Photographies anciennes numérisées (camions et camionnettes).
View allAll Photos Tagged digitization
Digitized paper photo taken during a trek through the White Desert (Egypt).
Location: ancient Roman settlement.
This trek took place in 2001. The trip consisted of daily walking tours + transfers by jeep. We slept every day somewhere in the desert under the starry sky, a "heavenly" experience. The White Desert is in my top 3 of travel outside Europe.
See also: www.flickr.com/photos/190022557@N04/50561388658/in/photol...
Exif Data: Date and Time (Original) - 2019:09:09 09:09:09
Date and Time (Digitized) - 2019:09:09 09:09:09
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
TD: Kodak Tri-X 35mm film, developer D76 1+1 8'20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
young Burmese monk .
Burma . Inle Lake area .
Analog archives . Digitized from Fuji Velvia . Nikon F 80 (or F 801s ? )
January / February 2005
Now I have to spend time to try digitizing the archives of a lifetime
Mainly slides for lots of distant travels,(Asia and middle East) Colour print films for short travels in Europe ,and some B&W made throughout the years, especially in Paris
After a first selection, rigorous enough, it 'remains far too many
Too bad that the Digital Photography has appeared too late for me.......Can no longer travel anywhere , can no longer walk long in Paris , (health problems)
...... And yet I was very reluctant, but now I appreciate the quality of sensors and the ease of processing,with softwares ,effective and easy to use
Self portrait photoshopped onto a circuit board I have saved. I always save interesting things like that to potentially use in future photos.
The Henry Ford Museum, Dearborn, Michigan
Technical information:
Camera: Canon EOS 3
Lens: Canon EF 24mm f/2.8 IS STM
Film: Kodak Portra 800
Developer: Home developed manually in Bellini C-41
Digitized with a Canon EOS R5, a Sigma 105mm macro lens, the Valoi 360 film holder, the CS-Lite light source, and a copy stand made out of an old Durst enlarger.
Software conversion: Negative Lab Pro 3.0
A Sabine's Gull (Xema sabini) roosint on the shore of a small wetland near Cambridge Bay, Nunavut, Canada.
21 July, 1982.
Slide # GWB McB Scan AA_20250224_187-3.jpg
Use of this image on websites, blogs or other media without explicit permission is not permitted.
© Gerard W. Beyersbergen - All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use.
Another from the way-way back machine of my archives, this image harkens back to my film days sometime in the late 90's, digitized a few years back. Original image was shot with an Olympus OM-1 and a Tamrom 90mm ƒ2.8 Adaptall mount.
Digitizing some of my old diapositives with macro lens and flash.
FUJI Velvia 50
My selfmade Copy Station ;-)
Camera: Certo Dolly 3x4 Modell B ca. 1931
Lens: Steinheil Cassar 2.8/50mm (unvergütet 7 uncoated)
Film: Rera Pan 400 in Rodinal
Digitized with a Panasonic Lumix GH4
Das erste Bild mit der Certo Dolly zeigt meine Adler M2011 vor dem Haus, in dem ich vor vielen Jahren mit meiner Familie gewohnt habe - eine kleine Reise in meine eigene Vergangenheit ...
The first picture with the Certo Dolly shows my Adler M2011 motorbike in front of a house i lived with my parents many years ago ... a little trip into my personal past
Digitized image of a b&w foto from the 1970s
Originally shot with Nikon F2 on Ilford film FP4 - 125 ASA.
Digitized by photographing the negative with my Nikon D5300.
Digitalisiertes Bild eines SW-Fotos aus den 70er Jahren;
Das Original war mit meiner Nikon F2 auf Ilford FP4 - 125 ASA aufgenommen worden. Digitalisiert hab ich das Original durch das Fotografieren des Originalnegativs mit meiner Nikon D5300.
Castello di maestro
All photos they may not be used or reproduced without my permission. If you would like to use one of my images for commercial purposes or other reason, please contact me.
Camera: Pentax Auto 110
Lens: Pentax 110 2.8/24mm
Film: Lomography Orca 100 in Spur Acurol 1:50 11 min
Digitized with Sony A7R Mark III
a roll review of acros ii in a rollei 35
www.aarondesigns.org/AcrosII-Roll-Review/
shot with rollei 35 w/ 40mm f/3.5 tessar type lens
* shot on fujifilm acros ii film
* developed in rodinal @ 1+50
* digitized with a fujifilm x-s10 and a tamron 90mm f2.5 adaptall sp macro lens
Paint on a beach hut at Herne Bay, Kent.
I prefer digital to film, by a distance, but I wish this film was still available. Kodachrome 200, which reproduces easily and requires next to no help; this was cropped slightly to tidy the ragged edges and give a little (10 on the slider) brightness boost in Photoshop.
Kodachrome KL200, 35mm slide film, Olympus OM2SP.
Pre-paid Kodak process.
Digitized using a Nikon D7000 dslr, Nikkor 40mm lens, JJC ES-2 adapter.
RAW file edited in Photoshop Elements 11.
As at the end of last year, I want to show a few digitized slides again:
A bursting balloon, hit by a dart, 1984.
Exposure time (= flash duration): 50 µs = 1/20.000 s
Digitized slide from 1984, the EXIF data refer to the camera used for digitizing, not to the original slide.
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Wie schon zum Ende letzten Jahres, möchte ich wieder ein paar digitalisierte Dias zeigen:
Ein platzender Luftballon, von Dartpfeil getroffen, 1984.
Belichtungszeit (= Blitzdauer): 50 µs = 1/20.000 s
Digitalisiertes Dia von 1984, die EXIF-Daten beziehen sich auf die Digitalisierung, nicht auf das Originaldia.
Digitized from an old slide, I think I photographed this in the 1980's sometime. Probably in the Parker River Wildlife Refuge in Newburyport, MA.
Kodak Porta 400. Digitizing - Carl Zeiss Macro-Planar 120mm F/4 CFE lens adapted to Fujifilm GFX 100S camera, mounted on Valoi Easy120 film scanning kit. Fujifilm’s Pixel Shift technology was utilized.
"Long distance calls"
Voigtländer VM Ultron 35 1.7 @ Bessa R2M
Kodak TMAX 100
Digitized with Sony A7RIII + Sigma 105 2.8 Makro + Kaiser FilmCopy