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Car 1: '12 Toyota Vitz
Car 2: '11 Toyota Aqua
Location: City of Arts and Sciences, Spain
Gran Turismo 6
Highly editable InDesign trifold brochure template. Easy to customize with styles and swatches. Clean visual structure and professional typography.
graphicriver.net/item/dynamic-trifold-brochure/19972069?r...
This is a dynamic painting of champion Tiznow, and his jockey Chris McCarron. This painting was unveiled at the Del Mar Yearling Sale on August 13, 2001. Tom, along with Chris McCarron were there on hand, to sign autographs, and prints of this great champion. Tiznow was owned by Michael Cooper, and Cecilia Straub-Rubens Trust. We was trained by Jay Robbins of So. California, and was ridden by jockey Chris McCarron. Among his many accomplishments are: The Super Derby at Louisiana Downs (where Tiznow romped), the Breeders' Cup Classic (the only Cal bred ever to have won it) defeating Giant's Causeway by a neck. More recently he won the G-II San Fernando Breeders' Cup Hcp., and the G-I Santa Anita Hcp. He captured two highly esteemed Eclipse Awards in the year 2000. He was named, Three Year Old Colt Of The Year, and Horse Of The Year. In 2001 he came back as a repeat winner in the Breeder's Cup Classic, the only horse to accomplish that. This painting is a tribute to Tiznow, a great champion.
I have S/N limited edition giclee canvas prints of this image.
Inspired by some of the wonderful smoke images here at Flickr I have been playing with fire, of course I have added a little Photoshop, Love to know what you think of them.
Aircraft: Dynamic WT-9
Location: Aeroclube de Santa Catarina - SSKT
Registration: PU-TNA
Serial Number: K36
Joseph Stella: Visionary Nature
February 24 – May 21, 2023
Italian-born American modernist Joseph Stella (1877–1946) is primarily recognized for his dynamic Futurist-inspired paintings of New York, especially the Brooklyn Bridge and Coney Island. Lesser known, but equally as ambitious, is his work dedicated to the natural world, a theme that served as a lifelong inspiration. Throughout his career, Stella produced an extraordinary number of works—in many formats and in diverse media—that take nature as their subject. These lush and colorful works are filled with flowers, trees, birds, and fish—some of which he encountered on his travels across continents or during his visits to botanical gardens, while others are abstracted and fantastical. Through these pictures, he created a rich and variegated portrait of nature, a sanctuary for a painter in a modern world.
Joseph Stella: Visionary Nature is co-organized by the High and the Brandywine River Museum of Art and is the first major museum exhibition to exclusively examine Stella’s nature-based works. The exhibition features more than one hundred paintings and works on paper that reveal the complexity and spirituality that drove Stella’s nature-based works and the breadth of his artistic vision. Through expanded in-gallery didactics, including a graphic timeline of Stella’s career and a short film, the exhibition digs deeply into the context of the works, exploring their inspirations, meanings, and stylistic influences.
Touring Dates:
Norton Museum of Art, West Palm Beach, Florida (October 15, 2022–January 15, 2023)
Brandywine Museum of Art, Chadds Ford, Pennsylvania (June 17, 2023–September 24, 2023)
www.nytimes.com/2022/11/30/arts/design/joseph-stella-flor...
www.forbes.com/sites/natashagural/2022/12/21/joseph-stell...
www.atlantamagazine.com/news-culture-articles/joseph-stel...
If you know the painter Joseph Stella, it’s probably from his famous urban landscapes like Brooklyn Bridge (1921), a futurist interpretation of New York’s dramatic 20th-century industrialization. But Stella was just as captivated by the botanical world as he was by cityscapes, and today, Atlantans can see that side of the artist in vivid color. Joseph Stella: Visionary Nature, an explosive new exhibit at the High Museum of Art, features dozens of his flower and plant-filled paintings and drawings. In Atlanta through May 21, the exhibit travels chronologically through Stella’s lifelong love-affair with the natural world, from an early study of a piece of bark to the epic, intricate Tree of My Life.
Visionary Nature was a joint effort between the High; the Norton Museum in West Palm Beach, Florida; and the Brandywine Museum in Chadds Ford, Pennsylvania, where it heads next. “They were really focused on [Stella’s] nature works, and we have a great work by Stella here at the High,” said Stephanie Heydt, the museum’s Margaret and Terry Stent Curator of American Art. “It was a great collaboration.”
Stella was born in 1877 in Muro Lucano, a hilly city in southern Italy. He immigrated to New York originally intending to follow his brother into medicine, but after a uninspired stint in medical school, he pivoted to painting. Stella studied briefly under the impressionist painter William Merritt Chase at the New York School of Art and soon developed a reputation as a sensitive interpreter of the urban working class.
The High’s exhibit features of some of these early works, in which the natural world spills out amidst the smokestacks and steel mills of America’s industrial revolution. “This is the Progressive Era at the turn of the twentieth century,” Heydt explained. “And he’s looking at the people in his own community, specifically the Italian immigrants.”
Traveling back in Europe, Stella was inspired by the contemporary artists he saw there: the cubism of Pablo Picasso and early futurism of Umberto Boccioni. He drew on these sources back in the U.S, earning acclaim for his dynamic geometric paintings of the metropolis; several choice selections, including American Landscape (1929), and Smoke Stacks (1921), are on view in this exhibit.
But even as Stella built his career on the towering achievements of urban industry, he yearned for the sunny landscapes of his youth. He frequented havens like the Bronx Botanical Gardens, which opened in 1891 and offered escape from New York’s sooty streets. Walking through Brooklyn one day, he later wrote in an essay, he stumbled across a sapling.
“This little tree is coming up from a crack in the sidewalk, shadowed by a factory, and he sees himself in this tree,” Heydt said. “He says, This is me.”
That encounter inspired Tree of My Life (1919) a florid aria sung to the natural world. A sturdy olive tree—Stella himself—anchors the canvas, surrounded by a vortex of tropical plants, birds, and, in the background, Stella’s native Italian hills. Brandywine Museum Director Thomas Padon envisaged the exhibit after seeing Tree of My Life in a private collection. “I was transfixed,” Padon told the New York Times.
Stella painted Tree of My Life and Brooklyn Bridge within a year of each other, announcing a duality that would define the rest of this career. While he painted flowers throughout his life, it was his moody, futurist treatments of New York that made him an art-world celebrity. European artists fleeing World War I were landing in New York in droves, sparking a new creative fascination with the cutting-edge American city. “(Marcel) Duchamp says the art of Europe is dead, and this century is about America,” explained Heydt. “Stella’s understood to be one of the first American-based painters to figure out . . . how to paint the new modern city.”
But Stella’s love of the natural world—and of Europe—endured. He returned to botanical themes throughout his life, infused with the Old Master styles of the Italian Renaissance. Many works in this exhibit invoke the sun-drenched vistas and towering cathedrals of Italy, overrun by sumptuous flowers that are decidedly not native to the Iberian peninsula. Stella—a native turned immigrant—seems to delight in the contradiction: in Dance of Spring (1924), tropical orchids and calla lilies burst open in a beam of beatific light, like Jesus rising to the heavens in a Raphael. Purissima (1927), part of the High’s own collection, evokes the iconic Renaissance Madonna, here transformed by Stella’s whimsy: the stamens of a lily serve as her celestial crown, while snowy egrets (the Florida kind) grace her sides.
With saturations of color abounding in every room, Visionary Nature enjoys an added depth through words. Stella was a prolific writer, and the exhibit makes canny use of text to explore his passion for the living world. “My devout wish,” reads one such diary segment on view, “That my every working day might begin and end . . . with the light, gay painting of a flower.” In a unique addition to their exhibition, the High created a short video featuring more of Stella’s own thoughts. “We wanted to end with his voice telling us how he felt about various paintings in the show . . . or his ideas about art,” explained Heydt.
Stella, who died in 1946, spent the last years of his life in ill health, largely confined to his studio. He never stopped painting the natural world; a few of those last works, modest trees still full of flair, are on view here. A few years before his death, his friend and fellow artist Charmion von Wiegand paid a visit to his studio. She found Stella amidst a riot of color, studiously painting his favorite subject. “Flower studies of all kinds litter the floor,” wrote von Wiegand, “and turn it into a growing garden.”
Dynamic Ball arcade-game-like, as shown at the 2009 opendoor day at HEAJ (Haute Ecole Albert Jacquard). Dynamic Ball has been developed with Autodesk 3ds Max and free software Blender by a team of students under teacher Benoit Saint-Moulin's expertise.
Benoit Saint-Moulin :
HEAJ (Haute Ecole Albert Jacquard) :
Konzert von Drob Dynamic auf dem Leopoldplatz in Berlin Wedding vor dem Screenings der Dokumentarfilm MIETREBELLEN
U.S. Army Reserve International Combat Team shooter engages enemy targets during a Dynamic Pistol Lane as part of the 2015 Canadian Armed Forces Small Arms Concentration at the Connaught Range outside of Ottawa, Canada, Sept. 16. The international marksmanship competition lasted roughly two weeks, bringing in more than 250 total competitors from the British, Canadian and U.S. armed forces competing in more than 30 matches involving rifle, pistol and light machine gun events using various combat-like movements and scenarios. (U.S. Army photo by Master Sgt. Michel Sauret)
U.S. Army Reserve International Combat Team shooter engages enemy targets during a Dynamic Pistol Lane as part of the 2015 Canadian Armed Forces Small Arms Concentration at the Connaught Range outside of Ottawa, Canada, Sept. 16. The international marksmanship competition lasted roughly two weeks, bringing in more than 250 total competitors from the British, Canadian and U.S. armed forces competing in more than 30 matches involving rifle, pistol and light machine gun events using various combat-like movements and scenarios. (U.S. Army photo by Master Sgt. Michel Sauret)
Posted via email from John's posterous See the full gallery on Posterous Had a quick walk round the Whangie this evening. Photo's taken with Camera+, run through the clarity filter and then the Dynamic Light app. ...
It's not about computer programming... or is it?
Operations research? Decision theory? Suckaz?
Getting back to me rootz.
The studio, Dynamic City, locates inside 798. It is organized by a couple from Netherlands, one of the main topics is “density”. A reception was organized today, for showing the thing they’ve done , as a possible model of future development of Beijing. The model, which is probably developed from one of Koolhaas’s city models (the architect admitted that he worked in OMA once), represents one of the possible cityscape in the year 2020. The architect raised the question of how Beijing should look like in 15 years time. A lot of people came to the reception party, not many of them are architects, yet they are interested in the issue.
The model shows one of the possible “solutions “for the high density in modern city. One of the speakers said that architects are more often than not trapped in the illusion of such “typical” high blocks, and have the preconception of this solution of high density problem. He argued that this image could be wrong and there should be other ways to solve the problem. For this matter, I think architects are usually underestimating the situation in Chinese cities. The problem is far beyond architecture, or even beyond planning. Urban planning in Beijing has always been a problem tangled with conservation, rehabilitation, and many other policies. Scholars have been studying for years yet haven’t been able to find a good solution. It is naïve to imagine how the city will be like, according to “building” or “planning”. Architects are impotent in deciding the cityscape.
Exercise Dynamic Victory is the final exercise at Royal Military Academy Sandhurst for the Commissioning Course that confirms cadets' suitability for commissioning.
This is the first RMAS exercise to use Hohenfels training area Bavaria; the exercise tests cadets in the areas of leadership in war fighting and stabilisation in contemporary and contingency operating environments.
Find out more about where the British Army trains its leaders: www.army.mod.uk/sandhurst
This exercise was carried out in November 2013.
Image by Bombardier Murray Kerr RA; Crown Copyright
Dynamic Ball arcade-game-like, as shown at the 2009 opendoor day at HEAJ (Haute Ecole Albert Jacquard). Dynamic Ball has been developed with Autodesk 3ds Max and free software Blender by a team of students under teacher Benoit Saint-Moulin's expertise.
Benoit Saint-Moulin :
HEAJ (Haute Ecole Albert Jacquard) :
de most dynamic hanging nybody cud ever get...THE WINDOW...;)...
To see this pic in black background please click here: snapbutton.blogspot.com