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Edited Digitized Sky Survey 2 image of the sky in the region of Apep. Inverted grayscale variant.
Original caption: The image is a colour composite made from exposures from the Digitized Sky Survey 2 (DSS2), and shows the region surrounding 2XMM J160050.7-514245, nicknamed “Apep”. The field of view is approximately 2.4 x 2.0 degrees.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.2 | Lomography
This panorama is one of the first images from our test of digitizing
books with foldouts. It is from this
book.
Same sketch produced on the computer, now with alternative colors representing artwork and object labels.
Digitized with Negative Lab Pro v2.1.2
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Ilford DDX
This is my first experience with the new Ferrania film P33 now available for the consumer. I used my Ihagee Dresden Exakta Varex IIa (circa 1957), for a series at "Cité Tony Garnier", Lyon, France, on March 14, 2024.
The film is a new production from Italy and the resurgence of Ferrania films. The camera was loaded using a take-up 135 cartridge. The film leader was tapped on the spool and installed in the magazine recycled from a Svema film using reusable cartridge. I found the lips of the cartridge of the Ferrania P33 film very tight and the film was a bit difficult to advance at the beginning. The next time I will carefully liberate a bit the lips just using a fingernail.
The camera was equipped with the Carl Zeiss Jena Biotar 1:2 f=58mm holding a B+W protective filter plus a modern metal 52mm screw-on shade hood. Expositions were determined as recommended by Ferrania for 160 ISO using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas.
Shutter speeds from 1/250s to 1/100s were used with aperture to f/5.6 to f/16.
Cité Tony Garnier, March 14, 2024
69008 Lyon
France
After exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 5 min as indicated in the technical Ferrania sheet. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
About the "Cité Tony Garnier", Lyon, France, and the outdoor urban museum (www.museeurbaintonygarnier.com)
Usually, the paintings are inside museums but at the Tony Garnier Urban Museum, they are outside:
25 murals of 230 m² painted on building gables, including ten sketches of the young architect Tony Garnier outlining his vision of the ideal future city, and painted walls from the 5 continents created by artists from Egypt, India, Mexico, Ivory Coast, Russia and the USA.
This Tony Garnier museum “in the open air” and in the middle of the city is a fascinating walk. The district itself takes part in the visit since it was the first approach to the “ideal city” dreamed of, theorized and detailed by the urban architect Tony Garnier (winner of the Prix de Rome, he stayed at the Villa Medici between 1899 and 1904).
It is this ideal city and its other world views that are the objects of visit through these 25 astonishing works of the year 1920 to 1930.
About the camera and the lens :
The camera arrived from Berlin, Zehlendorf to Lyon, France, on February 7, 2024, It indeed a "wunderbar" Ihagee Exakta Varex IIa, year 1957, with its normal lens Carl Zeiss Jena Biotar 1:2 f=58mm "Q1" (First Quality).
The camera was offered by the vendor to his father who was a former development engineer at Ihagee company, Dresden, Germany. During all his career he could even not imagine in DDR to buy such wonderful and expensive camera almost all exported abroad. He carefully restored and maintained the camera to he factory standards.
The Exakta Varex was, for a time in the fifties, before the Nikon F, a trusted system 35m SLR camera that was successfully used in professional, technical and scientific appliances. The Varex followed the Kine Exakta started before WWII in the 30's. The Varex IIa (1956-1959) is tough to be the series of best quality. Exakta stopped the production in 1970 with the ultimate VX1000 but several further camera's were after sold out under the name of Exakta as the Exakta RTL1000 for instance.
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
i give complete credit to kyuubi tamer for drawing the original, the only thing i did was go over him in paint to give him an animated look.
This is a panorama, merged from three photos. It's a bit weird as you can see six teams playing football.
I was Cao's handler in her first and only Puppy Show. We were gonna try to go for regular Dog Shows, but my father who is excellent at animal husbandry said that Cao didn't have what it takes to be a show champion, so we decided to breed her and sell the puppies because she came from a very strong show line.
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- Apple iPhone 3G Digitizer w/ Lens
- Fits Apple phone model:
iPhone 3G
- Item is new.
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