View allAll Photos Tagged easygoing
Remembering Louise...the only functional, healthy one from a family of dysfunctional people. Lighthearted, laugh-easy-and-often, easygoing, Louise. Cut off way too soon.
Apparently St Catherine is the patron saint of spinsters and virgins so this derelict chapel is frequently visited by women searching for a husband.
There were a couple such notes as the one above, which reads:
A husband for me...
Intelligent
Witty, good sense of humour
Considerate, thoughtful and kind
Laidback + easygoing
Good income, financial security
Honest
Affectionate
Trustworthy
Loyal
Monogamous
Family-oriented
Good relationship with both parents, especially mother
No baggage from previous relationships
Healthy + outdoorsy - active
No drugs, alcohol abuse, gambling, smoking
Intellectual, artistic, cultural interests, e.g. books, art, film, music etc
Loves music
Social conscience - interested in big issues
Broadminded + liberal values
Yeah, good luck with that!
Like my photos? Buy me a coffee!
3001 the Strand, Hermosa Beach
6 bed | 5.5 bath | 6200 sq feet
This contemporary oasis has absolutely everything you need from home automation, security, movie theater, gym, heating and cooling and many other ultra high end amenities all at a multi-million dollar discount! This home is exactly 8/10 of a mile from BOTH downtown Manhattan Beach and downtown Hermosa Beach. It is also less than 20ft from the sand on one of California’s most popular beaches. This same home with all it has to offer, being on an extra wide lot and this close to the sand in Manhattan Beach would be priced $3 million more at a minimum. Why not enjoy this great life style, amazing home and great beach and not pay a premium?
This is a distinctive, easygoing contemporary Strand home in prime North Hermosa Beach. Enjoy big family parties as well as romantic dinners on this wide lot with indoor/outdoor living and expansive views from Queen’s necklace to Malibu’s coves. Prime finishes throughout include slab Calcutta Gold floors, Ann Sacks tiles and faucets, Bulthaup kitchen cabinets, Gaggenau and Miele appliances as well as a 5-stop elevator and Crestron master control system. On the bottom level there is a game room with a wet bar, microwave, dishwasher and sink. Also on that level is a large two-tier movie theater with a projector and surround sound system with walls covered in suede fabric and fiber optic “starry night” on the ceiling. This bottom entertainment level also contains 3 guest bedrooms and 2 full baths. The main level features a cozy sitting area with fireplace, dining room with a view straight out to the beach and a large living room with open kitchen, bar, and collapsible doors letting in all the air and light you need. On the third level you have a nice guest suite and a huge master suite with office area, sitting area with TV and fireplace, a large deck over looking the beach and a walk in closet. This suite also includes a large master bath with a steam shower, spa tub, and sauna as well as dual sinks.
$11,900,000
LORIE O’COnnOR
310-372-0500 OLorieO@aol.com
Dan O’COnnOR
310-261-7756 Dan@OConnorProperty.com
oconnorproperty.com/
3001 the Strand, Hermosa Beach
6 bed | 5.5 bath | 6200 sq feet
This contemporary oasis has absolutely everything you need from home automation, security, movie theater, gym, heating and cooling and many other ultra high end amenities all at a multi-million dollar discount! This home is exactly 8/10 of a mile from BOTH downtown Manhattan Beach and downtown Hermosa Beach. It is also less than 20ft from the sand on one of California’s most popular beaches. This same home with all it has to offer, being on an extra wide lot and this close to the sand in Manhattan Beach would be priced $3 million more at a minimum. Why not enjoy this great life style, amazing home and great beach and not pay a premium?
This is a distinctive, easygoing contemporary Strand home in prime North Hermosa Beach. Enjoy big family parties as well as romantic dinners on this wide lot with indoor/outdoor living and expansive views from Queen’s necklace to Malibu’s coves. Prime finishes throughout include slab Calcutta Gold floors, Ann Sacks tiles and faucets, Bulthaup kitchen cabinets, Gaggenau and Miele appliances as well as a 5-stop elevator and Crestron master control system. On the bottom level there is a game room with a wet bar, microwave, dishwasher and sink. Also on that level is a large two-tier movie theater with a projector and surround sound system with walls covered in suede fabric and fiber optic “starry night” on the ceiling. This bottom entertainment level also contains 3 guest bedrooms and 2 full baths. The main level features a cozy sitting area with fireplace, dining room with a view straight out to the beach and a large living room with open kitchen, bar, and collapsible doors letting in all the air and light you need. On the third level you have a nice guest suite and a huge master suite with office area, sitting area with TV and fireplace, a large deck over looking the beach and a walk in closet. This suite also includes a large master bath with a steam shower, spa tub, and sauna as well as dual sinks.
$11,900,000
LORIE O’COnnOR
310-372-0500 OLorieO@aol.com
Dan O’COnnOR
310-261-7756 Dan@OConnorProperty.com
oconnorproperty.com/
The Thing from Another World 1951
Watch the skies, everywhere! Keep looking. Keep watching the skies!
—Ned “Scotty” Scott
www.popscreen.com/v/7aMWr/The-Thing-from-Another-World Full Feature
www.youtube.com/v/T5xcVxkTZzM Trailer
This is one of the major classics of 50s sci fi movies. Released in April of 1951, it was the first full-length film to feature a flying saucer from outer space, which carried a hostile alien. The budget and the effects are typical B-grade stuff, but the acting and pacing are well above the usual B levels. Kenneth Toby and Margaret Sheriden star. James Arness (more known for his westerns) plays The Thing.
Howard Hawks' early foray into the science fiction genre took advantage of the anti-communist feelings of the time to help enhance the horror elements of the story. McCarthyism and the Korean War added fuel to the notion of Americans stalked by a force which was single of mind and "devoid of morality." But in the end, it is American soldiers and scientists who triumph over the evil force - or the monster in the case of this film. Even today, this is considered one of the best of the genre.
Film review by Jeff Flugel. June 2013
There's not a lot new or particularly insightful I can offer when it comes to discussing the seminal sci-fi flick, The Thing from Another World that hasn't been written about ad naseum elsewhere. One of the most famous and influential of all 1950s creature features, it kicked off more than a decade of alien invasion and bug-eyed monster movie mayhem, inspired a host of future filmmakers (one of whom, John Carpenter, would go on to direct his own version of the story in 1982), and remains one of the best-written and engaging films of its kind.
Loosely (and I do mean loosely) adapted from John W. Campbell's novella, "Who Goes There?," The Thing is legendary director Howard Hawks' lone foray into the science fiction/ horror genres, but it fits comfortably into his filmography, featuring as it does Hawks' favorite themes: a group of tough professionals doing their job with ease, good-humored banter and practiced finesse; a bit of romance with a gutsy dame who can easily hold her own with the boys; and lots of overlapping, razor-sharp dialogue. Featuring a script by Charles Lederer and an uncredited Ben Hecht, The Thing is easily the most spryly written and funniest of all 50s monster movies. In fact, it's this sharpness in the scripting, and the extremely likeable ensemble cast of characters, rather than the now-familiar story and somewhat unimaginative monster design, that makes the film still feel fresh and modern to this day.
There's likely few people out there reading this who don't know the story of The Thing like the back of their hand, but here goes...When an unidentified aircraft crashes close to a remote research station near the North Pole, Captain Pat Hendry (Kenneth Tobey, in the role of his career) and his squad are dispatched there to investigate. Dr. Carrington (Robert Cornthwaite) heads the scientific contingent there, and he informs Hendry that he thinks the downed craft is possibly "not of this earth." A joint team of soldiers and scientists head out to the crash site and find an actual, honest-to-goodness flying saucer lying buried under the ice.
The spaceship is destroyed while the men try to melt the ice around it with thermite bombs, but they find a lone, 8-foot-tall extraterrestrial occupant frozen nearby and bring the body back to the outpost in a block of ice. Dr. Carrington and his crew of eggheads want to study the thing, but Hendry is adamant that it should be kept as is until he gets word from his superior in Anchorage, General Fogerty. It wouldn't be a monster movie without something going pear-shaped, of course, and before you know it, a careless mistake results in the creature being thawed out of his iceberg coffin and going on a bit of a rampage, taking out a number of sled dogs and a few unsuspecting scientists along the way. The rest of the film details the tense battle between the surviving humans and the coldly intelligent, remorseless alien invader, which seems virtually unkillable, impregnable to cold, bullets and fire...
The set-up for the film, and how everything eventually plays out, might seem overly familiarly nowadays, but in 1951, this was cutting-edge stuff, at least in cinemas. The Thing plays as a veritable blueprint of how to make a compelling "alien monster-on-the-loose" movie. Howard Hawks not being particularly well-versed, or even interested in, science fiction per se likely worked to its benefit, as he ended up making, as he so often did in his other films, what is first-and-foremost a well-oiled entertainment, rather than simply a genre exercise.
Typical of a Hawks film, The Thing is meticulously designed, composed and shot, but in such a way as to appear offhand. Hawks almost never went in for showy camera angles or flashy effects. His technique was nearly invisible; he just got on with telling the story, in the most straightforward, unfussy way. But this easy, seemingly effortless style was very carefully considered, by a shrewd and knowing mind. As Bill Warren, author of one of the best (and certainly most encyclopedic) books about 1950s sci-fi filmmaking, Keep Watching the Skies, notes in his detailed analysis of the film:
As most good movies do, The Thing works in two areas: sight and sound. The locale is a cramped, tunnel-like base; the men are confined within, the Thing can move freely outdoors in the cold. Compositions are often crowded, with more people in the shot than seems comfortable, reinforcing the idea of confinement After the Thing escapes, only the alien itself is seen standing and moving alone.
This feeling of a cold, hostile environment outside the base is constantly reinforced throughout the film, and a real tension mounts when, towards the climax, the highly intelligent Thing, itself immune to the subzero arctic conditions, turns off the compound's heating, knowing the humans inside will quickly die without it. (The freaky, otherworldly theremin-flavored music by Dimitri Tiomkin adds a lot to the eerie atmosphere here.)
As groundbreaking and well-structured as the plot of The Thing was (and is), what makes the film play so well today is the great script and the interaction of a bunch of seasoned character actors, who toss off both exposition and pithy bon mots in such a low-key, believable manner. This is a truly ensemble movie, and the fact that it doesn't feature any big name stars really adds to the overall effect; no one really hogs all the limelight or gets the lion's share of good lines. Hawks was a director who usually worked with the biggest names in the business, but, much as in the earlier Air Force, he was equally at home working with a cast of rock-solid character actors.
All this talk of Howard Hawks as director, when it's actually Christian Nyby who is credited with the job, has long been a source of speculation with fans of the film. Todd McCarthy, in his bio Howard Hawks: The Grey Fox of Hollywood, seems to clear the issue up once and for all (though really, after viewing enough Hawks films, the results speak for themselves):
The perennial question surrounding The Thing From Another World has always been, Who actually directed it, Christian Nyby or Howard Hawks? The sum of participants' responses make the answer quite clear. Putting it most bluntly, (associate producer) Ed Lasker said "Chris Nyby didn't direct a thing. One day Howard was late and Chris said,'Why don't we get started? I know what the shot should be.' And I said, 'No, Chris, I think we'll wait until Howard gets here." Ken Tobey testified, "Chris Nyby directed one scene. Howard Hawks was there, but he let Chris direct one scene. We all rushed into a room, eight or ten of us, and we practically knocked each other over. No one knew what to do." Dewey Martin, Robert Cornthwaite and Richard Keinen all agreed that Hawks was the director, and Bill Self said, "Chris Nyby was a very nice, decent fellow, but he wasn't Howard Hawks."
Nyby had been Hawks' editor on a number of films, and Hawks apparently decided to help his collaborator establish a name for himself by allowing him directorial credit on the film. This seemingly altruistic gesture didn't mean that Hawks wasn't involved in virtually every aspect of the making of the film, however, and ultimately, The Thing did little for Nyby's directing career, at least on the big screen (he did go on to a long and busy career directing for numerous television programs, however.)
Bill Self was told at the time that Hawks didn't take directing credit on The Thing because it was planned as a low-budget film, one in which RKO didn't have much confidence. But, as critics have been saying ever since it was released, The Thing is a Howard Hawks film in everything but name. The opening scene of various members of the team bantering is so distilled as to be a virtual parody of Hawksian overlapping dialogue. Even more than Only Angels Have Wings, the picture presents a pristine example of a group operating resourcefully in a hermetically sealed environment in which everything in the outside world represents a grave threat. (3)
In addition to all the masculine camaraderie and spooky goings-on, one of the best aspects of The Thing is the fun, charming little tease of a romance between Capt. Hendry and Nikki (top-billed Margaret Sheridan). Nikki works as Prof. Carrington's assistant and is not merely the requisite "babe" in the film. True to the Hawksian norm, she's no pushover when it comes to trading insults with the men, nor a shrinking violet when up to her neck in perilous situations. Unlike most actresses in 50s monster movies, she doesn't utter a single scream in The Thing
and in fact, it's her practical suggestion which gives Bob, Hendry's ever-resourceful crew chief (Dewey Martin), the notion of how to finally kill the monster. Lederer and Hecht's screenplay hints at the backstory to Nikki and Pat's relationship in humorous and oblique ways, and their flirtation amidst all the chaos adds sparkle to the film but never gets in the way of the pace of the story. One nice little throwaway exchange near the finale encapsulates their verbal give-and-take, as Nikki playfully pokes the temporarily-befuddled Hendry, as his men scurry about, setting Bob's plan in motion.
Nikki: Looks as if the situation's well in hand.
Hendry: I've given all the orders I'm gonna give.
Nikki: If I thought that were true, I'd ask you to marry me.
Sheridan, a former model signed to a 5-year contract by Hawks, is quite good here, but after The Thing her career never really caught fire and she retired from acting a few years later. The closest thing to a star turn in the film is Kenneth Tobey as Capt. Hendry. Tobey racked up an impressive number of credits throughout his nearly 50-year-long career, generally as gruff, competent military men or similar types, and he was always good value, though it's as Capt. Hendry in The Thing that he truly shines. He consistently humanizes the no-nonsense, take charge man of action Hendry by displaying an easygoing approach to command. Most of Hendry's men call him by his first name, and delight in ribbing him about his budding romance with Nikki, and he responds to all this joshing in kind. When things get hairy, Tobey's Hendry doesn't have to bark his orders; it's clear that, despite the friendly banter, his men hold him in high esteem and leap to do his bidding at a moment's notice.
Many of the other members of the cast, while none of them ever became household names, will likely be recognizable from countless other roles in both film and television. Hawks gave Dewey Martin co-star billing in The Big Sky a few years later. Robert Cornthwaite kept busy for decades on stage and television, as well as in supporting roles in films such as Monkey Business, Kiss Me Deadly and Whatever Happened to Baby Jane? John Dierkes (Dr. Chapman) and Douglas Spencer (Scotty) both had juicy roles in the western classic Shane, as well as many other movies too numerous to name. Sharp-eyed viewers will also recognize Eduard Franz, Paul Frees (he of the famous voice) and Groucho Marx's right-hand man on You Bet Your Life, George Fenneman, in pivotal roles. And of course we mustn't forget 6' 7" James Arness (years before becoming renowned as Marshall Matt Dillon on Gunsmoke) as the hulking Thing.
A quick note on the "remake": John Carpenter's The Thing (1982), a bleak, grisly and brilliant take on the story, was a box-office dud when first released, but has since attained well-deserved status as a modern classic. While most fans seem divided into two camps - those who love the more restrained, old-fashioned thrills of the original, and those who prefer the more visceral, paranoiac Carpenter version - I happen to treasure both films equally and revisit each of them often. The Carpenter version is by far the gutsier, unsettling one, emphasizing as it does the "trust no one," shape-shifting "the alien is one of us" scenario imagined by John W. Campbell, but the Hawks' film is the most fun, with a far more likeable array of characters, working together to defeat an implacable menace. Each has its own clear merits. I wouldn't want to do without either film, and frankly see no need to choose one over the other.
"Every one of you listening to my voice...tell the world. Tell this to everybody, wherever they are: Watch the skies. Everywhere. Keep looking. Keep watching the skies.”
Acting Credits
Margaret Sheridan - Nikki Nicholson
Kenneth Tobey - Captain Patrick Hendrey
Robert Cornthwaite - Professor Carrington
Dewey Martin - Crew Chief
Douglas Spencer - Ned "Scotty" Scott
Eduard Franz - Dr Stern
Robert Nichols - Lieutenant Ken Erickson
William Self - Colonel Barnes
Sally Creighton - Mrs Chapman
John Dierkes - Dr. Chapman
James R. Young - Lieutenant Eddie Dykes
Norbert Schiller - Dr. Laurenz
William Neff - Olson
Allan Ray - Officer
Lee Tung Foo - Cook
Edmund Breon - Dr. Ambrose
George Fenneman - Dr. Redding
Tom Steele - Stuntman
James Arness - The Thing
Billy Curtis - The Thing While Shrinking
if the zillions who claim to be cool, laid-back and easygoing weren't just deluded, this world would be a very different place ;-]
Dutch postcard by Korès. Photo: Paramount. Collection: Geoffrey Donaldson Institute.
American singer Bing Crosby (1903-1977) was a crooner whose signature song was 'White Christmas'. He often played 'happy-go-lucky fellas' in films which included the 'Road to...' comedies from 1940 to 1962, but he proved that he could act with The Country Girl (1954) opposite Grace Kelly. Crosby was a multi-media entertainer: a star on the radio and in the cinema, with chart-topping recordings. He had 38 no. 1 singles, which surpassed Elvis Presley and The Beatles.
Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, in 1903. He was the fourth of seven children of Catherine Helen "Kate" (Harrigan) and Harry Lowe Crosby, a brewery bookkeeper. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s, Bing's brother Everett sent a record of Bing singing 'I Surrender, Dear' to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in the musical comedy The Big Broadcast (Frank Tuttle, 1932), a film featuring radio favourites. His songs about not needing a bundle of money to make life happy had the right message for the decade of the Great Depression. He was the star of such radio shows as 'Kraft Music Hall' (1935-1946), 'Philco Radio Time' (1946-1949), 'The Bing Crosby Chesterfield Show' (1949-1952), and 'The Bing Crosby Show' (1954-1956). His song 'White Christmas' became the bestselling single for more than 50 years until overtaken in 1997 by 'Candle in the Wind', Elton John's tribute to the late Princess Diana.
Bing Crosby's relaxed, low-key style carried over into the series of 'Road to...' comedies he made with pal Bob Hope and Dorothy Lamour. The series consists of Road to Singapore (Victor Schertzinger, 1940), Road to Zanzibar (Victor Schertzinger, 1941), Road to Morocco (David Butler, 1942), Road to Utopia (Hal Walker, 1946), Road to Rio (Norman Z. McLeod, 1947), Road to Bali (Hal Walker, 1952), and The Road to Hong Kong (Norman Panama, 1962). He won the Best Actor Oscar for playing the easygoing priest Father Chuck O'Malley in Going My Way (Leo McCarey, 1944), and was nominated for his reprise of the role in The Bells of St. Mary's (1945) opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (George Seaton, 1954). Stagecoach (Gordon Douglas, 1966) with Ann-Margret, was his last major film. Though it did not get good reviews, his performance as the drunken doctor was praised. Playing golf was what he liked to do best. Bing Crosby died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium. On 13 October 1977, the day before Crosby's death, independent producer Lew Grade announced that he was reuniting Crosby, Bob Hope, and Dorothy Lamour onscreen for the film Road to the Fountain of Youth, ending several years of speculation as to whether the trio would reunite professionally or not. Bing Crosby was married twice: first, he married film actress Dixie Lee. They had four children and divorced in 1952. He married his second wife, Kathryn Grant, in 1957. They had three children and remained together till his death in 1977. His eldest son Gary Crosby criticised Bing's violent ways as a father in the biography 'Going My Own Way' (1983) which was touted as a "Daddy Dearest". Bing's children from his second marriage, including daughter and actress Mary Crosby, praised him as a kind and loving father in later life. Phil Crosby, Jr., Bing's grandson, formed a jazz quartet in the Los Angeles area and is bringing a semi-resurgence of interest in Bing and his music.
Sources: Dale O' Connor (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
The Thing from Another World 1951
Watch the skies, everywhere! Keep looking. Keep watching the skies!
—Ned “Scotty” Scott
www.popscreen.com/v/7aMWr/The-Thing-from-Another-World Full Feature
www.youtube.com/v/T5xcVxkTZzM Trailer
This is one of the major classics of 50s sci fi movies. Released in April of 1951, it was the first full-length film to feature a flying saucer from outer space, which carried a hostile alien. The budget and the effects are typical B-grade stuff, but the acting and pacing are well above the usual B levels. Kenneth Toby and Margaret Sheriden star. James Arness (more known for his westerns) plays The Thing.
Howard Hawks' early foray into the science fiction genre took advantage of the anti-communist feelings of the time to help enhance the horror elements of the story. McCarthyism and the Korean War added fuel to the notion of Americans stalked by a force which was single of mind and "devoid of morality." But in the end, it is American soldiers and scientists who triumph over the evil force - or the monster in the case of this film. Even today, this is considered one of the best of the genre.
Film review by Jeff Flugel. June 2013
There's not a lot new or particularly insightful I can offer when it comes to discussing the seminal sci-fi flick, The Thing from Another World that hasn't been written about ad naseum elsewhere. One of the most famous and influential of all 1950s creature features, it kicked off more than a decade of alien invasion and bug-eyed monster movie mayhem, inspired a host of future filmmakers (one of whom, John Carpenter, would go on to direct his own version of the story in 1982), and remains one of the best-written and engaging films of its kind.
Loosely (and I do mean loosely) adapted from John W. Campbell's novella, "Who Goes There?," The Thing is legendary director Howard Hawks' lone foray into the science fiction/ horror genres, but it fits comfortably into his filmography, featuring as it does Hawks' favorite themes: a group of tough professionals doing their job with ease, good-humored banter and practiced finesse; a bit of romance with a gutsy dame who can easily hold her own with the boys; and lots of overlapping, razor-sharp dialogue. Featuring a script by Charles Lederer and an uncredited Ben Hecht, The Thing is easily the most spryly written and funniest of all 50s monster movies. In fact, it's this sharpness in the scripting, and the extremely likeable ensemble cast of characters, rather than the now-familiar story and somewhat unimaginative monster design, that makes the film still feel fresh and modern to this day.
There's likely few people out there reading this who don't know the story of The Thing like the back of their hand, but here goes...When an unidentified aircraft crashes close to a remote research station near the North Pole, Captain Pat Hendry (Kenneth Tobey, in the role of his career) and his squad are dispatched there to investigate. Dr. Carrington (Robert Cornthwaite) heads the scientific contingent there, and he informs Hendry that he thinks the downed craft is possibly "not of this earth." A joint team of soldiers and scientists head out to the crash site and find an actual, honest-to-goodness flying saucer lying buried under the ice.
The spaceship is destroyed while the men try to melt the ice around it with thermite bombs, but they find a lone, 8-foot-tall extraterrestrial occupant frozen nearby and bring the body back to the outpost in a block of ice. Dr. Carrington and his crew of eggheads want to study the thing, but Hendry is adamant that it should be kept as is until he gets word from his superior in Anchorage, General Fogerty. It wouldn't be a monster movie without something going pear-shaped, of course, and before you know it, a careless mistake results in the creature being thawed out of his iceberg coffin and going on a bit of a rampage, taking out a number of sled dogs and a few unsuspecting scientists along the way. The rest of the film details the tense battle between the surviving humans and the coldly intelligent, remorseless alien invader, which seems virtually unkillable, impregnable to cold, bullets and fire...
The set-up for the film, and how everything eventually plays out, might seem overly familiarly nowadays, but in 1951, this was cutting-edge stuff, at least in cinemas. The Thing plays as a veritable blueprint of how to make a compelling "alien monster-on-the-loose" movie. Howard Hawks not being particularly well-versed, or even interested in, science fiction per se likely worked to its benefit, as he ended up making, as he so often did in his other films, what is first-and-foremost a well-oiled entertainment, rather than simply a genre exercise.
Typical of a Hawks film, The Thing is meticulously designed, composed and shot, but in such a way as to appear offhand. Hawks almost never went in for showy camera angles or flashy effects. His technique was nearly invisible; he just got on with telling the story, in the most straightforward, unfussy way. But this easy, seemingly effortless style was very carefully considered, by a shrewd and knowing mind. As Bill Warren, author of one of the best (and certainly most encyclopedic) books about 1950s sci-fi filmmaking, Keep Watching the Skies, notes in his detailed analysis of the film:
As most good movies do, The Thing works in two areas: sight and sound. The locale is a cramped, tunnel-like base; the men are confined within, the Thing can move freely outdoors in the cold. Compositions are often crowded, with more people in the shot than seems comfortable, reinforcing the idea of confinement After the Thing escapes, only the alien itself is seen standing and moving alone.
This feeling of a cold, hostile environment outside the base is constantly reinforced throughout the film, and a real tension mounts when, towards the climax, the highly intelligent Thing, itself immune to the subzero arctic conditions, turns off the compound's heating, knowing the humans inside will quickly die without it. (The freaky, otherworldly theremin-flavored music by Dimitri Tiomkin adds a lot to the eerie atmosphere here.)
As groundbreaking and well-structured as the plot of The Thing was (and is), what makes the film play so well today is the great script and the interaction of a bunch of seasoned character actors, who toss off both exposition and pithy bon mots in such a low-key, believable manner. This is a truly ensemble movie, and the fact that it doesn't feature any big name stars really adds to the overall effect; no one really hogs all the limelight or gets the lion's share of good lines. Hawks was a director who usually worked with the biggest names in the business, but, much as in the earlier Air Force, he was equally at home working with a cast of rock-solid character actors.
All this talk of Howard Hawks as director, when it's actually Christian Nyby who is credited with the job, has long been a source of speculation with fans of the film. Todd McCarthy, in his bio Howard Hawks: The Grey Fox of Hollywood, seems to clear the issue up once and for all (though really, after viewing enough Hawks films, the results speak for themselves):
The perennial question surrounding The Thing From Another World has always been, Who actually directed it, Christian Nyby or Howard Hawks? The sum of participants' responses make the answer quite clear. Putting it most bluntly, (associate producer) Ed Lasker said "Chris Nyby didn't direct a thing. One day Howard was late and Chris said,'Why don't we get started? I know what the shot should be.' And I said, 'No, Chris, I think we'll wait until Howard gets here." Ken Tobey testified, "Chris Nyby directed one scene. Howard Hawks was there, but he let Chris direct one scene. We all rushed into a room, eight or ten of us, and we practically knocked each other over. No one knew what to do." Dewey Martin, Robert Cornthwaite and Richard Keinen all agreed that Hawks was the director, and Bill Self said, "Chris Nyby was a very nice, decent fellow, but he wasn't Howard Hawks."
Nyby had been Hawks' editor on a number of films, and Hawks apparently decided to help his collaborator establish a name for himself by allowing him directorial credit on the film. This seemingly altruistic gesture didn't mean that Hawks wasn't involved in virtually every aspect of the making of the film, however, and ultimately, The Thing did little for Nyby's directing career, at least on the big screen (he did go on to a long and busy career directing for numerous television programs, however.)
Bill Self was told at the time that Hawks didn't take directing credit on The Thing because it was planned as a low-budget film, one in which RKO didn't have much confidence. But, as critics have been saying ever since it was released, The Thing is a Howard Hawks film in everything but name. The opening scene of various members of the team bantering is so distilled as to be a virtual parody of Hawksian overlapping dialogue. Even more than Only Angels Have Wings, the picture presents a pristine example of a group operating resourcefully in a hermetically sealed environment in which everything in the outside world represents a grave threat. (3)
In addition to all the masculine camaraderie and spooky goings-on, one of the best aspects of The Thing is the fun, charming little tease of a romance between Capt. Hendry and Nikki (top-billed Margaret Sheridan). Nikki works as Prof. Carrington's assistant and is not merely the requisite "babe" in the film. True to the Hawksian norm, she's no pushover when it comes to trading insults with the men, nor a shrinking violet when up to her neck in perilous situations. Unlike most actresses in 50s monster movies, she doesn't utter a single scream in The Thing
and in fact, it's her practical suggestion which gives Bob, Hendry's ever-resourceful crew chief (Dewey Martin), the notion of how to finally kill the monster. Lederer and Hecht's screenplay hints at the backstory to Nikki and Pat's relationship in humorous and oblique ways, and their flirtation amidst all the chaos adds sparkle to the film but never gets in the way of the pace of the story. One nice little throwaway exchange near the finale encapsulates their verbal give-and-take, as Nikki playfully pokes the temporarily-befuddled Hendry, as his men scurry about, setting Bob's plan in motion.
Nikki: Looks as if the situation's well in hand.
Hendry: I've given all the orders I'm gonna give.
Nikki: If I thought that were true, I'd ask you to marry me.
Sheridan, a former model signed to a 5-year contract by Hawks, is quite good here, but after The Thing her career never really caught fire and she retired from acting a few years later. The closest thing to a star turn in the film is Kenneth Tobey as Capt. Hendry. Tobey racked up an impressive number of credits throughout his nearly 50-year-long career, generally as gruff, competent military men or similar types, and he was always good value, though it's as Capt. Hendry in The Thing that he truly shines. He consistently humanizes the no-nonsense, take charge man of action Hendry by displaying an easygoing approach to command. Most of Hendry's men call him by his first name, and delight in ribbing him about his budding romance with Nikki, and he responds to all this joshing in kind. When things get hairy, Tobey's Hendry doesn't have to bark his orders; it's clear that, despite the friendly banter, his men hold him in high esteem and leap to do his bidding at a moment's notice.
Many of the other members of the cast, while none of them ever became household names, will likely be recognizable from countless other roles in both film and television. Hawks gave Dewey Martin co-star billing in The Big Sky a few years later. Robert Cornthwaite kept busy for decades on stage and television, as well as in supporting roles in films such as Monkey Business, Kiss Me Deadly and Whatever Happened to Baby Jane? John Dierkes (Dr. Chapman) and Douglas Spencer (Scotty) both had juicy roles in the western classic Shane, as well as many other movies too numerous to name. Sharp-eyed viewers will also recognize Eduard Franz, Paul Frees (he of the famous voice) and Groucho Marx's right-hand man on You Bet Your Life, George Fenneman, in pivotal roles. And of course we mustn't forget 6' 7" James Arness (years before becoming renowned as Marshall Matt Dillon on Gunsmoke) as the hulking Thing.
A quick note on the "remake": John Carpenter's The Thing (1982), a bleak, grisly and brilliant take on the story, was a box-office dud when first released, but has since attained well-deserved status as a modern classic. While most fans seem divided into two camps - those who love the more restrained, old-fashioned thrills of the original, and those who prefer the more visceral, paranoiac Carpenter version - I happen to treasure both films equally and revisit each of them often. The Carpenter version is by far the gutsier, unsettling one, emphasizing as it does the "trust no one," shape-shifting "the alien is one of us" scenario imagined by John W. Campbell, but the Hawks' film is the most fun, with a far more likeable array of characters, working together to defeat an implacable menace. Each has its own clear merits. I wouldn't want to do without either film, and frankly see no need to choose one over the other.
"Every one of you listening to my voice...tell the world. Tell this to everybody, wherever they are: Watch the skies. Everywhere. Keep looking. Keep watching the skies.”
Acting Credits
Margaret Sheridan - Nikki Nicholson
Kenneth Tobey - Captain Patrick Hendrey
Robert Cornthwaite - Professor Carrington
Dewey Martin - Crew Chief
Douglas Spencer - Ned "Scotty" Scott
Eduard Franz - Dr Stern
Robert Nichols - Lieutenant Ken Erickson
William Self - Colonel Barnes
Sally Creighton - Mrs Chapman
John Dierkes - Dr. Chapman
James R. Young - Lieutenant Eddie Dykes
Norbert Schiller - Dr. Laurenz
William Neff - Olson
Allan Ray - Officer
Lee Tung Foo - Cook
Edmund Breon - Dr. Ambrose
George Fenneman - Dr. Redding
Tom Steele - Stuntman
James Arness - The Thing
Billy Curtis - The Thing While Shrinking
Even though the Japanese elections were long over, you could still find political advertisements everywhere. Mino-shi, Osaka. October 18, 2009.
Faces caught in the intense Thai road traffic - Thai people is exceptionally nice and easygoing, really great - Phuket Thailand
Hello, a lonely heart! I am a 32 years woman, lookinf for something
that can change my life to the best. I lonely and consequently I try
to find to myself the partner in life. My friends say I have a good
sense of humor and it is very interesting to talk to me. I am looking
for a person who is honest and trustworthy. I dream about candle
dinner with my loving man dreams, dreams, I want to be happy and to
feel like real woman, like a queen. I like sport ( dancing, teniss) ,
I am very sociable, curious to know different people, countries,
cultures. Foreigne languages - that is my hobby.What is I hate is to
be indifferent. I like people who are taking their interests in all
the acctivities of the life - all-rounder persons. Don't stand still -
move , brighten up your life. My Ideal Person:
HONEST..DECISIVE..BRAVE....sometimes serious sometimes witty..nice a
man.. (or new good friends..:)..===>>>I want a lot..Really.
Intellectual and sharp wit are the biggest turn ons!!! Be smart,
funny, understanding, open-minded, forgiving, emotionally mature,
easygoing, willing to try new things, generous, and you got my
attention. Love a good joke AND be able to take a joke. Be adventurous
and imaginative. am a fun-loving person who enjoys sports, being
outdoors, and entertaining.I don't like the games sometimes
played.Life is to short. Iam willing to try new things.Ready to get
back out there and live life to the fullest.
I thank you for taking the time to read this and if you would like
to know more please feel free to my personal e-mail: #####
Good Luck with your search.
389 Congress St, Portland, Maine USA • The Portland City Hall is the center of city government in Portland, Maine. The structure was built in 1909 and was named to the National Register of Historic Places in 1973. • Architect: Carrere & Hastings. – From Wikipedia.
• Portland is Maine's business, financial and retail capital and the largest city in the state. Seascapes and cityscapes blend harmoniously in Portland, perched on a peninsula, jutting out into island-studded Casco Bay. The metropolitan hub of Maine's south coast region, Portland is a progressive, lively city incorporating the character of yesteryear into a modern urban environment. Historic architecture blends gracefully with the new as you stroll along her working waterfront or the cobblestone streets of the restored Old Port section of the city.
With a metro population of 230,000, the Greater Portland area is home to almost one quarter of Maine's total population. The population of the city is 66,363.
Portland is an easygoing city with friendly, hardworking people. Ranked nationally as one of the ten safest, culturally most fascinating US Cities and one of the top cities for doing business, housing is affordable, the schools and healthcare are outstanding.
Recreation, entertainment, scenery, culture -we've got the market cornered. Just ask the 3.6 million tourists who visit each year. And, the same things that attract vacationers make Portland a wonderful place to live, to work and to do business. – From the City's website.
☞ On May 7, 1973, the National Park Service added this structure and site to the National Register of Historic Places (#73000119).
• GeoHack: 43°39′33″N 70°15′26″W.
Dress It Down
The same hat goes just as easily with a T-shirt and jeans. But try tilting it back on your head; this produces a more easygoing, off-the-clock vibe.
Jacket, $895, by DKNY Jeans, $60, by DKNY Jeans. T-shirt, $110, by Diesel. Sneakers, $60, by Puma.
www.gq.com/how-to/fashion/200809/gq-guide-buying-hat-slid...
A detail of the ridge walk to Ponta de São Lourenço...awesome rock formations and amazing colours as the sun slowly sets on the most westerly point of the island.
This is a hand held 3xp HDR shot with a 75-300.
389 Congress St, Portland, Maine USA • The Portland City Hall is the center of city government in Portland, Maine. The structure was built in 1909 and was named to the National Register of Historic Places in 1973. • Architect: Carrere & Hastings. – From Wikipedia.
• Portland is Maine's business, financial and retail capital and the largest city in the state. Seascapes and cityscapes blend harmoniously in Portland, perched on a peninsula, jutting out into island-studded Casco Bay. The metropolitan hub of Maine's south coast region, Portland is a progressive, lively city incorporating the character of yesteryear into a modern urban environment. Historic architecture blends gracefully with the new as you stroll along her working waterfront or the cobblestone streets of the restored Old Port section of the city.
With a metro population of 230,000, the Greater Portland area is home to almost one quarter of Maine's total population. The population of the city is 66,363.
Portland is an easygoing city with friendly, hardworking people. Ranked nationally as one of the ten safest, culturally most fascinating US Cities and one of the top cities for doing business, housing is affordable, the schools and healthcare are outstanding.
Recreation, entertainment, scenery, culture -we've got the market cornered. Just ask the 3.6 million tourists who visit each year. And, the same things that attract vacationers make Portland a wonderful place to live, to work and to do business. – From the City's website.
☞ On May 7, 1973, the National Park Service added this structure and site to the National Register of Historic Places (#73000119).
• GeoHack: 43°39′33″N 70°15′26″W.
American postcard by Pomegranate Publications, Petaluma, CA, no. 5874. Photo: Michael Ochs Archives.
American actor Sal Mineo (1939-1976) was a teen idol during the late 1950s. He shot to fame as Plato in the classic Rebel Without a Cause (1955) featuring James Dean. Diminutive and sad-eyed, his performance perfectly captured the film's themes of youthful desperation, and struck a chord with audiences as well as critics, earning him a Best Supporting Actor Academy Award nomination. He co-starred again with Dean in Giant (1956) and with Paul Newman in Somebody up There Likes Me (1956). In 1957, he scored a pair of Top 40 hits with 'Start Movin' (In My Direction) and 'Lasting Love'.
Salvatore Mineo Jr. was born in the Bronx, in 1939, as the son of coffin makers Josephine (née Alvisi) and Salvatore Mineo Sr. He was of Sicilian descent; his father was born in Italy and his mother, of Italian origin, was born in the United States. Mineo was the brother of actress Sarina Mineo and actors Michael and Victor Mineo. He attended the Quintano School for Young Professionals. Mineo's mother enrolled him in dancing and acting school at an early age. He had his first stage appearance in Tennessee Williams' play 'The Rose Tattoo' (1951). He also played the young prince opposite Yul Brynner in the stage musical 'The King and I'. Brynner took the opportunity to help Mineo better himself as an actor. In 1954, Mineo portrayed the Page, lip-synching to the voice of mezzo-soprano Carol Jones, in the NBC Opera Theatre's production of Richard Strauss's 'Salome', set to Oscar Wilde's play. Elaine Malbin performed the title role, and Peter Herman Adler conducted Kirk Browning's production. As a teenager, Mineo also appeared on ABC's musical quiz program Jukebox Jury. Mineo made several television appearances before making his screen debut in Six Bridges to Cross (Joseph Pevney, 1955). He beat out Clint Eastwood for the role. Mineo also successfully auditioned for a part in The Private War of Major Benson (1955), as a cadet colonel opposite Charlton Heston. Mineo's breakthrough as an actor came in Rebel Without a Cause (Nicholas Ray, 1955), in which he played John "Plato" Crawford, a sensitive teenager smitten with the main character Jim Stark (James Dean). Mineo's performance resulted in an Oscar nomination for Best Supporting Actor. Mineo's biographer, Paul Jeffers, recounted that Mineo received thousands of letters from young female fans, and was mobbed by them at public appearances. In Giant (George Stevens, 1956), Mineo played Angel Obregon II, a Mexican boy killed in World War II. Many of his subsequent roles were variations of his role in Rebel Without a Cause, and he was typecast as a troubled teen. In the Disney adventure Tonka (Lewis R. Forster, 1958), for instance, Mineo starred as a young Sioux named White Bull who traps and domesticates a clear-eyed, spirited wild horse named Tonka that becomes the famous Comanche, the lone survivor of Custer's Last Stand. By the late 1950s, Mineo was a major celebrity. He was sometimes referred to as the "Switchblade Kid", a nickname he earned from his role as a criminal in the film Crime in the Streets (Don Siegel, 1956). In 1957, Mineo made a brief foray into pop music by recording a handful of songs and an album. Two of his singles reached the Top 40 on the United States Billboard Hot 100. The more popular of the two, 'Start Movin' (In My Direction)', reached #9 on Billboard's pop chart. It sold over one million copies and was awarded a gold disc. The second was 'Lasting Love', which stayed on the charts for three weeks and reached #27. The singles were followed up by an album on the Epic label.
In 1959, Sal Mineo starred as the titular jazz drummer in The Gene Krupa Story (Don Weis, 1959), and a year later earned a Golden Globe and his second Oscar nomination for his role as Dov Landau, a Jewish Holocaust survivor, in Exodus (Otto Preminger, 1960). Another box office hit was the war epic The Longest Day (Ken Annakin, Andrew Marton, Bernhard Wicki, 1962) in which he was one of the 42 stars. He played a paratrooper killed by a German after the landing in Sainte-Mère-Église. By then, Mineo was becoming too old to play the type of role that had made him famous, and his rumoured homosexuality led to his being considered inappropriate for leading roles. He had a long, on-and-off relationship with his young Exodus co-star Jill Haworth. She was 15 and he was 21 at the time. In 1972, he came out as bisexual in an interview. In 1969, expanding his repertoire, Mineo returned to the theatre to direct and star in the gay-themed prison drama 'Fortune and Men's Eyes' with a successful run in both New York and Los Angeles. He played Rocky, a prison bully who rapes the naive, blond prisoner Smitty, played by the young Don Johnson, pre-Miami Vice. On-screen he had roles as Red Shirt in the epic Western Cheyenne Autumn (John Ford, 1964) starring Richard Widmark, as Uriah in The Greatest Story Ever Told (George Stevens, 1965), and in his last film role as monkey Dr. Milo in Escape From the Planet of the Apes (Don Taylor, 1971). On television, he appeared with Henry Fonda in the Western Stranger on the Run (Don Siegel, 1967). In 1975 he returned to the stage in the San Francisco hit production of 'P.S. Your Cat Is Dead'. Preparing to open the play in Los Angeles with Keir Dullea, he returned home from rehearsal the evening of 12 February 1976 when he was attacked and stabbed to death by a stranger on the streets of West Hollywood. A drug-addled 17-year-old drifter named Lionel Ray Williams was arrested for the crime. He had no idea who Mineo was and was only interested in the money he had on him. After a trial in 1979, Williams was convicted and sentenced to life in prison for killing Mineo and for committing 10 robberies in the same area. He was paroled in 1990. Easygoing, extroverted Sal Mineo was only 37 years old when his life came to this tragic end. He was laid to rest near his brother Michael Mineo at Gate of Heaven Cemetery in Hawthorne, New York. At the time of his death, he was in a six-year relationship with male actor Courtney Burr III.
Sources: Jason Ankeny (AllMovie), Anthony Wynn (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Bala, you can feel the sweetness when you utter this name. She is such a sweet girl form of the all-powerful goddess sri Maha Tripurasundari. Sri Bala’s worship is a stepping stone to Sri Vidhya Upasana. Tripura rahasyam, a treatise on Saktham, highlights that goddess Maha Tripura sundari is indulgent in child-play as she portrays herself in the form of a little girl.
In Lalitha Sahasranamam both “bala”(965 mantra) and “leela vinodhini” (966th mantra) reconfirms the child status of the para brahma swarupini. The divine play of the goddess is none other than the triple functions of creation, preservation and destruction of the prapancham(world). Sri Bala’s story is enunciated in “lalithopakyanam” and illustrated as a youthful princess of a kingdom as an ever-green 9 year old.
Why Sri Bala is worshipped as a child deity? Because, with children we can be close. We tend to take liberty with them. Our affection is abundant with children. With Bala, the child we can open our heart, do the “sweet talk” with her and indulge in her innocence. The more you look at her as the sweet child, the more your heart abounds with joy. You become a child yourself and turn out to be childish.
What could a child do? A question often arises in our mind. In our puranas, surapadman asked Balamurugan what he could do and met his fatel end. Lord Krishna, in his child form destroyed kakasuran and boodhana. In Lalitha Sahasranamam, it was the child Bala, who annihilated the 30 sons of panda asura in the 74th line “pandaputhra vadod yukta, Bala Vikrama Nandita” So we should not take children as playful or easygoing types because a child, till its desired task is accomplished, doesn’t give up.
Ilya is a great guy. Easygoing with an amazing set of subtle talents. He used to ride a fast motorcycle competetively in Cali and then decided he'd become a Doctor. We surfed until 4 and he had to work the overnight at 7 in the ghetto of East New York. He still rides a super fast bike that isn't legal on city streets and bought a baby blue Dodge van with a broken passenger side door to haul the thing around in. The best thing about the van is that it also carries surf boards quite nicely. The second best thing about the van is that it is perfect for molesting children. Just kidding Ilya. He also has a Russian accent and grew up in a Red Russian St. Petersburg. He doesn't care for Tolstoy. His hair is mostly like that.
June 13.
I spent the night with Lainey, Cory and Lainey's younger sisters, Molly and Katie.
A candid of Lainey on the trampoline after she fell off Cory's back. It was so good to see her.
She is always so easygoing and full of life and I couldn't ask for a better best friend in my life.
The 6 month anniversary since Jessica died is coming up. I want to go visit her. I hope I can.
June 21st. Also 7 months after my birthday. I don't like sharing those 2 things on the same day.
She needs her own day. She deserves that much. I miss her a lot.
-
This one is for Becca because she loves us.
French postcard by Editions du Globe, no. 483. Photo: Metro Goldwyn Mayer / International Press.
American singer Bing Crosby (1903-1977) was a crooner whose signature song was 'White Christmas'. He often played 'happy-go-lucky fellas' in films which included the 'Road to...' comedies from 1940 to 1962, but he proved that he could act with The Country Girl (1954) opposite Grace Kelly. Crosby was a multi-media entertainer: a star on the radio, in the cinema and in chart-topping recordings. He had 38 no. 1 singles, which surpassed Elvis Presley and The Beatles.
Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, in 1903. He was the fourth of seven children of Catherine Helen "Kate" (Harrigan) and Harry Lowe Crosby, a brewery bookkeeper. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s, Bing's brother Everett sent a record of Bing singing 'I Surrender, Dear' to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in the musical comedy The Big Broadcast (Frank Tuttle, 1932), a film featuring radio favourites. His songs about not needing a bundle of money to make life happy had the right message for the decade of the Great Depression. He was the star of such radio shows as 'Kraft Music Hall' (1935-1946), 'Philco Radio Time' (1946-1949), 'The Bing Crosby Chesterfield Show' (1949-1952), and 'The Bing Crosby Show' (1954-1956). His song 'White Christmas' became the bestselling single for more than 50 years until overtaken in 1997 by 'Candle in the Wind', Elton John's tribute to the late Princess Diana.
Bing Crosby's relaxed, low-key style carried over into the series of 'Road to...' comedies he made with pal Bob Hope and Dorothy Lamour. The series consists of Road to Singapore (Victor Schertzinger, 1940), Road to Zanzibar (Victor Schertzinger, 1941), Road to Morocco (David Butler, 1942), Road to Utopia (Hal Walker, 1946), Road to Rio (Norman Z. McLeod, 1947), Road to Bali (Hal Walker, 1952), and The Road to Hong Kong (Norman Panama, 1962). He won the Best Actor Oscar for playing the easygoing priest Father Chuck O'Malley in Going My Way (Leo McCarey, 1944), and was nominated for his reprise of the role in The Bells of St. Mary's (1945) opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (George Seaton, 1954). Stagecoach (Gordon Douglas, 1966) with Ann-Margret, was his last major film. Though it did not get good reviews, his performance as the drunken doctor was praised. Playing golf was what he liked to do best. Bing Crosby died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium. On 13 October 1977, the day before Crosby's death, independent producer Lew Grade announced that he was reuniting Crosby, Bob Hope, and Dorothy Lamour onscreen for the film Road to the Fountain of Youth, ending several years of speculation at to whether the trio would reunite professionally or not. Bing Crosby was married twice: first, he married film actress Dixie Lee. They had four children and divorced in 1952. He married his second wife, Kathryn Grant, in 1957. They had three children and remained together till his death in 1977. His eldest son Gary Crosby criticised Bing's violent ways as a father in the biography 'Going My Own Way' (1983) which was touted as a "Daddy Dearest". Bing's children from his second marriage, including daughter and actress Mary Crosby, praised him as a kind and loving father in later life. Phil Crosby, Jr., Bing's grandson, formed a jazz quartet in the Los Angeles area and is bringing a semi-resurgence of interest in Bing and his music.
Sources: Dale O' Connor (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Model: Miika
More photos from the recent portrait photoshoot :)
Camera: Olympus OM-D E-M5
Lens: Panasonic 25mm f1.4 ASPH Leica DG Summilux
389 Congress St, Portland, Maine USA • The Portland City Hall is the center of city government in Portland, Maine. The structure was built in 1909 and was named to the National Register of Historic Places in 1973. • Architect: Carrere & Hastings. – From Wikipedia.
• Portland is Maine's business, financial and retail capital and the largest city in the state. Seascapes and cityscapes blend harmoniously in Portland, perched on a peninsula, jutting out into island-studded Casco Bay. The metropolitan hub of Maine's south coast region, Portland is a progressive, lively city incorporating the character of yesteryear into a modern urban environment. Historic architecture blends gracefully with the new as you stroll along her working waterfront or the cobblestone streets of the restored Old Port section of the city.
With a metro population of 230,000, the Greater Portland area is home to almost one quarter of Maine's total population. The population of the city is 66,363.
Portland is an easygoing city with friendly, hardworking people. Ranked nationally as one of the ten safest, culturally most fascinating US Cities and one of the top cities for doing business, housing is affordable, the schools and healthcare are outstanding.
Recreation, entertainment, scenery, culture -we've got the market cornered. Just ask the 3.6 million tourists who visit each year. And, the same things that attract vacationers make Portland a wonderful place to live, to work and to do business. – From the City's website.
☞ On May 7, 1973, the National Park Service added this structure and site to the National Register of Historic Places (#73000119).
• GeoHack: 43°39′33″N 70°15′26″W.
A photographic interpretation by Photo George. "Benjamin Franklin - Craftsman" Bronze (press textured to simulate wood) on granite and Belgium block base. (sculpture: approx. 120 x 120 x 120 in.; base: approx. 42 x 162 x 114 in.). Sculptor Joseph Brown. It sits at 98 N Broad St - the northwest corner of Board Street and John F Kennedy Blvd - near the Municipal Services Building Plaza directly across the street from the Grand Lodge of Masons for the State of Pennsylvania - Center City - Philadelphia PA US.
American sculptor Joseph (Joe) Brown b. March 20, 1909, Philadelphia, Pennsylvania. d. March 14, 1985, Philadelphia, Pennsylvania - an American figurative sculptor, specializing in athletes.
Commissioned and presented to the City of Philadelphia by Pennsylvania Freemasons and dedicated on June 27, 1981 by The Grand Lodge Free and Accepted Masons of Pennsylvania in honor of their 250 Anniversary.
sources of information follow:
www.waymarking.com/waymarks/WM9F3N_Benjamin_Franklin_Craf...
www.waymarking.com/waymarks/WM9F3N_Benjamin_Franklin_Craf...
www.associationforpublicart.org/artwork/benjamin-franklin...
en.wikipedia.org/wiki/Joe_Brown_%28sculptor%29
en.wikipedia.org/wiki/Joe_Brown_
++ ++ ++ ++ ++
"For the occasion of their 250th anniversary, the Pennsylvania Freemasons commissioned artist Joseph Brown to design a larger than life-size sculpture of Benjamin Franklin to be installed near their headquarters at the Masonic Temple at 1 North Broad Street (across from City Hall). This colossal figure of a young Benjamin Franklin working at a printing press was intended to memorialize Franklin as a printer and an artist, and to serve as a reminder of the dignity of the craftsman. The sculpture was dedicated and gifted to the City of Philadelphia on June 27, 1981."
www.associationforpublicart.org/artwork/benjamin-franklin...
++ ++ ++ ++ ++
Benjamin Franklin, Philadelphia’s most famous resident, is perhaps best known as a scientist and “Founding Father,” but his first and principal career was as a printer and publisher. (In colonial America, there was little demarcation between printing and publishing, and these trades were often combined with bookselling). Born in Boston in 1706, Franklin apprenticed in the printing shop of his brother James from the age of 12. He left Boston at age 17 and used his printing skills to find work in Philadelphia and London. By 1728, Franklin had settled in Philadelphia and owned his own printing press. Franklin’s easygoing writing style and shrewd sense of what people wanted to read soon made his publications the finest in the colonies. The most famous was Poor Richard’s Almanack, edited by Franklin from 1733 to 1758, which sold over 10,000 copies a year across the continent.
Although he retained an interest in publishing throughout his life, Franklin retired from the trade in 1748 to give time to his many other pursuits. By this time, however, Philadelphia’s printing industry was firmly established, with six printers and three newspapers serving a population of about 10,000. Over the next three decades, more than 40 printers would set up shop in Philadelphia. Published material included religious texts (the first work released from Franklin’s printing press was probably the Psalms of David), textbooks, encyclopedias, newspapers, almanacs, magazines, government documents, and political tracts.
Franklin’s company released Pamela, the first novel printed in America, in 1740. Many of the most popular works of the time were pirated reprints of British literature and plays. (Copyrights were considerably harder to enforce in those days.) Because transportation costs were so prohibitive in 18th-century America, local booksellers generally printed their own version of these books. It was not until the first decades of the next century that Philadelphia and New York were able to achieve dominance in the publication of literature. phindie.com/a-brief-history-of-early-publishing-in-philad...
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image by Photo George
copyrighted: ©2016 GCheatle
all rights reserved
locator: GAC_0230
Valentine's Day 2018 Pakistan – I Heart Shopping | www.bigbazaronline.pk
Many people around the world celebrate Valentine’s Day by showing appreciation for the people they love or adore. Some people take their loved ones for a romantic dinner at a restaurant while others may choose this day to propose or get married. Many people give greeting cards, chocolates, jewelry or flowers, particularly roses, to their partners or admirers on Valentine’s Day.
It is also a time to appreciate friends in some social circles and cultures. For example, Valentine's Day in Finland refers to “Friend's day”, which is more about remembering all friends rather than focusing solely on romance. Valentine's Day in Guatemala is known as Day of Love and Friendship). It is similar to Valentine’s Day customs and traditions countries such as the Pakistan but it is also a time for many to show their appreciation for their friends.
In case you're making arrangements for a motion picture, don't stress! We're putting forth the best form garments for the two men and ladies. Folks should wear a shirt, a wrist watch and polished shoes to be the star of February. While, young ladies can pick a refined dress with light gems, and easygoing flip tumble to take after an excessive style.
Well! In case you're arranging out a supper outside the home, you may require a formal dress. Man should wear clothing that incorporates formal shirt, dress gasp, infectious sleeve fasteners and a marked wrist watch. Ladies, then again, should want to pick a complex outfit with high foot rear areas. This you can get in our Valentine’s Day bargains in Pakistan. Also, ensure, whatever you purchase must supplement the dress you're wearing.
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Shirt
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Wallet
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Valentines Gifts Online for Her
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Along these lines, here is our rundown of valentine’s blessings online in Pakistan.
Aromas
There is nothing more captivating than a lady whose landing is reported by a ultra-chic and female aroma. Thus, send her the best scents to prevail upon her.
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