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Digitized with Negative Lab Pro v2.1.0
Mamiya RB67 | Kodak TriX 400
Digitized with Epson v550 + Negative Lab Pro v2.1.0 | Lomography
Digitized with Negative Lab Pro v2.1.2. Bronica SQ-A, Ilford Delta 100, Processed in Ilfotec DD-X for 10:30
PictionID:54497057 - Catalog:Atlas Centaur AC-32 - Title:Atlas Centaur AC-32 - Filename:19741121 AC32 06 1247.JPG - - ---- Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Late day photo at campsite on second day of Wonderland Trail backpack trip. Great trip but sure wish I could have carried a modern digital camera along. (I did have an Olympus OM2).
Digitized with a Kaiser Digital Dia Duplicator and 35mm film strip holder edited with DXO photo-lab 4 elite. Sharp in the centre but blurry in the corners.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
British Library: Digitized Manuscripts: Cotton MS Vitellius A XV:
www.bl.uk/manuscripts/SetupViewerHandler.ashx?ref=cotton_...
My thanks to Deb DeGeorge, who brought to my awareness that yesterday
the British Library officially announced the availability online of
the original manuscript of the myth of Beowulf.
British Library: Hwæt! Beowulf Online:
britishlibrary.typepad.co.uk/digitisedmanuscripts/2013/02...
Here is what it includes.
"4th quarter 10th century-2nd half 16th century, This manuscript
contains four separate items, bound together for Sir Robert Cotton (d.
1631):(i) f 1: Psalter leaf (now removed to form London, British
Library, MS Royal 13 D I*, f 37); (ii) f 3: Medieval endleaf,
containing historical memoranda; (iii) ff 4–93: Augustine of Hippo,
Soliloquia (ff 4r–59v: imperfect); Gospel of Nicodemus (ff 60r–86v:
imperfect); Debate of Saturn and Solomon (ff 86v–93v); homily on St
Quintin (f 93v: imperfect); (iv) ff 94–209: Homily on St Christopher
(ff 94r–98r: imperfect); Marvels of the East (ff 98v–106v); Letter of
Alexander to Aristotle (ff 107r–131v); Beowulf (ff 132r–201v); Judith
(ff 202r–209v: imperfect). F 2 is a 17th-century Cottonian endleaf."
This is truly passionately exciting to so many. The story of Beowulf
and Grendel is one of those that has never been abandoned by Western
culture. It has inspired operas and films, television shows and
games, comics and novels and bands and weapons. Recently, in the
exquisite animated film, The Secret of Kells, there was a nod to the
story in the plot and a nod to the artistry of the writing itself in
the artwork.
The Secret of Kells - Official US Trailer
www.youtube.com/watch?v=tMPhHTtKZ8Q
For me, though, if I was going to try to work my way through this
online version, I would want to have an accompaniment of some other
versions. Perhaps something in a more modern script, a more recent
translation, and audio track? This is the sort of times we live in,
that all of that is not just available, but expected. So let me give
you some additional links to enrich your studies. Please note that the
text titles from the Archive.org are usually available in a variety of
e-reader formats.
AUDIO
Archive.org:
Audio, read in Anglo-Saxon / Old English: archive.org/details/beowulf_354
Archive.org:
LibriVox recording of Beowulf, translated by Francis Barton Gummere (1855-1919).
TRANSCRIPTIONS
Georgetown University (in Saxon):
www8.georgetown.edu/departments/medieval/labyrinth/librar...
McMaster University (In hypertext, both Old English and Modern)
www.humanities.mcmaster.ca/~beowulf/main.html
TEXT TRANSLATIONS
Church translation:
archive.org/details/beowulfapoemsam00churrich
Gummere translation:
Text: etext.virginia.edu/toc/modeng/public/AnoBeow.html
Hall translation:
www.gutenberg.org/files/16328/16328-h/16328-h.htm
Heaney Translation:
hs.auburn.cnyric.org/teachers/michael_sullivan/ap/s009561...
Kirtlan translation:
archive.org/stream/storyofbeowulftr00kirt/storyofbeowulft...
Ringler Translation:
uwdc.library.wisc.edu/collections/Literature/RinglBeowulf
Sedgefield translation:
archive.org/stream/beowulf02unkngoog/beowulf02unkngoog_dj...
Slade translation, with original text facing modern translation
(Beowulf on Steorarume):
www.heorot.dk/beowulf-rede-text.html
Tinker translation:
archive.org/details/cu31924032321618
SUPPORTING MATERIALS
A concordance to Beowulf (1911)
archive.org/details/concordancetobeo00cookuoft
From Beowulf to Lear: csis.pace.edu/grendel/projf981d/main.html
Digitized with Negative Lab Pro v2.1.2
Nikon F100 | 400
Digitized with Epson V500 + Negative Lab Pro v2.1.2
Home developed in HC-110 1+31 | 6 min @ 68° F
AFFINITY x KENZO MINAMI = DIGITIZER A CINECYCLE PRODUCTION
Affinity Cycles, one of the most respected independent bicycle brands in the world, is not only seen raced in velodromes by professional cyclists, but also ridden on the city streets by fashionable commuters, elite bike messengers, and passionate cyclists. The signature Affinity “Kissena“ track frame is the key component of the “Digitizer” and represents the pinnacle of bicycle frame technology.
Kenzo Minami is an artist and designer who grew up in Japan in the 80’s. During this time, Japan had experienced a huge economic boom fueled by the country’s technological supremacy. The graphic design that dominated this era was one that underscored the “more is more” attitude. Japanese design embraced a euphoric idealism of the new digital frontier where design became a fantastic reflection of the technology itself. Kenzo’s inspiration for “Digitizer” came from this nostalgia of his childhood. However, this inspiration is tempered with a practical purpose. “Within the chaos of visual information found on the city streets it is important that the design allows the bicycle to stand out and be recognized by both pedestrians and cars alike,” reflects artist Kenzo Minami. "The colors and patterns on the bicycle were carefully conceived and laid out with the understanding that they will not only be seen when the frame and wheels are static but more importantly how they will be transformed when the bicycle is in motion."
Cinecycle curated this project, with the goal of producing an item of extreme beauty and quality, which explores the intersection of form, function and design. To that end, Cinecycle is proud to have brought together premiere artist Kenzo Minami and Affinity Cycles to create the "Digitizer" project. “Digitizer synthesizes concepts that are fundamental to our culture with regard to how technology can inform and transform our perception of space. Affinity Cycles and Kenzo Minami have come together to create a bicycle that expresses how the cyclist, even in our modern digital age, still represents the most simple and effective union of man and machine," says Daniel Leeb, CEO, Cinecycle.
The geyser is located along the banks of the Firehole River in the Upper Geyser Basin of Yellowstone NP. On this occasion it sent up two distinctive water plumes and steam probably reaching about 75 feet height.
This image was taken in 1987 using a Minolta XD on undocumented negative film and digitized using a Canon R5 in 2025.
Image - Copyright 2025 Alan Vernon
PictionID:47978084 - Catalog:14_026126 - Title:Atlas Centaur Details: Views of C-1 Centaur Missile Erected Date: 07/13/1961 - Filename:14_026126.tif - - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
A few months ago after having several trigger point injections (with good results) I asked my doctor "how do you know exactly where to inject for the best results?" He answered "Even a blind squirrel finds the nut every once in a while."
When me and my husband were on our way home we started talking, and laughing, about what the doctor said. Since my husband does digitizing/embroidery I told him that he needs to make a hat with a goofy squirrel on it along with the doctors saying. My husband decided to do a punch of the Ice Age squirrel and sew it on a hat. We came up with "Found The Nut" which he sewed on the back.
We gave him the hat at my next appointment and told him it was just so he would remember that he "found the nut" with the trigger points he did.
My husband also made him an Alabama hat and his assistant an Ohio State hat.... since we knew that those are their favorite college football teams. (I did take photos of those hats which are the next two pictures.)
My photos of the embroidery does not do them justice. I took the photos inside and am not very good with indoor pictures. The embroidery turned out awesome!
Digitized Kodachrome slide, Pentax ME
The Honey Bears come on wet at Soldier Field before a preseason game against the NY Jets on August 3, 1979.
SDASM.CATALOG: 08_001931
FILE NAME: 08_01931
SDASM.TITLE: USA Rocket Test
SDASM.MEDIA: Glossy Photo
SDASM.DIGITIZED: Yes
SDASM.SOCIAL MEDIA: www.flickr.com/photos/sdasmarchives/sets/72157627981313215/
SDASM.TAGS: USA Rocket Test
Title / Titre :
Digitized Newspaper, The Vindicator /
Journal numérisé, The Vindicator
Description : The image is an example of the photographed newspapers that would be sent to Data Repro Ltd. to be included in the online newspaper archive. /
Exemple de journal photographié qui sera envoyé à Data Repro Ltd. afin d’être ajouté aux archives en ligne.
Source : Oshawa Museum, 1516-49 Oshawa Museum (1)
Note :
This album features examples of images that have been digitized by external heritage communities and that have received funding for digitization and access projects.
The Documentary Heritage Communities Program (DHCP) ensures that Canada’s continuing memory is documented and accessible to current and future generations by adopting a more collaborative approach with local documentary heritage communities. The program will be delivered in the form of contributions that will support the development of Canada’s local archival and library communities by increasing their capacity to preserve, provide access to and promote local documentary heritage. Additionally, the Program will provide opportunities for local documentary heritage communities to evolve and remain sustainable and strategic.
The DHCP provides financial assistance to the Canadian documentary heritage community for activities that:
*Increase access to, and awareness of Canada’s local documentary heritage institutions and their holdings; and
*Increase the capacity of local documentary heritage institutions to better sustain and preserve Canada’s documentary heritage.
-----
Cet album comprend des exemples d’images qui ont été numérisées par des collectivités du patrimoine externes qui ont reçu du financement pour des projets de numérisation et d’accès.
Le Programme pour les collectivités du patrimoine documentaire (PCPD) établit une approche axée sur la collaboration avec les collectivités du patrimoine documentaire local pour que la mémoire continue du Canada soit documentée et rendue accessible aux générations actuelles et futures. Ce programme de contributions favorisera l’épanouissement des collectivités des bibliothèques et des archives en développant leur capacité à préserver, rendre accessible et promouvoir le patrimoine documentaire local. Il leur donnera aussi l’occasion d’évoluer, de rester viables et de conserver leur importance stratégique.
Le PCPD finance des activités de la collectivité canadienne du patrimoine documentaire visant à :
*faire connaître et rendre plus facilement accessibles les institutions du patrimoine documentaires locales du Canada et leurs collections;
*accroître la capacité à préserver le patrimoine documentaire du Canada de façon plus durable.
Driving on the first bridge across the Bosphorus between Asia to Europe as seen in 1975.
At Istanbul, Turkey. This is also spelled Bosporus.
Digitized Document from our Collection-----Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
This is from a digitized January, 1986 Kodachrome slide. Needless to say, I don't remember the exact location, but the slides around it were taken in northeastern Downtown Houston, around Congress, Commerce, Austin and Chenevert. There were then some taken east around Canal and Navigation, as far as Hidalgo Park. I was trying to stay close to Buffalo Bayou.