View allAll Photos Tagged devil
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Rockledge
Florida
USA
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www.youtube.com/watch?v=xz1ARTHm1Gk&feature=related
Please don't use this image on websites, blogs or other media without my explicit permission
This scene made me thing that I was seeing the devil tempting a woman on a dimly lit lonely street, just at the doors of a centuries old church. They are actors walking around Guanajuato colonial city downtown.
Esta escena donde me encontré con dos actores en una calle tenuemente iluminada de la ciudad de Guanajuato, a las puertas de una iglesia colonial, me hizo pensar en el diablo tentando a una mujer
“If it rains, we'll get wet with a smile on our face.”
Guido D'Elia
i shot it in early winters, badly stuck on rainy day, in de traffic jam for arround two hours.drew dat devil face nd........rest of de story :D
keep smiling nd hv a nice weekend wid this devilish shot
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'Crosshatch' Architects|Design|Art
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The final destination on the Devil's Hall trail at Guadalupe Mountains National Park. Well worth the hike to see this place!
Nikon D800 Nikkor 20mm f/1.8
1 foreground exposure @110 seconds
10 Light frames on the stars @10 seconds each stacked using Sequator
Touch ups and layering in GIMP
Teasing gaps between the clouds up on Devil's Dyke this evening, but the sun rays were few and far between
We withdraw limited edition of the work "cyberlove" with great satisfaction and gratitude to welcome the work of the Devil. You can find it for sale in the art galleries of hidroxida Art for a limited time. Thanks for the support!❤
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Retiramos edición limitada de la obra "cyberlove" con gran satisfacción y agradecimiento para acoger la obra del Diablo. La puedes encontrar a la venta en las galerías de arte de hidroxida art por tiempo limitado.
Gracias por el apoyo!❤
Another shot taken with the fantastic plastic Kodak Powerflash disposable camera. I am finding this camera is best on cloudy days and really close up flash shots.
Photographed at Devils Garden in Arches National Park in Utah, USA. This park has a large number of weathered rock formations and many stone arches. In a spectacular and beautiful desert setting.
Devil Dinosaur / Heft-Reihe
Devil Dinosaur and Moon-Boy (art: Jack Kirby, Mike Royer)
cover: Jack Kirby, Frank Giacoia
Marvel Comics Group / USA 1978
ex libris MTP
View from east. False Devils Dome is the fin just behind, with Mephistopheles at right, Rosemary's Baby-Trident ridge behind that and Mount Bor iirc in the distance at right.
Wonderful stained glass at St Mary's Church in Fairford, Gloucestershire. This is window 15, showing the Devil in a scene of the Last Judgement
Coppertips Crocosmia
I've tried and tried to get a good photo of this flower. Unfortunately a tiny breeze today made this photo almost perfect instead of outstanding. Oh well. Enjoy what I got.
Devils Hollow, a green space property managed by Allegheny Land Trust in the Pittsburgh area. Thank you!
* DmC ( Devil May Cry)
* Jim2point's / One3rd's Freecamera,FoV
* ReShade
* GeDoSaTo for custom resolutions & UE3 commands
Detail of the lower half of the west window depicting the Last Judgement. The Last Judgement is Fairford's most celebrated window for its dramatic composition and graphic depiction of the horrors of hell in the lower half. The window sadly suffered badly during the great storm of 1703 with the upper half depicting Christ in Judgement and the surrounding company of saints and angels the most seriously affected part.
The lower half depicts Archangel Michael at the centre with the elect entering Heaven to the left and the damned being condemned to Hell on the right. This depiction of Hell is renowned for its exotic demons dragging their victims to the red glow of hellfire, culminating in the monstrous soul-devouring figure of Satan seated in the bottom right hand corner.
St Mary's at Fairford is justly famous, not only as a most beautiful building architecturally but for the survival of its complete set of late medieval stained glass, a unique survival in an English parish church. No other church has resisted the waves of iconoclasm unleashed by the Reformation and the English Civil War like Fairford has, and as a result we can experience a pre-Reformation iconographic scheme in glass in its entirety. At most churches one is lucky to find mere fragments of the original glazing and even one complete window is an exceptional survival, thus a full set of 28 of them here in a more or less intact state makes Fairford church uniquely precious.
The exterior already promises great things, this is a handsome late 15th century building entirely rebuilt in Perpendicular style and dedicated in 1497. The benefactor was lord of the manor John Tame, a wealthy wool merchant whose son Edmund later continued the family's legacy in donating the glass. The central tower is adorned with much carving including strange figures guarding the corners and a rather archaic looking relief of Christ on the western side. The nave is crowned by a fine clerestorey whilst the aisles below form a gallery of large windows that seem to embrace the entire building without structural interruption aside from the south porch and the chancel projecting at the east end. All around are pinnacles, battlements and gargoyles, the effect is very rich and imposing for a village church.
One enters through the fan-vaulted porch and is initially met by subdued lighting within that takes a moment to adjust to but can immediately appreciate the elegant arcades and the rich glowing colours of the windows. The interior is spacious but the view east is interrupted by the tower whose panelled walls and arches frame only a glimpse of the chancel beyond. The glass was inserted between 1500-1517 and shows marked Renaissance influence, being the work of Flemish glaziers (based in Southwark) under the direction of the King's glazier Barnard Flower. The quality is thus of the highest available and suggests the Tame family had connections at court to secure such glaziers.
Entering the nave one is immediately confronted with the largest and most famous window in the church, the west window with its glorious Last Judgement, best known for its lurid depiction of the horrors of Hell with exotic demons dragging the damned to their doom. Sadly the three windows in the west wall suffered serious storm damage in 1703 and the Last Judgement suffered further during an 1860 restoration that copied rather than restored the glass in its upper half. The nave clerestories contain an intriguing scheme further emphasising the battle of Good versus Evil with a gallery of saintly figures on the south side balanced by a 'rogue's gallery' of persecutors of the faith on the darker north side, above which are fabulous demonic figures leering from the traceries.
The aisle windows form further arrays of figures in canopies with the Evangelists and prophets on the north side and the Apostles and Doctors of the Church on the south. The more narrative windows are mainly located in the eastern half of the church, starting in the north chapel with an Old Testament themed window followed by more on the life of Mary and infancy of Christ. The subject matter is usually confined to one light or a pair of them, so multiple scenes can be portrayed within a single window. The scheme continues in the east window of the chancel with its scenes of the Passion of Christ in the lower register culminating in his crucifixion above, while a smaller window to the south shows his entombment and the harrowing of Hell. The cycle continues in the south chapel where the east window shows scenes of Christ's resurrection and transfiguration whilst two further windows relate further incidents culminating in Pentecost. The final window in the sequence however is of course the Last Judgement at the west end.
The glass has been greatly valued and protected over the centuries from the ravages of history, being removed for protection during the Civil War and World War II. The windows underwent a complete conservation between 1988-2010 by the Barley Studio of York which bravely restored legibility to the windows by sensitive releading and recreating missing pieces with new work (previously these had been filled with plain glass which drew the eye and disturbed the balance of light). The most dramatic intervention was the re-ordering of the westernmost windows of the nave aisles which had been partially filled with jumbled fragments following the storm damage of 1703 but have now been returned to something closer to their original state.
It is important here not to neglect the church's other features since the glass dominates its reputation so much. The chancel also retains its original late medieval woodwork with a fine set of delicate screens dividing it from the chapels either side along with a lovely set of stalls with carved misericords. The tomb of the founder John Tame and his wife can be seen on the north side of the sanctuary with their brasses atop a tomb chest. Throughout the church a fine series of carved angel corbels supports the old oak roofs.
Fairford church is a national treasure and shouldn't be missed by anyone with a love of stained glass and medieval art. It is normally kept open for visitors and deserves more of them.