View allAll Photos Tagged davinciresolve
The reflection of an Atlanta evening on Kodak 500T with 85 filter. Colored in Davinci Resolve.
Edit: 8/8/2020: Cleaned up remjet artifacts for a cleaner image.
Some afternoon incense on the Sigma fp taken on the 50mm Art lens at F6.3.
Processed through my film emulation pipeline in Davinci Resolve.
Dimmed 40w halogen bulb as rendered on Kodak 250D film. I love how this film can render deep warm tones naturally.
The video was taken in 2014 at The Hong Kong Park. I was learning on how to making video.
They are shot in Panasonic GH3. The on location environment sound is recorded using Rode Video Mic Pro Stereo.
Post production: NLE is Editshare Lightworks. Grading software is Davinci Resolve. The music is Do Not Forget Me (Artist: PrimeSound).
Hope you enjoy it.
View it in Youtube:
www.youtube.com/watch?v=xTSOAc_mskI
Or Vimeo:
Had some lighting fun using only a Streamlight ProTac HL flashlight (750 lumens) and my Canon R5 C with Sigma 40mm Art lens set to autofocus to follow me.
Stills pulled from 8K raw video.
ISO 800, F4.0, 3400K WB. 8K RAW LT codec.
Colored in Davinci Resolve, but didn't do much other than pull exposure a little bit and subtract some blue to warm it up just a tiny bit.
Zero added sharpening. This lens is... insane.
Shot of Peachtree Street in Atlanta on Kodak 500T 5219 film. Metered at 500 and pushed one stop in development. Rokinon 85mm lens at F1.4 for maximum light.
Colored in Davinci Resolve.
The video was taken in 2014 at Yau Tong, Sam Ka Tsuen. It is a fishing village is famous for the seafood.
They are shot in Panasonic GH3.
Post production: NLE is Editshare Lightworks. Grading software is Davinci Resolve. The on location environment sound is recorded using Rode Video Mic Pro Stereo. The music is Flight To The Sun (Artist: Dj_Rostej).
Hope you enjoy it.
Youtube:
Vimeo:
Still from a 4K CinemaDNG sequence taken with the SIGMA fp.
ISO 500, 1/48th @ F2.8.
Colored in Davinci Resolve.
Taken from a 4K cDNG video still from the SIGMA fp. After a brief rain, some water drops were on my patio table reflecting the railing.
I shot it using tungsten white balance to make it appear much later in the evening even though this was closer to 5pm.
F14 at ISO 100 on the Sigma 45mm lens.
Colored in Davinci Resolve.
Black and white: flic.kr/p/2iECer7
I’m learning how to work with ProRes Log video, and editing with DaVinci Resolve. These are just experiments and first test edits.
Afternoon photos of Ayesha on the patio taken on the Sigma fp and processed through a Kodak 250D film emulation pipeline in Davinci Resolve.
I've spent a few days during lock-down studying some Kodak 500T film scans I have from last year after getting inspired by the work cinematographer Steve Yedlin has done to make digital capture look like film.
Most of the visual research was spent on grain size, image resolution, and the behavior of halation or "blooming" of the bright parts where light bounces back up into the cyan layer of a negative that becomes red in development.
Using Davinci Resolve's built in grain and glow tools, these are my film emulation results so far.
The base color look comes from a power grade that Juan Melara created that takes native camera colors and makes them behave like a scanned film negative that's been printed onto Kodak 2393 print stock.
From there, I eyeballed grain on Kodak 500T and 250D scans and then dialed in the glow behavior based on other film photos I've taken.
It's not meant to re-create a particular stock 100% scientifically, but rather evoke the filmic feeling as another aesthetic option with my favorite attributes from a few different stocks.
With no available labs in the US who process Kodak cinema film using ECN-2, this is the next best thing :)
Wanted to see how pushing Kodak 250D +1 in development affected color and contrast by photographing a very low light shot. Metered at 500. Processed by Lumens Photo Lab and colored in Resolve.
Helios 44 58mm lens.
Adventures in the mystical land of Nepal. A cross-section through jungle, city, and mountain.
❤️
watch it here
Had some lighting fun using only a Streamlight ProTac HL flashlight (750 lumens) and my Canon R5 C with Sigma 40mm Art lens set to autofocus to follow me.
Stills pulled from 8K raw video.
ISO 800, F4.0, 3400K WB. 8K RAW LT codec.
Colored in Davinci Resolve, but didn't do much other than pull exposure a little bit and subtract some blue to warm it up just a tiny bit.
Zero added sharpening. This lens is... insane.
Had some lighting fun using only a Streamlight ProTac HL flashlight (750 lumens) and my Canon R5 C with Sigma 40mm Art lens set to autofocus to follow me.
Stills pulled from 8K raw video.
ISO 800, F4.0, 3400K WB. 8K RAW LT codec.
Colored in Davinci Resolve, but didn't do much other than pull exposure a little bit and subtract some blue to warm it up just a tiny bit.
Zero added sharpening. This lens is... insane.