View allAll Photos Tagged digitizer
Nikon F3, Nikkor 50/1.8 AI-s, Y48 yellow filter, Kodak T-Max 400@320, HC-110/dil. B, 6 min. Digitized with Nikon D700, AF Micro-Nikkor 60/2.8 D, ES-2, CS-LITE
Sometimes when near Canary Wharf you can almost see the zeroes and ones flying around the board. Of course it's all just a zero sum game. Sometimes you can hear the numbers flying offshore.
Thank you for your interest. Please do not post spam, irrelevant poetry or prose, or links to your works in the comment section. I will find my own way to your images. All my images are my own original work, under my copyright, with all rights reserved. This means the owner's permission must be sought and obtained, before using any image for ANY purpose.
Copyright infringement is theft.
The photo on the left is the result of placing the Negative on a Light Box, that has light evenly emitted at 5,000°K. I set that Color Temperature in the camera.
I used this Manfrotto tripod setup.
flickr.com/photos/cassidyphotography/50738301196/
I used a Nikon D3x and a Nikon 200mm Micro-Nikkor f/4.0D lens and filled the frame. I could have easily gone edge-to-edge, but this was merely a trial run to prove to myself I could do it.
Using Photoshop or Nikon Capture NX2, I simply used a color-picker on the edge of the photo and then selected the whitest white and the darkest black and in Levels set the reciprocal.
A gentle reminder about copyright and intellectual property-
Ⓒ Cassidy Photography (All images in this Flickr portfolio)
Banbury, Oxfordshire, England
Canon A-1, 50mm f/1.8 SC
Ilford Delta 400
Digitized with Nikon D800E and 60mm AF-S micro
Click here to View On White
Digitized using the Nikon ES-2 and the Nikon D850's negative digitiser. Original photo taken around 20 years ago on a Pentax compact camera (probably). Some retouching to remove dust spots, shadow boosting and noise reduction using NX Studio.
Nikon F3, Nikkor 50/1.8 AI-s, O56 orange filter, Cinestill XX@250, HC-110/dil, B, 6 min. Digitized with Nikon D700/ES-2.
The face of the Morris Minor 1000, at a meeting on Plymouth Hoe.
Fuji RDP100 35mm slide film, Olympus OM2SP
Standard consumer E6 chemicals, processed at home.
Digitized using a Nikon D7000 dslr, Nikkor 40mm lens, JJC ES-2 adapter.
RAW file edited in Photoshop Elements 11.
Camera: Kodak Retina IIIC (1957)
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Location: München, Fußgängerzone
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
A family walking through a neighborhood street in Rota, Spain (1980s) passes a minstrel on his way to a performance. Original was shot on Tri-X film and digitized in 2012.
Digitized with Negative Lab Pro v2.1.2
Canon New F1 | Canon FD 35mm f2 | Fuji Pro 400 H 400
Digitized with Negative Lab Pro
Home developed in Unicolor Stock | 102ºF
IMG_4327-positive-Edit
Closed Church of St. Erich in Hamburg.
Praktica VLC2 - Tamron 2.5/24mm 01BB + Adaptall-2 for Praktica LLC + orange filter
Kentmere Pan100 in 1+1 Xtol (11min) - Digitized with the Sony
Image was scanned from a Kodachrome 64 slide shot with Nikon F2A + 28 mm. f/2.8 lens at 1/125 and f/5.6. Conversion to black and white was done using Tonality CK.
Digitized Kodachrome 25 slide. At the time these photos were taken, public foot traffic was allowed across the dam in addition to official vehicles. Access to the dam is very tightly controlled today. The twin rectangular towers visible in the photo are elevators that travel from the top of the dam down to floors below and eventually to the power generators at the bottom of the dam.
one soft box left, reflector right
Inford Delta 100
Rodinal 1:50, 14 min. 20°C
digitized with Sony A7R II and Leica-R 60mm Makro
PP: LR - PS