View allAll Photos Tagged drawing

Latex y acrílico sobre cartón.

Medidas de c/u 14 x 22 cm

Special day in a special store! The place is called "GongYuan Ophthalmology" or " Miyahara" in Japanese. It used to be an Ophthalmology Clinic. But now it is a retro-look bakery. When you enter the store, you will see hundreds of colored carp lanterns that are made in paper and bamboo.

Preview of a drawing for a show/catalog called 'Hand of the Graphic Designer' being edited by Moleskin opening in Milan next May. Drawings will be sold to raise funds to renovate three historic Italian buildings.

pen and watercolor

 

image property of danielle lacasse

pencil on paper

Instagram @Lileinaya

Duke Pipgibo and his magnificent Cassowary steed.

I like this character, I think that with some more development he may make it into a short story along with some other ZZZ characters.

A little sketch

HANNA BARBERA STUDIOS

ABBOTT and COSTELLO

Original Animation TELEVISION SERIES 1967

 

Type: ) AWESOME Original Production Animation MODEL Drawing of ABBOTT and COSTELLO's KANGA ROO

from the 1967 HANNA BARBERA Animated TELEVISION SERIES; EPISODE 50

 

This is one of the original Production MODEL (Pencil Drawings) that was used to DESIGN THE ART that appeared under the camera during

the production filming of the original Television Commercial.

 

NOTE: THIS IS AN ORIGINAL; NOT A MASS PRODUCED LIMITED EDITION

 

Size: 12 field 12.5 x 10.5

Type: . Vintage Hand Drawn Art

Condition: EXCELLENT

Featuring ABBOTT and COSTELLO's KANGA ROO

Date 1967

  

NOTES:

 

The Abbott and Costello Cartoon Show is an American half-hour animated series that aired in syndication from September 9, 1967 to June 1, 1968. Each of the 39 individual episodes consisted of four five-minute cartoons. [1] The cartoons were created jointly by Hanna-Barbera, RKO and Jomar Productions between 1965 and 1967. The series was syndicated by Gold Key Entertainment and King World Productions.

 

The primary feature of this cartoon series was the fact that Bud Abbott supplied the voice for his own character. (Because Lou Costello had died in 1959, his character's voice was performed by Stan Irwin.)

William (Bud) Abbott and Lou Costello (born Louis Francis Cristillo) performed together as Abbott and Costello, an American comedy duo whose work in radio, film and television made them the most popular comedy team during the 1940s and 50s. Thanks to the endurance of their most popular and influential routine, "Who's on First?"—whose rapid-fire word play and comprehension confusion set the preponderant framework for most of their best-known routines—the team is, as a result, featured in the National Baseball Hall of Fame and Museum. (Contrary to popular belief, however, the duo was not inducted into the Hall.)

  

The team's first known radio appearance was on The Kate Smith Hour in February, 1938. "Who's on First?" was first performed for a national radio audience the following month.[1] Abbott and Costello stayed on the program as regulars for two years, but the similarities between their New Jersey-accented voices made it difficult for listeners (as opposed to stage audiences) to tell them apart due to their rapid-fire repartee. The problem was solved by having Costello affect a high-pitched childish voice, and their remaining tenure on the Smith show was successful enough to get them roles in a Broadway revue "The Streets of Paris" in 1939.

 

In 1940 they were signed by Universal Studios for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including "Who's on First?" The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC show.

 

Universal signed them to a long-term contract, and their second film, Buck Privates, (1941) made them box-office stars. In most of their films, the plot was a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy, gratuitous production numbers (a formula borrowed from the Marx Brothers comedies) featuring The Andrews Sisters, Ted Lewis and his Orchestra, Ella Fitzgerald, and other musical acts. They made 36 films together between 1940 and 1956. Abbott and Costello were among the most popular and highest-paid entertainers in the world during World War II. Other film successes included Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein, and Abbott and Costello Meet the Invisible Man.

 

In 1942, Abbott and Costello were the top box office draw with a reported take of $10 million. They would remain a top ten box office attraction until 1952.

 

In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of a theater audience, revitalizing the comedians' performances and giving their old routines a new sparkle.

 

Beginning in 1952, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the country. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show's running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as their landlord, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair's schemes. Another semi-regular was Joe Besser as Stinky, a 40-year-old sissy dressed in a Little Lord Fauntleroy suit. Gordon Jones was Mike the cop, who always lost patience with Lou. The simple plotlines were often merely an excuse to recreate old comedy routines—including "Who's on First?" and other familiar set pieces—from their films and burlesque performances

 

i dreamed of becoming a fashion designer, untill i fell in love with foreign languages and decided to devote myself to interpreter career. after all, sewing clothes was never my hobby, unlike doodling in a classroom... :)

Pencil drawing and watercolour.

Not quite sure why there are so many people in her drawing of us. Not sure who is who either. I'll have to ask her. I think a few of the people are grandma and grandpa. :)

 

I really love how kids at this age draw people. A head, super long stick legs, short stick arms, and no hands, fingers, feet or toes. :)

 

Drawn on 12/9/07.

Beeing drawing shit. this is acoe. the end. I dunno if I'll ever finish it. thINGS ARE HARD.

This is an original drawing done by me of the sculpture "Bust of a Man" by Joseph Wilton. The drawing is done with Conte crayon, Terra Cotta and white Prismacolor pencil on heavy Strathmore brand artist paper.

A break from carving to finish the last of the drawing on the new "OVERLOOK" print…to be a colored woodcut, printed from 4-5 blocks, size roughly 28" x 46". The sky above the mountains will grown taller in the color blocks.

 

www.tugboatprintshop.com/woodcut_overlook.htm

Hello all,

Here's a little drawing I did of the gang. It's done ink, but I used photoshop to give it some color.

 

Onix is Io's karaoke buddy. They can spend hours singing, or more like yelling, in Onix's case. Poor Winter doesn't look too pleased with their singing abilities! XD

  

I was inspired by the TCW season 3 teaser pictures and brought them to the paper.

13x21 cm penna su carta. 29 sett 2011

NOT MY DRAWING!!!!! but i loved the artwork by rufus dayglo -yes, rufus dayglo-so much in 'tank girl-visions of booga' #1 from idw comics that i thought i should share this from rufus' blog which is located at

rufusdayglo.blogspot.com/

i've been trying to cut down on the comic purchases but i'll probably be picking up future issues of rufus' take on t.g. and booga after seeing his work here.

 

This sub features an old metering box and the first spacer line I've ever drawn.

pencil study.

OPEN FOR C-O-M-M-I-S-S-I-O-N-S. Aren't free but cheap.

  

Also, I can make comic pages or strips too.

Feel free to make questions or ask for works by private message.

 

This is my friend Sunny's entry. View the link to vote!:

www.talenthouse.com/creativeinvites/preview/acb08bf822ab8...

 

The COCKroach:

 

Why on Earth would you name a superhero after a disgusting insect??

 

Cockroaches are ugly and we kill them remorselessly whenever we see one! But it is also a known fact that they are strong SURVIVORS and has strong defiance to death! How many creatures can you think of that can survive the radiation from a nuclear blast or survive without their HEAD for up to a month!? Whenever we kill one, there will be another two poping up the next day on your deck. They just keep coming back…

The cockroach man is the symbol of endurance, endurance and endurance. He is a superhero that can endure all the attacks, abuse and punishments, but still RISES against the injustice, discrimination and prejudice. He is a superhero that will give all he has got to protect, save the innocents and his loved ones, and as long as he’s still got half a breath in his body, he would never give up. The Cockroach is the underdog of all underdogs. He will take punches after punches but he still keeps rising forward; nothing can break his spirit nor hold him down.

 

BACK STORY:

Corey was born with a rare skin condition that gave him a tough insect like skin – as a kid he used to get bullied because of it. They would push him around and call him names like "Corey the Cockroach!" The world he lives in is governed by dishonest, corrupted cops and politicians; the people are scared but they are too afraid to stand up and do anything about it. Corey's family was poor but just; his mother was one of the few honest cops left in town, who was crippled during a gun fire at a police shoot out. Corey had to look after her and she was her main teacher in life, she taught him to be strong even at the toughest times. Over the years, Corey grew up to become a strong young man with a strong sense of justice and morals.

 

As Corey grew, so did his powers. He developed mental control over his skin condition and discovered the ability to make his skin super tough but still flexible. He also discovered that with great concentration, he could extend/contract his body and even grow and extend new body parts.

 

After the murder of his mother by wealthy criminals who were immune to the "justice" system, Corey decided to step up and make use of his power to fight and bring light into the dark, corrupted neighbourhood.

Corey took up his nickname from school and became the superhero, the COCKROACH. The COCKROACH is an underdog fighting for the weak, innocents, the poor and the other underdogs. He is the protector who rises up against the abuses, attacks, injustice and discrimination.

 

His SUPER POWERS:

1) SUPER TOUGH BUT FLEXIBLE AROMOURED SKIN. The COCKROACH's skin is super strong and bullet-proof, but at the same time it is super flexible, which means he can squeeze through the tightest gaps and holes, like a real cockroach. His tough armoured skin allows the COCKROACH to take a lot of attacks, abuses and physical punishments and still survive and rise back.

 

2) The ability to EXTEND/GROW BODY PARTS AND WEAPONS.

The COCKROACH has the ability to grow/retract extra limbs, so he can save the little kitten off the tree while eating an ice cream while patting the dog that chased the kitten up the tree in the first place.

He also has the ability to form weapons like organic knife, sword and whip. He can also form organic "guns" that shoot out energy balls and tranquilising stings.

 

3) The ability to FLY WITH HIS COCKROACH'S WINGS. The COCKROACH has two sets of wings that can be tucked inside his back when they are not in use. The outer wings are super tough and protective while the inner wings are tough, super flexible and thin; he can drag them across his shoulders and pull them over to shield him from explosions. He could also drag the inner wings over and shield the innocents from harm.

 

4) The ability to camouflage. The COCKROACH is a smart detective, he can be "invisible" and camouflage into the background to learn who he can trust and who are dishonest and corrupted.

LION KING PUMBA ANIMATION CEL DRAWING

DISNEY LION KING PUMBA ANIMATION CEL DRAWING

This is an original production drawing of Pumb from Disney's 1994 feature "Lion King." The animation paper measures 12.5" X 17". Pumba is 4.5" tall.

60€

Public Domain Book:An encyclopaedia of colour decoration from the earliest times to the middle of the XIXth century

 

archive.org/details/encyclopaediaofc00boss

 

"Labyrinth", Ink drawing, 35,5x50 cm

waone

 

1 2 ••• 33 34 36 38 39 ••• 79 80