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A6 Direct Mail piece created for Cox and Kings. Printed on GF Smith Paper with a multi-level embossed and foil blocked cover with vintage travel illustrations inside.
Directed by Karla Hartley
Starring Billy Edwards, Cathy Schenkelberg, Brian Shea, and Katherine Michelle Tanner
Costumes by Trish Kelley
Set Design by Scott Cooper
Property Design by Jerid Fox
Lighting by Mike Wood and Abby May
Photos by Chad Jacobs
Direct Light (manual mode experiment): So for this photo I wanted to play with the manual mode on my camera to see what I could get. We were traveling and the sun was coming directly through the windshield. I wanted to try and catch the light that was bouncing off what was left of my drink so I set my aperture as wide as I could which was 4.5 and my shutter as fast as I could which was 1/4000. I got exactly what I was hoping for. It didn't just show shadow but all kinds of light reflecting off of it.
Direct rail pairing 47818 and 47832 'Solway Princess' are pictured nearing Bescot with a Northern Belle working from Gobowen-Bristol Temple Meads.
En direct de Mediapart, deuxième partie, Les européennes après les municipales : la fin de la gauche ? aninmé par Edwy Plenel et Frédéric Bonnaud.
Avec : Jean-Christophe Cambadélis (PS)
Emmanuelle Cosse (EELV)
Jean-Luc Mélenchon (Front de gauche, parti de gauche)
Game at Yankee Stadium and the Direct TV Blimp was flying around all afternoon - seen from Roger Morris Park
Harman Direct Positive Photographic Paper
This is my first pack of this paper so I started with these photograms of feathers and pearls
(1/2 a second under enlarger light)
Camera: Graphlex Crown Graphic
Lens: Graphlex Optar 162mm
Film: Ilford Direct Positive Paper
Developing: Ilford Multigrade (1+9) for 1 minute
Half killed by my failing paper developer.
Positive Runway Global Catwalk Underbelly Festival South Bank London Pride Fashion Week Rehearsals
Directed by Sadie Sinner the Song Bird of The Cocoa Butter Club
Source: Digital image.
Date: June 28th 2004.
Copyright: © 2004 SBC.
Repository: Local Studies at Swindon Central Library.
Direct Rail Services (DRS) 58033 departs Dalmeny and enters the Up Passenger Loop working 2K14 1817 Glenrothes with Thornton to Edinburgh
Last of the Haussmans
Written by Stephen Beresford
Directed by Frances Bodiam
Main Stage, Tuesday 14 - Saturday 18 March 2023
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Direct Energie TV Commercial
Film Director: Günther Gheeraert
Director of Photography: Neel Potgieter
Agency: Hungry & Foolish
Client: Direct Energie
Production: Players Paris
Producer: Stéphane Martin
Line Producer: Charlotte Tellenne
Production Coordinator: Jérémy Laidi
1st Assistant Camera: Falco Taoualit
Light: Pierre-Antoine Conan
Light Assistant: Benjamin Moreau
Grip: Stéphane Birzin
Set Director: Valérie Pszonka
Set Assistant: Sébastien Assouline
Make Up/Hair Stylist: Nolwenn Bechu
Editing: Romuald Carruesco / Günther Gheeraert
Grading: Remy De Vlieger
Talent: Arnaldo Santos
Shot in Paris, France.
Cameras: ARRI Alexa
Lenses: KOWA Anamorphics series
gunther-gheeraert.com
(Foto by Jan Hagelstein)
Zusammen mit Aktiven von unserer Partnerorganisation Democracy International und dem Omnibus für Direkte Demokratie sind wir auf dem "Global Forum on Modern Direct Democracy" in Rom. Vom 26.-29. September gibt es dort Podien und Workshops zur direkten Demokratie weltweit. Wir geben unseren Erfahrungsschatz weiter. Mehr Infos: www.mehr-demokratie.de/globfor18
"Make no dry assemblies" Grease everywhere!
Thread the first freewheel on to the hub.
Thread the bearing cup into the first freewheel (I had to take the axle out because the locknut on the axle is bigger than the hole in the bearing cup),
PERFORMED
Wednesday 15th – Saturday 18th FEBRUARY 2017
WRITTEN BY
Shelagh Stephenson
DIRECTED BY
Lee Copp
CAST
Vi – Juliette Harrison
Teresa – Jackie Hartley
Mary – Louisa Robinson
Catherine – Louise Gaul
Mike – Mark Walker
Frank – Keith Hartley
Three estranged sisters meet on the eve of their mother’s funeral to argue and misremember in Shelagh Stephenson’s examination of the structures of memory and family.
As they attempt to organise her funeral, their memories of their childhood run together and the secrets of their separate lives are revealed. Theresa, owner of an alternative therapy business, is angry that she was left to care for their dying mother. Mary, a doctor, is still struggling with a deep loss from her past. Catherine seeks attention through a succession of short-term partners.
When the play opened at the Hampstead Theatre, London, in 1996 it was awarded the Olivier Award for Best Comedy. But it is melancholic too, as the emotional bruises of the sisters’ childhood emerge. Memories fade, blur and persist as the sisters bicker, watched over by the ghost of the mother to whom they are preparing to say goodbye.
© Photo by Juliette Harrison | Please note: All Rights Reserved. If you would like to use any of the photos, please contact alexandraplayers@gmail.com