View allAll Photos Tagged drummachine
Drum Machine at the Diversity Festival, Rotherham Show 2019, Clifton Park, Rotherham, South Yorkshire.
Drum Machine - A Zombie Drum Orchestra. They were loud, they were brash, they were drums - it is a good noise.
The diversity stage speaks for itself. I've said it before, and I'll keep saying it until everyone in the world listens (some people still aren't listening - thoughts with the families of yesterday's stabbings in London), because it is right:
All races. All Religions. All abilities. All ages. All orientations.
No prejudice. No hatred. No phobias. No intolerance. No discrimination.
Respect, embrace and celebrate differences.
'We Include, We Celebrate, We Find a Way'
It is a good thing!
Sunday 08-Sep-2019
Being able to control the music means having control over so many people in the club; it gives you king status, and being the king you have to act like it.
If you spend $2500 on a quality set up and only cut from track to track with the crossfader and just beatmix, that’s just being average and maybe lazy. You have effects, so use them. You can get echo effects, loop buttons, sample record buttons etc.
All mixers have the equalizer knobs. Experiment with every button on your mixer, even the play/pause button can be used for things, and in the end however you choose to use these it will be all you, and like SpamCosnumer™ said, you’re putting your trademark on it!
Participant of the International Festival CologneOFF VII (Germany, 2011)
*****************************************
30th Romanian International Film Festival "Autumn in Voronet" (2010)
Diploma for
........................Director's Work
........................Camera Work
*****************************************
Participant of Bang Shorts Film Festival (England, 2010)
*****************************************
Kinavarka Film Festival (Belarus, 2010)
*****************************************
Golden Clapper Award for Best Directing (First Minsk Filmschool, 2010)
*****************************************
Directed by Alex DeBronhe
The problem of gender misunderstanding in the frame of techno ad libbing Alex hand beats live. The guy plays the drummachine, but the girl sitting beside him, can't hear him. He tries to explain his world of sounds to her but she is not able to overcome the sound barrier. She can't hear the sounds he hears and as she tries to understand him even harder, it only makes her feel sick. Vibrations coming from the unhearable overtones destroy the girl's body. The film ends with the open final making the audience reflect upon the topic. The titles represent the artistic idea of the film. The original music is created in the interdependence with the editing tempo, movements and gestures of the actors; it illustrates the emotions and thoughts of the characters.
Очень странный фильм. Загадка. Проблема тотального непонимания противоположных полов, помещённая в каркас техно экспромта, сыгранного действительно в живую Алексом (игра ритмов пальцами на синтезаторах называется хэнд-битингом Hand Beating [H/B]). Парень играет на драм-машине. Но девушка, сидящая рядом с ним, не слышит его. Он пытается донести до нее мир своих звуков, но она не в состоянии преодолеть звуковой барьер. Она не слышит звуки которые слышит он, усиленная попытка проникновении в мир мужских звуков лишь приводит к ухудшению самочувствия девушки. Не слышимые обертона порождающие вибрации, разрушают клетки тела девушки. Финал остаётся открытым, давая нам материал для размышлений. Титры являются художественным элементом фильма, как и в других картинах. Оригинальная музыка полностью подчинена монтажному темпо ритму, пластике и жестам актёров, иллюстрирует эмоции и мысли героев.
My hot new (old) XL-7 is a desktop sequencer module version of E-mu's Xtreme Lead-1 Electronica and Dance oriented sound module.
More info here:http://www.vintagesynth.com/emu/xl7.php
Holga multiple exposure with colored flash: Four Dimensional Nightmare from Seattle WA played on What's This Called? on KPSU on 3/2/2013. For a few more weeks you may download the proceedings via the following link: s3.amazonaws.com/archive-complete/1362250801.mp3
Before we graduated to the mighty Roland TR808 Rhythm Composer, we used the Boss Dr Rhythm analogue drum machine.
The lovely Jill Bernard, performing her one-woman (and a drum machine) musical improv show "Drum Machine" at the Providence Improv Fest.
ALEXEI DE BRONHE - INDEPENDENT FILMMAKER, MUSICIAN, SOUND & VIDEO PRODUCER, AUDIO-VISUAL ARTIST, MULTI-INSTRUMENTALIST. FROM BELARUS, MINSK.
LISTEN: soundcloud.com/alexeidebronhe
WATCH: vimeo.com/alexeidebronhe
_______vimeo.com/byzondpictures
POLYSTYLISTICS: JUNGLE (URBAN, SKY), CHILLOUT, BREAK-BEAT, AMBIENT, ELECTRO, NEO CLASSICAL, HIP-HOP, DOWNTEMPO, DUB, DEEP/DUB TECHNO, EXPERIMENTAL, ETC...
FILMOGRAPHY:
2009 - "BELARUSIZATION" SHORT FILM
2009 - "NOS'BIT" SHORT FILM
2010 - "SORRY, I DON'T HEAR YOU DRUMMACHINE" SHORT FILM
2010 - "CINEMALISM" EXPERIMENTAL SHORT FILM CYCLE
2011 - "IRRELATIVE" SHORT FILM