View allAll Photos Tagged digitizing
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.0 | Lomography
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Ilford HP5 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
some logos for rose city comic con.
i don't know whether anyone can see it, but the image marks are supposed to be a superhero with the cape forming an "R" shape.
From back of photo: "Aunt Elsie Heritage Eastlack. Age 69. [W]ife of Josiah (Uncle Joe). Sister in law of Lydia Eastlack Gleeson. Aunt of Emma G. DeHart."
Elsie L. Heritage Eastlack, 1881-1969
Edited Digitized Sky Survey 2 (by way of the European Southern Observatory) of the wide field view of the constellation Auriga with AB Aurigae. Inverted grayscale variant.
Original caption: This wide-field view shows the region of the sky, in the constellation of Auriga, where AB Aurigae can be found. This view was created from images forming part of the Digitized Sky Survey 2.
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
First I fix the page numbering. This doesn't take long - there are usually some roman-numbered pages at the front, then the main section of the book, then a few non-numbered pages at the end.
About 5 minutes to do this step.
Note that if you want to get page numbering right, it is important to not let ScanSnap remove blank pages - skipped blank pages means that you have to find and correct for the skipped pages.
Here you see how I have cut through 50 or so pages, while leave the cut pages in place to guide future cuts.
I'll remove the top 40 or so pages, leaving enough pages to act as a guide for the next cuts.
Be careful to keep the 'already cut' stack oriented right! I always check to make sure, before I lay a new set of pages on top.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
After working on the first film done 3 days before in Lyon, district of La Part-Dieu, France, I returned there with the same equipment to extend a bit the series with ten new views. Then, I went by walk to the park "Tête d'Or" which not far away, and I did the rest of the film at Botanical Garden.
My Nikon F4 was loaded with an Iford HP5+ 36-exposure film. The film cartridge is DX-coded and I did not modify the nominal DX-coded 400 ISO sensitivity.
The AF Nikkor lens 1:2 f=35mm was equipped for the whole session with an Hoya HMC UV 52mm screw-on protective filter. A rectangular Minolta shade hood D54KC designed for the MC-Rokkor 1:2.8 f=35mm lens was used for the whole session. The light metering was done through the lens (TTL) either in the matrix or the spot metering of the Nikon F4 used in the "A" aperture-priority auto mode or the manual mode. The weather was covered with mist and still a bit cold (±0°C outside).
Fill-in flash using the Nikon SB-26 flashlight the TTL mode
Serre des Pandanus, January 17, 2024
Botanical Garden
Parc de la Tête d'Or
69006 Lyon
France
I used my Nikon SB-26 flashlight when indicated. After completion the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 6min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
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About the lens:
The AF-Nikkor 1:2 f=35mm lens is part of the kit around my Nikon F4 year 1989. The kit now includes 3 very classical AF-Nikkor lenses of the same period of the Nikon F4 camera body, including the standard 1.4/50mm, the 1.8/85mm and the 2/35mm. The choice of fixed-focal lenses instead of zooms was already in 1989 a bit old-fashioned. However many photographers preferred still the homogenous rendering of a photo series done with a single focal lens. Generally speaking, a 35mm focal is a charming moderate wide-angle, very easy to use and particularly adapted for architectural and street-photography.
The AF-Nikkor 1:2 f=35mm is not a rare lens. However, when looked on eBay there was not tens of them available in EU. I bought a good one form a Belgian seller at a normal price (180€). The lens is in very good mechanical and optical condition and came with the rear and front caps. I sourced the dedicated Nikon HN-3 shade hood separately for 10€ .
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About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
87656885 :Piction ID--Tomahawk missile wiring around dome---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
The pub claims that it was established in 1189 AD – the year that Richard the Lionheart became king and Pope Gregory VIII called for a Third Crusade to the Holy Land; however, there is no documentation to verify this date. Evidence suggests that caves in the rock against which the pub is built were used as a brewhouse for Nottingham Castle, and may date from around the time the castle was built in 1067.
The building rests against Castle Rock, upon which Nottingham Castle is built,
Taken in 1980 using a Canon AE1 and Fuji HR 24 film, and digitized using a Canon R5 in 2025.
The original film has stood up reasonably well to 45 years of aging.
Image - Copyright 2025 Alan Vernon
Nikon FM2, 50mm 1:2, Ilford Pan-F 50, processed on a JOBO ATL 800, digitized on a Nikon Super Coolscan 4000
© Rui Delgado Alves, 2012
Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.0 | Lomography
This is Touch Screen Digitizer is fully compatible Acer E100 E101 C1 PDA.We have a lot of ASUS PDA touch screen and LCD screen, if you need please feel free to contact us.http://www.keepingtouch.com/touch-screen-digitizer-for-acer-e100-e101-c1-tactile_p703.html
What is touch screen and digital?
Touch screen covered in the surface of LCD,its' Normal thickness of about 2mm.
This is the pressure,touch,gently touch the stylus,to point fingers and other remote capabilities,with equipment running.
Under what circumstances can determine the touch screen damaged?
IF you gently touch the stylus,finger and other remote point feature is not functional.
Broken by external force leading to pure touch screen.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
I take a flattened picture of the book cover which I will add to the PDF after scanning is complete.
From back of photo: "Age 19. Woodbury, 1924. High School Picture. Emma Campbell Gleeson. Daughter of Charles C. and Lydia E. Gleeson. Mother of Florence D. Burns, Ernestine Ann (Dolly) Renaud."
1924-I003
Emma Campbell Gleeson DeHart, 1904-1995
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50
19.10.2010 The Boston Phoenix.
"Digitize This! Jonathan Safran Foer's Crazy New Book"
thephoenix.com/BLOGS/pageviews/archive/2010/10/19/digitiz...
87985047 :Piction ID--05/01/1964---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
Digitization and archiving are acts of preservation of our collective consciousness, of heritage and history. This immersive virtual reality work titled VJ Conference: Super-Structure is an investigation of the history of Singapore through its colonial buildings that held various branches of government and now house natonal museums and galleries. Depicted as a functionless new “museum” in the metaverse, these gazetted institutions subvert original functions within the artwork by means of reconstructed fragments that form new imaginings.
Photo: Urich Lau