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Portrait of Derk Jarman, taken outside his cottage at Dungeness. Taken late 80's sometime and then gave him a lift back to London. Great man.
number four: derek jarman – super8, julia stoschek foundation e.v., duesseldorf, 11 september 2010 – 26 february 2011
the julia stoschek foundation e.v., in collaboration with james mackay, and as part of the quadriennale 2010 in duesseldorf, presents the first comprehensive retrospective of the experimental film works of derek jarman from his super8 archives. it represents the first solo exhibition of an artist in the julia stoschek collection.
the british painter, film maker, set designer and writer derek jarman (1942–1994) is best known to the wider public primarily as the director of stylistically influential feature films and music videos from the 1980s and early 1990s. less well-known, but vital to his oeuvre, are the over 60 super8 films that jarman filmed from 1970 until his death in 1994. taken from the subjective-personal perspective of his hand-held camera, the scenic arrangements mediate jarman’s artistic approach in which life and art constantly connect with one another as a matter of course. the often autobiographical film documents, which he himself called a “cinema of small gestures”, are defined by spontaneity and lightness on the one hand and symbolism and mythology on the other.
the 24 digitalised films from the super8 archive, complemented by a 16mm sound film and the blueray version of a 35mm feature film, are distributed over both floors of the exhibition space as well as in the basement cinema. to begin with the first floor contains 12 films covering the social and (sub)cultural world of jarman and his circle of friends. the overlapping of documentation and staging is constantly fluid here and this is further reflected stylistically in the works. two sound films, presented individually, break this sequence: in the first space “tg: psychic rally in heaven” (1980), an early music-video experiment, originally recorded on super8 for the british industrial-music group throbbing gristle, and in front of the second space, “imagining october” (1984), which will be shown – not least because of its references to sergei eisenstein and soviet film – in its original format, as a 16mm sound film.
on the second floor 11 films from the group of works covering rituals, mythology and landscape are displayed. the works are deliberately presented in the completely open space surrounding the centrally placed, boxed projection of “art of mirrors i-iii” (1973). between them, the various works from 1971 to 1978 generate panoramically stylistic and content-based references.
the exhibition ends in the cinema space in the basement where derek jarman’s final, elegiac feature film “blue” (1993) can be seen.
simon fisher turner, who was responsible for the soundtracks of many of jarman’s feature films from the 1980s onwards, has developed a special sound concept with atmospheric and space-specific soundscapes for the exhibition.
a catalogue has been published by verlag der buchhandlung könig, cologne to accompany the exhibition. it contains an essay by jon savage, which sets selected works in the context of their respective contemporary backgrounds. derek jarman himself speaks about his creative work in an interview with simon field and michael o’pray from 1985.
Russia's Deputy Minister of Education and Science Liudmila Ogorodova; Brazil's Minister of Science, Technology and Innovation Marco Antonio Raupp: Minister of Science and Technology Derek Hanekom; China's Minister of Science and Technology Gang Wan and India's Secretary of Ministry of Science and Technology Dr Thirumalachari Ramasami)
Minister Nkoana-Mashabane to address BRICS Science, Technology and Innovation meeting
The Minister of International Relations and Cooperation, Ms Maite Nkoana-Mashabane, is scheduled to speak at the BRICS Science, Technology and Innovation ministerial meeting in Cape Town on 10 February 2014.
This meeting originates within the context of the First Summit of the BRICS Leaders held in 2009 in Yekaterinburg, Russia, where the Leaders at that time envisaged cooperation in the field of Science, Technology and Innovation with the aim to engage in fundamental research and development of advanced technologies.
The theme for the first Science, Technology and Innovation Ministerial Meeting, i.e. “A Strategic Partnership for Equitable Growth and Sustainable Development”, presents BRICS with a unique opportunity to address, on the one hand, the challenges of global competitiveness and leadership in frontier sciences and new technologies, and enhance, on the other, equitable growth and sustainable development through strategic cooperation in the fields of science, technology and innovation.
The First BRICS Science, Technology and Innovation Ministerial Meeting will play a pivotal role in deliberating the BRICS implementation framework for science, technology and innovation. This strategic framework will serve to clearly define the modalities and operational instruments to support STI cooperation within the framework of BRICS. In connection herewith there is already broad agreement amongst the BRICS partners on possible priority areas for BRICS STI cooperation.
These include, amongst others, exchange of information on Science, Technology and Innovation policies and programmes and promotion of innovation; food security and sustainable agriculture; climate change and natural disaster mitigation; new and renewable energy and energy conservation; nanotechnology; basic research; space, aeronautics, astronomy and earth observation; medicine and biotechnology; water resources and pollution treatment; high-technology zones/science parks and technology incubators; and technology and knowledge transfer.
Therefore the first BRICS ministerial meeting in this strategic sector will convey a very important signal to the global community regarding the positive role that BRICS wish to play to promote cooperation to ensure equitable growth and sustainable development. The meeting in Cape Town will also ensure innovative complementarities vis-à-vis the key outcomes of the Fifth BRICS Summit, i.e. enhanced cooperation with Africa, notably regarding increased access to technology as well as the launch of the BRICS Business Council and the BRICS Think Tanks Council.
For further information please contact DIRCO Spokesperson, Mr Clayson Monyela, on 0828845974
ISSUED BY THE DEPARTMENT OF INTERNATIONAL RELATIONS AND COOPERATION
OR Tambo Building
460 Soutpansberg Road
Rietondale
Pretoria
number four: derek jarman – super8, julia stoschek foundation e.v., duesseldorf, 11 september 2010 – 26 february 2011
the julia stoschek foundation e.v., in collaboration with james mackay, and as part of the quadriennale 2010 in duesseldorf, presents the first comprehensive retrospective of the experimental film works of derek jarman from his super8 archives. it represents the first solo exhibition of an artist in the julia stoschek collection.
the british painter, film maker, set designer and writer derek jarman (1942–1994) is best known to the wider public primarily as the director of stylistically influential feature films and music videos from the 1980s and early 1990s. less well-known, but vital to his oeuvre, are the over 60 super8 films that jarman filmed from 1970 until his death in 1994. taken from the subjective-personal perspective of his hand-held camera, the scenic arrangements mediate jarman’s artistic approach in which life and art constantly connect with one another as a matter of course. the often autobiographical film documents, which he himself called a “cinema of small gestures”, are defined by spontaneity and lightness on the one hand and symbolism and mythology on the other.
the 24 digitalised films from the super8 archive, complemented by a 16mm sound film and the blueray version of a 35mm feature film, are distributed over both floors of the exhibition space as well as in the basement cinema. to begin with the first floor contains 12 films covering the social and (sub)cultural world of jarman and his circle of friends. the overlapping of documentation and staging is constantly fluid here and this is further reflected stylistically in the works. two sound films, presented individually, break this sequence: in the first space “tg: psychic rally in heaven” (1980), an early music-video experiment, originally recorded on super8 for the british industrial-music group throbbing gristle, and in front of the second space, “imagining october” (1984), which will be shown – not least because of its references to sergei eisenstein and soviet film – in its original format, as a 16mm sound film.
on the second floor 11 films from the group of works covering rituals, mythology and landscape are displayed. the works are deliberately presented in the completely open space surrounding the centrally placed, boxed projection of “art of mirrors i-iii” (1973). between them, the various works from 1971 to 1978 generate panoramically stylistic and content-based references.
the exhibition ends in the cinema space in the basement where derek jarman’s final, elegiac feature film “blue” (1993) can be seen.
simon fisher turner, who was responsible for the soundtracks of many of jarman’s feature films from the 1980s onwards, has developed a special sound concept with atmospheric and space-specific soundscapes for the exhibition.
a catalogue has been published by verlag der buchhandlung könig, cologne to accompany the exhibition. it contains an essay by jon savage, which sets selected works in the context of their respective contemporary backgrounds. derek jarman himself speaks about his creative work in an interview with simon field and michael o’pray from 1985.
Derek (DAT Consulting) and Kai Hughes (ICA Managing Director) deliver an interactive arbitration workshop.
Derek was picked us as his host family in 04-05 and, we truly became family. He is now retired. We love you Derek!
Derek Wolfe is an American football defensive end for the Denver Broncos of the National Football League (NFL).
NEW YORK, NY - SEPTEMBER 04: Derek Jeter #2 of the New York Yankees watches his three run home run in the bottom of the third inning against the Toronto Blue Jays on September 4, 2011 at Yankee Stadium in the Bronx borough of New York City. (Photo by Christopher Pasatieri/Getty Images)
Freightliner 'Shed' 66 619 'Derek W Johnson MBE' heads a southbound coal train along the East Coast Main Line's up fast metals at the site of Copmanthorpe station. Derek Johnson performed the naming ceremony of this locomotive in February 2006 at Barking Freightliner Terminal. He is the managing director of liner agent Johnson Stevens Agencies, an entrepreneur and captain of industry credited with helping make Felixstowe the UK's premier shipping port. This was the 100th Freightliner Class 66 to be named and Johnson's bid for the honour was selected at the company's 40th anniversary dinner. Johnson Stevens Agencies went into administration in May 2011. @12.43
Derek Jeter seen during the ticker-tape parade up Broadway celebrating the Yankees' 27th World Series championship on Friday, Nov. 6, 2009 in New York City. He looks so happy!
number four: derek jarman – super8, julia stoschek foundation e.v., duesseldorf, 11 september 2010 – 26 february 2011
the julia stoschek foundation e.v., in collaboration with james mackay, and as part of the quadriennale 2010 in duesseldorf, presents the first comprehensive retrospective of the experimental film works of derek jarman from his super8 archives. it represents the first solo exhibition of an artist in the julia stoschek collection.
the british painter, film maker, set designer and writer derek jarman (1942–1994) is best known to the wider public primarily as the director of stylistically influential feature films and music videos from the 1980s and early 1990s. less well-known, but vital to his oeuvre, are the over 60 super8 films that jarman filmed from 1970 until his death in 1994. taken from the subjective-personal perspective of his hand-held camera, the scenic arrangements mediate jarman’s artistic approach in which life and art constantly connect with one another as a matter of course. the often autobiographical film documents, which he himself called a “cinema of small gestures”, are defined by spontaneity and lightness on the one hand and symbolism and mythology on the other.
the 24 digitalised films from the super8 archive, complemented by a 16mm sound film and the blueray version of a 35mm feature film, are distributed over both floors of the exhibition space as well as in the basement cinema. to begin with the first floor contains 12 films covering the social and (sub)cultural world of jarman and his circle of friends. the overlapping of documentation and staging is constantly fluid here and this is further reflected stylistically in the works. two sound films, presented individually, break this sequence: in the first space “tg: psychic rally in heaven” (1980), an early music-video experiment, originally recorded on super8 for the british industrial-music group throbbing gristle, and in front of the second space, “imagining october” (1984), which will be shown – not least because of its references to sergei eisenstein and soviet film – in its original format, as a 16mm sound film.
on the second floor 11 films from the group of works covering rituals, mythology and landscape are displayed. the works are deliberately presented in the completely open space surrounding the centrally placed, boxed projection of “art of mirrors i-iii” (1973). between them, the various works from 1971 to 1978 generate panoramically stylistic and content-based references.
the exhibition ends in the cinema space in the basement where derek jarman’s final, elegiac feature film “blue” (1993) can be seen.
simon fisher turner, who was responsible for the soundtracks of many of jarman’s feature films from the 1980s onwards, has developed a special sound concept with atmospheric and space-specific soundscapes for the exhibition.
a catalogue has been published by verlag der buchhandlung könig, cologne to accompany the exhibition. it contains an essay by jon savage, which sets selected works in the context of their respective contemporary backgrounds. derek jarman himself speaks about his creative work in an interview with simon field and michael o’pray from 1985.
More shots of Derek's Evo from our shoot a few weeks ago. Put a few up and decided to upload the rest of them. Some new shots of the car should be out soon had a shoot earlier this week and be on the look out for the new wheels set up in the few weeks to come.
GULF OF OMAN (July 12, 2013) Hull Maintenance Technician 2nd Class Matthew Chaney, a damage control training team instructor, participates in a firefighting exercise in the hangar bay of aircraft carrier USS Nimitz (CVN 68) during a general quarters drill. Nimitz Strike Group is deployed to the U.S. 5th Fleet area of responsibility conducting maritime security operations, theater security cooperation efforts and support missions for Operation Enduring Freedom. (U.S. Navy photo by Mass Communication Specialist Seaman Derek A. Harkins/Released)
Intrepid 4x5 MK4 | Fujinon W 180mm 1:5.6 | Kodak Portra 160
Scanned with Epson Perfection V800 Photo
Home developed in Arista C-41 | 4:08/102F | SP-445 tank
Negative Lab Pro v2.1.9 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Highlight Soft | WB: Auto-Warm | LUT: None
Derek Jeter at the plate during a Spring Training game at Charlotte Sports Park in Port Charlotte, Florida against the Tampa Bay Rays. March 21, 2011
After the final home game at Yankee Stadium, Derek Jeter, the team captain, gave a speech. Here is one minute of it. It was awesome.
NEW YORK, NY - JULY 31: Derek Jeter #2 of the New York Yankees reacts after being hit by a pitch in the third inning by pitcher Jake Arrieta #34 of the Baltimore Orioles on July 31, 2011 at Yankee Stadium in the Bronx borough of New York City. (Photo by Chris Trotman/Getty Images)
World literature student Derek Herridge is also a junior Canadian weightlifting champion and balances lifting with great literary works.