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A very atmospheric shot of an erstwhile dwelling after the arrival of the French. For me personally, what nails the shot is the upturned canoe with all those rugs drying on it. The canoe makes the scene look so very Canadian! (Ottawa, Canada, Dec. 2012)
Cliff Dwellings, Mesa Verde Colorado.
Info from www.nps.gov/meve/
Mesa Verde, Spanish for green table, offers a spectacular look into the lives of the Ancestral Pueblo people who made it their home for over 700 years, from A.D. 600 to A.D. 1300. Today, the park protects over 4,000 known archeological sites, including 600 cliff dwellings. These sites are some of the most notable and best preserved in the United States.
A recently submitted temperate zone hooch (insulated, enclosed) for a design contest at Dwell magazine using Sketchup 3D. Chose a site between two trees (the only trees on Crissy field- the designated locale in San Francisco). This is a shot using a photo from Google Earth.
"One Week" (1920)
Directed by Edward F. Cline
Buster Keaton
Produced by Joseph M. Schenck
Written by Edward F. Cline
Buster Keaton
Starring Buster Keaton
Sybil Seely
Joe Roberts
Lon Chaney[citation needed]
Cinematography Elgin Lessley
Editing by Buster Keaton
Distributed by Metro Pictures
Release dates September 1, 1920[1]
Running time 19 minutes
Country USA
Language Silent film
English intertitles
www.youtube.com/watch?v=1Rpt6cFRkxY
"Selling the Dwelling: The Books That Built America’s Houses, 1775-2000" At the Grolier Club December 11 2013-February 7 2014; Curated by Richard W. Cheek
"In December of 2013 the Grolier Club will host an extraordinary exhibition on the history of the American Dream of home ownership. Over 200 rare books, periodicals, drawings, periodicals, and printed ephemera will show how the idea of “A Home for All” was marketed in the United States, first through eighteenth-century builder’s guides, then by nineteenth-century pattern books, and finally by twentieth-century house plan catalogues.
"The plans, elevations, and large, elaborate, and often colorful perspective views in these books fueled the growth of home ownership in America. The story begins in 1775 with George Bell’s reproduction of Abraham Swan’s The British Architect, credited as the first architectural book published in America. The show will contrast early American editions of luxurious pattern books for the wealthy with a selection of the more modest “builder’s guides” used by most Americans who desired to construct a house. As the Republic grew, and novel styles of design began to challenge Classical and Federal norms, new domestic pattern books such as Alexander Jackson Davis’s Rural Residences (1837) began to offer plans and elevations in the new Italianate and Gothic styles.
"After a hiatus in building during the Civil War, American house building resumed in earnest, fueled by an explosion of architectural book publishing, which now focused on providing house plans by mail. The trend begins in 1856 with Cleaveland and Backus’s Village and Farm Cottages and Cummings and Miller’s Architecture (1865), and grows throughout the 1870s with Hussey’s 1875 Home Building, and Palliser’s Model Homes for the People (1876).
"By the 1880s the quasi-periodical publications of Robert W. Shoppell’s “Co-operative Building Plan Association” illustrate the growing importance of magazines -- Godey’s Lady’s Book, Ladies’ Home Journal, House Beautiful and House and Garden -- as a vehicle for popularizing house designs. At the turn of the century, as the demand for more small houses increased, local millwork companies and national retailers like Sears Roebuck and Montgomery Ward began to produce pre-cut homes that could be shipped by railroad for assembly by local carpenters. The exhibition devotes a special section to the advertising and marketing of this new mode of house-building.
"With so many different businesses issuing house plan books simultaneously, an incredible variety of often elaborately-designed and printed publications was produced, usually accompanied by other forms of advertisement such as home planning guides, company journals, flyers, posters, calendars and paper models. Focusing directly on the consumer, chiefly on women, this vast panoply of promotional material promised a tasteful, convenient, and comfortable dwelling to anyone who purchased the products and services or followed the advice being offered. The post-WWII home-building boom reinvigorated plan book production, with modernism gaining a foothold when the undecorated version of the ranch house became part of the vogue for wide, single-level houses in the 1950s and early 1960s.
"The exhibition tracks extensive and rapid changes to the literature of house building after 1970. The level of house catalogue publication declined in the 1970s and 80s, chiefly because large tract developers were making more of the design decisions for new dwellings than prospective homeowners were. Many smaller house plan publishers went out of business, and the supply of plan books was further diminished in the 1990s, as house designs became increasingly available on internet sites which offered CD-ROMS instead of printed catalogues.
"The evolution of the house design book in the United States is a long and complicated story, filled with architectural creativity and banality, commercial genius and excess, egalitarian and humanitarian ideals, literary and social ambition, can-do individualism, faith in progress and invention, and endless energy. All of these quintessential American traits are bound within the pages of the builder’s guides, pattern books, catalogues, and other forms of architectural literature that have competed for the financial and psychological rewards involved in designing and building a domestic haven for every citizen. Curator Richard W. Cheek highlights the more visually arresting and socially compelling examples of this genre, focusing on books that reveal the character of our country as much as they do the style of our houses."
Photograph by James Russiello
Opened 1703 and extended 1732. reroofed 1984. Meeting ceased in 1990 and the building was sold as a dwelling June 2009.
"Selling the Dwelling: The Books That Built America’s Houses, 1775-2000" At the Grolier Club December 11 2013-February 7 2014; Curated by Richard W. Cheek
"In December of 2013 the Grolier Club will host an extraordinary exhibition on the history of the American Dream of home ownership. Over 200 rare books, periodicals, drawings, periodicals, and printed ephemera will show how the idea of “A Home for All” was marketed in the United States, first through eighteenth-century builder’s guides, then by nineteenth-century pattern books, and finally by twentieth-century house plan catalogues.
"The plans, elevations, and large, elaborate, and often colorful perspective views in these books fueled the growth of home ownership in America. The story begins in 1775 with George Bell’s reproduction of Abraham Swan’s The British Architect, credited as the first architectural book published in America. The show will contrast early American editions of luxurious pattern books for the wealthy with a selection of the more modest “builder’s guides” used by most Americans who desired to construct a house. As the Republic grew, and novel styles of design began to challenge Classical and Federal norms, new domestic pattern books such as Alexander Jackson Davis’s Rural Residences (1837) began to offer plans and elevations in the new Italianate and Gothic styles.
"After a hiatus in building during the Civil War, American house building resumed in earnest, fueled by an explosion of architectural book publishing, which now focused on providing house plans by mail. The trend begins in 1856 with Cleaveland and Backus’s Village and Farm Cottages and Cummings and Miller’s Architecture (1865), and grows throughout the 1870s with Hussey’s 1875 Home Building, and Palliser’s Model Homes for the People (1876).
"By the 1880s the quasi-periodical publications of Robert W. Shoppell’s “Co-operative Building Plan Association” illustrate the growing importance of magazines -- Godey’s Lady’s Book, Ladies’ Home Journal, House Beautiful and House and Garden -- as a vehicle for popularizing house designs. At the turn of the century, as the demand for more small houses increased, local millwork companies and national retailers like Sears Roebuck and Montgomery Ward began to produce pre-cut homes that could be shipped by railroad for assembly by local carpenters. The exhibition devotes a special section to the advertising and marketing of this new mode of house-building.
"With so many different businesses issuing house plan books simultaneously, an incredible variety of often elaborately-designed and printed publications was produced, usually accompanied by other forms of advertisement such as home planning guides, company journals, flyers, posters, calendars and paper models. Focusing directly on the consumer, chiefly on women, this vast panoply of promotional material promised a tasteful, convenient, and comfortable dwelling to anyone who purchased the products and services or followed the advice being offered. The post-WWII home-building boom reinvigorated plan book production, with modernism gaining a foothold when the undecorated version of the ranch house became part of the vogue for wide, single-level houses in the 1950s and early 1960s.
"The exhibition tracks extensive and rapid changes to the literature of house building after 1970. The level of house catalogue publication declined in the 1970s and 80s, chiefly because large tract developers were making more of the design decisions for new dwellings than prospective homeowners were. Many smaller house plan publishers went out of business, and the supply of plan books was further diminished in the 1990s, as house designs became increasingly available on internet sites which offered CD-ROMS instead of printed catalogues.
"The evolution of the house design book in the United States is a long and complicated story, filled with architectural creativity and banality, commercial genius and excess, egalitarian and humanitarian ideals, literary and social ambition, can-do individualism, faith in progress and invention, and endless energy. All of these quintessential American traits are bound within the pages of the builder’s guides, pattern books, catalogues, and other forms of architectural literature that have competed for the financial and psychological rewards involved in designing and building a domestic haven for every citizen. Curator Richard W. Cheek highlights the more visually arresting and socially compelling examples of this genre, focusing on books that reveal the character of our country as much as they do the style of our houses."
Photograph by James Russiello
Dwellings
at artstream October/November 2009
opening Saturday 10/11/09 5-7 p.m.
Amanda Woodward
Melanie Ford Wilson
Mike Lewis
and in the equinox
Alexandra Morrow
Zoe Pawlak
Tomorrow is a very busy day for me, so I won't be posting any photos - ha, did I hear a multitude of sighs of relief? About another 8 photos and I should be finished with Day 3 of my trip to Pt Pelee (Ontario) and Tadoussac (Quebec) in May 2018.
The DeLaurier Homestead and Trail was such a delight to visit in Point Pelee. I was in seventh heaven, photographing this beautiful old house and the nearby barn. The photo colours vary mainly because I used two different cameras.
"DeLaurier House is approached along a boardwalk at the western edge of the marsh lands at Point Pelee National Park. It is a two-storey, gable-roofed structure, which incorporates two attached log houses. The dwelling is clad in board and batten siding and the shingled roof exhibits two roof pitches with one brick chimney. Windows and doors are asymmetrically arranged on the walls of the house. The designation is confined to the footprint of the building.
DeLaurier House is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental value.
DeLaurier House is associated with the early settlement of the Point Pelee area. It illustrates the life and times of a small French-Canadian community outside Québec and the agricultural activity on Point Pelee between 1850 and 1966. The reclamation of marshland led to Point Pelee becoming one of Canada’s finest agricultural areas in the latter half of the 19th century. The house is also associated with its builder, Oliver DeLaurier, and with his descendants. The house was used as a neighbourhood tavern for local parties and for community dances. In addition, the house is the oldest remaining structure and illustrates the development of export-oriented farming at Point Pelee during the late 19th century. It is now the interpretive center for the Point Pelee National Park.
DeLaurier House is valued for its good aesthetic and functional design. The integration of the two, simple log houses shows Olivier DeLaurier’s resourcefulness despite limited income and construction experience. The interior also illustrates the building’s evolutionary nature, having been modified for use by two families in the early 1900s and later renovated to accommodate the interpretive programs of the park. Notable for its craftsmanship, the dwelling was clad in board and batten siding and finished with a shingle roof, in order to present a uniform appearance and to demonstrate the DeLaurier’s improved economic and social status in the community."
A multi family dwelling in Lewiston, Maine. It's unmistakable and unmissable too. People use it as a landmark for directions. There's another one in Auburn, Maine!
The wrap around stairway increases outside living areas while an interior ladder is used during inclement weather for traffic between the upper penthouse and the lower bath.