View allAll Photos Tagged dynamic
A&M C420 Nº58, a non dynamic model is at Van Buren, Arkansas on May 1, 2019. Unlike most Alco variants, 58 has had it's hood door handles replaced with standard knuckle busters.
A view from the sand dunes, looking across the picturesque bay of St Ouen, in Jersey Channel Islands. La Rocco Tower sits in the bay surrounded by calm waters on a warm summer's eve. We are so blessed on our island with the natural beauty surrounding us - sometimes it is hard to appreciate this, but this image makes me realise how lucky we are...
Continue to last series of "Night & Light Series 20 -dynamic & blur view at the street", which aim to capture the respective atmosphere & beauty of dynamic light at night .
La Brêche au Diable, Normandie, France.
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富士山 宝永火口と宝永山
Mount Fuji Hoei era crater and Mt.Hoeizan
It is the Mount Fuji born by great eruption of Hoeizan 1707's greatest side volcano. Altitude is 2,693m.
宝永山（ほうえいざん）は宝永4年（1707年）の宝永大噴火で誕生した、富士山最大の側火山である。標高は2,693 m。この宝永の大噴火以降は噴火していないため、この宝永山が富士山の最新の側火山になる。(wikipedia)
富士山の荒々しい一面を見ました。
水ヶ塚公園/静岡県
Shizuoka,Japan
The sky is an infinite movie to me.
I never get tired looking at what's
happening up there.
(K. D. Lang)
Weekly Theme Challenge - Sky
(photo by Freya, edit by me)
Thanks for views, faves and comments!
Motukiekie Beach is a fantastic location on the West Coast of New Zealand.
After a "Blazing Kaikoura" sunrise on the east coast I headed over to the West Coast for sunset.
This spot is only accessible at low tide and even during the very low tide on this particular evening the swell would regularly wash over this scene. This regular water movement however provided another layer to the seastack / starfish combination that the area is famous for!
The growing popularity of Motukiekie for serious landscape photographers is largely off the back of some fantastic images created by Kah Kit Yoong here a couple of years ago. If you haven't already make sure you check out his Flickr stream at www.flickr.com/photos/kahkityoong/ - you won't regret it!
The above image was taken well after the sun had set, providing a wonderful atmosphere including the sea mist in the background. My legs were soaked from the numerous swells and on the walk back down the beach it started to rain. This just added to the adventure at a remarkable location!
As always I would love to hear any thoughts / comments that you may have.
Taken with a Pentax 645Nii medium format film camera and fuji velvia 50 film.
5 shots bracketed and merged to create a HDR picture of Piazza Ariostea here in Ferrara.
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Wings Over Illawarra 2022, Supermarine Spitfire F Mk.IXc MH603, construction number CBAF.IX.5589, VH-IXF, in the markings of 331 (Norwegian) Squadron.
I had read about this technique a few years back, and always wanted to try it. Canada Day brings with it a fireworks celebration on most urban waterfronts, and those celebrating Independence Day will likely have an opportunity to try this tonight.
This technique involves changing the focus of the lens during the exposure. Through the 2 second exposure, I manually turn the focus ring which allows for the fireworks trails to fall out of focus and expand. Shifting the focus back and forth from in-focus to out-of-focus can create interesting patterns unseen by your eyes! It's a fun trick that offers many random "happy accidents" and the exposures are really fun to review, almost like watching the entire fireworks display again from a different perspective.
Just be sure to grab a few frames with static focus, however! You'll need to mask in the foreground from a separate image to keep the landscape details looking normal. This is two images combined - one for the fireworks and one for the landscape below. I adjusted the reflections to match the colours in the fireworks image so that everything blends together nicely.
Next time you're out shooting the fireworks, give this "dynamic focus" technique a try!
(I just looked it up after writing this post, and I originally read about this idea here: www.popphoto.com/how-to/2010/06/make-unique-fireworks-pho... )
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“You don't get heaven or hell. Do you know the only reward you get for being Batman? You get to be Batman.” ~ Neil Gaiman
Stagecoach Merseyside 34480 PX53 DKJ and 27717 PO11 BCV await to turn into Queen Square Bus Station.
ZENITAR-M2s 50mm f2 MC / 改鏡
== 右眼慢拍老鏡攝影展 < 第 7 講 > ==
冬天的寒風不是溫柔的，它以凌厲的速度擦拭大地，將楓葉搓紅如燃燒的烈焰。在這莫之能禦的自然神力中，拿著 ZENITAR-M2s 50mm f2 MC 這顆老鏡，改過鏡片排列後賦予影像更強烈的畫意風格，使楓葉不只是靜止的葉片，而是一幕北風的吶喊，一場季節的狂舞。這個畫面讓我聯想到 羅伯特·卡帕在二次大戰諾曼第登陸搶灘時的失焦系列作品，影像幾乎失焦到難以辨認，卻更具速度孤寂與生死瞬間的情緒張力，攝影從不僅只是清晰的再現，它可以承載動感、情緒與時間的脈動。
--- 使用刻意修改鏡片排列的老鏡，創造出異質的焦外畫意，使影像帶有撕裂般的張力，這種光學語言，使風中的楓葉不只是散亂的物件，而是畫布上的狂放筆觸，顯現當下的不安分，在風裡飛旋，用失焦來訴說北風的剛烈。
--- 一般而言，清晰度被視為影像品質的標準，但在表現動感時，失焦反而是一種更具張力的語言。卡帕的戰場影像、布列松的街頭紀實，甚至莫內的印象派繪畫，都在探索焦點的模糊如何強化情緒的力度。
--- 標準焦段 50mm 記錄楓葉準焦區域的細膩紋理，而 f2 的大光圈則柔化了失焦的背景，使紅葉在柔霧般的光影中顯得更加鮮活，紅色的葉片被冬風輕輕揉搓，彷彿即將燃燒出訴說不盡的光陰故事。
這場如靜似動的視覺體驗不僅與羅伯特·卡帕的戰地紀錄產生共鳴，也與印象派的筆觸哲學相互交織，焦點不再是精準的輪廓，而是流動的情緒，失焦，不只是技術上的偏離，而是攝影語言的一種自由釋放，使影像擁有更強烈的感官能沉浸其中的衝擊，如同詩句未竟之筆，讓觀賞者留下了更多想像的空間與自我闡釋未知的未知。
「攝影不是複製現實，不是讓世界靜止，而是創造氛圍。」—— 畢馬龍
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作品名稱 / 楓動 (Dynamic)
使用鏡頭 / ZENITAR-M2s 50mm f2 MC
拍攝日期 / 2024.12.5 12:15 pm
When I saw this I wondered who was having sewer problems and then it dawned on me that I have a backflow valve on my sprinkler system and I pay the water people yearly for it to be checked.. I never saw anybody but then I was more interested in getting the picture than looking for people... LOL!! Happy Truck Thursday, Everybody!!!!!!