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Kids From Randolph School, Huntsville, AL
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★What IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
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WE JAPANESE
C3005545
"WE JAPANESE" THE BEST REFERENCE BOOK ABOUT JAPAN EVER. YOU HAVE TO READ BEFORE COMING TO JAPAN.
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Dedicated to Eugenia <3
Today was my granny's one year anniv since she has been gone. Family got together for a special gathering in her memory. The sun was shining extra bright today! someone was shining down on us :)
Today Bambii lost a shoe in the grassy field when little cousin was playing with her and miraculously my aunt found the shoe!! Also, Bambii's glasses almost got crushed when I tried to catch a football while holding her.. hehe.. we still had fun
This memorial, dedicated to the four people who died during the Boston Marathon bombing, was started on Beacon Street and was moved to Copley Place after the location was opened to the public again. People are quiet as they move past the flowers, signs and candles that others have left. There is a little talking, but mostly silence. The press is still there at the curb's edge, but even they are in their own little bubbles not making much noise. People are taking lots of photos, and ordinarily it might seem disrespectful, but I think many are taking them because they want to remember what happened, and the warm, caring response that came in terror's wake. Peace to Sean Collier, Krystle Bell, Lu Ling, and Martin Richard
A tree dedicated to fallen Capt. Jefferson Clifford Francis in the National Military Cemetery of the Canadian Forces in Beechwood Cemetery in Ottawa, Ontario, Canada.
Capt. Francis was killed in Kandahar, Afghanistan on July 4, 2007 when his armored vehicle was destroyed by a large land mine.
Church of San Martino (Portofino) - Dedicated to Saint Martin of Tours, the church is located in the oldest village of Portofino and its construction seems to date back to the 12th century in Lombard Romanesque style, as well as the Chiesa di San Giorgio (Portofino). The church was revised in various alterations during the nineteenth century as it appears today. The consecration took place on 10 June 1548. One of the original documents, citing the ancient church of San Martino, dates back to 1130 where Pope Innocent II 's decision to cede ownership of the church to the monks of the nearby Abbey of San Fruttuoso di Camogli is reported; the same privileges were confirmed by Pope Alexander III in 1164. The ownership of the church passed in the following centuries to several owners including Prince Andrea Doria and his heirs by papal bull of Pope Julius III on 8 March 1550. It was the Archbishop of Genoa Monsignor Giambattista Spinola to elect the parish under the title of archpriest on 25 May 1696. From 1885 the parishes of Portofino and Santa Margherita Ligure ( church of San Giacomo di Corte and church of Nozarego ) passed to the jurisdiction of the archdiocese of Genoa and, at its establishment, to the diocese of Chiavari in 1892 / Photos of/from Castello Brown, a house museum located high above the harbor of Portofino, Italy. The castle's site is well suited for harbor defense, and appears to have been so used since the 15th century. According to the Record Office of Genoa, cannon batteries were constructed on the site in the early 16th century, and military engineer Giovanni Maria Olgiati drew up plans for a full fortress circa 1554. The resultant castello was completed by 1557, and, in 1575, was instrumental in turning back an attack on the town by Giò Andrea Doria. The structure was enlarged from 1622 to 1624, and survived in this form for a century and a half. The little tower was destroyed in 1798 by an English attack during Napoleon's Ligurian Republic. The castello was abandoned after the Congress of Vienna in 1815. In 1867, the structure was purchased for 7,000 lire by Montague Yeats-Brown, then English consul in Genoa. He engaged the architect Alfredo D'Andrade [it], and with advice from his artist friend and fellow-consul James Harris the fort was transformed to a comfortable villa without substantial alteration in its general form. His descendants held the property until 1949, then sold it to an English couple, Colonel and Mrs. John Baber, who restored several ruined sections, until they in turn sold it in 1961 to the City of Portofino / Portofino is an Italian fishing village and holiday resort famous for its picturesque harbor and historical association with celebrity and artistic visitors. It is a comune located in the Metropolitan City of Genoa on the Italian Riviera. The town is clustered around its small harbour, and is known for the colorfully painted buildings that line the shore. Pliny the Elder (AD 23 – AD 79) referred to Portus Delphini (Port of the Dolphin) as on the Ligurian coast between Genoa and the Gulf of Tigullio. The village is mentioned in a diploma from 986 by Adelaide of Italy, which assigned it to the nearby Abbey of San Fruttuoso di Capodimonte. In 1171, together with the neighboring Santa Margherita Ligure, it was included in Rapallo's commune jurisdiction. After 1229 it was part of the Republic of Genoa. The town's natural harbor supported a fleet of fishing boats, but was somewhat too cramped to provide more than a temporary safe haven for the growing merchant marine of the Republic of Genoa. In 1409 Portofino was sold to the Republic of Florence by Charles VI of France, but when the latter was ousted from Genoa the Florentines gave it back. In the 15th century it was a fief of families such as the Fieschi, Spinola, Adorno, and Doria. In 1815 it became part of the Kingdom of Sardinia and, from 1861, of the unified Kingdom of Italy. In the late 19th century, first British, then other Northern European aristocratic tourists began to visit Portofino, which they reached by horse and cart from Santa Margherita Ligure. Aubrey Herbert and Elizabeth von Arnim were amongst the more famous English people to make the area fashionable. Eventually, more expatriates built expensive vacation houses, and by 1950 tourism had replaced fishing as the town's chief industry, and the waterfront was a continuous ring of restaurants and cafés.
Jalakantesvara Temple (Tamil: ஜலகண்டேஸ்வரர் கோவில்) is an temple dedicated to Lord Shiva which is located in the Vellore Fort, Tamil Nadu State, India. The temple of the Vijaynagar period stands inside the Vellore Fort, which is under the control of the Archaeological Survey of India, along with the St. John's Church, Tippu Mahal, Hyder Mahal, Candy Mahal, Badhusha Mahal and the Begum Mahal.
HISTORY
According to legend, there used to a giant ant-hill at the location where the sanctum sanctorum of temple now stands. This ant-hill was surrounded by stagnant water, as a result of collection of rain water, and at some time a Shiva Lingam was placed in this water around the ant hill and worshiped. Chinna Bommi Nayaka, a Vijayanagar chieftain, who was controlling the fort had a dream where the Lord Shiva asked him to build a temple at that location. Nayaka, proceeded to demolish the anthill and build the temple in 1550 AD, and since the Lingam was surrounded by water (called Jalam in Tamil) the deity was called as Jalakandeswarar (translated as "Lord Siva residing in the water"). The temple was built during the reign of the Vijayanagaram king Sadasivadeva Maharaya (1540 - 1572 AD). The temple also has the statue of Sri Akhilandeshwari Amma, the consort of Jalakandeswarar.
ARCHITECTURE
The Jalakantesvara Temple is a fine example of Vijayanagaram Architecture. The temple has exquisite carvings on its gopuram (tower), richly carved stone pillars, large wooden gates and stunning monoliths and sculptures. These Vijayanagara sculptures are similar to the ones present in Soundararajaperumal Temple, Thadikombu, Krishnapuram Venkatachalapathy temple, Srivilliputhur Divya Desam and Alagar Koyil. The Gopuram of the tower is iver 100 ft. in height. The temple also has a Mandapam, with the hall supported by carved stone pillars of dragons, horses and yalis (lion like creature).
The temple itself built in middle of a water tank (called Agazhi in Tamil), and there is water surround the temple like a garland. The circumference of the water tank is 8000 ft. The wedding hall (Kalyana Mantapam) inside the temple has a 2 faced sculpture, that of a bull and an elephant. The water user for bathing the deity (abishekam) is drawn from an ancient well called the Ganga Gouri Thhertam, within the temple.
SPECIALTY
Behind the Nandi statue, there is an earthen lamp, which is said to revolve when some people place their hands on it. The revolving is said to indicate that their wishes have been granted. Some devotees of the temple worship the golden and silver lizard sculptures and the snake sculptures in order to get relief from 'sarpa dosham'.
MUTILATION
The temple was mutilated during the Muslim invasion and capture of Vellore Fort. Following the desecration of the temple during Muslim invasion and rule, worship in the temple was stopped. An Islamic structure was also built to serve as a makeshift mosque, after destroying an Amman (Nagalamman) Temple, which stood on that site. The temple was being used as an arsenal for nearly 400 years. On the fears of desecration, the main deity was moved away to the Jalakanda Vinayakar Temple in Sathuvacheri for safe keeping. The temple was vacant for nearly 400 years. In 1921, the Vellore Fort was handed over to the Archaeological Survey of India for maintenance. At that time, the temple was not used for worship, and the ASI was keen to maintain this status quo. However, in 1981, the deity was smuggled inside the fort and re-installed inside the temple, and worship re-instated.
RE-CONSECRATION 1981
Several attempts had been made in the 20th century, to re-instate the main deity inside the Jalakantesvara Temple. However, the Archaeological Survey of India wanted to maintain the status quo, an did want the temple to be used for worship. However, on 16 March 1981, the deity was removed from the Jalakanda Vinayakar Temple in Sathuvacheri and secretly smuggled inside the fort, hiding it inside a closed truck, and stealthily installed in the early morning hours.
According to AK Seshadhri, author of the book 'Vellore Fort and the Temple through the Ages', "The staff of ASI could do nothing to prevent the forcible action of the mob, except watch the happenings and complain the incident to the police and the district collector. The district authorities took no action, saying that this is a sensitive religious matter and therefore any preventive action would lead to a law and order problem…"
Consequently, the first kumbabishekam after re-consecration was held in 1982, followed by 1997 and 2011. For the third kumbabishekam in 2011, a special gold plated car are made at a cost of INR 30 million, and used nearly 7 kg Gold.
In 2006, the 25th anniversary of the re-consecration of the Jalakantesvara Temple was celebrated by taking out the deity in a grand procession passing through Long Bazaar, Saidapet, Kagitha Pattarai and Main Bazaar of Vellore.
GOVERNMENT TAKE OVER
On Saturday, 22 June 2013, the Department of Hindu Religious and Charitable Endowments, Government of Tamil Nadu took over the administration of the Jalakantesvara Temple, at the Vellore Fort, following government order dated 18 June 2013, asking the Assistant Commissioner of Vellore to take over the temple and assume charge as the 'Fit Person' (Thakkar) of the temple. Previously the temple was managed by a private trust called Sri Jalakanteswarar Dharma Sthabanam. The private trust had opposed the takeover, by approaching the Madras High Court. However, nearly 10 years of legal proceedings resulted in the court ruling in favor of the Government of Tamil Nadu. However, the temple structure is owned and maintained by the Archaeological Survey of India, with only the administration taken over by the government.
WIKIPEDIA
Dedicated to Sussy.A.L.(Sussy Lombardía) to thank her for all her efforts and continuous support
- Jaune entouré de vert
Dedicated to the men & women who "protect" & "serve" across the nation...those who choke us, shoot us, but never suffer repercussions because you are all just doing your "job".
R.I.P. Eric Garner, and the many others who died at the hands of the law.
The Province is helping keep people safe by creating hubs of police, dedicated prosecutors and probation officers focused on tackling repeat violent offending in every region of the province. Learn more: news.gov.bc.ca/28552
This is a family dedicated channel to our beloved big lad Benji
We got Benji in 2007 when he was 4 years old as the owner was suffering from an illness and was no longer capable of looking after him
We got him on the 21st may 2007 so we used that date to celebrate his birthday
When Benji came to live with us he was a very independant lad and was always the boss especially over my two young sons and he stamped his authority quite quickly
He did test us at the beginning but soon knew that living here with us he was going to get nothing more than love and attention and he got that in abundance
He loved his home comforts as he would often take over the settee and would declare that space as his own
I myself have had health issues and Benji would always pop his head up to see if everything was alright with me and i would do the same with him everynight
We nearly lost Benji in 2013/2014 when we discovered a small lump on his groin and the vet at the time told us it was just a fatty lump and just ignore it
We knew something was not right and advised the vet that we wanted it removed and we would pay for the operation
We booked him in 2 weeks after that appointment and when we got him to the PDSA they told us that it was a good job that we ignored her colleagues advice and decided to go for the operation as it saved his life as this so called fatty lump was actually a growth that was cutting off his blood vessel, The operation was a success and it extended our time with Benji
There was times that we questioned some of the vets advice as for when we kept asking about all the lumps that was appearing on his body and again we were told that they were just fatty lumps
Over the past couple of years we were concerned of a few lumps under his chest and a few that would appear around his ribs etc and again we were told to ignore them as they were fatty lumps
Well those lumps turned out to be cancer and cost our baby boy his life as his liver had also became very enlarged and we had to make a decssion if we wanted to die in agony as we were informed or for the vet to give him that terrible injection
We took him home for a day so that he could say his goodbyes to my sons and we stayed awake with him all night
The following morning we gave him his favourite a tin of tuna and he had a good drink of water and at 10:15am on September 1st 2017 Benji was put to sleep
My wife held him in her arms as i cuddled his head and kept him from seeing the needles and he dropped into his deep sleep forever
The vet that dealt with Benji on his final moment was a wonderful and caring vet and we thank her from the bottom of our hearts for all she done
We love you Benji and we will walk together again one day soon
Forever your
Mammy, Daddy and Brothers
The Province is helping keep people safe by creating hubs of police, dedicated prosecutors and probation officers focused on tackling repeat violent offending in every region of the province. Learn more: news.gov.bc.ca/28552
The ‘Football Remembers’ memorial was dedicated by H.R.H. Prince William, The Duke of Cambridge, and the winning designer, ten-year-old Spencer Turner from Farne Primary School in Newcastle, in the presence of F.A. Chairman Greg Dyke, England manager Roy Hodgson and representatives from the Premier League, Football League and the British Council on 12.12.2014.
The memorial commemorates the centenary of one of the most iconic moments of the First World War - the 1914 Christmas Truce football match which took place between allied and German troops on Christmas Day 1914 in Flanders, Belgium. Soldiers from both sides put down their weapons and crossed into ‘no man’s land’ to share in an impromptu ceasefire. First-hand accounts from the time include references to football being played and photographs taken.
Ad hoc matches were played at St Yvon, Ploegsteert, Belgium. There was definitely a game involving the Royal Warwickshire C Company on Christmas Day with caps as goalposts. Lieutenant Zehmisch spoke of a couple of English who brought a football out of their trench and a vigorous match began.
Lt. Johannes Niemann of the German army wrote: "Suddenly a Tommy came with a football. Teams were quickly established for a match on the frozen mud, and the Fritzes beat the Tommies 3-2."
Other soldier's diaries and various reports also spoke of balls being kicked about in friendship.
Lt. Charles Brockbank of the Cheshire Regiment wrote in his diary: "A huge crowd was between the trenches. Someone produced a little rubber ball so of course a football match started".
Trees are frequently dedicated to members of the community who have died. 2001 was the 10th year anniversary of this canine patrol man's death. He'd been killed by a drunk driver barreling thru an illegal left turn.
The star shaped flashlight lights and the figure and the wings move. His uniform is accurate. The badge was cut off an Olympic bid key fob that had the Murray, UT police badge.
GIUSEPPE GRECO 2008
CANON EOS 400D EF 50MM 1.8
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Angkor Wat or "Capital Temple" is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, present-day Angkor, the capital of the Khmer Empire, as his state temple and eventual mausoleum.
Breaking from the Shiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple, based on early Dravidian architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.
The modern name, Angkor Wat, means "Temple City" or "City of Temples" in Khmer; Angkor, meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ), which comes from the Sanskrit word nagara (नगर). Wat is the Khmer word for "temple grounds" (Sanskrit: वाट vāṭa ""enclosure").
HISTORY
Angkor Wat lies 5.5 kilometres north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor's main sites.
According to one legend, the construction of Angkor Wat was ordered by Indra to act as a palace for his son Precha Ket Mealea.
According to the 13th century Chinese traveler Daguan Zhou, it was believed by some that the temple was constructed in a single night by a divine architect. The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113-C. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as "Varah Vishnu-lok" after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometers to the north.
In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.
One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In the mid-19th century, the temple was visited by the French naturalist and explorer, Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
"One of these temples - a rival to that of Solomon, and erected by some ancient Michelangelo - might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged."
Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.
Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation. Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbor Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937. Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from C. 1880 to the mid-1920s. The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since 1351 AD (Manich Jumsai 2001), or by some accounts, 1431 AD. Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time.
ARCHITECTURE
SITE AND PLAN
Angkor Wat, located at 13°24′45″N 103°52′0″E, is a unique combination of the temple mountain, the standard design for the empire's state temples and the later plan of concentric galleries. The temple is a representation of Mount Meru, the home of the gods: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple.Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction - prasavya in Hindu terminology - as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services. The archaeologist Charles Higham also describes a container which may have been a funerary jar which was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honor and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
STYLE
Angkor Wat is the prime example of the classical style of Khmer architecture - the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested. The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style." Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
FEATURES
OUTER ENCLOSURE
The outer wall, 1024 by 802 m and 4.5 m high, is surrounded by a 30 m apron of open ground and a moat 190 m wide. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper. Under the southern tower is a statue of Vishnu, known as Ta Reach, which may originally have occupied the temple's central shrine.Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth. The outer wall encloses a space of 820,000 square metres, which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
CENTRAL STRUCTURE
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Mannikka interprets these galleries as being dedicated to the king, Brahma, the moon, and Vishnu.
Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Because the temple faces west, the features are all set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason the west-facing steps are shallower than those on the other sides.
The outer gallery measures 187 by 215 m, with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the "Hall of a Thousand Gods"). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water.
North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to each other and to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 by 115 m, and may originally have been flooded to represent the ocean around Mount Meru.
Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The very steep stairways represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m square with axial galleries connecting each gopura with the central shrine, and subsidiary shrines located below the corner towers. The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and to the shrines. The tower above the central shrine rises 43 m to a height of 65 m above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
DECORATION
Integrated with the architecture of the building, and one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these, "the greatest known linear arrangement of stone carving".
From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hindu mythology.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras, and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst"). and a battle between the Hindu gods and asuras. The north-west and south-west corner pavilions both feature much smaller-scale scenes, some unidentified but most from the Ramayana or the life of Krishna. Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
CONSTRUCTION TECHNIQUES
The stones, as smooth as polished marble, were laid without mortar with very tight joints that are sometimes hard to find. The blocks were held together by mortise and tenon joints in some cases, while in others they used dovetails and gravity. The blocks were presumably put in place by a combination of elephants, coir ropes, pulleys and bamboo scaffolding. Henri Mouhot noted that most of the blocks had holes 2.5 cm in diameter and 3 cm deep, with more holes on the larger blocks. Some scholars have suggested that these were used to join them together with iron rods, but others claim they were used to hold temporary pegs to help manoeuvre them into place. The monument was made out of millions of tonnes of sandstone and it has a greater volume as well as mass than the Great Pyramid of Giza in Egypt. The Angkor Wat Temple consumes about 6 million to 10 million blocks of sandstone with an average weight of 1.5 tons each. In fact, the entire city of Angkor used up far greater amounts of stone than all the Egyptian pyramids combined, and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids which use limestone quarried barely half a km away all the time, the entire city of Angkor was built with sandstone quarried 40 km (or more) away. This sandstone had to be transported from Mount Kulen, a quarry approximately 40 km to the northeast. The route has been suggested to span 35 kilometres along a canal towards Tonlé Sap lake, another 35 kilometres crossing the lake, and finally 15 kilometres upstream and against the current along Siem Reap River, making a total journey of 90 kilometres. However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2012 a shorter 35-kilometre canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels even roofs are carved. There are miles of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots as well as warriors following an elephant-mounted leader and celestial dancing girls with elaborate hair styles. The gallery wall alone is decorated with almost 1000 square metres of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were a prime target for robbers. While excavating Khajuraho, Alex Evans, a stonemason and sculptor, recreated a stone sculpture under 1.2 m, this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labor force to quarry, transport, carve and install so much sandstone must have run into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artifacts that have been dated to the seventh century, before the Khmer came to power.
ANGKOR WAT TODAY
The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began conservation work on the Churning of the Sea of Milk Gallery in 2008 after several years of conditions studies. The project restored the traditional Khmer roofing system and removed cement used in earlier restoration attempts that had resulted in salts entering the structure behind the bas-relief, discoloring and damaging the sculpted surfaces. The main phase of work ended in 2012, and the final component will be the installation of finials on the roof of the gallery in 2013. Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561.000 and 677.000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance - as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples - although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities. Since Angkor Wat has seen significant growth in tourism throughout the years UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organized seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasized the importance of providing high quality accommodation and services in order for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed with regard to traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large amounts of tourists. The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat. Locals of Siem Reap have also voiced concern over the charming nature and atmosphere of their town being compromised in order to entertain tourism. Since this charming local atmosphere is the key component to projects like Angkor Tourist City, local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture. At the ASEAN Tourism Forum 2012, both parties have agreed Borobudur and Angkor Wat to become sister sites and the provinces will become sister provinces. Two Indonesian airlines are considering the opportunity to open a direct flight from Yogyakarta, Indonesia to Siem Reap.
WIKIPEDIA
The Province is helping keep people safe by creating hubs of police, dedicated prosecutors and probation officers focused on tackling repeat violent offending in every region of the province. Learn more: news.gov.bc.ca/28552
Specially dedicated to A.G. Photography & Farbspiel who given me idea and inspiration !
My first shot of photography trip after holiday. Have to consider my self lucky yesterday morning because having a wonderful driver (SamLow) who brought me to explore this place, plus having this kind of lovely clouds in the morning. Oh ya,most importantly with fine weather too~
But I don`t think I`m so lucky today as the sky was crystal clear (no clouds) !!! & the weather is like freaking over 30c !!! ARrgghhhh !!!
LEGOLAND Windsor a theme park dedicated to children aged 3-12 years old and of course big kid adults.
An inspirational land where the kids are the hero and adults relive their childhood.
The fun never stops and imagination knows no bounds, a family attraction like no other.
Set in 150 acres of beautiful parkland, LEGOLAND Windsor is a unique family theme park with over 55 interactive rides, live shows, building workshops, driving schools and attractions.
It's amazing what can be built with LEGO bricks - nearly 55 million of them!
From comical camels to fearsome fire-breathing dragons, world landmarks to musical pirates, young and old alike will be fascinated by the incredible LEGO models throughout the park.
Fun Facts about LEGOLAND Windsor
There are 34 LEGO pieces in an average Miniland figure.
The largest model in Miniland is the Canary Wharf Tower which is 5.2 metres tall and took 3 model makers 850 hours to complete using 200,000 LEGO Bricks!
The smallest models are the pigeons in Trafalgar Square which contain 5 LEGO bricks each
New in 2011 - Atlantis Submarine Voyage
Take a deep breath and submerge yourself in an underwater adventure.
Plunge into the depths with this world-first LEGO® submarine ride and immerse yourself in a magical underwater adventure.
So what’s New in 2012
STAR WARS MINILAND EXPERIENCE - The Force has arrived at LEGOLAND
Take a trip to a galaxy far, far away at the UK’s only indoor LEGO® Star Wars™ Miniland Experience at the LEGOLAND® Windsor Resort. Enjoy seven of the most famous scenes from the six live-action Star Wars movies, as well as a scene from the animated series Star Wars: The Clone Wars™ all made out of 1.5 million LEGO® bricks built in 1:20 scale. Follow the chronological path through the Star Wars timeline and retrace the major events of the beloved Saga featuring 2,000 LEGO® models, authentic sounds and lighting effects in the ultimate LEGO® Star Wars experience.
LEGOLAND WINDSOR RESORT HOTEL - Now open
An exciting LEGO adventure awaits you, as the amazing 150 room, fully themed LEGOLAND Hotel opens at LEGOLAND Windsor RESORT!
Staying overnight at the new LEGOLAND Windsor Resort Hotel is a must for all LEGO fans. From the spectacular dragon-guarded entrance and interactive LEGO features through to the brightly coloured pirate splash pool and fully themed bedrooms, the new hotel will inspire imaginations and create laugh-out loud memories. With dedicated indoor play areas, entertainment and a buffet-style restaurant serving child-friendly meals, it’s the perfect family treat.
World Impact is a Christian missions organization dedicated to ministering God's love in the inner cities of America.
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Since it's establishment in June of 1996, the Dallas ministry has sought to share the love of Christ with the community through Bible clubs for children, youth ministries, church planting, and leadership training for indigenous leaders.
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History of World Impact
In 1965, Keith Phillips, a student at UCLA, began teaching Youth For Christ Bible clubs in Watts. He began recruiting BIOLA students to volunteer with him and the ministry to the urban poor grew. By 1971, God called Keith to full-time ministry and World Impact was incorporated. Full-time missionaries moved into the communities they served. Evangelism to children expanded to teens and whole families.
News of the ministry spread to other urban areas of the country and by 1972 World Impact was ministering in San Diego, California, and Wichita, Kansas. In 1975, Keith wrote about World Impact's experiences in They Dare to Love the Ghetto. In 1976, the St. Louis and Newark ministries began and World Impact moved into their present headquarters at 20th and Vermont in Los Angeles. In 1977, the Fresno ministry began.
During the 1970's, while retaining a strong emphasis on evangelism, World Impact became more intentional about discipleship. By 1981, Keith Phillips wrote The Making of a Disciple, still recognized as one of the seminal books on discipleship. Films depicting urban ministry, as well as urban ministry training materials, were developed.
In the early 1980's, World Impact started ministries to the whole person, while keeping its priority of evangelism and discipleship. In 1982, the Los Angeles Christian School was opened and Morning Star Ranch was acquired to disciple young men from the inner city. By 1984, World Impact began job training opportunities (Inner City Enterprises), a thrift shop (The Sonshine Shop), and the Newark Christian School, while writing a culturally-conducive "through-the-Bible" curriculum. Out of these experiences, Keith wrote No Quick Fix, explaining the need for ministry to the whole person and the importance of whole families.
In 1986, the Wichita Village property was acquired, from which the Good Samaritan Clinic was launched, an old Y.M.C.A building was remodeled for ministry in St. Louis, low-income housing was developed in Newark, and God provided THE OAKS camp, 65 miles north of Los Angeles. In 1988, the Chester, Pennsylvania, ministry opened, and ministry centers in San Diego and Fresno were remodeled.
During the 1980's, the efforts of evangelism and discipleship were bearing fruit and new believers were forming into worshiping communities, leading World Impact to plant culturally-relevant churches in the inner city. The massive numbers of immigrants from Central America and Asia, along with the growing numbers of urban poor, underscored the need to not only evangelize and disciple individuals, but to establish new churches among the poor. In 1990, church planting became the primary strategy to evangelize, equip, and empower the urban poor.
In the early 1990's, as national attention was focused on the inner-city during the Los Angeles riot, World Impact acquired Harmony Heart camp in Pennsylvania, began ministry in Oakland and San Francisco, opened schools in Watts and Chester, launched The Urban Ministry Institute (TUMI) and planted its first churches in various cities.
In 1996, World Impact celebrated its 25th anniversary as Deer Creek camp (outside Denver) and the Dallas ministry were added. Keith Phillips wrote about World Impact's emerging church planting ministry in Out of Ashes. In 1999, World Impact hosted the first of three conferences on urban church planting, called Crowns of Beauty, each of which welcomed over 1200 international delegates.
In 2000, World Impact began hosting its School for Urban Cross-Cultural Church Planting, training urban church plant teams from all over the nation. In 2001, The John Mark Curriculum was published to train cross-cultural missionaries and three TUMI satellite campuses were opened. By 2004, 20 churches had been planted in eight World Impact cities, and an auditorium at THE OAKS Adult Conference Center was completed, dedicated in honor of board member Dr. Jack Hayford.
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World Impact Center
2017 S. Ervay
Dallas, TX 75215
214-426-0044
Altar dedicated to St. Joseph, Westwego, Louisiana, circa 2002. The Feast of Saint Joseph, celebrated around March 19, by the construction of elaborate three-tiered altars displaying traditional foods--shaped hard-breads, whole fish, sweets, olive oil and fresh fruits. A Silcian legend credits St. Joseph as saint who sent rain to save starving peasants during Medieval times, and as thanks, ever since then, faithful Sicilians have offered the saint their crops and foodstuffs. During the festival, which can last up to three days, all those who come to view the altars are fed, and the altar displays are given over to feed the poor when the festival reaches its end. Altars in New Orleans are erected in private homes, as well at churches serving the Italian community.
This website is dedicated to Timi Yuro and set up by Catvas2, I’m not a member of a Timi Yuro group, and there is no cooperation with other Timi Yuro websites. These images-articles come from my collection. I thought others might appreciate these tidbits of forgotten history. More Timi Yuro information on my profile.
Set Billboard Hot 100 click here: flic.kr/s/aHsjZv5emh
Click the white arrow at the right side, followed by selecting the 'view all sizes' option.
Timi Yuro biography: www.flickr.com/people/timiyuro/
Timi Yuro was an Italian-American gal who could belt out a ballad with such power she could peel paint. She had an undeniable soulful quality but also a keen sense of jazz phrasing . . . as well as pulling r'n'b and country music into the mix. Her first big hit was Hurt in 1961 and she followed it with the equally good What's a Matter Baby (Is It Hurting You?) the following year. Timi Yuro a lady who possessed a tremendous and unique voice. She made some great records.
This church, dedicated to St. Joseph, is located next to the Clock Tower and faces out onto Piazza IX Aprile. A double staircase, with a balustrade of Syracuse stone, leads up to the entrance.
The gable façade in the baroque style, has a large central portal that leads into the church, and two small side portals, of which the right places in the sacristy and the left one leads to a recreation room that is often used for exhibitions of painting.
The monumental main portal is made with marbles of Taormina from different varieties, jambs and architrave in white, grey and pink in the other decorative pieces.
On the right side of the church stands the great bell tower, the lower part of which is made from large blocks of Taormina stone.
The interior, decorated with stucco work of the eighteenth century reproducing floral motifs and heads of winged angels, has a single nave with a transept that has at its center a dome where you can admire a fresco depicting St. John Bosco child between Madonna and Jesus.
The main altar of the church is made with Taormina marble. Under the tabernacle there is inlaid the Madonna rises above the souls in Purgatory.
Behind the altar, in a niche of the apse there is the statue of Maria Ausiliatrice.
Above the main altar, on the right, there is in a niche the statue of St. John Bosco with two boys, while to the left there is a statue of St. Joseph.
Beside the altar of St. Joseph there is another niche which houses the wood and glass urn with the statue of the Dead Christ, which is carried in procession on Good Friday.
Lungo le pareti laterali si trovano degli affreschi con le figure dei profeti e in alto a questi dei dipinti raffiguranti fatti evangelici.
The pulpit is located at the base of the arch before the main altar. Next to the pulpit there is a small marble statue of Saint Dominic Savio, the saint of mothers and cradles, which holds a chart in the left hand with the words: "Death rather than sin - Domenico Savio 1857", while in the right hand he is holding a crucifix on his chest.
In the sacristy of the church is remarkable a Taormina pink marble fountain placed in a niche surrounded by a round arch; at the top of the arc there is depicted the Virgin Mary with the souls in the flames of Purgatory at her feet, which is identical to that shown on the front of the main altar.
Unfortunately, the Church of St. Joseph is currently closed following a collapse of part of the ceiling of the church took place in October 2015.
The clock tower is situated half way down the Corso Umberto I, next to IX April Square. Because of its location, the tower is also called Porta di Mezzo and it...
Admin Fave - Unforgettable Flowers,
Award of Distinction - Unforgettable Flowers,
Super Photographer - Perfect Petals,
Admin Award - Perfect Petals,
Gold Award - The Best Of Unforgettable Flowers,
Master Photographer - Perfect Petals,
You're A Star Award - Perfect Petals,
Platinum Award - The Best Of Unforgettable Flowers
Plane of the church of St Tudy, Cornwall dedicated to St Tudic / Uda whose cult came from Brittany www.flickr.com/gp/52219527@N00/s0XUJ3e4e3
A 10c pre-Norman 'Coped Stone'carved with interlacing and foliage scrolls , found in the churchyard shows this was an important early Christian site. The first known rector is of 1264, The original building was just a nave and chancel.
The present church was enlarged with transepts in the 14c , the southern transept being removed when the north & south aisles were added in late 15c / early 16c along with the three stage tower. (the north aisle is shorter to the west, possibly building was stopped with the advent of the Reformation) The south porch was added shortly after.
There is still evidence of Norman work on the north side of the nave & in the surviving font
It now consists of a chancel, nave, south aisle, and short north aisle with a door in the south wall, a priest’s door and a blocked up north door. The tower has 5 bells.
The 15c wagon roof was cleared of its decaying Georgian plaster in the 1873 restoration by J P St Aubyn,
Restorations continued in 1888 when the tower was repaired, 1892 & 1932 when the sanctuary was altered
The old carved oak pews were removed to Michaelstow church in the mid-19c and replaced with pitch-pine. ( !!! ) together with new pulpit and screen
The first organ of 1892 has recently been completely rebuilt, much enlarged and designed to meet the current demands for a versatile instrument suitable for liturgical and concert use. This, with the roofing in 2003 came to over £85,000. Three rows of pews were also taken out of the west end of the nave to make more open space.
Gathered together are monuments to three generations of the 16c / 17c Nicholls family www.flickr.com/gp/52219527@N00/h309vH2ZB4 www.flickr.com/gp/52219527@N00/hEMz1j646L and also one to Alice Denzel Reskymer 1564 & her 3 daughters www.flickr.com/gp/52219527@N00/687sJ1y1x8 who were all related by marriages with the local Lower family
Dedicated to Lennaert Nijgh (textwriter for Boudewijn de Groot, etc)
By Marinus Boezem, 2005
HAARLEM 16March2016
Shaun Flack, Barry Parker, Eric Almeida, David Flack( Semper Fi), Shelly Prescod, Duane Nickerson, Brent Hines,( front)Jerry Moore, Vinnie Smith, and Carmen Sowers
From the Stedelijk Museum Alkmaar an exhibition dedicated to the 'ladies Vlaanderen'. The charming and eccentric Tonny and Sophie Vlaanderen photographed thousands of Alkmaar's citizens and their families between 1939 and 1972 in their "Oudegracht" or "Old Canal" studio. The sisters gained national prominence later in life, with their performances in television programs and through their frequent strolls in the city. Arm in arm and always dressed immaculately in their customary pastel suits and matching hats. The sisters never had boyfriends, never fell in love and never got married. They lived and worked together all of their lives, even sleeping in the same bed, that of their late parents.
The eldest sister Tonny Vlaanderen (1901-1993) was the photographer and took the lead in the photo studio, Sophie (1905-1995) assisted her and did the housework. If you'd come for a portrait session, you could choose from three options only: bust, elbow or full. The photo backdrop was decorated with attributes, mostly flowers. Small children posed on a sheepskin with a doll or plush dog. Tonny kept a tight rein. Aided by Sophie she carefully directed the attitude and look of those she photographed. The photos were still made the traditional way, with glass negatives (right until the 1960's and 70's). Retouching was done by Tonny Vlaanderen purely by hand, she could devote hours to this art. Wrinkles, pimples and other blemishes were removed with a pencil, photoshop avant la lettre .
The portraits in the exhibition are from the collection of 20,000 to 30,000 glass negatives which Tonny and Sophie Vlaanderen have bequeathed to the Regional Archives of Alkmaar. Unfortunately no paper records exist, because Tonny knew the way through her archive instinctively. Therefore we do not know who the portrayed people are, or when the recordings were made. About 1,500 of the negatives are now available digitally. A selection of these is used in this exhibition. Some negatives are retouched.
تصدقي اني في عيدنـا مادري وش اهديك
اتعبني الأرق باهديك شي مثلك
قالوا لي ورد واتعبني الأرق
قالوا اكيد أرق شي الورد
قلت الاكيد ان انتي أرق
في حل وحيد ..
لو تسمحي لي فيه ..
اهديك انا للورد
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Dedicated To «ــ •Mayo0oYz• ــ»
I bought this Lenten Rose on Thursday for the garden in Holland and I'm dedicating this plant to my lovely OU friend Liz Ayers , who sadly died on Thursday, as she was as beautiful, delicate, yet strong and light as the flowers.
Russell Huiet, a pharmacist with the Disaster Medical Assistance Team (DMAT) from South Carolina, is working day and night in sweltering hot temperatures to help people in Puerto Rico get the care that they need. Huiet is hesitant to be too far from the action and he even found an innovative way to get a little sleep when he wasn’t on duty, setting up a makeshift cot just inches away from the pharmacy.
This is dedicated to my new friend Tina, or artsy_T, as Flickrland knows her.
She took time out of her busy day to shoot a portrait of me for an upcoming photo show that I will be in.
Take a minute to check out her photostream. She is a very talented artist.
I can't thank you enough Tina, you are a doll ... and I ADORE your cosmo field ;-)
Dedicated to G :)
If you see the wake of a plane, make a wish... it could come true!
Wishlist - Pearl Jam
I wish I was a neutron bomb, for once I could go off
I wish I was a sacrifice but somehow still lived on
I wish I was a sentimental ornament you hung on
The christmas tree, I wish I was the star that went on top
I wish I was the evidence, I wish I was the grounds
For 50 million hands upraised and open toward the sky
I wish I was a sailor with someone who waited for me
I wish I was as fortunate, as fortunate as me
I wish I was a messenger and all the news was good
I wish I was the full moon shining off a camaros hood
I wish I was an alien at home behind the sun
I wish I was the souvenir you kept your house key on
I wish I was the pedal brake that you depended on
I wish I was the verb to trust and never let you down
I wish I was a radio song, the one that you turned up
I wish...
I wish...