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D90 l 35 f1.8 - - 2 image pano
With the continued playoff success of the Giants, San Francisco is showing its pride with orange lights glowing throughout the city. Unfortunately, with the Dew tour just being in the city this past weekend, the construction crew was there taking down the ramps and stands and all that were setup right in front of City Hall, so I couldn't get any full shots of the front side, which is why I walked around to the back for this one... glad I did!!
Drape me, take me, hide me away.
What most attracted me to click this picture was the way clouds draped the setting sun. For the first time I felt that the Sun wanted to say something unusual. It seemed that the sun is crying for help, support, wants someone to listen to his yearns. But all of us are busy. So busy in our life that even if we notice we don't really care to help! This reminds me of a song Phil Collins - "Another Day In Paradise".
He walks on, doesn't look back
He pretends he can't hear her
Starts to whistle as he crosses the street
Seems embarrassed to be there
This picture has been taken on a highway from a moving car.
Put everything against the walls and then drape three sides of your garage to create the perfect event space in your home or separate garage.
Eight foot high pipe and drape was used here, since the ceiling was over nine feet high all around.
The drape was run on the outside of the two garage door tracks so there would be no obstructions to the drape line.
An opening was left for the door leading to the house for easy access to the kitchen and bathroom.
Dancer: Lara www.larabellydance.com
Photo by Michael Baxter, 2011.
Costume by Bella.
Visit Lara online at www.larabellydance.com
Arthur Dupagne, Saison sèche (Dry season)
and
Jean Pierre Müller, Drapé (Draped), 2019
When conceptualising the renovation, consideration was given, among other things, to removing the colonial statues in the large rotunda from their niches. The competent heritage services pointed out to the museum that the works of art were an integral part of the protected building.
The AfricaMuseum then decided to add elements instead of removing them. In 2015, the museum organized a competition, targeting African artists or artists of African origin to create a work of art that would counterbalance the colonial statues.
However, in the months following the museum's reopening, many visitors expressed their incomprehension about the preservation of the colonial statues in the large rotunda. The museum's desire to convey a decolonial message was not always received by visitors, despite the explanatory texts.
Aimé Mpane, a Congolese artist who had already created his work ‘Nouveau souffle ou le Congo bourgeonnant’ and ‘Skull of Lusinga’ for the big hall, then asked the Belgian artist Jean-Pierre Müller to join him in confronting the colonial imagery of the same big hall and the heavy history it embodies. The result of their collaboration is the RE/STORE project which, with the approval of the Flemish Agency for Immovable Heritage, completes the redevelopment of the large hall.
Sixteen semi-transparent canvases on which contemporary images are printed were hung at a short distance from the existing images. The overlapping of the images creates a visual and semantic shock. A new reading of a heavy heritage becomes possible and its historical and ideological content is questioned. RE/STORE is revelation and restoration.
Source: Text translated from Dutch
and
www.africamuseum.be/en/about_us/history_renovation
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Bij het conceptualiseren van de renovatie werd onder andere overwogen om de koloniale beelden in de grote rotonde uit hun nissen te halen. De bevoegde diensten voor Onroerend Erfgoed wezen het museum erop dat de kunstwerken integraal deel uitmaakten van het beschermde gebouw.
Het AfricaMuseum heeft dan beslist elementen toe te voegen in plaats van weg te nemen. In 2015 organiseerde het museum een wedstrijd en richtte zich daarbij op Afrikaanse kunstenaars of kunstenaars van Afrikaanse oorsprong om een kunstwerk te creëren dat een tegenwicht zou bieden aan de koloniale beelden.
In de maanden na de heropening van het museum gaven veel bezoekers echter uiting aan hun onbegrip over het behoud van de koloniale beelden in de grote rotonde. De wil van het museum om een dekoloniale boodschap te brengen, werd door de bezoekers niet altijd opgevangen, ondanks de verklarende teksten.
Aimé Mpane, een Congolese kunstenaar die al zijn werk ‘Nouveau souffle ou le Congo bourgeonnant’, en ‘Schedel van Lusinga’ voor de rotonde gemaakt had, vroeg vervolgens aan de Belgische kunstenaar Jean-Pierre Müller om samen met hem de confrontatie aan te gaan met het koloniale beeldenpatrimonium van de rotonde, en met de zware geschiedenis die het belichaamt. Het resultaat van hun samenwerking is het RE/STORE-project dat, met de instemming van het Agentschap Onroerend Erfgoed, de herinrichting van de grote rotonde afmaakt.
Zestien semi-transparante doeken waarop hedendaagse beelden zijn afgedrukt, werden op een korte afstand van de bestaande beelden opgehangen. De overlapping van de beelden creëert een visuele en semantische schok. Een nieuwe lezing van een zware erfenis wordt mogelijk en de historische en ideologische inhoud wordt in vraag gesteld. RE/STORE is onthulling en herstel.
Bron: www.africamuseum.be/sites/default/files/media/press/doc/D...
Persdossier – AfricaMuseum; Een stap dichter naar de dekolonisatie | 27 februari 2020
View from the end of the gym. Black fabric drape with large white lanterns. We hung six strips of fabric with 3 rows of lanterns. Total 45 lanterns and almost 600 feet of fabric.
Photographed by: © SAM Nasim
Email: sam.nasim99@gmail.com /
sam_nasim99@yahoo.com
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