View allAll Photos Tagged devotion
Semana Santa en La Antigua Guatemala
Galería Fundación Ancalmo
San Salvador, El Salvador
13 marzo - 10 abril, 2015
Karthigai Deepam is the oldest festival, which is celebrated in South India, and Sri Lanka. It falls on full moon day. It's also called as "Vilakeedu" among the Hindus in Sri Lanka
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Allways on our Mother Earth there is a candle lit by someone somewhere, somehow, for peace and dignity, for the Creator, for light!
Archdiocesan Shrine of Our Lady of Lourdes
Punta Princesa, Cebu City
Taken on the Feast of Our Lady of Lourdes, February 11, 2009
whether real devotion or not, whether believe or trend, wether faith or superstition. The smell of thousands of incense sticks filled the air at the Lama Temple in Beijing.
Artista: Devotion
Fotografo: ★Julian Evil
Data: 10 luglio 2011
Evento: Colonia Sonora
Venue: Parco della Certosa Reale
Città: Torino
Semana Santa en La Antigua Guatemala
Galería Fundación Ancalmo
San Salvador, El Salvador
13 marzo - 10 abril, 2015
Concept & Execution by Magnus Roth & BlackLillyFlower
Taken 16th September 2009 with Canon EOS 450D, 50mm 1.8II
The moment is heavy with unspoken words, an eternity compressed into a fleeting gesture. A mother and grandmother, weathered by years of sacrifice, pour every ounce of their love, pride, and sorrow into this final kiss. Their hands, roughened by toil, hold the daughter close, as if trying to anchor her to a life she must leave behind.
This is not just a farewell—it is a rite of passage, a silent promise that their love will follow her into the unknown. Whether stepping into the servitude of another family or the quiet halls of the monastery, the daughter carries with her the weight of their devotion, their hopes, and their dreams.
The kiss is their gift, a blessing to shield her, a final act of selflessness in a world that asks too much of women like them. And though their hearts ache with the loss, they know they must let her go, trusting that the seeds of love they’ve sown will bloom in her future.
Beneath the shadow of the ancient stone,
A tender kiss, a love deeply known.
Hands calloused, yet a touch so kind,
A fleeting embrace, forever enshrined.
Through parting tears, a silent plea,
Carry us with you, wherever you’ll be.
Into the fields or cloisters’ embrace,
Our love remains, time cannot erase.
Hands rough from labour,
A kiss before the unknown,
Love in every breath.
Stone walls stand silent,
A mother’s heart softly breaks,
Farewell to her child.
Paths now diverging,
A kiss seals love eternal,
Life’s quiet echo.
A woman holds an Orthodox prayer rope during Christmas morning liturgy in the central Sarajevo cathedral December 25, 2008.
(Danilo Krstanovic/Reuters)
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Poster (Locandina):
www.warnerbros.it/scheda-film/genere-romantico/me-you/
m.media-amazon.com/images/S/pv-target-images/b3eb47bb2236...
i0.wp.com/www.cinematik.it/wordpress/wp-content/uploads/2...
i0.wp.com/www.cinematik.it/wordpress/wp-content/uploads/2...
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www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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Religious devotion, at times, in Sicily seems to take on the face of women, like that of the two Sicilian saints Agata and Lucia along the Ionian coast of Sicily, or the face of Rosalia, on the opposite side, in Palermo. The lives of Agata and Lucia are closely linked, even though they never met. Agata was martyred in 251, Lucia was not yet born, she was born 32 years later. On February 5, 301, she went to Catania to pray at Agata's tomb to invoke her intercession, hoping to obtain the healing of her mother, who was seriously ill. Agata appeared to her in a dream, confirmed her mother's healing (her mother was healed), but also confided in her that she would be martyred because of her faith in Christ: Lucia was martyred on December 13, 304, during the persecutions of Diocletian. What has been said as an incipit of the photographic story that I present here, created on the occasion of the celebration that Catania dedicates to its Patron Saint Agatha, described as the most important religious celebration in Catania, also considered the third Catholic religious celebration in the world (first are the “Semana Santa” in Seville, and the “Corpus Domini” in Cuzco in Peru), a ranking that takes into account the huge number of people who participate every year. The celebration of Saint Agatha takes place on several dates, from 3 to 6 February, on 12 February and on 17 August: the February celebration is linked to her martyrdom, the August celebration commemorates the return to Catania of her mortal remains, initially taken to Constantinople as spoils of war by the Byzantine general Maniaces, and remained there for 86 years. The young Agata lived in the 3rd century, she belonged to a rich patrician family of Catania, since she was young she had embraced the cult of the Christian religion, the governor Quinziano (or Quintiliano) fell in love with her, Agata to escape him hid in his house in Palermo, Quinziano managed to find out where she was hiding, so he had her taken to Catania, here his attempts to bend Agata's will and make her give in to his flattery were in vain, after her umpteenth refusal he changed his intentions, accused her of being of the Christian religion, condemned her to death, not without first having led her to martyrdom, he amputated her by tearing off both her breasts, in this way in addition to the torment of physical pain, the psychological one was added, humiliating the girl in her femininity, then he gave her death by dragging her on burning coals, Agata was 20 years old. After her death, the cult of her began to spread, even the pagans began to venerate her figure, there is news about her origins starting from 252, the year after her death: the inhabitants of Catania were proud of this young woman who rebelled against the will of the dictator. The feast of Saint Agatha begins on February 3, there is the procession "for the offering of wax", the two eighteenth-century carriages of the senate pulled by horses come out along the streets of the city, "the candelore" make their appearance; on February 4th the celebration begins with the “Mass of Dawn” which is celebrated in the cathedral, after the reliquary bust of the Saint and the silver casket, they are placed on the “vara” (or “fercolo”), to be carried in procession in its “external tour”, the procession begins by crossing the “Porta Uzeda” and thus reaching the arches of the marina, the procession then circumscribes the historic center of the city, going to the places where Agatha’s martyrdom took place; : On February 5th the “Pontifical Mass” is celebrated, on this occasion by lining up in the cathedral, you can go and see the reliquary bust of the Saint, as evening comes, the bust and the casket are placed back on the heavy float for the last procession, which goes along the “internal tour” (or “noble tour”), which crosses the historic center of Catania, a procession preceded by the passage of lit candles carried on the shoulders of devotees (of various weights and sizes, some reach exceptional dimensions and weight, historically these candles illuminated, when electricity did not exist, the passage of the Saint), then the “candelore” pass, they are gigantic and heavy wooden “candelabra”, in baroque style, painted in gold, each one represents an ancient corporation (butchers, fishmongers, bakers, pork butchers, greengrocers, etc.), finally the float with Saint Agatha passes, the long-awaited moment, with the reliquary bust that it contains inside some parts of her body, the other parts of her body are inside the casket, so, with both on the float, Agata's entire body can travel the streets of the city of Catania. The float is pulled by hand, by the many devotees who wish to participate spontaneously in this very particular rite, using two large cords more than 200 meters long, to the end of which are connected four handles. The photographs were taken on February 4 and 5, 2024 and 2025, they are not organized in series taking into account either the year or the days; I obtained a "bilocation effect" by using different shooting points in the two years, visible especially when the float passes through the Porta Uzeda; I made portraits of the devotees, posed and not, in particular the portrait of a devotee who seemed almost enraptured in ecstasy at the passage of Sant'Agata (and perhaps she really was), it represented for me the absolute, profound and concrete synthesis of the attachment of the "citizens" (synonym of "devotees") of Catania towards this young martyr, who has become a symbol of those who oppose violence against women, and protector of women suffering from breast cancer. I photographed two beautiful and sweet models who embodied the "two ages of Agata", with the aim of raising awareness among women in the prevention of breast cancer (the ceramic decorations corresponding to the breasts are the work of "Nenè sculptures of art by Nancy Coco); I captured in some images, the custom of some devotees, to carry with them images of loved ones who passed away too soon (photos placed on candles or printed on the characteristic white habit, called "sacco", which is part of the characteristic way of dressing of the devotees); finally I thank the owner of the Beniamin Art Gallery, in via Umberto, an artist himself, for giving me the opportunity to photograph the Pop icon exhibited in his gallery entitled "Aga Pop".
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La devozione religiosa, a volte, in Sicilia sembra assumere il volto delle donne, come quello delle due sante siciliane Agata e Lucia lungo la fascia Ionica della costa sicula, od il volto di Rosalia, sul versante opposto, in quel di Palermo. Le vite di Agata e Lucia sono tra loro legate in maniera strettamente indissolubile, pur non essendosi mai conosciute, Agata morì martirizzata nel 251, Lucia non era ancora nata, nascerà 32 anni dopo, il 5 febbraio del 301 si recherà a Catania a pregare sul sepolcro di Agata per invocare la sua intercessione sperando così di ottenere la guarigione di sua madre, gravemente malata, Agata le appare in sogno, le conferma la guarigione di sua madre (sua madre ebbe la guarigione), ma anche, le confida, che per lei ci sarà il martirio a causa della sua fede in Cristo: Lucia fu martirizzata il 13 dicembre del 304, durante le persecuzioni di Diocleziano. Quanto detto come incipit del racconto fotografico che qui presento, realizzato in occasione della festa che Catania dedica alla sua Santa Patrona Agata, descritta come la più importante festa religiosa di Catania, considerata anche la terza festa religiosa cattolica al mondo (prime la “Semana Santa” di Siviglia, ed il “Corpus Domini” di Cuzco in Perù), graduatoria che tiene conto del grandissimo numero di persone ogni anno vi partecipano. La festa di Santa’Agata si svolge in più date, dal 3 al 6 febbraio, il 12 febbraio ed il 17 agosto: la ricorrenza di febbraio è legata al suo martirio, quella di Agosto rievoca il ritorno a Catania delle sue spoglie mortali, portate inizialmente a Costantinopoli come bottino di guerra dal generale bizantino Maniace, e li rimaste per 86 anni. La giovane Agata visse nel 3° secolo, apparteneva ad una ricca famiglia patrizia di Catania, sin dalla giovane età aveva abbracciato il culto per la religione cristiana, di lei si invaghì il governatore Quinziano (o Quintiliano), Agata per sfuggirgli si nascose in una sua casa a Palermo, Quinziano riuscì a sapere dove si nascondeva, quindi la fece condurre a Catania, qui i suoi tentativi di piegare la volontà di Agata e farla cedere alle sue lusinghe furono vani, all’ennesimo suo rifiuto egli mutò i suoi propositi, la accusò di essere di religione cristiana, la condannò a morte, non senza averla prima condotta al martirio, le amputò strappandole entrambi i seni, in tal modo oltre allo strazio del dolore fisico, si aggiungeva quello psicologico, umiliando la ragazza nella sua femminilità, poi le diede la morte trascinandola sui carboni ardenti, Agata aveva 20 anni. Dopo la sua morte si iniziò a diffondere il culto verso di lei, anche i pagani iniziarono a venerare la sua figura, si hanno notizie sulle sue origini già a partire dal 252, anno successivo alla sua morte: gli abitanti di Catania erano orgogliosi di questa giovane donna che si ribellò al volere del dittatore. La festa per Sant’Agata inizia il 3 febbraio, si ha la processione “per l’offerta della cera”, escono lungo le vie della città le due settecentesche carrozze del senato trainate da cavalli, fanno la loro comparsa “le candelore”; il 4 febbraio la festa inizia con la “Messa dell’Aurora” che si celebra nella cattedrale, dopo il busto reliquiario della Santa e lo scrigno d’argento, vengono messi sulla “vara” (o “fercolo”), per essere portati in processione nel suo “giro esterno”, la processione inizia attraversando la "Porta Uzeda" e giungendo così agli archi della marina, la processione quindi circoscrive il centro storico della città, recandosi nei luoghi ove avvenne il martirio di Agata; il 5 febbraio si celebra la “Messa Pontificale”, in questa occasione mettendosi in fila nella cattedrale, si può andare a vedere il busto reliquiario della Santa, col sopraggiungere della sera, busto e scrigno, vengono nuovamente messi sulla pesante vara per l’ultima processione, che percorre il “giro interno” (o “giro nobile”), che attraversa il centro storico di Catania, processione preceduta dal passaggio dei ceri accesi portati in spalla dai devoti (di vario peso e dimensioni, alcuni raggiungono dimensioni e peso eccezionali, storicamente questi ceri illuminavano, quando non esisteva l’energia elettrica, il passaggio della Santa), poi passano le “candelore”, sono dei giganteschi e pesanti "candelabri" in legno, in stile barocco, dipinti in oro, ognuna rappresenta una antica corporazione (macellai, pescivendoli, panettieri, pizzicagnoli, fruttivendoli, ecc.), infine passa la vara con Sant’Agata, il momento tanto atteso, col busto reliquiario che racchiude al suo interno alcune parti del suo corpo, le altre parti del corpo si trovano all’interno dello scrigno, in tal modo, con entrambi sulla vara, tutto il corpo di Agata può percorrere le strade della città di Catania. La vara è trainata a mano, dai tantissimi devoti che desiderano partecipare spontaneamente a questo rito così particolare, tramite due grossi cordoni lunghi più di 200 metri, al cui capo sono collegate quattro maniglie. Le fotografie sono state realizzate il 4 ed il 5 febbraio del 2024 e del 2025, esse non sono organizzate in serie tenendo conto né dell’anno, nè delle giornate; ho ottenuto un “effetto di bilocazione” sfruttando differenti punti di ripresa nei due anni, visibile soprattutto quando la vara passa attraverso la Porta Uzeda; ho realizzato ritratti dei devoti, posati e non, in particolare il ritratto di una devota che sembrava quasi rapita in estasi al passaggio di Sant’Agata (e forse lo era veramente), ha rappresentato per me la sintesi assoluta, profonda e concreta dell’attaccamento dei “cittadini” (sinonimo di “devoti”) catanesi nei confronti di questa giovane martire, diventata simbolo di chi si oppone alla violenza sulle donne, e protettrice delle donne ammalate di cancro al seno. Ho fotografato due belle e dolci modelle che impersonavano le “due età di Agata”, con lo scopo di sensibilizzare le donne nella prevenzione delle neoplasie alla mammella (i decori in ceramica in corrispondenza dei seni, sono opera di “Nenè sculture d’arte di Nancy Coco); ho colto in alcune immagini, l’usanza di alcuni devoti, di recare con se immagini di persone care scomparse troppo presto (foto messe sui ceri o stampate sul caratteristico saio bianco, chiamato “sacco”, che fa parte del modo caratteristico di vestire dei devoti); infine ringrazio il proprietario della Beniamin Art Gallery, in via Umberto, artista egli stesso, per avermi dato la possibilità di fotografare l’icona Pop esposta nella sua galleria dal titolo “Aga Pop”.
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In his 1967 dispatch to the Guardian, journalist Richard Gott, in Vallegrande on the day of Guevara's death, wrote: 'It was difficult to recall that this man had once been one of the great figures of Latin America. It was not just that he was a great guerrilla leader; he had been a friend of Presidents as well as revolutionaries. His voice had been heard and appreciated in inter-American councils as well as in the jungle. He was a doctor, an amateur economist, once Minister of Industries in revolutionary Cuba, and Castro's right-hand man. He may well go down in history as the greatest continental figure since Bolivar. Legends will be created around his name.'
Gott was right. Susana Osinaga, a nurse who cleaned Guevara's body back then, recalls: 'He was just like a Christ, with his strong eyes, his beard, his long hair.' Today the laundry where Guevara's corpse was laid is a place of pilgrimage. On the wall above Osinaga, an engraving reads: 'None dies as long as he is remembered.' Osinaga has an altar to Guevara in her home. 'He is very miraculous.'
Gott's companion that day, Christopher Roper, compared Che to a medieval painting of John the Baptist, 'who then became the iconic figure in death for millions who had paid little or no attention to him while he was alive'. Osinaga admits she had no idea who Che was until his death.
In this region, images of Che hang next to images of Jesus, the Virgin Mary, Pope John Paul II and Bolivia's President Evo Morales. Stories of miracles have mushroomed. The winding road that connects Vallegrande to La Higuera leads to a cluster of humble houses, walls plastered with Che's images and graffiti. In the middle of the village is a cobbled star-shaped square with a small bust of Che; next to it is a large altar with a cross and a big grey sculpture of Guevara. Melanio Moscoso, 37, sits against a wall next to a Guevara poster. 'We pray to him, we are so proud he had died here, in La Higuera, fighting for us. We feel him so close,' he says. His neighbour, Primitiva Rojas, professes devotion: 'I have lots of faith in him. Because he stopped existing does not mean he is not here with us.' A few days ago, when feeling sick, she prayed to him and soon felt better. 'That same night I dreamt of a man with a black beard and tender eyes, who was telling me: "I was the one who cured you".'
According to his executioner, Mario Teran, Guevara's last words were: 'Calm down and point well; you are about to kill a man.' What came after the shots, according to inhabitants of La Higuera like Manuel Cortes, was that 'Saint Ernesto was born in La Higuera'.
The train had to stop for the final day prayer of Bishaw Iztema. I could only see her beautiful eyes and that empty look could tell me she was somewhere above this real world.
I know the price of success: dedication, hard work, and an unremitting devotion to the things you want to see happen.~Frank Lloyd Wright
Clicked at the Sri Jagannath Rath Yatra (2010), at the Yio Chu Kang Stadium in Singapore.
Details here: www.krishnaclub.com/
The moment is heavy with unspoken words, an eternity compressed into a fleeting gesture. A mother and grandmother, weathered by years of sacrifice, pour every ounce of their love, pride, and sorrow into this final kiss. Their hands, roughened by toil, hold the daughter close, as if trying to anchor her to a life she must leave behind.
This is not just a farewell—it is a rite of passage, a silent promise that their love will follow her into the unknown. Whether stepping into the servitude of another family or the quiet halls of the monastery, the daughter carries with her the weight of their devotion, their hopes, and their dreams.
The kiss is their gift, a blessing to shield her, a final act of selflessness in a world that asks too much of women like them. And though their hearts ache with the loss, they know they must let her go, trusting that the seeds of love they’ve sown will bloom in her future.
Beneath the shadow of the ancient stone,
A tender kiss, a love deeply known.
Hands calloused, yet a touch so kind,
A fleeting embrace, forever enshrined.
Through parting tears, a silent plea,
Carry us with you, wherever you’ll be.
Into the fields or cloisters’ embrace,
Our love remains, time cannot erase.
Hands rough from labour,
A kiss before the unknown,
Love in every breath.
Stone walls stand silent,
A mother’s heart softly breaks,
Farewell to her child.
Paths now diverging,
A kiss seals love eternal,
Life’s quiet echo.
Artista: Devotion
Fotografo: ★Julian Evil
Data: 10 luglio 2011
Evento: Colonia Sonora
Venue: Parco della Certosa Reale
Città: Torino