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The Lailai Coast has the most developed erosion platforms of the whole northeast coast. In the north the Sandiaojiao Cape acts as a barrier, while from the east side the Kuroshio Current passes by, offering a suitable environment for the growth of algae and plankton, thus breeding a flourishing body of fish. However, this huge expanse of erosion platforms still sees many changes. There are wall-like volcanic rock veins, deep erosion ditches and geometric line conformations very similar to washing boards. 馬崗漁港
15 Bury St Edmunds Hardwick Lane And Westgate Street Minolta Dynax 7000i Minolta 35-105mm F3.5-4.5 Kodak Gold 200 ISO Developed In Rollei Colorchem C41 30-1-2023
Expo 2020 Dubai has signed a Memorandum of Understanding (MoU) with Dubai Electricity and Water Authority (DEWA) to become an Official Sustainable Energy Partner.
DEWA and Expo 2020 Dubai have formed a national partnership to maximise the use of clean energy and deliver a sustainable World .....
Read more: goo.gl/a3zr1k
#Develop #Dubai #Sustainability #Teams #Business #Dubai #DXB #MyDubai #DXBplanet #LoveDubai #UAE #دبي
This was shot on Ilford 100 / 120 film with my Holga. I developed the film in my bathroom. My attempts at making contact prints were a failure and sadly, I do not yet have a film scanner. I got this image into my computer by laying the bare negative on top of my cheap plastic Ikea bedside lamp and shooting it with my DSLR. The last step is to invert the image in photoshop. Not ideal but it will work for experimenting until I pick up a scanner.
First attempt at developing without bleach aka bleach bypass but I don't think it worked. Camera used Canon BF-10 26mm fixed focus Fujifilm 200 200 ISO developed in Bellini Foto C41 11-5-2023
First pictures I took in black and white and first pictures I developed myself, circa 92. Iford 'Safety Film' (!) FP4. Camera was a strange secondhand Russian or German camera with an odd square aperture which had problems focusing (I think the lens was coming away!). Negs are in a terrible state I've done what I can but it's like snow if you zoom in...I rewashed them which made a massive difference but bad handling before I had a clue, storage and dusty/scratchy enlargers and I think underdeveloping and/or crap in the developer haven't helped.
You name it these negs have it: hairs, dust, odd watermarks, gunk on the negs that won't wash off, scratches, damaged emulsion, holes in the film (!) *sigh*
First pictures I took in black and white - and this was the first portrait I was proud of, and first pictures I developed myself, circa 91. Iford 'Safety Film' (!) FP4. Camera was a strange secondhand Russian or German camera with an odd square aperture which had problems focusing (I think the lens was coming away!). Negs are in a terrible state I've done what I can but it's like snow if you zoom in...I rewashed them which made a massive difference but bad handling before I had a clue, storage and dusty/scratchy enlargers and I think underdeveloping and/or crap in the developer haven't helped.
What was your first b&w film like?
Developed through a partnership with Platinum Games and Kojima Productions, Metal Gear Rising: Revengeance pits cyborg against cyborg in battle that blazes past every human limit! The main character, Raiden, was once feared as the child soldier "Jack the Ripper" on the front lines of the First Liberian Civil War. Now, his combat mastery is channeled through a cyborg body as the strikes from his high-frequency blade slice even massive assault drones in two. Raiden is contracted for VIP protection, military training and other duties by PMSCs (Private Military and Security Companies) in a developing country piecing itself back together after a bloody civil war. Little does he know that the stage is set for a clash with an enigmatic force of countless cyborgs.
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On December 24, 2024, I picked up my venerable Leica M3 year 1956 (see below for details) for a photowalk in Lyon city, France. I went to Fourvière, enjoying a not too cold (6°C) and clear sunny weather.
My Leica was loaded with a 36-exposure Ilford HP5+ film. I equipped the Summicron 2/5cm lens with a Hoya HMC AUV screw-on 39mm protective filter plus the Leitz shade hood for all indoor scenes, and outdoor I mounted a push-on 42mm FOCA (France) Yellow x2.5 filter and a generic cylindrical stainless steel hood that, unfortunately, induced some vignette if not perfectly aligned, that should be corrected during the processing). I should find a 39mm screw-on filter more safe to use with my Summicron 2/5cm,
Expositions were determined for the indicated 400 ISO (28 DIN) using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas and erected for the filter absorption if any.
The outside temperature was about 6°C with a bright sunny weather in the afternoon. Typically exposures outdoor were made at 1/250s with apertures ranging from f/8 to 11 and 1/50s or 1/25s at full aperture f/2 or f/2.8 indoor.
Basilique Notre-Dame de Fourvière
La Crypte***
December 24, 2024
69005 Lyon
France
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*** THE CRYPT
A majestic low church that welcomes Virgins from all over the world.
The crypt of Fourvière, dedicated to Saint Joseph, is identified as the low church. With the same surface area as the basilica, it was initially designed by Pierre Bossan as the main entrance to the sanctuary. The pilgrim had to “go to Mary through Joseph”, thus passing from the darkness of the crypt to the light of the basilica.
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After exposure, the film was processed in Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 6 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens :
This Leica M3 circa 1956 (Ref. Leitz ISUMO), double stroke, was sold to me with a Leitz Wetzlar Summicron collapsible normal lens 1:2 f=5cm of the same period equipped with a 39mm screw-on protective filter, a 42mm push-on Leica lens cap and an original Leitz shade hood (Ref. Leitz IROOA).
The camera was serviced in Paris, France, in 2018 by Gérard Métrot at Photo-Suffren, (a Leica boutique) who worked on the maintenance of camera's of famous French photographers as Henri Cartier-Bresson and Robert Doisneau. The camera was inspected by Odéon-Photo, Paris, another historic Leica place in Paris, in April 2024.
I sourced at the same time in Germany a stunning Leitz Leica leather bag (Ref; Leitz IDCOO) of the same model that appeared on the back cover page go the Leica brochure year 1954. This bag can accommodate the camera and a mounted Leica-Meter type M. The interior in covered with a carmin velvet in perfect condition.
The Leica M3 is one of the most iconic range-finder 35mm camera of the 50's and the 60's. It was produced in Wetzlar, Germany, in different versions at 226178 exemplars, between 1954 (n° 700000) and 1966 (n° 1164865, www.summilux.net/materiel/Leica-M3) . The Leica M3 was the result of the study of a "super-Leica" that was started before WWII and only achieved in the 50'S.
The greater improvement of the M3 compared the classical Leica's was in a magnificent and very complex range-finder combined to the view finder permitting the framing with the two eyes open, integrating the frame in the real and normal vision. The shutter integrates too the normal and the slow speeds in the same barillet. The film advance of this version of Leica M3 is also the typical "double-stroke" advance that was exclusive to the Leica M3 first versions.
The camera was transported to me from Paris to Lyon, France on April 26, 2024 and the bag arrived the day after.
On December 24, 2024, I picked up my venerable Leica M3 year 1956 (see below for details) for a photowalk in Lyon city, France. I went to Fourvière, enjoying a not too cold (6°C) and clear sunny weather.
My Leica was loaded with a 36-exposure Ilford HP5+ film. I equipped the Summicron 2/5cm lens with a Hoya HMC AUV screw-on 39mm protective filter plus the Leitz shade hood for all indoor scenes, and outdoor I mounted a push-on 42mm FOCA (France) Yellow x2.5 filter and a generic cylindrical stainless steel hood that, unfortunately, induced some vignette if not perfectly aligned, that should be corrected during the processing). I should find a 39mm screw-on filter more safe to use with my Summicron 2/5cm,
Expositions were determined for the indicated 400 ISO (28 DIN) using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas and erected for the filter absorption if any.
The outside temperature was about 6°C with a bright sunny weather in the afternoon. Typically exposures outdoor were made at 1/250s with apertures ranging from f/8 to 11 and 1/50s or 1/25s at full aperture f/2 or f/2.8 indoor.
Fourvière, la Chapelle de la Vierge Marie***, December 24, 2024
69005 Lyon
France
--------
*** THE CHAPEL OF THE VIRGIN
Built in the 12th century, it remains the historical and religious heart of the sanctuary.
Founded in 1174, partially demolished in 1562 during the Wars of Religion, then rebuilt. From the end of the 17th century, the walls were covered with ex-votos painted on canvas. The chapel of the Virgin was completely restored in 2007-2008: access to the chapel is once again through the large door which allows the nave to be illuminated. The altar and the high altar are attributed to the Baroque architect Jean Delamonce.
______
After exposure, the film was processed in Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 6 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures. All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera and the lens :
This Leica M3 circa 1956 (Ref. Leitz ISUMO), double stroke, was sold to me with a Leitz Wetzlar Summicron collapsible normal lens 1:2 f=5cm of the same period equipped with a 39mm screw-on protective filter, a 42mm push-on Leica lens cap and an original Leitz shade hood (Ref. Leitz IROOA).
The camera was serviced in Paris, France, in 2018 by Gérard Métrot at Photo-Suffren, (a Leica boutique) who worked on the maintenance of camera's of famous French photographers as Henri Cartier-Bresson and Robert Doisneau. The camera was inspected by Odéon-Photo, Paris, another historic Leica place in Paris, in April 2024.
I sourced at the same time in Germany a stunning Leitz Leica leather bag (Ref; Leitz IDCOO) of the same model that appeared on the back cover page go the Leica brochure year 1954. This bag can accommodate the camera and a mounted Leica-Meter type M. The interior in covered with a carmin velvet in perfect condition.
The Leica M3 is one of the most iconic range-finder 35mm camera of the 50's and the 60's. It was produced in Wetzlar, Germany, in different versions at 226178 exemplars, between 1954 (n° 700000) and 1966 (n° 1164865, www.summilux.net/materiel/Leica-M3) . The Leica M3 was the result of the study of a "super-Leica" that was started before WWII and only achieved in the 50'S.
The greater improvement of the M3 compared the classical Leica's was in a magnificent and very complex range-finder combined to the view finder permitting the framing with the two eyes open, integrating the frame in the real and normal vision. The shutter integrates too the normal and the slow speeds in the same barillet. The film advance of this version of Leica M3 is also the typical "double-stroke" advance that was exclusive to the Leica M3 first versions.
The camera was transported to me from Paris to Lyon, France on April 26, 2024 and the bag arrived the day after.
this is my first time develop film by myself, this is ilford pan100,there is no big problem with first 25 frame.
I found my son playing with the IPOD when he was supposed to be asleep in bed. Did I scold him? No way. I ran for the camera and caught some "unexpected light" shots :)
How could I get mad at a face that sweet?
Developing Strategies, Preparing and Getting the Most from Macromolecular Crystallography Experiments workshop.
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Asheville Urban Trail
Vagabond Photo Walks - WNC MeetUp
5 April 2014
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Nune Sarukhanyan, the head of the non-governmental organisation, Green Path
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