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GAME GIRLS follows several women through America’s melting pot of dysfunction: Los Angeles’ skid row. They are estranged daughters, lost mothers, or both, trying to fight their way out of an intergenerational history of drugs, poverty and trauma.
Through a unique creative process, based on a 18-months-long drama-therapy workshop with the women, director Alina Skreszweska will create a collaborative portrait of lives below the radar of mainstream society.
Alina Skreszweska has already made two successful films about Skid Row: Songs From The Nickel (2010), a feature documentary which premiered at Visions du Réel (Nyon, Switzerland) and won the Prize for a Best Documentary at Athens International Film & Video Festival (Ohio, USA), as well as Best Film at Document 9 of Glasgow, Sibiu Award at Astra Film festival Romania, and Special Mention of the Jury at Festival Films de Femmes de Créteil 2011. And TV-documentary Traviesos (2013), which was broadcasted on ZDF/Arte in Europe.
With GAME GIRLS, Alina focuses on women and, for the first time, she includes the protagonists themselves in the writing process of the film.
First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
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First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
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Prince Lucian –
You’ve inquired of me a look into my family, and how could I not oblige? You see though, the information you are about to be exposed to is dysfunction at its peak, the climax of craziness. But, the information you are about to be exposed to is also loving, caring, eternal devotion. It’s a family that doesn’t just have it’s confliction but a solution to our problems as well. We are four close knit souls with four loving hearts. It’s undeniable the warmth of our family’s bond blankets its flaws.
Like most families, the Taylor’s have their share of devastation. Grief struck one winter. It was December. 20 days in, 10 minutes past the 8th hour. I was 9 years old. I can tell you that that date, that time, it’s engraved in my brain, tattooed on my heart. My brother died that day. His passing was not understandable to my child mind, and all I knew was that he just left his body laying there, no life occupying it. He isn’t pictured in the photograph I included with this letter, but his presence, Anthony Taylor’s presence, is needed in this story.
Then you have my mother. I remember her back then, before his death. So laid back, giggly and cheery. His departure changed her. Her smile is colder, slowly dipping below freezing. Her pale skin doesn’t get rosy red and her eyes are permanently placed in a scowl - a cold, white scowl. Her life no longer revolves around having fun, getting out there and pursuing your dreams whatever they may be, it revolves around skating. It revolves around perfection. She’s coach Addison Taylor now, not mom.
Thankfully, my father is still dad. Still the happy, loving dad with a chuckle so deep and musical it can soften any mood. He doesn’t care for skating, no, his passion is painting, but he doesn’t mind watching either. My dad is young, you could say, as is my mom, only 18 when I was born, but he has an old soul. His heart is big, and he means well, but sometimes he comes across as strict, almost rude. He knows how to discipline, but he knows how to have fun.
The love of figure skating does run in the family, just not the talent as much. The sweet, innocent Alana Taylor, 10 years into her life, enjoys the ice just as much as I do. You see her, pictured, flat on her butt, shocked. Alana is amazing, so beautiful and happy all the time. She is one to always laugh at her flaws, one to always bring an upsetting mood up. She is loving and accepting, and I’m sure once you meet her you’ll be engulfed by her amazing personality just as I was the first time I saw her.
Lastly shown is me. I’m not a complicated person, but I’ve realized that many people look at my outside, my shell, and not my inner feelings. They see me as ‘Olivia Taylor, the Olympian!’ or ‘Olivia Taylor, the model!,’ not ‘Olivia Taylor, the wit, the comedian, the one who will love you for you, the one who cares’ I am very passionate towards everything. My positive outlook on life contributes to that, I believe. I look at the glass as it’s half full, not half empty. I’m not greedy or selfish, I’m grateful for what I have and I feel I’ve been giving more then I deserve throughout my lifetime. I am quite competitive, though, and have a hard time backing down from a challenge once it’s been presented. My family is my number one priority, and I would do anything for them.
Yes, my family isn’t perfect, instead it’s quite close to the opposite, but it’s the best that I think I could ever ask for.
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May 18, 2012 - WEST COAST NUTRITIONALS, LTD. Issues a Voluntary Worldwide/Nationwide Drug Recall of Products FIRMINITE, EXTRA STRENGTH INSTANT HOT ROD, AND LIBIDRON due to Undeclared Tadalafil. For additional information, please refer to the company issued press release available on FDA's web site at www.fda.gov/Safety/Recalls/UCM304719
May 18, 2012 - WEST COAST NUTRITIONALS, LTD. Issues a Voluntary Worldwide/Nationwide Drug Recall of Products FIRMINITE, EXTRA STRENGTH INSTANT HOT ROD, AND LIBIDRON due to Undeclared Tadalafil. For additional information, please refer to the company issued press release available on FDA's web site at www.fda.gov/Safety/Recalls/UCM304719
First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
First Thursday, November 6, 2014.
Photographs By Jennifer Hughes
PNCA presents a variety of exhibitions on campus:
Eva and Franco Mattes: Breaking Banality: The Dysfunction of Remediation
Nov 6, 2014 – Jan 10, 2015
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series “BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
Last Call: 2014 PNCA Staff Exhibition: Swigert Commons
Nov 6, 2014 – Nov 22, 2014
The artists and designers who make up the staff at Pacific Northwest College of Art (PNCA) are among the Portland’s most dedicated practitioners. While as a group they are diverse in their creative endeavors, they are united in their drive for a continual exploration of creative practice. The Staff Exhibition celebrates and showcases the rigor, invention, and excellence of those explorations in an exhibition that highlights the diversity and collective nature of the PNCA staff.
PNCA's Veterans Exhibition: Higgins Gallery
Nov 6, 2014 – Nov 23, 2014
PNCA’s first ever exhibition of its current students, staff, and faculty who served in the United States Military. A diverse group in their chosen mediums and topics, this exhibition showcases a variety works made from PNCA’s Veterans. Held in connection with the November 11th Veterans Day holiday.
Roger Peet: Traps, Flows, Echoes: Gallery 214
Nov 6, 2014 – Nov 28, 2014
Portland artist Roger Peet will open a show of new installation, video and print work in Gallery 214 at PNCA on the 6th November. The show, entitled “Traps, Flows, Echoes” focuses on the idea of the trap, in both the physical and cultural realms. Much of the show will focus on Peet’s relationship to the Democratic Republic of Congo, where he has worked for several seasons to promote community conservation through art. Some of the work addresses Peet’s complex relationship with his father, who faked his death to go AWOL from the British Air Force and to fly helicopters for the CIA’s interventions in Congo in the 1960’s, an event which Peet recreates in a video collaboration with Portland director Jodi Darby. In his travels and work in Congo, Peet experienced first hand the disastrous consequences of the history his father had helped to shape, and this show will contain vivid and evocative print, installation, and sound pieces that evoke the trauma and brutality of that trap of history, as well as the ways that he and the friends that he made in Congo are trying to get out of it. The work also features sound collages and poetry by Portland MC Mic Crenshaw.
Roger Peet is an artist, writer and printmaker in Portland, Oregon. His art focuses on civilized bad ideas, evolution and extinction, predator-prey relationships, and the contemporary crisis of biodiversity and what can and can’t be done about it. He is a member of the Justseeds Artists’ Cooperative (justseeds.org), a group of socially and environmentally engaged North American artists, and collaborates with activists, artists and scientists across the globe in the service of a more generous and a wilder world. His website is TooSphexy.com.
This project was produced with the generous assistance of the Regional Arts and Culture Council.
May 18, 2012 - WEST COAST NUTRITIONALS, LTD. Issues a Voluntary Worldwide/Nationwide Drug Recall of Products FIRMINITE, EXTRA STRENGTH INSTANT HOT ROD, AND LIBIDRON due to Undeclared Tadalafil. For additional information, please refer to the company issued press release available on FDA's web site at www.fda.gov/Safety/Recalls/UCM304719
May 18, 2012 - WEST COAST NUTRITIONALS, LTD. Issues a Voluntary Worldwide/Nationwide Drug Recall of Products FIRMINITE, EXTRA STRENGTH INSTANT HOT ROD, AND LIBIDRON due to Undeclared Tadalafil. For additional information, please refer to the company issued press release available on FDA's web site at www.fda.gov/Safety/Recalls/UCM304719
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সাধারণত প্রতি ১০ জনে একজন পুরুষ মানুষের সঙ্গমের সময় দ্রুত বীর্যপাত অথবা ইরেক্টাইল ডিসফাংশনের (erectile dysfunction) মত সমস্যা হয় বলে ধারনা করা হয় । বিশেষজ্ঞদের মতেঃ-
”কোন পুরুষ যৌনক্রিয়ায় ঠিকভাবে অংশগ্রহণ করতে না পারলে সেটিকে যৌন সমস্যা (Sexual dysfunction) বলা হয় । এর প্রধানতম সমস্যাটি হচ্ছে ঠিকমত ইরেকশন (erection) বা লিঙ্গ সুদৃঢ় না হওয়া । এটি লোকে যা মনে করে তার চেয়ে অনেক বেশি দেখা যায়। ২০-৪০ বছর বয়সী পুরুষদের মধ্যে ৭-৮%, এবং ৪০-৫০ বছর বয়সী পুরুষদের মধ্যে ১১% এই সমস্যায় আক্রান্ত হয়। ষাটোর্ধ পুরুষদের ৪০% এবং ৭০ বছরের বেশি বয়সের পুরুষদের অর্ধেকই এই সমস্যায় ভোগেন।” এটি বিপরিত লিঙ্গের প্রতি আকৃষ্ট, সমকামী, বাই-সেক্সুয়াল বা ট্র্যান্সজেন্ডার যে কারো হতে পারে।”
১) ইরেক্টাইল ডিসফাংশন বা ইম্পোটেন্স (Erectile dysfunction (impotence))এই সমস্যাটি হলে পুরুষদের লিঙ্গ সুদৃঢ় হয় না বা হলেও তারা সেটি বেশিক্ষন ধরে রাখতে পারে না । বেশিরভাগ পুরুষেরই জীবনে কখনো না কখনো এই সমস্যাটি হয়। বিশেষজ্ঞদের মতে “এটি তখনই সমস্যা হিসেবে বিবেচনা করা হয় যখন কোন পুরুষ বা তার সঙ্গিনী এটিকে সমস্যা মনে করেন।”
ইরেক্টাইল ডিসফাংশন কেন হয়?অনেকগুলো কারণে এটি হতে পারে । এই কারণগুলোর কয়েকটি মানসিক এবং কয়েকটি শারীরিক। মানসিক কারণে (যেমনঃ নাইট নার্ভ (night nerves)) কম বয়সী পুরুষদের এই সমস্যাটি হয়। বেশিরভাগ সময়ই এই সমস্যাটি দীর্ঘস্থায়ী হয় না। তবে অনেক জটিল মানসিক সমস্যার কারনে এটি হতে পারে যার জন্য সাইকোসেক্সুয়াল থেরাপিস্টের সাহায্য নিতে হতে পারে। কর্মক্ষেত্র, টাকাপয়সা, সম্পর্কের টানাপোড়েন, পারিবারিক সমস্যা এমনকি ইরেকশন না হওয়া নিয়ে দুশ্চিন্তার কারণেও সমস্যাটি হতে পারে। ইরেক্টাইল ডিসফাংশনের শারীরিক কারণগুলোর মধ্যে রয়েছেঃ-
1. হৃদরোগ (heart disease)
2. ডায়বেটিস (diabetes)
3. রক্তচাপ বেড়ে যাওয়া (raised blood pressure)
4. কলেস্টেরল বেড়ে যাওয়া (raised cholesterol): এতে ধমনিগুলো সঙ্কুচিত হয়ে পড়ে। যৌনাঙ্গের ধমনিগুলো এমনিতেই খুব সরু (১-২ মি.মি. ব্যাসার্ধের, যেখানে হৃৎপিণ্ডের ধমনিগুলো ১০ মি.মি.) ব্যাসার্ধের) হয়
5. টেসটোস্টেরনের পরিমাণ কমে যাওয়া (low testosterone): পুরুষদের বয়স বাড়ার সঙ্গে সঙ্গে টেসটোস্টেরনের পরিমাণ কমতে থাকে, তবে সব পুরুষেরাই এর দ্বারা প্রভাবিত হয় না। যারা এর কারণে সমস্যায় পড়েন তারা ক্লান্ত, আনফিট এবং যৌনক্রিয়ায় অসমর্থ বোধ করবেন এবং এর প্রতি আগ্রহ হারিয়ে ফেলবেন।
যে সব ড্রাগ বা ঔষধের কারণে ইরেক্টাইল ডিসফাংশন হয়ঃ
কয়েক ধরনের ঔষধ (some prescription drugs):
1. এগুলো হচ্ছে রক্তচাপ কমাতে ব্যবহৃত ঔষধ (যেমন বেটা ব্লকার) এবং বিষণ্ণতা দূর করতে ব্যবহৃত ঔষধ (antidepressants) ও অ্যান্টিকনভালস্যান্ট/ খিঁচুনি কমানোর ঔষধ।
2. মদ (alcohol)
3. গাঁজা ও কোকেইনের মত ড্রাগ
4. ধূমপান (smoking): নিকোটিনের কারনে ইরেকশন বা লিঙ্গ সুদৃঢ় হওয়ার সময় পুরুষাঙ্গের বিভিন্ন জায়গায় প্রয়োজনীয় রক্ত সরবরাহ বাধাপ্রাপ্ত হয়।
ইরেক্টাইল ডিসফাংশন হলে কী করতে পারি?
অবশ্যই অভিজ্ঞ ডাক্তারের শরনাপন্ন হোন । বয়স্কদের ক্ষেত্রে ইরেক্টাইল ডিসফাংশন অন্যান্য সমস্যার নির্দেশকও হতে পারে । এটি উচ্চ রক্তচাপ, উচ্চ মাত্রার কোলেস্টেরল এবং ডায়বেটিসের সাথে সম্পর্ক যুক্ত । এর যে কোনটি ভবিষ্যতে হৃদরোগ হওয়ার পূর্বলক্ষণ হতে পারে । ডাক্তার আপনার প্রয়োজনীয় চিকিৎসা নিশ্চিত করবেন ।
যৌন অক্ষমতার (impotence) চিকিৎসা কী?প্রথমেই আমাদের মনে রাখতে হবে যে, অন্যান্য সকল সাধারন রোগের মতই যৌন সমস্যাও অত্যন্ত স্বাভাবিক একটি সমস্যা, যা নিয়ে নিজের মাঝে নিজে হীনমন্যতায় কিংবা বিষণ্ণতায় ভোগা অথবা অতিরিক্ত বিশেষ দুঃচিন্তা করার কোন প্রয়োজন নেই, কারন আপনার ভিতরকার এই দুর্বলতা আপনার যৌন দুর্বলতাকে আরো বেশি দুর্বল করে দিতে পারে, তাই সর্বপ্রথম নিজের মাঝে নিজে আত্মবিশ্বাস ফিরিয়ে আনুন এবং সমস্যা সমাধানে উপযুক্ত সমাধানের দ্বারস্থ হোন ।
যৌনস্বাস্থ্য সংক্রান্ত সমস্যায় ভুক্তভোগী পুরুষ ভাইদের উপযুক্ত সমাধান এবং চিকিৎসার মাধ্যমে তাদের পুর্ন যৌন শক্তি এবং সক্ষমতা ফিরিয়ে দিতে সুনামধন্য “ন্যাচারাল আয়ুর্বেদা লিঃ” ১২ বছরেরও অধিক সময়কাল যাবত আস্থা এবং সফলতার সঙ্গে নিজেদের অবদান অব্যাহত রেখে চলেছে । রোগ / ক্ষেত্র অনুযায়ী যৌন দুর্বলতার বিভিন্ন সমস্যা সমাধানে “ন্যাচারাল আয়ুর্বেদা লিঃ” এর রয়েছে সম্পূর্ণ প্রাকৃতিক এবং ভেষজ উপাদান দ্বারা আন্তর্জাতিক ভাবে স্বীকৃত আয়ুর্বেদিক ফর্মুলায় তৈরিকৃত বিশ্বমানের ২ টি প্রোডাক্ট, যা রোগ / ক্ষেত্র অনুযায়ী যৌন সমস্যার প্রয়োজনীয় সমাধান দিতে অত্যন্ত কার্যকরী । প্রোডাক্ট দুইটি সম্পর্কে বিস্তারিত জানতে – এখানে ক্লিক করুন
The post পুরুষাঙ্গ সুদৃঢ় না হওয়া জনিত সমস্যা সৃষ্টির কারন এবং চিকিৎসা appeared first on Natural Ayurveda LTD.
Myofascial Release is a manual form of Physical Therapy which helps rebalance the soft tissue throughout the body, thereby, allowing relief and often complete resolution of pain caused by nerve, disc or muscle problems. Through our clinic location in Jackson (Fondren), we provide total body hands-on healing for: Fibromyalgia, Cervical Pain, SI Pain/Dysfunction, TMJ, Back Pain, Scoliosis, Migraines, Sciatica, Neurological Dysfunction, Chronic Fatigue Syndrome, Carpal Tunnel, Disc Problems, Problematic Scars, Plantar Fasciitis.
This particular painting shows how my dysfunctional childhood and neglect with the tans, browns, and red. The black represents me trying to keep my sanity and stay on the right path as a young teenager, and the gold represents God guiding me through my life. I painted this in 2010 and I actually thought about painting over it but I took someones advice and left it alone.
Size: 4'X8'
Medium: acrylic water based, oil based paint; & spray paint.
For Sale.
Herbal Treatment To Improve Erection Strength
You can find more details about the herbal treatment to improve erection strength at
www.ayushremedies.com/erectile-dysfunction-remedies.htm
Dear friend, in this video we are going to discuss about the herbal treatment to improve erection strength. Booster capsules and Mast Mood oil are effective herbal treatment for men to improve erection strength and hardness as well as to give a woman best lovemaking episodes.
If you liked this video, then please subscribe to our YouTube Channel to get updates of other useful health video tutorials. You can also find us on Facebook, Twitter and Google+.
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Go to Page with image in the Internet Archive
Title: The medical adviser : a complete treatise on the formation, debility, and diseases of those organs peculiar in each sex, including spermatorrhoea, or seminal weakness, drawn up with a view to the treatment and cure of impotence, and the more effectual removal of the venereal disease, the result of thirty years' experience, with the latest discoveries
Creator: Watson, William
Publisher: New York : [William Watson]
Sponsor: U.S. National Library of Medicine
Contributor: U.S. National Library of Medicine
Date: 1860
Language: eng
Description: NLM copy: printed publisher's address "no. 658 Broadway", inked out and replaced in ms. by " no. 1, Great Jones' St. near Broadway; author's address on p.96 similarly inked out and replace in ms
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If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
November 27, 2012
Policy Talks @ the Ford School event: "It's even worse than it looks: a conversation with Tom Mann and Norm Ornstein."
Thomas Mann (MA '68, PhD '77) and Norman Ornstein (PhD '74) will discussed their most recent book, the New York Times bestseller, It's Even Worse than It Looks: How the American Constitutional System Collided with the New Politics of Extremism. The book takes a comprehensive approach to understanding the current dysfunction in Congress, and provides pragmatic recommendations to remedy it.
Learn more: www.fordschool.umich.edu/events/calendar/1431
May 18, 2012 - WEST COAST NUTRITIONALS, LTD. Issues a Voluntary Worldwide/Nationwide Drug Recall of Products FIRMINITE, EXTRA STRENGTH INSTANT HOT ROD, AND LIBIDRON due to Undeclared Tadalafil. For additional information, please refer to the company issued press release available on FDA's web site at www.fda.gov/Safety/Recalls/UCM304719
This is a really tight turn at one of Asheville's 'Dysfunction Junctions' where the Interstate combines with a local road to cross a bridge. The slowdown is to 35 mph and few people take it seriously, which is why the guardrail rarely has time to get too rusty - it's being constantly replaced.
But the photo made the online version of the Asheville Citizen-Times' front page.