View allAll Photos Tagged differences,
NLP training is used for a variety of purposes and in a variety of ways, and I've seen a lot of definitions for both, and none of them seem to fully capture what they mean, to be honest. Choosing one of these is similar to choosing love.
......from my first photo, of this section, which was taken about forty minutes prior. The high Spring Tide of 10.31m from Walney Channel, seen to the left, had begun to recede having been onto the roadway to my right at this point.
The bridge seen in the background is Jubilee Bridge, known locally as Walney Bridge. It carries the main A590 road and is the only road access, and main pedestrian access between Walney Island, Barrow Island, and Barrow-in-Furness. The A590 stretches from Biggar Bank, Walney Island, to Jct.36 of the M6 Motorway, a distance of 35 miles(56.32km).
This photo was taken from Promenade, Walney Island, Barrow-in-Furness, looking in a southerly direction on 12/03/2024. © Peter Steel 2024.
1. a tulip dream, 2. tulip, 3. getting down, 4. Purity, 5. The Only Available Light, 6. Personal Aggression, 7. tulip, 8. Bruk, 9. Winters Veil of Grief, 10. fairy3, 11. fairy2, 12. 0104-6, 13. 0102-13, 14. Get out of the darkness!, 15. Hold me, 16. Disagreement
Created with fd's Flickr Toys.
There is truly a difference between December light and light from the Sun produced this time of year(Spring/Summer). December light produces a harsh angle, however it is that harsh angle passing through the quartz crystals on the surfaces of stones from this site that illuminate the images to a higher plateau, including the intensity of the light echo after the Winter Equinox peak. Colder temperatures and moisture levels (precipitation) are also an important factor illuminating specific pigment combinations and light echoes within and surrounding the stones on this ancient North American mound site.
I decided to focus on one of stones located on the highest precipice of the mound. It is virtually immovable because of its weight, so I need to be happy with what I have available to study. It was a cold rainy day in early December 2020, and I want to show you the comparison of the images that are visible on a cold rainy December day, in contrast to a warm day in early April three years later; the images and perception of the narrative truly changes from season to season during the course of an annual cycle.
I have mentioned many times regarding the organic component of the stones on this site. Colder and wet conditions clearly activate the organic components on these stones that appear to be nonexistent on a warm and high-sun Spring/Summer day.
I simply cannot explain this anomaly regarding the organic components, however I have learned that the stones and this mound only reveal its images based on its own singular timing, and never the timing of someone other than the mound itself.
The cement applications on the surface of this stone appear to remain consistent from year to year, even though they could potentially be the most fragile elements on the surface of this stone. What I am attempting to point out in this photo is the illusive organic component of images in the lower quadrant of this stone. The entire spectrum of images below the wavy serpentine galaxy line are normally hidden in plain sight with high-sun and warm temperatures; and it is the organic component-based images in the lower half of this stone that are the most curious.
The organic images on the lower left side of this stone appear to be completely related to specific celestial entity combinations not yet identified; perhaps the ring of at least seven celestial bodies are related to the Pleiades Constellation; however it is difficult to say for certain since we can only participate in an educated "Best Guess" scenario.
The grouping of celestial figures in the lower right is the most interesting, and perhaps the easiest to understand. These particular images appear to come from the People of Light and Color and most likely their celestial location of origin, as shown on many other stones from this site; this image field appears to explain how these three sub-cultures exist on a separate physical dimensional plane from our galaxy; thus explaining the serpentine symbol associated with many other similar image fields regarding this celestial sub-culture (The People of Light and Color), in addition of their ability to appear and disappear from the physical face of the stone depending on the weather and air temperature.
The largest symbol of this grouping is perhaps related to similar serpentine entities or portal symbols indicating an opening or entryway onto a separate dimension from where our Earth and Solar System is located; the mid-point region of the lower hypotenuse of the triangular pyramidal core structure of our galaxy.
The three elongated figures in the lower right appear to explain different individual groups within this celestial sub-culture identified as the People of Light and Color, and the center figure with a secondary outstretched arm with a smaller attached figural symbol with a crescent arch attached to its headdress perhaps defines a secondary sub-culture within a sub-culture?? ; This Triad grouping of figures perhaps explains three different sub-cultures associated with the People of Light and Color who collectively formed a union from their separate celestial regions of origin to participate in building the ancient Energy Grid mounds across our globe, and perhaps other celestial bodies; similar in theory to an international building company that participates in building similar structures in different continents across our globe. Each of these three sub-cultures are identified within this elongated grouping of symbols and each figural symbolic group bears separate and complex signature headdresses, most likely identifying the specific sub-cultures points of origin.
The most recognizable symbol in this entire image field is the largest primary figure in the center with the primary outstretched directional arm at the end of the serpentine transit line bearing the Moorish styled headdress.
I am now wondering if this outstretched arm figure of different variations relate to specific celestial transit passages; similar in theory to a " fork in the road" with two options of transit???
This figure with bearing the Moorish styled Dome in contrast to a Roman arched classical Dome is an important element in the pattern of figural images on this ancient mound site; this Moorish dome appears to be identified as an inclusive symbolic figural dome, most likely including all sub-cultures within a specific celestial transit pathway or similar point of origin, et al. (all, others).
Just something to think about when studying the different variations of this figure with the directional outstretched arm that we see so often in these celestial figures. I am also wondering if the row or line of four white celestial markings just following this primary figure is the actual number of four celestial sub-cultures who traveled together along this specific celestial transit serpentine passage route shown on this mound stone???
North America
Here's a picture of Norio made by getting the difference in each pixel between a color image and an IR image.
"we spent ages doing the detail on the mobile.. but computers in signs have to look all simple and mac-esque, dont they?"
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In the “Make a Difference” workshop, youth helped with several local community service projects. They made 27 gift bags for the Fresh Start Home, 113 mini first aid kits for the Peoples City Mission, and 84 reusable meal tray covers and 20 centerpieces for Holmes Lake Manor. Instructor: Jen Smith, 4-H Volunteer
4-H Clover College is a four-day series of hands-on workshops for youth presented by Nebraska Extension in Lancaster County. Celebrating its 20th anniversary, Clover College has grown from 8 workshops in 1996 to 58 workshops in 2016!
In Nebraska, the 4-H youth development program for ages 5-18 is part of Nebraska Extension. Learn more about Lancaster County 4-H at lancaster.unl.edu
Charles Babbage's Difference Engine No. 2, built to Babbage's designs in 1991. At the Science Museum, South Kensington SW7, London.
a trip to town- impressions (i love how different they are in size and that they are wearing the same colour.... ;) )
Live in Difference (Terraced rice fields - gold terraced rice fields in Mu Cang Chai, Vietnam) via 500px ift.tt/1Mn28KQ