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Dedicated to Jaio.Ne (Jaione - www.flickr.com/photos/70986341@N06/) as a welcome tribute
- Gerberas ensoleillées
dedicated with thanks, to my friend Rafał S, who patiently teach me PS.. :-))
Colors & texture are oryginal... Framed in PS...
Here is a card I made for a challenge using the 'kissing' technique.
Stamps used are Hero Arts woodgrain, SU Petal prints, Studio G and the sentiment is from Stampendous.
thanks for looking!
Dedicated do U2 and all my chilean friends.
Have a nice - and beautifull day!
Volcan Osorno, Saltos de Petrohue.
Last night I read the sad news of passing away of a very sincere and beautiful flickr friend Rose (screen name: Summer and Rose)
May her soul rest in peace.
Dedicated to Zuzana-V (Zuzana Viglasska - www.flickr.com/photos/zzuzana82/) to welcome her again after a long time!
- Absorbant
Dedicated to rachelj1958 (Rachel Joyce) in tribute to her presence and kind comments
The plant is qualified as "never seen before"! In the next days more photos of it will be posted!
- Le mystère de la plante sera... déployé
La plante est qualifiée comme "jamais vue auparavant"! Dans les prochains jours d'autres photos seront postées!
Ekambaranathar Temple (Tamil: ஏகாம்பரநாதர் கோயில்) or Ekambareswarar Temple is a Hindu temple dedicated to Shiva, located in Kanchipuram in the state of Tamil Nadu, India. The temple is the largest temple in the town of Kanchipuram and is located in the northern part of the town. The temple gopuram (gateway tower) is 59m tall, which is one the tallest gopurams in India.
It is one of the five major Shiva temples or Pancha Bootha Sthalams (each representing a natural element) representing the element - Earth. The other four temples in this category are Thiruvanaikaval Jambukeswara (water), Chidambaram Natarajar (Sky), Thiruvannamalai Arunachaleswara (fire) and Kalahasti Nathar (wind). It is one of the 275 Paadal Petra Sthalams, where all of the four most revered Nayanars (Saivite Saints) have sung the glories of this temple.
Legend
Legend has it that once Parvati, the consort of Shiva was doing penance under the temple's ancient Mango tree near Vegavathi river. In order to test her devotion Shiva sent fire on her. Goddess Parvati prayed to her brother, Vishnu, for help. In order to save her, he took the Moon from Shiva's head and showed the rays which then cooled down the tree as well as Parvati. Shiva again sent the river Ganga (Ganges) to disrupt Parvati's penance. Parvati prayed to Ganga and convinced her that both of them were sisters and so should not harm her. Subsequently, Ganga did not disturb her penance and Parvati made a Shiva Linga out of sand to get united with Shiva. The God here came to be known as Ekambareswarar or "Lord of Mango Tree".
According to another legend, it is believed that Parvati worshipped Shiva in the form of a Prithivi Lingam (or a Lingam improvised out of sand), under a mango tree. Legend has it that the neighboring Vegavati river overflowed and threatened to engulf the Shiva Lingam and that Parvati or Kamakshi embraced the Lingam. Shiva touched by the gesture materialized in person and married her. In this context he is referred to as Tazhuva kuzhainthaar ("He who melted in Her embrace") in Tamil.
Tiurkuripputhonda Nayanar, one of the 63 saivite saints, called nayanars was a washerman in near the temple and he washed the clothes of all the Saivities. He was divinely tricked by God Shiva appearing as an aged brahmin and asked him to wash before dawn. At the same time Shiva made a cloudly evening. On observing the approach of the evening, the washerman banged his head in a stone in disappointment. God appeared in his true form and graced his devotee
History
This vast temple is one of the most ancient in India having been in existence since at least 600 AD. Second century AD Tamil poetry speaks of Kama kottam, and the Kumara kottam (currently the Kamakashi Amman temple and the Subramanya temple).Initially temple was built by Pallavas. The Vedantist Kachiyapper served as a priest at the temple. The existing structure then, was pulled down and rebuilt by the later Chola Kings. Adi Sankara, the 10th century saint got Kanchipuram remodelled along with expansion of this temple along with Kamakshi Amman temple and Varadaraja Perumal Temple with the help of local rulers.
The Vijayanagar kings, during the 15th century, also made lot of contributions to the temple[6] and later developed by Vallal Pachiyappa Mudaliar used to go regularly from Chennai to Kanchipuram to worship in this temple, he spent significant money he amazed during British rule on the temple renovation, Pachiyappa Mudaliar seated at horse back can be seen in the temple pillar. At the later stage a similar temple with same name Ekambareswarar was constructed in Chennai by Pachiappa Mudaliar in order to avoid travelling time to Kanchipuram. The Archaeological Survey of India report of 1905-06 indicates wide spread renovation activities carried out in the temple by Nattukottai Chettiar.
Temple
The temple covers an area of over 23 acres (93,000 m2).[2] Reaching a height of 59 meters, the temple's Raja gopuram (the entrance tower to the temple) is one of the tallest in South India[6]. One notable feature of the temple is the Aayiram Kaal Mandapam, or the "hallway with a thousand pillars", which was built by the Vijayanagar Kings. The temple's inner walls are decorated with an array of 1,008 Siva lingams. The campus is 25 acres with 5 prakarams (or court yards) and has a thousand pillared hall. Kampai Tirtha, the temple tank is believed to have an underground holy river. The fourth court yard contains a small Ganesha temple and a pond. The third court yard contains lot of smaller shrines. The sanctum sanctorum contains the lingam along with the image of Shiva.
There is no separate shrine for Parvati within the complex as with other Shiva temples in Kanchipuram. A local belief is that Kamakshi Amman Temple is the consort for Ekambaranathar. There is a small shrine for Vishnu named Thiru Nilaaththingal Thundathan inside the temple complex. Vishnu is prayed as Vamana Murthy and the shrine is hailed by the Alvar saints as one of the 108 Divya Desams. The sthala-virutcham or temple tree is a 3,500 year old mango tree whose branches are said to yield four different types of mangoes from its four branches.
Panguni Uthiram festival celebrated during the month of March-April is the most popular of all the temple festivals in Kanchipuram.
Храм Экамбарешвара (Ekambareshvara) - самый большой храм Канчипурама и наиболее важная шиваитская святыня. Храм также известный как Экамбарнатха (Ekambaranatha) легко обнаружить по его колоссальным выбеленным гопурамам, которые возвышаются почти на 60 метров на севере города. Главный храм состоит из нескольких частей, строительство храма было начало при Паллавах (Pallava), в современном виде храмы был завершен между шестнадцатыми и семнадцатыми столетиями. На территории храме помимо центральной мандины есть несколько меньших святынь и большой басейн, в котором водились священные рыбы.
Центральный вход через высокий арочный проход в гопураме южной стены ведет к открытому внутреннему двору и величественной "тысяча колонной зале" (kalyan mandapa), чьи частично разрушенные серые каменные колонны украшают пышнотелые девы, животные и божества. Этот зал обращен к храмовому бассейну на севере и святилищу на западе, где хранится символ Шивы (здесь Шива предстает в форме Камешвары (Kameshvara), Бога Желания) - лингам элемента земли, который является одним из пяти лингамов Тамил наду, представляющих элементы.
Легенда связывает лингам с историей о том, как супруга Шивы богиня Камакши ("имеющая глаза, полные желания"), игриво закрыла глаза Шивы, погружая мир во тьму. Видимо Камакши сделала это не ко времени, потому что другая легенда гласит, что когда Парвати так же шутя закрыла глаза Шивы, подойдя к нему сзади, с миром ничего плохого не случилось. У Шивы просто открылся третий глаз. Правда считается, что взгляд 3 глаза Шивы испепеляет, с другой стороны третий глаз называют глазом сокровенного знания или внутреннего видения, а с третьей - это место проекции аджна-чакры.
Шива расстроился, отругал Камакши и в наказание отправил ее лепить лингам из земли, что Kamakshi и сделала. Правда, закончив, она не могла сдвинуть лингам с места, хотя она обхватила лингам так крепко, что на нем отпечатались следы от ее грудей и браслетов.. Местные мифы сообщают про большое наводнение, которое вскоре пронеслось по Канчипураму и разрушило храмы, но не сдвинуло с места лингам, вылепленный Камашки. Во внутреннем дворе храма растет очень почитаемое дерево манго, потомок того дерева, под которым когда то поженились Шива и Камакши. Этот союз празднуется в течение фестиваля каждый апрель, и много пар всступают в брак тысячеколонном зале этого храма.
One of the inaugural runs of the Northwestern Pacific under new Operators after California Northern terminated their operations of the railroad.
The SP and NWP were favorites of my friend Jamie Miller, a young and talented photographer, whom lost his battle with cancer in 2023. Jamie, this one is for you buddy!
Pro-K64 9682-30
dedicated to Philou-philou, Marie Stockel, Marie Derenne and Minacat . Go visit theirs Flickr photostream :-)
A wonderful treasured friend I have in Kim...She wrote me a fabulous testimonial...
Kim what can I say...YOU are super and much loved by me!!!...xoxo
Dedicated to Veronika
Taken 31st July 2010
In the Greenhouse, Victoria Park Stafford
Used in the treatment of Malaria
The Basilica of Sacré Coeur de Montmartre (Sacred Heart of Montmartre), commonly known as Sacré-Cœur Basilica and often simply Sacré-Cœur is a Roman Catholic church and minor basilica in Paris, France, dedicated to the Sacred Heart of Jesus.
Sacré-Cœur Basilica is located at the summit of the butte of Montmartre. From the dome, two hundred meters above the Seine, it is possible to see all of Paris, and the countryside for fifty kilometres around, It is the second-most visited monument in Paris, after the Eiffel Tower. Sacré-Cœur Basilica has maintained a perpetual adoration of the Holy Eucharist since 1885.
The Basilica was first proposed by Felix Fournier, the Bishop of Nantes, on 4 September, 1870, following the defeat of France and the capture of Napoleon III at the Battle of Sedan, in the Franco-Prussian War, and six months before the Paris Commune. He blamed the defeat of France upon the "moral decline" of France since the Revolution, and proposed a new Paris church dedicated to the Sacred Heart of Christ.The site chosen was the butte of Montmartre, overlooking the whole city, and the traditional location of the martrydom of Saint Denis, the patron saint of Paris.
The basilica was designed by Paul Abadie, whose Neo-Byzantine-Romanesque plan was selected from among seventy-seven proposals. Construction began in 1875, and continued for forty years, under five successive architects. It was completed in 1914, but, because of World War I, it was not formally consecrated until 1919.
The site of the church was politically controversial, since Montmartre was also the site of beginning of the Paris Commune where, on March 18, 1871, Communard soldiers killed two French army generals and seized a park full of artillery. On the last day of the Commune, one of its leaders, the socialist and anarchist Eugène Varlin, was executed there. There was (and remains) a feeling of resentment on the French left against the church.
The plan to build a new Parisian church dedicated to the Sacred Heart of Jesus was first proposed on September 4, 1870, by Felix Fournier, the Bishop of Nantes, following the defeat of France and the capture of Emperor Napoleon III by the Prussians at the Battle of Sedan in the Franco-Prussian War. Until his death in 1877, Fournier was an active builder who completed the long-delayed restoration of Nantes Cathedral. He wrote that the defeat of France in 1870 was a divine punishment for the moral decline of the country since the French Revolution.
In January 1871, Bishop Fournier was joined by the philanthropist Alexandre Legentil, who was a follower of Frederic Ozanam, the founder of the Society of Saint Vincent de Paul. Legentil declared that France had been justly punished for its sins by the defeat of the French Army at Sedan and the imprisonment of the Pope in Italy by Italian nationalists. He wrote, "We recognize that we were guilty and justly punished. To make honourable amends for our sins, and to obtain the infinite mercy of the Sacred Heart of our Lord Jesus Christ and the pardon of our sins, as well as extraordinary aid which alone can delivery our sovereign Pontiff from captivity and reverse the misfortune of France, we promise to contribute to the erection in Paris of a sanctuary dedicated to the Sacred Heart of Jesus." The influence of Legentil led to a successful fundraising campaign based entirely on private contributions.
Montmarte was selected as the site of the new Basilica due to its prominent height and visibility from many parts of the city. Since the location included land belonging to the local government as well as private owners, the French parliament assisted in securing the site by declaring that the construction of the Basilica was in the national interest. In July 1873, the proposal was finally brought forward and approved in the National Assembly with the official statement that "it was necessary to efface by this work of expiation the crimes which have crowned our sorrows." The groundbreaking for the new church finally took place in 1875.
Apart from its physical attributes, Montmartre or the "Hill of the Martyrs" was also chosen for its association with the early Christian church. According to tradition, it was the place where the patron saint of Paris, Saint Denis of Paris, was beheaded by the Romans. His tomb became the site of the Basilica of Saint Denis, the traditional resting place for the Kings of France until the French Revolution.
In addition, Montmartre was the birthplace of the Society of Jesus, one of the largest and most influential religious orders in the history of the Catholic Church. In 1534, Ignatius of Loyola and a few of his followers made their vows in Saint-Pierre de Montmartre, one of the oldest churches in Paris. The church survived the Revolution although the Montmartre Abbey to which it belonged was destroyed.
A competition was held for the design of the Basilica and attracted seventy-seven proposals. Architect Paul Abadie was selected, and the cornerstone finally laid on June 16, 1875.
The early construction was delayed and complicated by unstable foundations. Eighty-three wells, each thirty meters deep, had to be dug under the site and filled with rock and concrete to serve as subterranean pillars supporting the Basilica.[8] Construction costs, estimated at 7 million francs drawn entirely from private donors, were expended before any above-ground structure became visible. A provisional chapel was consecrated on March 3, 1876, and pilgrimage quickly brought in additional funding.
Not long after the foundation was completed in 1884, Abadie died and was succeeded by five other architects who made extensive modifications: Honoré Daumet (1884–1886), Jean-Charles Laisné (1886–1891), Henri-Pierre-Marie Rauline (1891–1904), Lucien Magne (1904–1916), and Jean-Louis Hulot (1916–1924).
During construction, opponents of the Basilica were relentless in their effort to hinder its progress. In 1882, the walls of the church were barely above its foundations when the left-wing coalition led by Georges Clemenceau won the parliamentary election. Clemenceau immediately proposed halting the work, and the parliament blocked all further funding for the project. However, faced with enormous liabilities of twelve million francs from project cancellation, the government had to allow the construction to proceed.
In 1891, the interior of the Basilica was completed, dedicated and opened for public worship. Still, in 1897, Clemenceau made another attempt to block its completion in the parliament, but his motion was overwhelmingly defeated since the cancellation of the project would require repaying thirty million francs to eight million people who had contributed to its construction.
The dome of the church was completed in 1899, and the bell tower finished in 1912. The Basilica was completed in 1914 and formally dedicated in 1919 after World War 1.
Criticism of the church by leftist journalists and politicians for its alleged connection with the destruction of the Paris Commune continued from the late 19th century into the 20th and 21st centuries, even though the church had been proposed before the Paris Commune took place. In 1898, Emile Zola wrote sarcastically, "France is guilty. It must do penitence. Penitence for what? For the Revolution, for a century of free speech and science, and emancipated reason... for that they built this gigantic landmark that Paris can see from all of its streets, and cannot be seen without feeling misunderstood and injured."
Shortly after the completed Statue of Liberty was transported from France to the United States, opponents of Sacre-Coeur came up with a new strategy. They proposed installing a full-size copy of the Statue of Liberty on top of Montmartre, directly in front of the Basilica, which would entirely block the view of the church. This idea was eventually dropped as expensive and impractical.
A bomb was exploded inside the church in 1976. To make the government opposition to the church clear, the socialist prime minister Lionel Jospin in 2004 renamed the square in front of and below the church for Louise Michel, the prominent anarchist and participant in the Paris Commune. He expressed his wish that the basilica be demolished as a symbol of "obscurantism, bad taste and reactionism."
In 2021, to avoid celebrating the church's history in the same year as the 150th anniversary of the Paris Commune, leftist members of the French parliament blocked a measure to declare the church a national historic monument and postponed it until 2022.
The church is 85 meters long and thirty-five meters wide. It is composed of a large central rotunda, around which are placed a small nave, two transepts, and an advance-choir, which form a cross. The porch of the church has three bays, and is modelled after the porch of Périgueux Cathedral. The dominant feature is the immense elongated ovoid cupola, 83.33 meters high, surrounded by four smaller cupolas. At the north end is the campanile, or bell tower, 84 meters high, containing the "Savoyarde", the largest bell in France.
The overall style of the structure is a free interpretation of Romano-Byzantine architecture. This was an unusual architectural style at the time, and was in part a reaction against the neo-Baroque of the Palais Garnier opera house by Charles Garnier, and other buildings of the Napoleon III style. The construction was eventually handed on to a series of new architects, including Garnier himself, who was a counsellor to the architect Henri-Pierre Rauline between 1891 and 1904,
Some elements of the design, particularly the elongated domes and the structural forms of the windows on the south facade, are Neo-classical, and were added by the later architects Henri-Pierre Rauline and Lucien Magne.
The campanile, or bell tower, on the north front, houses the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy. It alludes to the attachment of Savoy to France in 1860.
The porch of the south façade, the main entrance, is loaded with sculpture combining religious and French national themes. It is topped with a statue representing the Sacred Heart of Christ. The arches of the façade are decorated with two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefèbvre.
The white stone of Sacré-Cœur is travertine limestone of a type called Chateau-Landon, quarried in Souppes-sur-Loing, in Seine-et-Marne, France. The particular quality of this stone is that it is extremely hard with a fine grain, and exudes calcite on contact with rainwater, making it exceptionally white.
The nave is dominated by the very high dome, which symbolises the celestial world, resting upon a rectangular space,symbolising the terrestrial world. The two are joined by massive columns, which represent the passage between the two worlds.
The plan of the interior is a Greek cross, with the altar in the center, modelled after Byzantine churches. More traditional Latin features, the choir and the disambulatory, were added around the altar. The light in interior of the church is unusually dim, due to the height of the windows above the altar, and this contributes to the mystical effect. Other Byzantine features in the interior include the designs of the tile floor and the glasswork.
The mosaic over the choir, entitled The Triumph of the Sacred Heart of Jesus, is the largest and most important work of art in the church. It was created by Luc-Olivier Merson, H. M. Magne and R. Martin, and was dedicated in 1923. The mosaic is composed of 25,000 enamelled and gilded pieces of ceramic, and covers 475 square meters, making it one of the largest mosaics in the world.
The central figure is Jesus Christ, dressed in white, with open arms offering his heart, decorated with gold. He is joined by his mother, the Virgin Mary, and by the Archangel Michael, the protector of the church and of France. At his feet, kneeling, is Saint Joan of Arc offering him a crown. A figure of Pope Leo XIII offers a globe to Christ, symbolising the world.
To the right of Christ is a scene titled "The Homage of France to the Sacred Heart;" a group of popes and cardinals present a model of the basilica to Christ. On his left is "The Homage of the Catholic Church to the Sacred Heart": where people in the costumes of the five continents pay their homage to the Sacred Heart. At the base of the mosaic is a Latin inscription, stating that the basilica is a gift from France. "To the Sacred Heart of Jesus, France fervent, penitent and grateful." The word "grateful" was added after World War I.
At the top of the mosaic is another procession, called "the Saints of France and Saints of the Universal Church". In all of the mosaic, the artists adapted elements of Byzantine art in the organization of the figures, the altered perspective, and the use of polychrome colors enhanced with silver and gold.
The basilica complex also includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which spreads out to the south of the basilica.
The use of cameras and video recorders is forbidden inside the basilica.
The interior of the basilica is surrounded by a series of chapels, mostly offered by professional groups or religious orders. The chapels are decreed with sculpture, relief sculpture, and tapestries, often relating to the professions of the donors. For example, the Chapel of the Order of Notre Dame of the Sea is decorated with tapestries illustrating Christ walking on the water and the Miraculous Catch of fish.
Beginning to the right of the main entrance, they are:
The Chapel of the Archangel Michael, or Chapel of the Armies
The Chapel of Saint Louis (Louis IX) or the Attorneys
The Tribune of Commerce and Industry (end of the East transept)
The Chapel of Marguerite-Marie Alacoque
the Chapel of Notre Dame of the Sea
The apse itself is ringed by an additional seven chapels.
The Chapel of Saint Francis of Assisi
The Chapel of Saint John the Baptist, offered by Canada and the Knights of Malta
The Chapel of Saint Joseph
The Chapel of the Virgin Mary
The Chapel of Saint Luke the Evangelist, Comé and Damien, or the Doctors
The Chapel of Ignace de Loyola
Th Chapel of Saint Ursula of Cologne
The Chapel of Saint Vincent de Paul
The Tribune of Agriculture (at the end of the west transept)
The chapel of the Queens of France
The crypt below Sacré-Cœur is different from traditional crypts, which are usually underground. At Sacré-Cœur, the crypt has stained glass windows, thanks to a "saut-de-loup", a trench about four meters wide around it, which allows light to enter through windows and oculi of the crypt wall. In the centre of the crypt is the chapel of the Pieta, whose central element is a monument statue of the Virgin Mary at the foot of the cross, at the altar. The statue was made by Jules Coutain in 1895. A series of seven chapels is placed on the east side and seven on the west side of crypt, corresponding to the chapels on the level above. The crypt contains the tombs of important figures in the creation of the basilica, including Cardinals Guibert and Richard.
Art and decoration
Decoration covers the walls, the floor, and the architecture. Much of the decoration is in a distinctly neo-Byzantine style, with intricate patterns, and abundant color.
The basilica contains a large and very fine pipe organ built by Aristide Cavaillé-Coll, the most celebrated organ builder in Paris in the 19th century. His other organs included those of Saint-Denis Basilica (1841), Sainte-Clotilde Basilica (1859), Saint-Sulpice church and Notre Dame de Paris (1868). The organ is composed of 109 ranks and 78 speaking stops spread across four 61-note manuals and the 32-note pedalboard (unusual before the start of the 20th century; the standard of the day was 56 and 30), and has three expressive divisions (also unusual for the time, even in large organs).
The organ was originally built in 1898 for the Biarritz chateau of the Baron Albert de L'Espée. It was the last instrument built by Cavaillé-Coll. The organ was ahead of its time, containing multiple expressive divisions and giving the performer considerable advantages over other even larger instruments of the day. It was almost identical (tonal characteristics, layout, and casework) to the instrument in Sheffield's Albert Hall, which was destroyed by fire in 1937. However, when installed in Paris in 1905 by Cavaillé-Coll's successor and son-in-law, Charles Mutin, a much plainer case was substituted for the original ornate case.
The organ was recognised as a national landmark in 1981. It has undergone several restorations. The most recent, begun in 1985, replaced only the most severely damaged pneumatic parts, but others have deteriorated and some are no longer usable. The pipes are now covered with a thick layer of dust which impacts the pitch and timbre. Both the organ and the church itself have been recognized as national landmarks.
Bells
The belfry of the Basilica of the Sacred Heart of Montmartre houses five bells. The four small bells named from largest to smallest are Félicité, Louise, Nicole and Elisabeth, which were the original bells of the church of Saint-Roch and moved to the basilica in 1969.
Below the four bells is a huge bourdon called "The Savoyarde", the biggest bell in France. The full name of the bourdon is “Françoise Marguerite of the Sacred Heart of Jesus". It was cast on May 13, 1891, by the Paccard foundry (Dynasty of Georges, Hippolyte-Francisque and Victor or "G & F") in Annecy-le-Vieux.
The Savoyarde itself only rings for major religious holidays, especially on the occasion of Easter, Pentecost, Ascension, Christmas, Assumption and All Saints. One exception was on the night of August 24, 1944 when La Nueve – 9th Company, Régiment de marche du Tchad of the French 2nd Armored Division – broke into Paris and arrived at the Hôtel de Ville during the Liberation of Paris from Nazi German occupation, becoming the first French Army troops to return to the city since 1940. The bell then rang when Pierre Schaeffer broadcast the news on a Radiodiffusion Nationale broadcast and then, after a playing of "La Marsellaise", asked any priests who were listening to ring their churches' bells. The Savoyarde can be heard from 10 km away.
This bell is the fifth largest in Europe, ranking behind the Petersglocke of Cologne (Germany), the Olympic Bell of London, Maria Dolens of Rovereto (Italy), and the Pummerin of Vienna (Austria). It weighs 18,835 kg, measures 3,03 m of diameter for 9.60 m of outer circumference, with a base thickness of 22 cm and a leaf of 850 kg. With its accessories, its official weight reaches 19,685 kg. It was offered by the four dioceses of Savoy. It was transported to the basilica on October 16, 1895, pulled by a team of 28 horses. In the late 1990s, a crack was noticed in the bell.
Role in Catholicism
The church is dedicated to the Sacred Heart of Jesus, which was an increasingly popular devotion after the visions of Saint Margaret Mary Alacoque (1647–1690) in Paray-le-Monial. In response to requests from French bishops, Pope Pius IX promulgated the feast of the Sacred Heart in 1856. The basilica itself was consecrated on 16 October 1919.
Since 1885 (before construction had been completed) the Blessed Sacrament (Christ's body, consecrated during the Mass) has been continually on display in a monstrance above the high altar. Perpetual adoration of the Blessed Sacrament has continued uninterrupted in the basilica since 1885.
Christian de Chergé, one of the killed monks of Tibherine, was chaplain at the basilica in the years 1964-1969.
Tourists and others are asked to dress appropriately when visiting the basilica and to observe silence as much as possible, so as not to disturb persons who have come from around the world to pray in this place of pilgrimage, especially since the Blessed Sacrament is displayed. Photos are not allowed to be taken in the basilica.
Access
The basilica is accessible by bus or metro line 2 at Anvers station. Sacré-Cœur is open from 06:00 to 22:30 every day. The dome is accessible from 09:00 to 19:00 in the summer and to 18:00 in the winter.
Copy in Martinique
A much smaller version of the basilica, Sacré-Cœur de la Balata, is located north of Fort-de-France, Martinique, on N3, the main inland road. Built for the refugees driven from their homes by the eruption of Mount Pelée, it was dedicated in 1915.
The Cathedral, dedicated to St. Peter, is a very particular church, with seven hemispherical domes, built and expanded in the thirteenth century, rebuilt in the fifteenth century, the early sixteenth century, and finally in the eighteenth century. In the eighteenth century the existing grand Romanesque building was demolished to be rebuilt in neoclassical style by Andrea Memmo and Gian Antonio Selva, following the project of the castle Giordano Riccati. The facade of the Duomo today appears as it was formed in 1836: wide staircase crowned by an imposing portico with six Ionic columns.To the sides of the stairs are placed two lions of Verona red marble that held the previous porch of the Romanesque building.The old portal is the only specimen still rich Romanesque, rebuilt in 2005.
Церковь берет свое начало с 6-го века и стоит в районе, где в древнеримский период были храм, театр и, возможно, некоторые бани. В 11-12 веках церковь была реконструирована в романском стиле. В 1768 году его снесли и перестроили в неоклассическом стиле, от прежнего здания остался только склеп. Нынешний фасад здания датируется 1836 годом. Широкая лестница открыта с трех сторон и завершается внушительным портиком с шестью ионическими колоннами.
Dedicated to my friends from Pixabay.
Die Monetarisierung von Pixabay: Amateurfotografen laden lizenzfreie Bilder hoch, vielleicht, um bekanntzuwerden oder überhaupt in den Stockfotomarkt hineinzukommen. Die Zensur wird von Fotografen, die schon länger Mitglied sind, selbst durchgeführt. Es gibt keinen Auswahlalgorithmus. Das kostenlose Stockfotoangebot soll Nutzer anlocken. Gleichzeitig werden Kunden, denen das absichtlich einfache und stereotype Angebot nicht ausreicht, auf bekannte Stockfotoportale aufmerksam gemacht und dorthin weitergeleitet. Pixabay erhält für jedes verkaufte Foto dann eine Provision als Vermittler.
www.alltageinesfotoproduzenten.de/2017/07/12/das-geschaef...
The monetization of Pixabay: Amateur photographers upload royalty-free images, perhaps to become known or to enter the stock photography market at all. Censorship is carried out by photographers who have been members for some time. There is no selection algorithm. The free stock photo offer is supposed to attract users. At the same time, customers for whom the intentionally simple and stereotypical offer is not enough are made aware of well-known stock photo portals and forwarded there. Pixabay then receives a commission as an agent for each photo sold.
dedicated and inspired by the photos of Giangaleazzo :https://www.flickr.com/photos/61674263@N03/15041047004/
Dedicated to John Davies who would have loved this moment in history seeing Air Canada's newest airplane at YOW
E sereno weekend ai miei cari amici di Flickr……
And happy weekend to you, my dear Flickrfriends….
Enjoy this music and video www.youtube.com/watch?v=-eaaR1Ay5P0
... is what i need at the moment. It is still the time of more or less darkness for me... so everything what means light in any way is welcome... :=))) have a great week ahead...
Hialeah is a city in Miami-Dade County, Florida, United States. With the population of 239,673 at the 2018 United States Census, Hialeah is the sixth-largest city in Florida. It is a principal city of the Miami metropolitan area, which was home to an estimated 6,012,331 people at the 2015 census. It is located west-northwest of Miami, and is the only place in the county, other than Homestead, Florida, to have its own street grid numbered separately from the rest of the county (which is otherwise based on Miami Avenue at Flagler Street in downtown Miami, the county seat).
Hialeah has the highest percentage of Cuban and Cuban American residents of any city in the United States, at 73.37% of the population, making them a typical and prominent feature of the city's culture. All Hispanics make up 94.7% of the city's population, the second-highest percentage of a Hispanic population in a U.S. city with over 100,000 citizens.
Hialeah also has one of the largest Spanish-speaking communities in the country. In 2016, 96.3% of residents reported speaking Spanish at home, and the language is an important part of daily life in the city.
Hialeah is served by the Miami Metrorail at Okeechobee, Hialeah, and Tri-Rail/Metrorail Transfer stations. The Okeechobee and Hialeah stations serve primarily as park-and-ride commuter stations to commuters and residents going into Downtown Miami, and Tri-Rail station to Miami International Airport and north to West Palm Beach.
The city's name is most commonly attributed to Muskogee origin, "Haiyakpo" (prairie) and "hili" (pretty) combining in "Hialeah" to mean "pretty prairie". Alternatively, the word is of Seminole origin meaning "Upland Prairie". The city is located upon a large prairie between Biscayne Bay and the Everglades.
The Seminole interpretation of its name, "High Prairie", evokes a picture of the grassy plains used by the native Indians coming from the everglades to dock their canoes and display their wares for the newcomers of Miami. This "high prairie" caught the eye of pioneer aviator Glenn Curtiss and Missouri cattleman James H. Bright in 1921. Together, they developed not only the town of Hialeah but also Hialeah Park Race Track.
In the early "Roaring '20s", Hialeah produced significant entertainment contributions. Sporting included the Spanish sport of jai alai and greyhound racing, and media included silent movies like D.W. Griffith's The White Rose which was made at the Miami Movie Studios located in Hialeah. However, the 1926 Miami hurricane brought many of these things to an end.
In the years since its incorporation in 1925, many historical events and people have been associated with Hialeah. The opening of the horse racing course at Hialeah Park Race Track in 1925 (which was nicknamed the "Grand Dame") received more coverage in the Miami media than any other sporting event in the history of Dade County up to that time and since then there have been countless horse racing histories played out at the world-famous 220-acre (0.89 km2) park.[6] It was considered one of the most grand of thoroughbred horse racing parks with its majestic Mediterranean style architecture and was considered the Jewel of Hialeah at the time.
The park's grandeur has attracted millions, included among them are names known around the world such as the Kennedy family, Harry Truman, General Omar Bradley, Winston Churchill, and J.P. Morgan. The Hialeah Park Race Track also holds the dual distinction of being an Audubon Bird Sanctuary due to its famous pink flamingos and being listed on the National Register of Historic Places. The famous aviator Amelia Earhart in 1937 said her final good-byes to the continental U.S. from Hialeah as she left on her ill-fated flight around the world in 1937.
While Hialeah was once envisioned as a playground for the elite, Cuban exiles, fleeing Fidel Castro's 1959 revolution as well as World War II veterans and city planners transformed the city into a working-class community. Hialeah historian Patricia Fernández-Kelly explained "It became an affordable Eden." She further describes the city as "a place where different groups have left their imprint while trying to create a sample of what life should be like." Several waves of Cuban exiles, starting after the Cuban Revolution in 1959 and continuing through to the Freedom Flights from 1965 to 1973, the Mariel boatlift in 1980, and the Balseros or boat people of the late 1990s, created what at least one expert has considered the most economically successful immigrant enclave in U.S. history as Hialeah is the only American industrial city that continues to grow.
From a population of 1,500 in 1925, Hialeah has grown at a rate faster than most of the 10 larger cities in the state of Florida since the 1960s and holds the rank of Florida's fifth-largest city, with more than 224,000 residents. The city is also one of the largest employers in Dade County.
In January 2009, Forbes magazine listed Hialeah as one of the most boring cities in the United States citing the city's large population and anonymity in the national media.
Credit for the data above is given to the following websites:
The Victoria Memorial is a huge monument made of white marble located in Kolkata (previously Calcutta) in West Bengal, India. It is one of the most famous monuments in West Bengal that has become a museum and popular tourist spot of the state. A brainchild of George Curzon, 1st Marquess Curzon of Kedleston and Viceroy of India, this monument was dedicated to the memory of Queen Victoria (1819–1901).
Built between 1906 to 1921.
Dedicated to all the pretty girls.
In passing, a friend mentioned that "Triumph" would be even better if there were more ODB (though I don't know that I agree with that sentiment), and I responded that life in general would be better with more ODB. In that spirit, I've had Return to the 36 Chambers on repeat since. Granted, this song is from his second album. But still. More ODB in my life which you know cannot be bad.
I've always always always wanted to use that lyric as a pick-up line, but not a one of my Wu-Tang related pick-up lines has ever succeeded. Which is a dealbreaker.
This song will always have a special place in my heart because of this one time I heard it in a club in Poland, a couple days after my 21st birthday. Been on my mind lately because I'm 23 today and I'm just not all that excited about it. Just an observation.
But enough about me.
Shot this one last weekend on my morning Chinatown photowalk with John. We were both instantly stoked to see a broken pay phone to shoot - says a lot about us as photographers, right? - and so we got to shooting. I took three pictures. This was the first and the best. It's all about getting the proper angle. At first I wished I'd either stopped it down or opened it up more, which I realize is conflicting. Now I kind of like the DoF - it's blurry enough in the background without losing anything up front. (f/5 apparently.)
This was shot outside a photo shop. Which makes me happy. And reminds me that I've got a good deal of film I should probably go get developed soon.
And that preset is basically my new favorite. Shot's better bigger, but I always think that.
♥ Dedicated to our daughter Riahta for her courage and diligence.♥
" ...You are a chosen people, a royal priesthood, a holy nation, a people belonging to God, that you may declare the praises of him who called you out of darkness into his wonderful light."
~ 1 Peter 2: 9 ~
my heart is heavy of learning of an elite angelic 1's passing...
many blessings on ur journey..
^i^
www.flickr.com/groups/flickrelite/
"For me, the essence of a medicine man's life is to be humble, to have great patience, to be close to the Earth, to live as simply as possible, and to never stop learning." --Archie Fir Lame Deer, LAKOTA
The Medicine people focus on their Being, not their doing. After all, we are human beings not human doings. The Medicine people are very patient and consciously trying to live a life of humility. Medicine people are servant leaders. Their main purpose is to serve the needs of others. By this service attitude, they become the leaders people listen to and the leaders the people want to follow. The Medicine people say everyone is their teacher. Maybe we should try to live this way ourselves; humble, patient, honoring the Earth and listening to our teachers. Grandfather, today, let me know all people are my teachers and I am the student.
Dedicated to Wans2pics.... Went to shoot a 5K at Ypao but was there an hour before the event. So this is all I could do to pass the time. =)
Source: en.wikipedia.org/wiki/Augusta,_Georgia
Augusta, officially Augusta–Richmond County, is a consolidated city-county on the central eastern border of the U.S. state of Georgia. The city lies across the Savannah River from South Carolina at the head of its navigable portion. Georgia's second-largest city after Atlanta, Augusta is located in the Piedmont section of the state.
According to the U.S. Census Bureau, Augusta–Richmond County had a 2017 estimated population of 197,166, not counting the unconsolidated cities of Blythe and Hephzibah. It is the 123rd largest city in the United States. The process of consolidation between the City of Augusta and Richmond County began with a 1995 referendum in the two jurisdictions. The merger was completed on July 1, 1996. Augusta is the principal city of the Augusta metropolitan area, situated in both Georgia and South Carolina on both sides of the Savannah River. In 2017 it had an estimated population of 600,151, making it the second-largest metro area in the state. It is the 93rd largest metropolitan area in the United States.
Augusta was established in 1736 and is named for Princess Augusta of Saxe-Gotha (1719–1772), the bride of Frederick, Prince of Wales and the mother of the British monarch George III. During the American Civil War, Augusta housed the principal Confederate powder works. Augusta's warm climate made it a major resort town of the Eastern United States in the early and mid-20th century. Internationally, Augusta is best known for hosting The Masters golf tournament each spring. The Masters brings over 200,000 visitors from across the world to the Augusta National Golf Club. Membership at Augusta National is widely considered to be the most exclusive in the sport of golf across the world.
Augusta lies approximately two hours east of downtown Atlanta by car via I-20. The city is home to Fort Gordon, a major U.S. Army base. In 2016, it was announced that the new National Cyber Security Headquarters would be based in Augusta, bringing as many as 10,000 cyber security specialists to the Fort Gordon area.
Source: www.georgiacarolinastatefair.com/about/history/
It was the roaring 1920s. The world war was long since over and the hardships of it forgotten. The war had continued the industrial boom from the last century, but a post-war recession had slowed things down dramatically. In the South there had been some bankruptcies of formerly strong businesses, but overall the future looked bright. Business leaders stayed busy with their daily routines, and there was an aura of fun in the air. The workweek was long and the weekend was short. Everyone looked for spots of joviality and breaks in the seriousness of life. Money was becoming more readily available, and everyone looked for something fun to do.
The civic leaders of Augusta realized that there were needs in the community and it was their moral obligation to give back to their community some of the benefits they had reaped. They wanted to exchange some of their spare time for the benefits of personal community service.
Among those leaders was a bright young lawyer, William M. Lester, and he felt that need. He felt that something was missing in his life. He needed to give back to the community. Just as he and nine of his close friends were meeting to discuss the needs of the community, he was approached by a representative of the National Exchange Club, only recently formed in Ohio; and the match was perfect. Mr. Bill, as he was known, saw the opportunity to accomplish exactly what he wanted as a part of a national organization that had quite similar goals and objectives. This group of nine quickly expanded to 34 enthusiastic young men who wanted to exchange ideas, service, and fellowship. They were eager to exchange some of their free time for service to their community.
They worked together quickly that summer of 1923 and on August 8, the charter was presented to the Exchange Club of Augusta in a ceremony headlined by the Augusta Chronicle. Mr. Lester had been named president and responded to the granting of the charter by stating,
“It is our purpose to accomplish something worthwhile for our city, our state, and our country…. We want to help the boys and girls of Augusta and the delinquent and neglected child.”
Almost as soon as the charter was accepted, the club began to take on a huge project. The Savannah Valley Association of Agricultural Clubs had appealed for financial support all over the community, and finally decided to abandon its plans for a Fall Agricultural Fair. On October 3, 1923, the Exchange Club met and voted to take on the Fair as a project. By October 11, the Club announced that the famous Johnny J. Jones Exposition Company was coming to Augusta for one week, November 12th to the 19th. A site was chosen by the carnival on the corner of 15th Street and what is now known as Laney-Walker Blvd. It would host the carnival nicely, but the Club quickly began to expand the plans and more space was needed. A poultry show was added, followed by a Miss Augusta pageant, and a Baby Show. Fifty-seven babies had been entered by October 25th and by opening day there were more than 700. There were 47 young ladies in the Miss Augusta Pageant. The Fair was to open with a parade with four bands, 25 business floats, 20 fraternal order floats, and numerous military organizations. A crowd of over 25,000 persons lined Broad Street to see this grand parade which ended at a newly chosen site for the Fair at the lower end of Greene Street. Each day of the Fair was dedicated to a different theme, such as Merchants, Farmers, Children, Augusta, and Everyone. The entire production was a smashing success, especially considering it was taken from being merely an idea to becoming a huge production, all within the span of six weeks.
The Fair continued to expand its operations, so in 1937, the Club negotiated with the Board of Trustees of the Academy of Richmond County for the purchase of 18 acres between 3rd and 4th Streets running from Hale Street on the North to Laney-Walker Blvd. on the South. This was the old baseball field where Ty Cobb played his first professional game and had his first hit and his first home run. It was on this field that numerous major league teams practiced and played exhibition games. This field was the perfect place for a fairground where the citizens of the area could again come for entertainment. The Club bought the field and continues to hold the fair there.
The Fair operated under the name of the Augusta Exchange Club Fair until 2001 when the name was changed to the Georgia-Carolina State Fair in order to recognize that it is truly a Fair that draws from and benefits residents all over the Central Savannah River Area, from both sides of the River. It continues to be sponsored and operated by the Exchange Club of Augusta.