View allAll Photos Tagged dislocation
Annabelle either has a super-recalcitrant dislocation of her left elbow or she fractured it; it was impossible to figure out which at the ER, so she's immobilized for a week to give the elbow some rest and then we'll reassess. :(
Tailbone MRI (Coccyx MRI): Tailbone Pain was due to Tailbone Dislocation (Dislocated Coccyx). From: www.TailboneDoctor.com and www.Tailbone.info,
by Patrick Foye, M.D.
This is a lateral radiograph (x-ray) showing a Tailbone dislocation (dislocated coccyx).
If you look closely at the tailbone, you can see that at one joint the tailbone (coccyx) is not lined up with the bone segment above it. In fact, in this particular case the alignment is "off" by more than 50% of the width of the bone. This lack of alignment is called "listhesis".
A patient with tailbone pain (coccydynia) from this problem will often respond well to non-surgical treatment, if appropriate care is given.
For more information, go to: www.TailboneDoctor.com/
Source: Patrick Foye, M.D., a physician in New Jersey, USA, with special expertise in non-surgical treatment of tailbone pain and coccyx injuries.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Semi-willing audience volunteer on instruction assists in the dislocation of escapologist Chris Cross' right shoulder
so i'm getting hoisted over a 5' church wall with help from 2 guys. i say "I'm not ready!" and they start shoving my butt cheeks over. my finger got twisted under me, i say "STOP!" and they say "Shut up and get yer ass over the damn wall!" i look down and my finger is making a right turn at the knuckle. i had to grab it and pull it straight myself before i fainted. the drink i had after that was strictly medicinal (the party was on the other side of the wall, and me too lazy to walk all the way around).
James Cauty's 1:87 scale distopian vision housed in a 40' shipping container, currently on tour across the UK. Seen in Exeter as part of Art Week.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Some lovely x-rays of my dislocated shoulder - before and after getting fixed.
I wouldn't recommend going to these lengths to get "body" pictures!
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty's 1:87 scale distopian vision housed in a 40' shipping container, currently on tour across the UK. Seen in Exeter as part of Art Week.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Riot in a jam jar: Kettle 2
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Riot in a jam jar: Greenpeace Armageddon Factoid Riot
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Go to Page 216 in the Internet Archive
Title: I. The mechanism of dislocations and fracture of the hip : II. Litholapaxy, or, Rapid lithotrity with evacuation
Creator: Bigelow, Henry Jacob, 1818-1890
Publisher: Boston : Little, Brown, and Company
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1900
Language: eng
Includes bibliographical references and index
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.
Go to Page 211 in the Internet Archive
Title: I. The mechanism of dislocations and fracture of the hip : II. Litholapaxy, or, Rapid lithotrity with evacuation
Creator: Bigelow, Henry Jacob, 1818-1890
Publisher: Boston : Little, Brown, and Company
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1900
Language: eng
Includes bibliographical references and index
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
James Cauty – The Aftermath Dislocation Principle Part V
Fonteijne, Vlissingen 2014
“The Aftermath Dislocation Principle Part V” van James Cauty ziet eruit als een verwoest, verlaten, vernietigd en verbrand landschap. In de overblijfselen zijn 5.000 politiemannen achtergebleven. Iedereen is opgepakt en weggevoerd, waarschijnlijk niet zonder slag of stoot. De politie heeft niemand meer om in de gaten te houden, op te pakken of te controleren. De ultieme politiestaat?
James Cauty's roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, very often sampling it and sending/selling it back as recoded realities. In billboard and stamp projects Mickey Mouse was sent to Iraq in 'Operation Magic Kingdom' whilst Julie Andrews danced across vast rubbish heaps, crushed cars were sold to second hand car dealers as art and riots have been rendered as tiny models in jam jars.
His most recent work has been focussed on the making of 1:87 riotous scale models as small world re-enactments, often displayed in upturned jam jars as A Riot in A Jam Jar. His new exhibition The Aftermath Dislocation Principle continues this preoccupation with small world re-enactments as a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been desolated, deserted, destroyed, burnt and is devoid of life apart from 5000 or so model police that attend this apocalyptic aftermath; a kind of bizarre twisted model village experience, where Cauty continues his fascination with subversion, consumerism and entertainment through creative exploration and dark humour.