Photographies anciennes numérisées (camions et camionnettes).
View allAll Photos Tagged digitization
Digitized paper photo taken during a trek through the White Desert (Egypt).
Location: ancient Roman settlement.
This trek took place in 2001. The trip consisted of daily walking tours + transfers by jeep. We slept every day somewhere in the desert under the starry sky, a "heavenly" experience. The White Desert is in my top 3 of travel outside Europe.
See also: www.flickr.com/photos/190022557@N04/50561388658/in/photol...
Digitalisiertes Bild eines S/W-Fotos aus den späten 70er Jahren;
Ort: Fussgänger Unterführung des Bahnhof Lausanne, Schweiz
Digitized image of a B&W photo from the late 1970s, originally shot with my Nikon F2 on Kodak film 5063; 400 ASA. Printed on Agfa#6 paper, the hardest contrast paper available.
Digitized by photographing the negative with my Nikon D5300 with the lens attached backward.
(Pedestrian underpass at the train station in Lausanne, Switzerland)
The Very Long Baseline Array is a network of ten observing stations located across the United States. Each station consists of a 25-meter radio antenna dish and a control building. Radio signals captured by each antenna are amplified, digitized and recorded. The recorded data are then sent to Socorro, NM to be processed by a powerful computer known as a correlator. By combining their data, the stations form one of the world’s most powerful radio cameras.
This Radio Telescope part of the Very Long Baseline Array (VLBA) public.nrao.edu/
Nikon FM10 | Ilford HP5 400
Digitized with Sony A7riii | Skier Sunray Copy Box 3
Home developed in Cinestill Monobath | 3:30, 80 F
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Self portrait photoshopped onto a circuit board I have saved. I always save interesting things like that to potentially use in future photos.
young Burmese monk .
Burma . Inle Lake area .
Analog archives . Digitized from Fuji Velvia . Nikon F 80 (or F 801s ? )
January / February 2005
Now I have to spend time to try digitizing the archives of a lifetime
Mainly slides for lots of distant travels,(Asia and middle East) Colour print films for short travels in Europe ,and some B&W made throughout the years, especially in Paris
After a first selection, rigorous enough, it 'remains far too many
Too bad that the Digital Photography has appeared too late for me.......Can no longer travel anywhere , can no longer walk long in Paris , (health problems)
...... And yet I was very reluctant, but now I appreciate the quality of sensors and the ease of processing,with softwares ,effective and easy to use
Camera: Leica R8
Lens: Summicron R 2/50mm
Film: Agfa XRG 100, expired 1993
Digitized with a Sony 7rIII
Der Eremit, der in jahrzehntelanger Arbeit den Wald in eine heilige Stätte nach seinen eigenen Vorstellungen verwandelt hat, ist letztes Jahr gestorben, wenige Monate bevor ich am 28.12.2020 diese Aufnahmen gemacht habe.
The hermit had worked decades to transform the forest into a holy place of his own imagination. He died last year, a few months before i took these pictures on December 28th, 2020.
a roll review of acros ii in a rollei 35
www.aarondesigns.org/AcrosII-Roll-Review/
shot with rollei 35 w/ 40mm f/3.5 tessar type lens
* shot on fujifilm acros ii film
* developed in rodinal @ 1+50
* digitized with a fujifilm x-s10 and a tamron 90mm f2.5 adaptall sp macro lens
"Soul Reaper" in the river Rhine / near Sankt Goar / Germany
Voigtländer VM Ultron 35 1.7 @ Bessa R2M
Ilford Delta 100
Digitized with Sony A7RIII + Sigma 105 2.8 Makro + Kaiser FilmCopy
(Image taken with a roll film camera). (Press "L" for Large View).
Testing my new Olympus OM-1n-Gil, very impress with the sharpness because of the largest viewfinder from any camera.
(Spanish: Probando mi nueva OM-1n Gil, bien impresionado con la nitidez a causa del enorme visor, que ninguna cámara actual a podido igualar).
Process: Olympus OM-1n, Tamron SP 80-210mm f3.8/4 @ 105mm, f/16, 20 sec, 5 Stop ND filter, Kentmere 100, Develop at home with Xtol @1:1 dilution. Digitize with a mirrorless camera then edit on Silver Efex Pro and Photoshop CC. Location: Lake Monroe, Sanford, Florida.
This image belong to my Album: Analog Time..
Digitizing some of my old diapositives with macro lens and flash.
FUJI Velvia 50
My selfmade Copy Station ;-)
This is a further image digitizing my analog negatives using reproduction instead of scanning. My trusty Nikon Coolscan 8000 went bye-bye a year ago. I did not want
invest in a new device and my son has now built a reproduction stand with fine adjustment from my old enlarger, its negative stage and the negative holder of my scanner. A light table serves as light source.
The present picture shows a section of a fence and nettles and was taken by me about the middle of the eighties with a 9 x 12cm Sinar large format camera. At that time I still got "high" at the sight of pictures of the old masters like Ansel Adams or Edward Weston. Today I think I have found my own style and would not do much of what I did in the eighties today.
Because of the large negative, I could only reproduce the subject with the help of the new Nikon Z 2.8/28mm at a distance of 19cm(!). I feel the quality is better than with scanning.
Schneider Symmar 210mm, f. 5,6, Ilford FP4, dev. with PQ Universal
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Camera: Rolleiflex 3003
Lens: Carl Zeiss F-Distagon 2.8/16 mm
Film: Ilford FP4
Developer: Perceptol 1:1 15 Min
Digitized with a Panasonic GH4, Lumix G Macro 2.8/30mm
Digitally "developed" with Pixelmator Pro on an iMac pro.
Ausstellung der Künstlergruppe Broke.Tody im ehemaligen Maschinenhaus des Krankenhauses München Schwabing an 5./6. März 2022
Exibition of the Artists of the Group "Broke.Today" March 5th and 6th 2022 in the former engine house of the Munich Schwabing Hospital.
Nikon F3, Nikkor 50/1.4, yellow filter, Lomo Berlin 400, HC-110/dil. B, 7 min. Digitized with Nikon D700/ES-2.
Mamiya C330 Professional
Sekor 80/2.8
Ilford SFX
Hoya R72
Exposure 1/15s @ f/8
Rodinal 6mts @20c
DsLr DiGiTiZeD
PS
Digitized from an old slide, I think I photographed this in the 1980's sometime. Probably in the Parker River Wildlife Refuge in Newburyport, MA.
Kiev 4, Jupiter 12, orange filter, Cinestill XX@250, HC-110/dil. B, 6 min. Digitized with Nikon D700/ES-2.
As at the end of last year, I am showing a few digitized slides again:
A bursting soap bubble, February 1992.
Exposure time (= flash duration): 50 µs = 1/20.000 s
Digitized slide from 1992, the EXIF data refer to the camera used for digitizing, not to the original slide.
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Wie schon zum Ende letzten Jahres, zeige ich wieder ein paar digitalisierte Dias:
Eine platzende Seifenblase, Februar 1992
Belichtungszeit (= Blitzdauer): 50 µs = 1/20.000 s
Digitalisiertes Dia von 1992, die EXIF-Daten beziehen sich auf die Digitalisierung, nicht auf das Originaldia.