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My son, the college student, broke two bones in his left leg at the ankle last month and had to have surgery. He emailed his professors to explain that he would be absent for approximately a week and asked one of them if he could take a make-up test for one that he would be missing. The professor wrote back that if he produced "documentation from a doctor" he would be allowed to make up the test. Apparently, crutches and a big old cast aren't proof enough for this guy!
For the Feb. Scavenger Hunt #12 - Documentation.
This is what happens when the extruder puts down less plastic than skeinforge expects.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
This is what happens when the extruder puts down more plastic than skeinforge expects.
I think this photo turned out rather well.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
I think that they want you to hire them to clean your house, as opposed to just not cleaning at all..
This binder contains the documentation for Apple's new MacOS X 10.4 Tiger. Yes, that's a ruler on the right. It measures the dead tree sheets at 4.5 inches tall. It's going to take some time to get good at this I think.
Documentation photo of interference between the Lunar Module Descent Engine (LMDE) skirt and S-IVB [stage] forward fuel dome.
Commencing with Apollo 15 - the first of the "J Missions" - the descent engine bell/skirt was extended by 10" to increase thrust, in order to accommodate the additional weight incurred with the extended-stay capability of these missions.
That additional length likely contributed to the close/closer tolerance evident. Note also the folded landing gear/footpad in the immediate background (with its retracted lunar surface sensing probe).
As might be expected, LMDE skirt extensions may have also impacted (no pun intended) landing dynamics. An interesting and informative discussion regarding such - and MANY others - is available at the following collectSPACE discussion thread:
www.collectspace.com/ubb/Forum29/HTML/001582-2.html
See also:
documentation of the year 1969: the year of my birth.
got this several years ago on ebay and love it. it's a vera.
(illustration from a structured discussion on reclaiming the commons) Meeting participant Maymay talked about patterns he has found in researching how oppression is carried out. Examining many different revolutionary and cultural struggles has shown a tactical pattern used over and over again by repressive governments and other dominant groups. The dominant group is not a majority but they work to keep the rest of society from uniting against them. The tactics they use, time and again, are :
Divide & Conquer – Infiltrators often provoke infighting, divisiveness, and discord within communities as part of their efforts to derail the momentum of revolutionary movements.
Obscure & Homogenize – The state uses and encourages artificial categorization to obscure the diverse and infinitely subtle possibilities of human existence. The media divides the organic spectrum of the population into segments, and within each segment creates an archetype or sketched-in models of how we are all supposed to be. These manufactured ideal images create hurdles within communities for members who do not fit the idealized definition.
(Further Reading - www.ribbonfarm.com/2010/07/26/a-big-little-idea-called-le...)
Proven resistance strategy starts with identifying the specific tactics an opponent or organization uses, and encourages loose networks of allied groups to unify around countering a specific tactic. The tactics used by the state to repress us are the pillars of support for the system itself. When we are choosing actions, we can use this to help us decide how to focus our energies.
What strategies can we make to counteract these acts of repression against us?
-Four counter strategies are suggested: Transparency, Access, Equality, Diversity
-These boil down to a fundamental strategic and philosophical statement: unity through diversity. This is how we can reclaim the commons.
Unity through Diversity!
Title: Norfolk and Portsmouth Belt Line Railroad Company Locomotive 102
Descriptive Information: hdl.handle.net/1813.001/20432969
Date: Ca. 1961
Photographer: Vick, Simeon G.
Creator: Brotherhood of Locomotive Firemen and Enginemen (BLF&E)
Image ID: 5003pb53f090
Collection: U.S. President's Railroad Commission Photographs (#5003 P)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. catherwood.library.cornell.edu/kheel
Collection Information: http://rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html
Copyright: The content in the "U.S. President's Railroad Commission Photographs Collection" (Kheel Center collection: #5003 P) is believed to be in the public domain, and is presented by Cornell University Library under the Guidelines for Using Text, Images, Audio, and Video from Cornell University Library Collections [www.library.cornell.edu/about/inside/policies/public-domain]. These images have been digitized from items in the Kheel Center for Labor-Management Documentation & Archives at Cornell University Library. More information about the physical collection can be found here: rmc.library.cornell.edu/EAD/htmldocs/KCL05003p.html. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.
Upper Craig Branch
New River Gorge
I'm posting this not-so-good image purely for documentation purposes so that you can catch a glimpse of what could be the tallest waterfall in the state.
A very popular waterfall in WV is said to be the tallest and it has been measured at 60+ feet. This waterfall is easily 75 feet or more, but due to its isolated location and rugged and difficult access, Upper Craig Branch is not well known.
This was my first sight of the Upper Falls, my good friend Fred, who I hiked with on this day, had scouted here a while back under much drier conditions. That day, he hiked to the lower section on an established path and climbed up the steep and boulder strewn mountainside to reach the top. There was only a trickle of water on that day, and he had mentioned to me several times about wanting to shoot here again when there was more water.
On our hike, we decided to try and hug the cliff walls and work our way over to the upper fall. It took over an hour to navigate our way around, over and through large boulders and rhododendron thickets. When we reached the creek, we were just below where the water falls over the ledge.
It was something special to witness, but due to the massive flow of water from recent heavy rains, we were unable to photograph from that vantage point. We worked our way down to this spot where we were able to somewhat escape the incredible amounts of spray.
In the next day or so I'll post an image of one of the lower waterfalls of Craig Branch and rest assured, we'll be back to tackle this one again soon!
Kurnell Exchange - "RADIO - White noise & metering results", "Mini-link", "Inital Caller Meter Readings"
Documentation photo of a White-winged Scoter at Edward's Ferry, Montgomery County, Maryland, 2/2/14.
For its inaugural exhibition at the new 511 Gallery at the new campus flagship, the Arlene and Harold Schnitzer Center for Art and Design, PNCA is pleased to present Gathering Autonomy: Justseeds Artists’ Cooperative, the first retrospective exhibition of this print cooperative that produces graphics for activist organizations around events or actions.
Justseeds Artists’ Cooperative is a decentralized network of 30 artists committed to making print and design work that reflects a radical social, environmental, and political stance. With members working from the U.S., Canada, and Mexico, Justseeds operates both as a unified collaboration of similarly minded printmakers and as a loose collection of creative individuals with unique viewpoints and working methods. The Cooperative produces collective portfolios, contributes graphics to grassroots struggles for justice, builds large sculptural installations in galleries, and wheatpastes on the streets.
The exhibition will feature work by all 30 members from all over North America as well as a series of topical print portfolios issued by the group. The first of these will be Resourced, which focuses on resource extraction and climate issues, and includes 26 artist prints.
The exhibition will also incorporate PNCA’s alumni-run Creative Activism Lab which will be putting Justseeds methods into practice locally with groups like the immigration rights group, VOZ. The Creative Activism Lab, led by Carmen Denison, Lauren Heagerty, and Danny Mackin, will set up a small print studio in the 511 Gallery and run workshops with students throughout the course of the exhibition.
This exhibition has spawned several programs that are being coordinated by the Creative Activism Lab (CAL), founded in 2014 by PNCA alumni, CAL is a pseudo-institutionalized organization dedicated to exploring and advancing the intersection of art, activism, and social justice.
These programs include:
March 6, 6:30pm
Gathering Thoughts: A Group Conversation with some Justseeds members
Justseeds members Alec Icky Dunn, Chip Thomas, Fernando Marti, Jess X. Chen, Josh McPhee, Roger Peet, Thea Gahr will be on hand to discuss their work as artists and activists within the context of Justseeds Artists’ Cooperative.
March 9, 6:30pm
Gathering Resistance: Black Lives Matter - The Artists’ Call
Gathering Autonomy: Justseeds Artists’ Cooperative, Gathering Resistance: Black Lives Matter - The Artists’ Call is a series of micro-presentations and conversations concerning what artists and designers can create to combat anti-Black police violence police.
In collaboration with Justseeds Member Jess X. Chen from Artists’ Against Police Violence, advocacy group, Don’t Shoot Portland, Black Creative Collective: Brown Hall, and Arresting Power Filmmakers, Julie Perini and Erin Yanke.
March 12, 6:30pm
Gathering Thoughts: This is an Emergency!
Co-op members Meredith Stern, Molly Fair, and Jess X. Chen will discuss the work they create and projects Justseeds has undertaken to address issues of reproductive rights and gender justice.
March 19, 12:30pm
Gathering Thoughts: A People’s Art History
Nicolas Lampert will discuss his book A People’s Art History of the United States: 250 Years of Activist Art and Artists Working in Social Justice Movements
In collaboration with PNCA’s MFA in Visual Studies.
Photos by Mario Gallucci
After reviewing this infographic, you’ll not only know how to instantly increase your value as a technical communicator but dramatically increase revenue in your organization while simultaneously teaching your customers about your products/services.
www.mindtouch.com/blog/2010/05/21/why-technical-communica...
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/