draw photos on Flickr

- www.kevin-palmer.com - Outside of the mountains there are not many waterfalls in Wyoming. Especially on the eastern Plains, where the climate is drier and the sandy soil tends to absorb water quickly. There wasn’t a whole lot of information on this trail. Some claimed the waterfall was unreachable or not worth the effort. But I figured a rainy week during the wettest month of the year was the best time to give it a try. Cottonwood Draw begins near Wheatland across from Grayrocks Reservoir. A two-track turns into a narrow footpath which fades into nothing at all. Fallen trees, thorny overgrown brush, and plenty of mud stood as obstacles. But navigation wasn’t difficult, I just had to follow the creek. It became deeper the closer I got, until finally I could hear falling water. This lush oasis was much different than the surrounding terrain. Cliffs on three sides made a natural amphitheater, echoing what sounded like voices even though no one else was there. The dark, overcast sky allowed me to take a long exposure to smooth out the motion of the water. As long as you’re prepared with proper hiking boots and clothing, it’s a worthwhile trek.

Learn To Draw... by josh question mark

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if your gonna draw a josh? you better do it right!

Draw ! (EXPLORE) by Paul Albert

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last year was an exceptional year at Balloon Fiesta, two camera's, only two photo moments rejected from a three day week attendance 800 overall. this view shows overexposure around red tie. notes to remember effects of hot spots. this was one of the Highlighted Special shapes. Enjoy !

draw! by heavdog

my humble attempt at graf...

elefant by ramos alejandro

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May challenge 2017 by Екатерина Путятина

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CPM May 2017 Art Challenge

Artist: Ekaterina Putyatina

Category: Advanced

Material: Prismacolor Premier, Faber Castell Polychromos; Bristol board

Drawing Size: 30х40 cm

Reference Photo by: Sally Robertson - Copyright Released

draws by Ihor Hlukhoi

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Draw by Sal Tinoco

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Draw

Draw well / Hungarikum by Péter Zsákai

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Tihany, Hungary

My photoblog

draw bridge by Didi van Frits

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visit my slide show EUROPEAN IMPRESSIONS at clipcook www.clipcook.com/clip/fb0bea66-6130-4baf-a26e-a45dded78179 - View On Black it's geotagged, see map link...

Draw a straw by Lukasz Skatula

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draw by Diane Greene Lent

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Many artists draw portraits in Montmarte, Paris.

August 12, 2022: Photo a day.

Draw a Crowd by Audra Napolitano

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Miniature graffiti artists mark the start of Fall Polaroid Week. I built the wall from mini materials and hand painted the graffiti.

This one was based off a Ben Folds Five song called Draw a Crowd. "Oh-oh, if you're feeling small and you can't draw a crowd, draw dicks on the wall."

Shot on a Mint Camera SLR670 and 600 film.

DB Draw LV4A7390 by Mike Zeis

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The DB Draw railroad bridge crosses the Hackensack River, connecting Secaucus NJ (where I stood to get the shot) with Kearny NJ. It was taken out of service, Wiki tells me, in 2002, and left open for river traffic.

Gloucester Draw by Shaun McGinnis

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In 2010 I made a few trips to chase purple trains in hopes of catching some F40's before they all disappeared. Something I never thought that I would do!

To Draw Is to See: Casts, Memory, and Mastery by A.Davey

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National Museum, Oslo – Cast Hall

Visitors to the new National Museum in Oslo may be surprised—and perhaps moved—to find a dedicated hall of plaster casts among the sleek, modern galleries. The presence of these replicas pays homage to a formative chapter in art education and museum history: a time before commercial travel, digital media, and visual saturation, when even well-educated Europeans could rarely, if ever, encounter the originals of world art.

In 1904, when painter Ivar Lund depicted the Interior of the National Gallery, cast halls served both pedagogical and cultural missions. They democratized access to Greco-Roman antiquity and Renaissance masterworks, offering a surrogate form of aesthetic communion. These casts were not dismissed as mere imitations; rather, they were prized as tools of knowledge—objects to be studied, copied, and internalized.

Importantly, many casts were made using molds taken directly from the originals. Classical sculptures in major European collections—such as the Louvre, the Vatican Museums, and the British Museum—were at times permitted to serve as sources for plaster molds, particularly in the 19th century. If viewers knew or believed that a cast had been taken from such a mold, that knowledge was often sufficient to establish the object’s authenticity in their eyes. Few would have fixated on the missing aura of the original.

Even today, in an era obsessed with provenance, attribution, and originality, the authenticity of so-called “originals” is far from guaranteed. In the murky world of dealers, restorers, and curators, forgeries and misattributions remain a known hazard. A museum label, even in the British Museum or the Met, is not a metaphysical guarantee of truth. What casts offer—paradoxically—is clarity: a frank acknowledgment of derivation and replication that frees the viewer to engage directly with the sculpture’s visual and formal language.

As Jeannine’s pencil drawing of the Nike of Samothrace (a cast of the Louvre original) reminds us, to draw is still to see. The museum provides paper and pencils and invites the public to try their hand at sketching under the motto "to draw is to see." The replication of the ancient masterpiece, no less than the act of sketching it, forms a bridge between observer and observed. It demands attention, patience, and fidelity—not to provenance, but to form.

The very presence of casts in a 21st-century museum affirms a deeper philosophy: that art’s value lies not only in originality but in transmission. That touchstones of cultural memory must remain physically accessible, even in duplicate. That learning still begins with looking—long and hard—and that beauty survives translation.

This text is a collaboration with Chat GPT.

Lost by Doll Emiou

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J'ai testé un autre style, que je trouve vraiment sympa ^^ Peut être que je referais d'autre dessin comme ça, un peu glauque et tout x3

Bref, j'en suis vraiment fière, pour le fond, la petite fille, et l'effet brouillard, je trouve que je me suis un peu loupé pour le monstre mais bon '-'

Des avis?

I tested another style, which I find really cool ^^ Maybe I would do other drawing like that, a bit creepy and everything x3

In short, I'm really proud, for the bottom, the little girl, and the fog effect, I think I missed a bit but good for the monster '-'

Opinions?

Draw holes by tarboat

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Draw holes for one of the four kilns at the Miller's Dale limeworks. The lime was drawn out over a perforated plate with whatever fell through being rejected as waste.

85/100 by sushipulla

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Draw Bridge by Darren Moore

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Morgan Draw by Joey Damico

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New Jersey Transit, Coast Line train #7273 heads west over Morgan Draw towards its final destination of Long Branch, NJ.

Morgan Draw crosses Cheesequake Creek, built in 1912 by the Scherzer Rolling Lift Bridge Company still opens regularly for marine traffic heading towards Laurence Harbor in the Summer

Chalk the Block Aftermath by Aaron Hawkins

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This shot was taken as the Chalk the Block event was coming to a close at the nearby Riverwoods Mall. Each year the mall sponsors this chalk art event and invites well known artists (and anyone else with the desire) to produce an image on one of the parking lot spaces. The theme this year was "the circus." This boy is covered from head to toe in chalk after finishing up his picture and then jealously watching over it.

For more of my creative projects, visit my short stories website: 500ironicstories.com

Drax Sunset by Martin Litchfield

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Draw My Life. by Gr⊙f: ⊙f the p⊙p

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TEMPO DO FUTURO by CONTRA

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DRAW | CONTRA

Porto ' 2016

Drawers by Louis du Mont

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Draw Me - OUTTAKE by Cindi G.

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Outtake of the "Draw Me Like One of Your Asgardian Girls" photo.

That Loki. He's such a goof.

Draw the horizon by dear fairytale

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This is taken when I was in a bus on my way to London. It was an amazing day, and my first time in London. I miss my exchange partner Ellie and the funny evenings with her friends in the garden on the trampolin or watching the Worldcup. Hmm. Old, good times!

Draw! by Ian Sane

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Photographers of the Keizer Iris Festival Part-2

irisfestival.com/

Fluidr: www.fluidr.com/photos/31246066@N04

Metaphisics by Ines Da Praga

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Venezia, 2011.

draw.the.curtain. by Chris

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What to Draw by Lil Sprout SL

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