP 3301 waits on the center siding while UP 8444 pulls an officer's special through Echo on Oct. 22 1978. UP President John C. Kenefick was on board the train.
Sunderland's Echo 24 building at night. Standing high above the River Wear and at the South side of Monkwearmouth Bridge.
ECHOES...
❤ BLOG: Credits & Slurls & More ❥
sllorinovo.blogspot.ca/2014/05/echoes.html
Featuring/STYLES BY DANIELLE & MADRID SOLO
The nymph Echo offended the goddess Hera. As punishment, Hera took away Echo's voice, so she could only repeat the last words of other people. Eventually, poor Echo faded away, and to this day only the sound of her repeating words remains.
Diorama elements:
--Echo the nymph, flowers, mushrooms: Playmobil
--Echo soundwaves: wire, edited with blurring and words
--Stump: dollar store craft supplies
--Greenery and fallen log: moss and a piece of wood
--Sky: fabric
Done for Smile on Saturday: Expose the E, but it didn't work out this week. Next time!
A panorama of South Lake Tahoe from Echo Summit. Elevation over 7000 ft. I got there from Sacramento which is about sea level. It's a steep winding ascend to this area in the Eldorado National Forest. A lot of steep winding ups and downs along the way next to cliffs and a river. It's one of those roads where you can't take your eyes off the road, or your hands off the wheel. A challenging road to maintain speed limits. And the drive down is just as exciting.
Here's the link to my YouTube video of the road trip:
Thanks for viewing.