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all the way from Australia, Thanks Nina :)
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Un lindo mensaje desde Australia
An experiment - this is my very own Zen-ditation. I started with a question for Mothers Day: What is it to be a mother? and then tangled answers as they occurred.
It took an awful lot longer than a zentangle should, I guess because I was having to think while working on it.
i did this in my last class for drawing one class. it was first time i did life drawing and i was just amazed how fun it was. the course was really really really fun. i was very lucky to have a great artist teaching. unfortunately (for me) she moved from toronto so i can't take her class anymore but hopefully i get to see her again at art shows or some events...
HANNA BARBERA STUDIOS
THE IMPOSSIBLES
Original Animation TELEVISION SERIES 1966
Type: AWESOME Original Production Animation MODEL Drawing of the GENIE from the 1966 HANNA BARBERA Animated TELEVISION SERIES
This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during
the production filming of the original Television Commercial.
NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION
Size: 12 field 12.5 x 10.5
Type: . Vintage Hand Drawn Art
Condition: EXCELLENT
Featuring THE IMPOSSIBLES VILLIAN the GENIE Date 1966
NOTES:
The Impossibles was a series of animated cartoons produced by Hanna-Barbera in 1966 and aired on American television by CBS. The series of shorts (6 minutes) appeared as part of Frankenstein Jr. and The Impossibles.
The Impossibles were a trio of rock and roll musicians. When contacted by "Big D" (voiced by Paul Frees) about criminal activities in Empire City, they became superheroes. Like the Monkees, the group’s appearance (in their musician form) was based on 1960s pop star stereotypes, which included somewhat long hair, brightly colored (and matching) outfits, high-heeled boots, screaming female fans and, unlike the Monkees, no percussion or bass instruments. Nothing is known about their personal lives, although Fluid Man once mentioned having an Aunt Tilly. They seemed to have secret identities though even a little child would have no trouble connecting the singing Impossibles to the hero Impossibles on appearance alone. They also seemed to change to their "secret identities" in front of the crowds they were playing to when given a mission.
Impossibles
In their guise as musicians, The Impossibles played their futuristic-looking guitars atop an equally futuristic bandstand that could convert into a car which, in turn, could transform into either a van, a submarine or boat which did not need a driver. Their standard catch cry, when called into action, was "Rally ho!" Their humorous dialogue was peppered with puns. As with many Hanna-Barbera characters, The Impossibles were very loosely styled after an existing famous trio, in this case The Three Stooges. Each member of The Impossibles had specific superhuman powers:
Coil Man (voiced by Hal Smith) - Seemingly the group's leader, short, blond Coily could transform his limbs into impossibly stretchable springs, with his human arms and legs becoming coiled springs, allowing him to bounce to avoid attacks, deliver long-ranged punches and drill through walls. Coil Man usually drove the Impossijet, and his guitar contained a small TV receiver through which "Big D" could contact the group and deliver orders (Big D used Multi Man's guitar in "The Fiendish Dr Futuro," "Beamatron," and "The Diabolical Dauber"). Coil Man's costume was purple and pink and included a crested helmet. He could be held in place by a magnet, implying that he was at least partially made of metal.
Fluid Man (voiced by Paul Frees) - Dark-haired Fluid Man, aka Fluey, could morph parts of his body into a liquid form, a talent perfect for sneaking up on an enemy though a water faucet. He could also vapor himself into a cloud or storm. His costume resembled a green wetsuit and swimfins. He could however be soaked up and trapped by a sponge, or frozen solid inside a block of ice.
Multi Man (voiced by Don Messick) - Multi could create infinite duplicates of himself which were often destroyed, leaving only the original behind. His duplicates rarely, if ever, functioned independently, and were often used as camouflage, a bluff, for extra strength or transportation (he could fly by continuously creating replicas above himself). When duplicating himself, he could push tons of rocks out of the way or crack the solid concrete he and the others were entombed in. The character had orange hair covering his eyes and occasionally held a shield for what seems decorative reasons, though he has used it at least twice. In one instance, Multi repelled bullets with his bare hand (Fero, the Fiendish Fiddler), however it may be the shield was supposed to have been used but was accidentally left undrawn. Multi Man's angular, red and black costume included a short, red cape. A physical trait that he shared with many of his contemporaries in cartoons and comics was a mop of orange hair that entirely covered his eyes. Favourite saying: "But you missed the original".
Villains
The Impossibles faced many bizarre villains, similar to those Batman and Superman had to face:
The Perilous Paper Doll Man (voiced by Don Messick) - A supervillain who had the ability to change into any form of paper.
Beamatron, The Laser Beam Man - A supervillain who shot laser beams from his fingers, lasers had short battery lives.
The Bubbler - A supervillain who attacked with almost unbreakable bubbles.
The Burrower - A supervillain who burrowed under banks and pilfered the money inside.
Fero, the Fiendish Fiddler - A supervillain who, despite his attire making him look like a caricature of Nero, could send people and objects to anywhere he wished with a hi-tech violin.
Televisitron - A supervillain who used a remote control to send his foes into various channels of the television to do them in.
The Puzzler - A supervillain who had the ability to change shape due to being a living puzzle. Notably, he is the only villain given an origin, as he mentions having fallen into a jigsaw-making machine which gave him his abilities.
The Insidious Inflator - A supervillain who attacked places with giant balloons that he brought to life by using a special ray-gun.
Spinner - A supervillain with spider-based powers.
Professor Stretch - A supervillain with elasticity.
Smogula - A supervillain that floats in a rain cloud and wields a weather ray-gun.
All villains were defeated in a timely manner and justice was always served. Some villains were made to serve a useful purpose and even went straight upon their capture:
The Artful Archer - A supervillain who was dressed like Robin Hood; decided to take up being a musician.
Cronella Critch - A witch who was robbing a charity-for-orphans party. She was turned into a cat due to a spell reversal by Multi-Man.
Dr. Futuro - A villain from the 40th century, who travelled to the 1960s in order to steal a gold brick to finance his crimes. He accidentally ran into an age-reversing machine, and was turned into a baby.
An ad for the Saturday morning cartoon lineup in comic books of the time referred to "the Bubbler," "Bratfink," and "The Sponge".
A collection of blind contour drawings (drawings made without looking at the page) reflecting my thoughts during a month long break between June/July.
16 page zine A6 size
Black photocopy on soft brown paper. Light blue/green cover with pink tape / staple binding.
Edition of 20, hand-numbered
Applied drawing
by Brown, Harold Haven, 1869-1932
Published 1916
Topics Drawing, Decoration and ornament
This is an Original Animation Drawing from the Hanna-Barbera Studios. This is a animation drawing of the Snowmam from " The New Adventures Of Huck Finn " from the episode " The Castle Of Evil " 1968. The paper measure 10.5" x 12.5" .
Studio/Show:MGM
Sketches from Basic Drawing with Oksana Ross. Our homework assignment was to draw our living room. Here's the drawing.
Art by a 5 year old.
The dots on the ground are seeds that are going to grow into beautiful flowers. this peacock has been decorated for Christmas.
Recently I came across an innovated form of art called Zentangle.
Among other things Zentangle is a meditative practice recommended for relaxation and for stress relief . Rather like a doodle the emphasis is on relaxing and allowing the patterns to form with out too much contrivance. Usually rendered in black ink after a while I tended to prefer the addition of coloured pencils. Here is one of my attempts at Zantangles or art work inspired by Zentangles.
Please visit my website www.think-differently-about-sheep.com
In the photograph gallery you will find more photographs, not only of sheep but other animals. Also photographs sized for desktop wallpaper of a variety of subjects including sheep, cattle, horses, birds , fish, plants, architecture and scenery
Pen & Ink Drawings submitted for approval for "The Wizard of Oz" Book!
They are wonderful have fun!
Author: Frank L. Baum.
Drawings by W.W. Denslow. ca. 1901.
Pictures are from the NYPL Ditgital Gallery. They are listed as Public Domain BUT Images can be used for personal Art/Graphic use only. May not be used for commerical or financial gain by listing on a CD or Collage Sheet for resale.
This is the original drawing, from which I drew in pixels. It is two friends with different styles. :)
*Please note: The pixel version is made with a base, but this drawing is totally my own. Also, if you have drawn a similar picture of two girls with different personalities, please don't feel that I am copying you, it has been drawn by many people. :) Thanks!*
Sword in the Stone (1963)
Wart Pulling the Sword out of the Stone!!
Original Graphite Pencil Drawings Used to Make The 1963 Film
16 Field Animation Paper (paper has yellowed with age and has a fold down the center - you can see this on the photo)
Unmatted, Unframed
Production Drawings are the building blocks of animation; through these drawings, the animator carefully plans the look and movement of each character. Drawings are refined (often using different colored pencils) until the animator is satisfied with the look, detail, and degree of motion for each character; at this point, cels are created by tracing drawings onto clear acetate. Production Drawings provide perhaps the most intimate look in the animation process.
The Sword in the Stone is a 1963 animated fantasy comedy film, produced by Walt Disney originally released to theaters on December 25, 1963. The eighteenth animated feature in the Walt Disney Animated Classics, it was the last Disney animated feature released while Walt Disney was alive.
It is part of the 'English Cycle' of Disney animated films, which include Alice in Wonderland, Peter Pan, 101 Dalmatians, The Jungle Book, Robin Hood, The Many Adventures of Winnie the Pooh and The Rescuers.
The film is based on the novel of the same name, at first published in 1938 as a single novel. It was then later republished in 1958 as the first book of T. H. White’s tetralogy The Once and Future King. From Merlin’s statement that The Times will not come out for another 1200 years, it may be extrapolated that the film is set circa A.D. 558.
This animated feature is set in medieval times. After the English king dies leaving no heir, in the churchyard of a cathedral in London, a sword appears imbedded in a stone inscribed, "Who so pulleth out this sword of this stone and anvil is rightwise king born of England." Although many try, no one can budge the sword from the stone. Deep in the dark woods, kind, but absent-minded Merlin the Magician begins to teach 11-year-old Arthur, who is called Wart, and lives in the castle of Sir Ector where he's an apprentice squire to burly, oafish Sir Kay -- when he's not washing stacks of pots and pans in the scullery. By being changed by Merlin into various animals, Wart learns the basic truths of life, but he also runs into the evil Madam Mim, who tries to destroy him. Merlin and Mim have a Wizards' Duel, during which each changes into various creatures, with Merlin using his wits to win. On New Year's Day, a great tournament is held in London to pick a new king. Wart, attending as Kay's squire, forgets Kay's sword, and runs back to the inn to get it, but the inn is locked. Wart, seeing the sword in the stone, innocently, and easily, pulls it out. When the knights marvel at the wondrous sword and question where he got it, Wart has to prove himself all over again, and again he pulls the sword from the stone. Wart is proclaimed king by the marveling warriors. Wart as King Arthur is apprehensive of his ability to govern, but Merlin returns to reassure him. Written by Corinne Shetter.
you robbed your drawing style from someone else - that stuff you're doing isn't original or unique its just a subconscious appropriation, an amalgamation of stuff you looked at that someone else did already and your imagination is just regurgitating what you saw somewhere before.
plagiaristic mark making in progress someone call the originality police - this person just drew a butterfly using similar visual building blocks to someone who is or has been alive in human history.
is uniqueness an illusion the ego creates? - why does"personal style" seem less important to eastern cultures? - see anime what about children's drawings, naive art, cave painting and the great collective and recognizable art styles of ancient civilizations?
It was recently put to me that I draw in the style of someone else - that my work is a kind of copy - this was most probably an attempt to shake my confidence and make me feel sad about my creations..LOL what fun!
It has however sparked numerous conversations on twitter and in the real world and I would like to extend my deepest heartfelt thanks to those of you who continue to support my art.
I'm not against copying, I think mark making will inevitably become an individual expression even if the drawer is consciously trying to replicate a pre existing method/formula.
a while back I discovered someone had blatantly ripped off a poster I'd done to such a degree it was just funny - I wasn't mad or upset I was just amazed. I'm not a big copyright enforcer activist or anything and I realize it's all a big kind of boiling pot.
If you like my work and the things I like we may end up drawing something in a similar fashion and thats ok - if you want to draw one of my characters please feel free to do so - it would be nice of you to credit me but not essential to my ego.
all are welcome here :-)
#Jon Boam
A drawing I did from a sketch from a sketchbook that I brought to Italy last summer. This is a drawing that I did for Montserrat's annual art-auction-fundraiser thing in May. The buildings in Italy are better than the buildings in America. The drawing is 30 inches long and 22 inches tall and when I was carrying the glass sheet for the frame home from the glass store I almost tripped and fell on the ice seven times.
Tried to draw a Pukipuki today. (she is my Puki Rose). will color this drawing with aquarel and pencils. maybe also Copic markers
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