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Continuing my local exploration of the the small massif of the Mont-d’Or, next to Lyon city, France, I went to Albigny-sur-Saône for a walk to the neighboring village named Curis-au-Mont-d’Or and return.
I loaded a circa-1971 Nikon F (see below for details about the camera) with a 36-exposure black-and-white film Rollei RPX 400, a classical 400 ISO panchromatic film coated on a cellulose ori-acetate base. The standard lens Nikkor-S Auto 1:1.4 f=50mm was equipped with a 52mm F-Pro B+W orange filter (Ref. 099 IR) and the original metal Nikon HS-1 shade hood for the 1.4/50 lens.
Expositions were metered for 200 ISO to compensate the light absorption of the orange filter. Metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas.
Film side marks identification.
October 20, 2025
69250 Albigny-sur-Saône
France
After the last view (Nr. 37) exposed, the film was fully rolled back to the cartridge and was developed in a Paterson tank using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 and the film processed for 12 min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellow III equipped with a Minolta Macro-Bellow lens 1:3.5 f=50mm and a Minolta slide duplicator. The light source was a LED panel CineStill Cine-lite. The RAW files obtained were inverted within le latest version of Adobe LightRoom Classic (Version 14.5 of Aug. 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone pictures.
About the camera :
I have in my camera collection two Nikon F’s (marketed by Nikon from 1959 to 1973) : one mid-age 1964-1965 and a late one 1971.
This late Nikon F was produced (as all Nikon F’s) in the Nippon Kogaku Corp. historical factory of Oi , Nishioi 1-Chōme, Shinagawa, Tokyo, Japan, between January and March 1971. Nikon F system got in the mid 60’s an international high reputation and soon became an iconic SLR camera widely used in photojournalism and other professional uses. Nikon F and following series (F2 to F6) illustrated the archetype of professional SLR film camera for over 60 years.
I imported to France the camera from Japan in January 2022 in a pristine condition and equipped with a standard Nikkor-S Auto 1:1.4 f=50mm matching the production period of the camera (so-called pre-AI lenses) with the original metal shade hood. The camera came also with a working photometric prism viewer Photomic FTn including two CdS photocells and coupled both to the shutter speed and the aperture setting.
I completed later on my Nikon F’s kit with two lenses including the legendary Nikkor-P 1:2.5 f=105mm and a wide angle Nikkor-N.C. 1:2.8 f=24mm, a Speedlight SB-10 electronic flash with the Nikon coupling AS-1 flash shoe.
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Pentax P3n Fijifilm 4791 duplicating film 100iso XR-1 developer 1+9 13 minutes. An experiment to see what happens when you shoot the film at 100 iso (normally exposed around 25iso) and develop it in XR-1 in an attempt to increase the speed of the film. Set the camera to auto exposure and the iso at 100
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Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
After a carefully study and complete detailing of the beast, I did a test film.
The camera was loaded with a FOMAPAN 200 exposed for 160 ISO, using the various exposing modes found very consistent with the reading of my trusted Minolta AutoMeter III external lightmeter. The Nikon F4 is incredibly confortable in hands despite its weight. Every function are precise and accurate. It's a real joy to use.
November 3, 2024
69001 Lyon
France
After completion, the film wasrewound (in the manual mode to keep the film leader outside the cartridge), and developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+50 for 10min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.