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bill of sale, for a slave (written in French, translation included), August 10, 1847; sold by Francois Enouel Livaudais to Jean Montanee for 300 piasters; Jean Montanee mortgages his land in order to pay for the slave; the land is described in the bill of sale

Leesville City Minutes, May 30, 1907 - May 18, 1914. Original in Archives.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

Author : @Kiri Karma

Travel to NOLA - February 2024 - Krewe Of Zulu

 

Early in 1909, a group of laborers in a club named ?The Tramps? went to the Pythian Theater to see a musical comedy that included a skit entitled, 'There Never Was and Never Will Be a King Like Me' about the Zulu Tribe. According to legend, after seeing the skit, they retired to their meeting place (a room in the rear of a restaurant/bar in the 1100 block of Perdido Street), and emerged as Zulus. The rest, as they say, is history. Years of extensive research by Zulu's staff of historians, however, seem to indicate that Zulu's beginning was much more complicated than that.

 

Conversations and interviews with older members indicate that, back in the day, the city was divided into wards, and each ward had its own group or ?Club.? The Tramps were one such group. The group that founded Zulu was probably made up of both members from the Tramps and other ward-based groups and members of a Benevolent Aid Society. Benevolent Societies were the first forms of insurance in the Black community. For a small amount of dues, members received financial help when they got sick or there was a funeral to pay for.

 

While the men marched in Mardi Gras as early as 1901, their first appearance as Zulus came in 1909, with William Story as King. The group wore raggedy pants, and had a Jubilee-singing quartet in front of and behind King Story. His costume of 'lard can' crown and 'banana stalk' scepter has been well-documented. The Kings following William Story in the early days were similarly attired.

 

The year 1915 heralded the first use of floats, constructed on a spring wagon, using dry good boxes. The float was decorated with palmetto leaves and moss and carried four Dukes along with the King. That humble beginning gave rise to the lavish floats we see in the Zulu parade today.

 

Today Zulu is famous for their coconut throw ? quite possibly the most coveted throw in all of Mardi Gras. Zulu?s honor guard is called the Soulful Warriors; and they have characters including Big Shot, Witch Doctor, Ambassador, Mayor, Province Prince, Governor and Mr. Big Stuff.

 

The most famous Krewe of Zulu king was Louis Armstrong who reigned in 1949.

 

Year founded: 1909

Membership: 1500 male riders

Signature throw: hand decorated coconuts

Leesville City Minutes, May 30, 1907 - May 18, 1914. Original in Archives.

Document communicating between Qing and Choson local officials.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

Photographs documenting the 2020 Armed Forces Championship. Minimal crops and edits intended for end user discretion. (Photos courtesy of Naval Base Kitsap MWR, Fitness & Recreation/Released)

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Robb Mcrae

Various docs from Kentucky trip

Leesville City Minutes, May 30, 1907 - May 18, 1914. Original in Archives.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Robb Mcrae

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

Holding a folder of old documents related to the Legacy of Jacob Gerungan

Students also include Blanche and Philip Senechal and Victor Martin--all 6th graders. Photo of teacher, Miss Myrtle M. Edgerton.

This Documenting Yes photograph is being made available for publication by news organizations and/or bloggers for online news/editorial purposes only. The photograph may not be manipulated in any way and may not be used for commercial or party political purposes. For print, commercial or other use requests contact info@documentingyes.com

 

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Photo: Documenting Yes / Simon Baker

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