View allAll Photos Tagged digitization
while decluttering the garage I unearthed a box of slides and flicking through these slides a few well forgotten ones grabbed my attention so I put them aside for digitizing and among them this one which looked to me delightfully slidy and decidedly non digital , no silly filters required, no trickery to make it look old and grainy, it's already is :-)
the scene, I have no clue, I suspect it's not Moscow , it can be Baku (Azerbaijan) as a guess, late 80s ..
The photo on the left is the result of placing the Negative on a Light Box, that has light evenly emitted at 5,000°K. I set that Color Temperature in the camera.
I used this Manfrotto tripod setup.
flickr.com/photos/cassidyphotography/50738301196/
I used a Nikon D3x and a Nikon 200mm Micro-Nikkor f/4.0D lens and filled the frame. I could have easily gone edge-to-edge, but this was merely a trial run to prove to myself I could do it.
Using Photoshop or Nikon Capture NX2, I simply used a color-picker on the edge of the photo and then selected the whitest white and the darkest black and in Levels set the reciprocal.
A gentle reminder about copyright and intellectual property-
Ⓒ Cassidy Photography (All images in this Flickr portfolio)
Shot at Christmas of 1988 with a Contax 159MM + Carl Zeiss Distagon2,8 / 25mm in a positive Kodachrome 200 ASA. Years later the photo digitized with a Canon Pixma 4200F scanner.
Geologic formations of lava turned to stone. Located near Gaggi, Sicily, Italy. Digitized Tri-X film negative from my days stationed in Sigonella, Sicily with the US Navy as a photographer.
Digitized with Negative Lab Pro v2.1.2
Canon New F1 | Canon FD 35mm f2 | Fuji Pro 400 H 400
Digitized with Negative Lab Pro
Home developed in Unicolor Stock | 102ºF
IMG_4327-positive-Edit
Olympus Pen EE-3, Zuiko 28/3.5, Ilford Ortho Plus 80, HC-110/dil. B, 6 min. Digitized with Nikon D700/ES-2.
Image was scanned from a Kodachrome 64 slide shot with Nikon F2A + 28 mm. f/2.8 lens at 1/125 and f/5.6. Conversion to black and white was done using Tonality CK.
Digitized Kodachrome 25 slide. At the time these photos were taken, public foot traffic was allowed across the dam in addition to official vehicles. Access to the dam is very tightly controlled today. The twin rectangular towers visible in the photo are elevators that travel from the top of the dam down to floors below and eventually to the power generators at the bottom of the dam.
one soft box left, reflector right
Inford Delta 100
Rodinal 1:50, 14 min. 20°C
digitized with Sony A7R II and Leica-R 60mm Makro
PP: LR - PS
Digitized with Fujifilm X-T3
I've been curious about this, who was shooting the photo? Since "me", "myself" and "I" are constantly changing...
Press "L". Lifeless acid like in an active volcanic crater with smoke rising. One of few dead-zones of the World, it was painful to breathe there, even through your eyes you feel the acid air slowly reacting. I chose not to use the mask to experience the place to the fullest...
Pentax 67ii, SMC 105mm f2.4, Heliopan sh-pmc CPL, Lee GND 0.6 HE, Fujifilm Velvia 50 (RVP50), self-developed in Fuji Hunt Chrome 6X, IT8-calibrated & wet-mounted drumscan (scanned through PhotoMultiplier Tubes - PMTs - no CCD nor CMOS used in the light detection & digitizing process), no cropping.
Digitized using Carl Zeiss Macro-Planar 120mm F/4 CFE lens adapted to Fujifilm GFX 100S camera, coupled with Valoi Easy120 film scanning kit.
Photo
Camera: Canon EOS-1V
Film: FUJI Velvia 100 (DIA)
Lens: Canon EF24-105mm f/4L IS II USM
Filter1: HOYA UV&IR Cut
Filter2: HOYA CIR-PL
Film processing
Process: E-6
Labor: Pálvölgyi Fotó - Budapest
Digitization
Film scanner: NORITSU KOKI QSS-32_33
Canon EOS1-V code: 46-53
File: 230203_canon-1v_46-53-07
Fishing boat Andina Rx77 beached at Hastings, on the south coast of England. What looks like the same vessel *, named Four Brothers, shows on Marine Traffic as moored at Rye, not far from Hastings.
* 30 July 2023: see Comment below !
Konica 100 reversal film, Olympus OM2SP. Shot in August 1989.
Standard consumer E6 chemicals, processed at home.
Digitized using a Nikon D7000 dslr, Nikkor 40mm lens, JJC ES-2 adapter.
RAW file edited in Photoshop Elements 11.
Leica M6TTL | Leica Summicron 50 f.2 V. | Ilford HP5+ 400 @ 250, -1 dev
Digitized with Canon EOS 6D | Lighttable | Digitazia
Home developed in HC-110 1/63H | 9 min 30 sek/ 20 deg C.
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Here's my new setup for digitizing 35mm film! I bought a Nikon ES-2 film digitizing adapter that is designed for use with certain Nikon macro lenses. But I ended up mounting it on the front of an Olympus 30mm f/3.5 macro lens (using a step up ring), and it works great. The prescribed Nikon macro lens for this with an APS Nikon DSLR is their 40mm macro, resulting in 60mm equivalent full frame focal length. Hence, with its 2x crop factor on Olympus micro four thirds, the 30mm lens is perfect. The camera is mounted on a ball head which is attached to an L.L Rue "Groofwin Pod" which I happen to have laying around and it too works perfectly for this application - making for a nice stable tabletop camera support. I have all this pointing toward my lightbox, and of course I'm using a remote release to prevent camera shake.
The first thing I'm using this for is to digitize all my father's old 35mm slides. I'll no doubt post a few of those here and there while I make my way through this project. It could take awhile, as I have several binders full of his slides!