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Wow! I love this record. Released in 1985 and I've had it for at least 8 years, but never listened to it till tonight. And I've only done the first side so far!
One of the features I really like about the MPC 1000 is the USB port. It doesn't sound like much but I've fallen in love with the convenience of being able to create samples on my laptop using Ableton Live and then port them over to the MPC with no loss in audio quality.
My only gripe is that its USB port is very slow. Maybe there's a mod that I can do to switch for a faster one? Hmmmm ... I see a new toy in my near future.
Though this may look like a map to an Infocom text adventure, it is a sketch of the dseq drum machine micro-language interpreter, as implemented in Csound.
Das Herzstück eines jeden elektronischen Musik-Setups: Der MX-1 Mix Performer.
Mischpult, Controller, Audio Interface und Effektgerät (mit Step Sequencer Programmierung) in einem Gerät. Außerdem vereint er Synthesizer, Drum Machines, Loops, DAW Tracks und vieles mehr in einem einzigen optimierten Mix-Instrument.
Details zum MX-1: www.rolandmusik.de/products/mx-1/
My hot new (old) XL-7 is a desktop sequencer module version of E-mu's Xtreme Lead-1 Electronica and Dance oriented sound module.
More info here:http://www.vintagesynth.com/emu/xl7.php
Holga multiple exposure with colored flash: Four Dimensional Nightmare from Seattle WA played on What's This Called? on KPSU on 3/2/2013. For a few more weeks you may download the proceedings via the following link: s3.amazonaws.com/archive-complete/1362250801.mp3