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Digital scan of analog print. Shot on 35 mm Black and White 400 ASA film.
Part of Black and White Photography class assignments.
Un'atmosfera underground, che ci ha fatto viaggiare nel tempo. Protagonista indiscusso: il presente! Il contest e i front-endisti nella sfida a suon di codice.
Vari round per arrivare alla finalissima, che ha coronato Fabrizio Calderan come Code Master 2019.
Contemporaneamente l'area retrogaming allestita con 4 Coin op ci ha fatto fare un salto nei mitici anni '80 e poco distante un tuffo nel futuro con "Super Ultra Dev Fight", una lotta tra intelligenze artificiali.
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A digital photograph layared with an example of my experiments with applying developer to a photogram in different ways e.g. using a spray bottle, a sponge or paint brushes.
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On December 19, 2024, I paid a visit to the two museums hosted in Gadagne, an imposing Renaissance ensemble in Lyon St-Jean, France. The first museum in devoted to the Puppetry and the second is the Lyon's History Museum (www.gadagne-lyon.fr/en).
I loaded my Nikon F4 (year 1989, see the details about the camera bellow) with a Rollei RPX 400 which is the former formula of the Agfa APX 400. The film cartridge is DX-coded and I did not modified the nominal DX-coded 400 ISO sensitivity.
I choose the AF Nikkor lens 1:1.8 f=85mm with a protective Hoya HMC UV 62mm screw-on filter plus its dedicated Nikon HN-23 metal shade hood. I brought along too the Nikon SB-26 flashlight in my bag in case of necessity.
Ambiant light, M mode, 1/15s f/1.8, spot metering
Cathédrale Saint-Jean Baptiste, December 19, 2024
69005 Lyon
France
After at view 30, the last seven views were completed the day after with a series a views of my Hasselblad 500 C/M camera at home. The film was then rewound (manually) and processed the film developed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
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About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
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This field on the edge of Swindon Old Town is one on which Taylor Wimpey wish to build houses. Their term for this is 'infilling'. Others might view it as urban extension.
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This photo was captured at the 2019 edition of Great International Developer Summit, April 22-26, Bangalore, India. #gids19
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This article will give you an overview of mobile development along with 8 best practices. These are secret tips that experienced app developers have been applying.
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corner of Lorimer and Anama st in Greensborough. Developers are turning Greensborough into a concrete wasteland. This property is gorgeous with a beautiful garden and lovely native trees. The wildlife love it and it will just be scorched earth if this hideous development is approved. All of Greensborough should belong to the shire of Nillumbik to prevent native tree removal. Objections must be lodged by the 18th July 2014. and forms can been obtained from banyule shire councils office in flintoff street
This is a brochure, rare, I found at the Colorado River Museum in Bullhead City, AZ. This was originally a planned community, with a Clubhouse, Restaurant, Bar, Post office and a developer for the area. The marina is now a restaurant called Igwana's.
On December 1st , then on December 5, 2025, I did my first photo session remote from home after my stay to hospital November 15-24. I felt confident with my physical condition and I really enjoyed these two small excursion with my circa-1959 French TLR Semflex OTO 3.5B (see below for details about the camera). Loaded with aRollei RPX 400 black-and-white film.
On December 1st, I went in the afternoon from Lyon, France, to Poleymieux in the Mont-d’Or massif where I did only 4 photos at the church and one « caborne » that not far away. The weather was fresh (5°C) and sunny. On December 5, I went to the Gallo-Roman museum in Fourvières using the public transportations. I did the rest of the roll indoor before going down the hill, in a cold rain and dark end of the afternoon. I passed by « Les Ateliers de Marinette », Saint-Georges street. They have the largest choice and the best price for films and photography chemicals. I had then a nice hot chocolate there before returning home to process my film.
Outdor, I used on the SOM Berthiot FLOR 3.5/75mm taking lens, a push-on Semflex hood and the Semflex yellow x2 filter. I protected also the viewing lens with a 42mm FOCA push-on AUV filter. Indoor, I used no filter for the taking lens. Light metering was done outdoor with my Minolta Autometer III (1983) and its 10° selective viewer privileging the shadow areas. The yellow filter absorption was compensated by metering for 250 ISO instead 400. Indoor, I metered mostly incident light with integrating opale dome.
Documentary smartphone pictures
Halt at "Les Ateliers de Marinette", December 5, 2025
Rue Saint-Georges
69005 Lyon
France
December 5, 2025
Musée Gallo-Romain Lugdunum
69005 Lyon
France
After completion, the film was processed in a Paterson developing tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25and the film processed for 9 min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the film.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 15.0.1 of November 2025) and edited them to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone pictures.
About the camera:
This beautiful French Semflex TLR OTO 3.5 B year 1959 is equipped with a French SOM Berthiot Flor 1:3.5 f=75mm (4 elements of the Tessar type). I got the camera from a neighboring collector in Lyon, France, who is progressively reducing a very large camera collection. He provided already to me my nice FOCAsport II two years ago.
The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire) and about 65 km away from Lyon. The SEM camera's were known especially for the TLR’s Semflex that were a great commercial success in France until the 70's (last production 1976). The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called « Orec » with 5 leaves capable of the 1/400s to 1s with B.
Semflex received in majority French optics Berthiot with 3 or 4 lenses (Cooke triplet and Tessar type, respectively). Some camera's were also mounted with Pierre Angénieux X1 lenses.
Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions. This OTO 3;5 B, type-30, (1955-199) is the top of the TLR line year 1959. I got the camera with the original SEMFLEX box and the user manual. The accessories include the specific SEM ever-ready leather bag in very good condition, the quite rare quite rare bipolar to PC port flash relay Semflex and a short (10 cm) shutter release cable.
The OTO 3.5 B is covered with a black leather and the metallic parts covered with black enamel. This model has a specific bayonet mount fro lenses accessories but still accepts the push-on normal SEM filter and shade hood.
Strangely, the SEMFLEX’s has no lens caps in a the available list of accessories. I adjusted two black caps of 35mm film canister to protect the two lenses.
The shutter (OREC 1s-1/400s + B) was functional including the slow speeds but has a propension sometimes to open slowly (closure is normal) due likely to a sticky lubricant somewhere. I gave the camera to the same local expert who already maintained my other Semflex 3.5 Standard. The complete cleaning and lubricating was done and the shutter returned in its original specs.
The OTO (or OTOMATIC) series has a coupled film advance to the shutter cocking. The film advance is of the « double-stroke » type (like early Leica M3) with automatic frame counter. I tested successfully the flash synchronization with the GODOX Lux Master electronic flash and its synchro cable connected to the SEM bipolar relay.
Reference : SEM et les SEMFLEX, Patrice-Hervé Pont, FOTOSAGA, 1995.