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From back of photo: "Daughter of Charles C. and Lydia Eastlack Gleeson. Lydia Eastlack Gleeson. October 4, 1924. [W]ife of Theodore Warrington. Sister of Emma, Florence, James, Howard, Charles."
1924-I002
1924-I004
Lydia Gleeson Warrington, 1899-1988
Digitized from slide. Original image taken on Olympus OM20. Digitized using Nikon D7200 with 60mm macro lens and ES-1 slide adaptor. Capture time and date approximate.
Page through the PDF one page at a time, adding bookmarks for each chapter or major section of the book., and rotate any pages that are not right side up.
This goes faster than you would think, since you can page through the book nearly as fast as your finger can press the 'PgDn' button, then page back when you notice a chapter change or rotated page. I completed this step in about 6 minutes for my 496 page book which had 12 Chapters, 3 Parts, 2 Appendixes, and an Index.
Almost done with the manual work!
Artec Space Spider handheld 3D scanner has been instrumental in digitizing fossil at the Turkana Basin Institute in Kenya.
For digitizing music from cassette tapes, vinyl records and CD's; for capturing video from VHS, mini-DV and DVD's; for digitizing objects too large for scanners (and for 3D items that need digitized)
Nikon FM2, 50mm 1:2, Ilford Pan-F 50, processed on a JOBO ATL 800, digitized on a Nikon Super Coolscan 4000
© Rui Delgado Alves, 2012
This photograph was made in Stockholm, Sweden during the spring of 2016, using an Olympus Pen EE half-frame camera with Kodak Ektar 100 color negative film.
The film was developed by www.teamframkallning.se, digitized in RAW format using a Nikon D610 DSLR with 105 mm macro lens to photograph the negatives, and then "copied" in Lightroom: dust removal, some sharpening (excluding grain), adjusting white balance and exposure, and setting the white point / black point for the respective R, G and B curves as well as globally.
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Digitized by Two Cat Digital Inc..
Kodak HR500 Universal film scanner.
ICC Profile: Adobe RGB 1998.
Colorspace: Adobe RGB 1998
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Leica Elmarit 28mm f2.8 version IV | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
"Film d'essai" (test film) of my new FOCA camera model-4 (year 1955). The camera was loaded with a Fomapan Classic 100 36-exposure film. The film was exposed for 64 ISO with the FOTOR pale green x1.5 filter for views 0 to 19 and for 50 ISO with a FOCA yellow filter x2.5 for the rest of the film using an Autometer III Minolta light meter fitted with a 10° finder. The OPLAR lens lens was also equipped with a a generic cylindrical shade hood.
Pale Green FOTOR filter
Rue Bodin, September 30, 2023
69001 Lyon
France
After exposure, the film was revealed using Adox Adonal developper at dilution 1+50 at 20°C for 9min The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg
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This FOCA camera is in an exceptional state of conservation and looks exited from a sort of time capsule since 70 years!
I was not so very optimistic about the real state of this camera because of the scars description of the seller, but I finally won the bid for tiny price on September 26, 2023 and the camera arrived to me a few days later.
According to the serial number this PF2B should be a model-4 from year 1955 (model-4 spans the years1954-1957). The shutter is a type-3 that equipped the version 16 to 17 in 1956. Curiously, the camera has also the type-6 rewind large button only appeared in 1957 on the model-5 of PF2B's. Maybe a latter upgrade required by the customer or prosed by the after-market service?
The camera was kept clearly in original box with the serial number hand written on the right side. The OPLAR normal lens 1:2.8 f=5cm is a model-3 version-4 from 1955 with the "ECD/9" diaphragm graduation 2.8...3.5...9....18.
In the box Botton was the user manual, a Kodachrome brochure in French and several cashier ticket from the seller "PHOTO BANGARD", 29, Quai du Fossé, Mulhouse, France, also identified in the inner side of the camera back with a sticker.The cashier ticket are probably to related to the camera since the amounts in French Francs does not correspond to any price list of that time.
In addition the camera has a leather ever-ready bag in excellent condition. When I first detailed the camera, I soon appeared that it almost pristine with very little sign of use. All functions works flawlessly and the shutter curtains are as new. The view finder and range finder are very clear and contrasted as the day 1. The lens is also very nice with the coating in quite good condition.
The camera was so nice and easy to clean that I could test it with a film the day after the receipt.
About the FOCA PF2B camera's and the normal lens OPLAR:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible 36mm screw-mount OPLAR lens (a modified Tessar formula with an additional fifth rear element) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed basically for the FOCA PF3 type.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply + Negative Lab Pro v2.1.2 | Lomography
Digitized with Negative Lab Pro v2.1.2
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Cinestill DF96
Fujifilm Klasse W | Kodak TMax P3200
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft 35mm Film Holder
Home developed in Kodak HC-110 1+31 | 10:30/68F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Digitized 2011
Digital Design Conference
October 1st 2011, Athens, Greece
Copyright 2011 Anton Repponen
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Ruins of Urquhart Castle in August 1974. That was before mass tourism started - and without a big bus and car park.
This photograph was made in early January 2016, with a Holga 120 GN camera and Ilford Delta 3200 film.
The film was developed by www.teamframkallning.se, digitized using a Nikon D610 DSLR + 105 mm macro lens, and then I have "copied" the RAW files in Lightroom: inverting the curve, dust removal, cropping, sharpening (with masking to exclude the grain), and adjusting exposure, contrast, white point / black point.