View allAll Photos Tagged cutup
An image of a large cluster of white flowers, cut into small squares and sorted by "whiteness".
Made with Processing.org .
37184 at Mallaig.
A trio of photos from a visit to Scotland in (i think) 1984. 37184 is on hand to provide power for a run between Fort William and Mallaig.
Built as Works Number EE/RSH3362/8405 1963 As D6884 it was initially allocated to Landore before moving north to Eastfield in 1982. It remained a Scottish engine until 1995 when it was allocated to Bescot before being withdrawn in 1997 and cutup at TJ Thomsons of Stockton on 1st October 2001.
By 1990 sectorisation had arrived and the contrast between the old BR corporate blue and the new 2 tone grey with sector markings is clearly seen here at Saltley Depot on Saturday morning, the 28th April 1990. The locos are 47313, 47287, 47150 and 37213 as they stand in Saltley yard.
47313 was numbered under TOPS in 03/74 and kept this number throughout the rest of its life! It was unofficially named 'Curlew' at Tinsley Depot in 11/89 before being repainted and allocated to the Railfreight Distribution sector. By 02/99 it had been withdrawn but reinstated for short periods before being finally cutup at Kingsbury scrapyard in 11/07.
Source class 47 group.
The James Norris is towed down the Calumet and makes Wisconsin Steel Bend. She has been completely cutup at IMS at Port Colbourne ON. I think her Pilot House, smokestack, and boom remain,
Olympus OM-20. Vivitar 35-200mm f/3.0 Macro Lens. Redscaled AGFA Vista Plus 200iso changed to 125iso. Developed in Tetenal Colortec C-41 Rapid Negative Kit. Scanned with Epson 4490. Adjusted in Efex Analog Pro 2. Only one foto used.
25 tracks - including new and exclusive material from my good friends Wired XRP, Digital Skunk, Sober Man's Secret, Parallax Faction, Cryin' Queerwolf, JD Savage and Nightwolf... And it's free! (Though if you wanna pay something, please do - all proceeds go to XRP Radio...)
The 2 remaining Class 13 on shed at Tinsley. 13002 had already been withdrawn in June 1981 and cutup at Swindon in October 1982. These 2 would last until January 1985 with 13001 cut up at Swindon in May 1985 and 13003 cutup at Doncaster in September 1986.
20133 was delivered new to Tinsley (41A) on 17/03/1966 and withdrawn 13/09/1991, being cutup at C F Booth [Rotherham] by 28/10/2002.
56007 still exists today as rebuilt 69005.
37184 at Mallaig.
A trio of photos from a visit to Scotland in (i think) 1984. 37184 is on hand to provide power for a run between Fort William and Mallaig.
Built as Works Number EE/RSH3362/8405 1963 As D6884 it was initially allocated to Landore before moving north to Eastfield in 1982. It remained a Scottish engine until 1995 when it was allocated to Bescot before being withdrawn in 1997 and cutup at TJ Thomsons of Stockton on 1st October 2001.
"I am from brittle knives, where cuts rather end up like bruises than mutilated meat on a butcher’s slab, from bloody veins where rivers would become oceans and seas of
iron ore
I am from hollow hearts, where softless beats from skinless drums resonated on dry ribcages, from resuscitators so unelectric they would pluck chords like
flat harps
I am from stained tears, a resource so scarce yet so bountiful on spotless skins of varied beasts and animals alike, from pupils too undilated to tell whether if it were heaven or a
mother’s womb
I am from skinny fingers, where sad birds may perch on them singing about ecstasy, the only drug that could keep them sane, from broken needles causing bones to become so thin they would press on minds
making them dull
Beneath the soil where I might lie, a skeleton with a fractured skull mouthing ‘This too shall pass’ may cause polarization in my feet so I could stand straighter on an Earth that wasn’t, I am from an attractive monster, where their only home will be in the dark under an unmade bed, not soil, where they know they will
never grow old. "
-Joshua Lam
Collaboration with Jason Novak. Montage completed using cut-out words sent by Jason Novak; 02/11/13.
instagram.com/jess_perez_mua
#icrysparkles #motd #bleeding #cutup #paleasfuck #dontcallmehannah #bleedglitter #alien #noreally #pastelhair #sparkles #blonde #glitter #girlswithpiercings #blue #pastel #greeneyes #face #pinkhair #tears #dyedhair #eotd #lotd #funny #lilbro #likeaboss #posing #moustache #painting #FacePaint #Supplies #BodyPaint #Instructor #DiamondFX #rainbowcake #low #bestprice #cheap #sale #makeup #artist #art #neon #fan #rake #sponges #designs #Kalamazoo #Michigan #Clash #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #neonboypaintin #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
#icrysparkles #motd #bleeding #cutup #paleasfuck #dontcallmehannah #bleedglitter #alien #noreally #pastelhair #sparkles #blonde #glitter #girlswithpiercings #blue #pastel #greeneyes #face #pinkhair #tears #dyedhair #eotd #lotd #funny #lilbro #likeaboss #posing #moustache #painting #FacePaint #Supplies #BodyPaint #Instructor #DiamondFX #rainbowcake #low #bestprice #cheap #sale #makeup #artist #art #neon #fan #rake #sponges #designs #Kalamazoo #Michigan #Clash #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #neonboypaintin #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
#FacePaint #BodyPaint #DiamondFX #makeup #artist #art s #designs #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
you are sleeping. you do not want to believe. // glitched text that was cutup from the internet, with sound.
#icrysparkles #motd #bleeding #cutup #paleasfuck #dontcallmehannah #bleedglitter #alien #noreally #pastelhair #sparkles #blonde #glitter #girlswithpiercings #blue #pastel #greeneyes #face #pinkhair #tears #dyedhair #eotd #lotd #funny #lilbro #likeaboss #posing #moustache #painting #FacePaint #Supplies #BodyPaint #Instructor #DiamondFX #rainbowcake #low #bestprice #cheap #sale #makeup #artist #art #neon #fan #rake #sponges #designs #Kalamazoo #Michigan #Clash #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #neonboypaintin #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
In the 1981 Next Whole Earth Catalog the bottom right corners of the odd-numbered pages contained the novel/newsletter/creative work The Rising Sun Neighborhood Newsletter by Anne Herbert (she who first talked of random kindnesses and "libraries will get you through times of no money better than money will get you through times of no libraries.")
I am in the process of clipping that work to paste into an old office journal, so I can read it at my leisure, and so I can mine the rest of the Catalog for images and text for other projects. My only decision now is: should I paste them in sequential order, or randomly? There are good cases to be made for both methods. See John Cage's comments and use of chance operations, and William Burroughs' use of cut-ups and fold-ins.
We're Here! seeing what our hands are doing.
my father always
blew up or backfired
mother, on the other hand
sacrificed any idea
of expanding horizons
Paired with 33025 at Woking in charge of a ballast train.
Built by Birmingham Railway Carriage & Locomotive and new in August 1961 as D6565.Renumbered in January 1974.
From April 1991 until January 1993 carried the name Spitfire,withdrawn the following month.Met its end at its former depot of Eastleigh,cut up by MRJ Philips in February 1997.
2 8 92
#icrysparkles #motd #bleeding #cutup #paleasfuck #dontcallmehannah #bleedglitter #alien #noreally #pastelhair #sparkles #blonde #glitter #girlswithpiercings #blue #pastel #greeneyes #face #pinkhair #tears #dyedhair #eotd #lotd #funny #lilbro #likeaboss #posing #moustache #painting #FacePaint #Supplies #BodyPaint #Instructor #DiamondFX #rainbowcake #low #bestprice #cheap #sale #makeup #artist #art #neon #fan #rake #sponges #designs #Kalamazoo #Michigan #Clash #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #neonboypaintin #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
#FacePaint #BodyPaint #DiamondFX #makeup #artist #art s #designs #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
Find us on Facebook and follow the action on Twitter @ Texas Art Drop or contact me at texasartdrop@gmail.com
#icrysparkles #motd #bleeding #cutup #paleasfuck #dontcallmehannah #bleedglitter #alien #noreally #pastelhair #sparkles #blonde #glitter #girlswithpiercings #blue #pastel #greeneyes #face #pinkhair #tears #dyedhair #eotd #lotd #funny #lilbro #likeaboss #posing #moustache #painting #FacePaint #Supplies #BodyPaint #Instructor #DiamondFX #rainbowcake #low #bestprice #cheap #sale #makeup #artist #art #neon #fan #rake #sponges #designs #Kalamazoo #Michigan #Clash #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #neonboypaintin #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
Cut-up video utilising footage from ludicous anti-drugs film "Drugs Are Like That" and "Strait-jacket" (1964) starring Joan Crawford, amongst others... Video created: 28/12/09. Music: Karlheinz Stockhausen: "Studie I"
In this work, I’m abstracting participatory behaviors related to solitary confinement. I’m looking at solitary confinement as the punishment system inside of any American prison; an internal punishment routine that helps American prisons incarcerate people with an ‘easier process’ for creating a ‘more successfully managed incarcerated population'. . . Currently somewhere around 80,000 people in the American prison system are held in solitary confinement, as a method of controlling the behavior of all imprisoned persons.
Abstracting, what does that mean? There is an inherent trauma in reducing a person to a number, placing that person into the penal system and, later, solitary confinement. When I sample audio recordings of people in this system saying numbers, and lift those words from their context in full sentences, the accumulated samples of people saying numbers shows us the entrenched habits, the habitual ‘how’ of the system re-inscribing itself in its day to day process through ritual participatory behaviors around numbers.
I do not show actual prisoners in the work, connecting their personal identity to this situation. As audience members, we want to think we have empathy. We also have deeply conditioned avoidance when we are confronted with the image of a stranger in pain. We want to turn away from seeing the prisoner’s dehumanized condition inside the system.
As such, I pull the image of the person being dehumanized out of the work, so that we can experience only evidence of the behaviors applied to dehumanize them. We examine [ The Devil’s Abacus ].
Viewer-participants will discover other isolated aspects of routines and learned behaviors associated with solitary confinement. There will be reference to the traumatic self-harm this system encourages among its subjects. I am employing a variety of cutup techniques to found media, and mixing it with created content using generative computer approaches, i.e. creating a systemic consideration of the evidence of the behaviors that re-inscribe the system in question.
It will be disorienting, atmospheric, dark, and surprising. The media content? Projected light and sound sculpture, live instrumental performance, and audience participation.
August 26, MLE fringe fest, multimedia interactive performance with #PresentMusic at Vogel Theater 5:45 PM
I hope to see you there!
still image from animation for the multimedia artwork The Devil's Abacus (c) 2018 Jessica Fenlon
Collaboration with dou_ble_you. Original montage (utilising cartoons by Luis Drayton) by dou_ble_you; 16/04/10. Completed by Luis Drayton; 25/05/10.
MORT WALKER
Mort's Biography
Beetle Bailey, the world's most famous work-shirking private, must envy the comfortable lifestyle now enjoyed by his creator, celebrated cartoonist Mort Walker. But making it to the top of the competitive newspaper comics field took plenty of hard work, which was never popular in Beetle's bailiwick.
The year 2000 marked the completion of "Mort Walker's Private Scrapbook". For half a century Beetle has lived up to his reputation for sowing laziness in the ranks, while Walker earned his rank as the world's most prolific cartoonist, along with stacks of prestigious honors and awards.
In May 2000, Walker was honored by the United States Army at the Pentagon with The Decoration for Distinguished Civilian Service, the highest award the Secretary of the Army can bestow on a civilian. He was also lauded at the Pentagon ceremony by the Association of the United States Army, the National World War II Memorial Campaign and the Non Commissioned Officers Association for his efforts to help build awareness and raise funds for the National World War II Memorial. A Twilight Tattoo sunset parade, hosted by the Army Office of Public Affairs and the Military District of Washington, was performed in his honor.
The University of Missouri, Walker's alma mater, mounted a Beetle Bailey 50th anniversary exhibition in the grand concourse of the Elmer Ellis Library from Sept. 1-30, 2000. The exhibition included original daily and Sunday strips, copies of published reprints of the strips, and poster-size lithographs of selected strips. The retrospective also includes a section on Walker's days on campus, focused primarily on his editorship of a campus humor magazine that was regularly in trouble with the campus administration. And the exhibition looks back at a visit Walker paid to the campus in 1992 for the dedication of a life-sized Beetle Bailey statue, which resides in front of the University alumni center on a busy campus street.
Beetle, in a proud military salute, was featured as a 45-foot tall helium parade balloon that made its television debut in the 2000 Fourth of July Parade in Philadelphia. The Beetle balloon also highlighted the Thanksgiving parade on Nov. 19, 2000 and in 2005, in Stamford, Conn.
Born in 1923 in El Dorado, Kan., Walker published his first comic when he was 11. He sold his first cartoon at 12, and at 14 he was selling gag cartoons regularly to Child Life, Inside Detective and Flying Aces magazines. At 15, he was comic-strip artist for a weekly metropolitan newspaper. At 18, he became chief editorial designer at Hall Bros., ushering in a light, playful style for the company's Hallmark Cards line.
The following year, 1943, Walker was drafted into the Army. He served in Italy as an intelligence and investigating officer and was also in charge of a German POW camp. He was discharged as a first lieutenant four years later, and graduated from the University of Missouri in 1948. While at M.U., he was editor of the school magazine.
He then went to New York City to pursue his cartooning career. In order to survive he worked as editor of three magazines for Dell Publishing Company. His first 200 cartoons were rejected, but he persisted, and editors started to recognize his talent and in two years he was the top-selling magazine cartoonist.
His first big break came in 1950, when King Features picked up "Beetle Bailey" for syndication.
Beetle, who was originally called "Spider," began as a college cutup. When he stumbled into an Army recruiting post in 1951 during the Korean War, circulation began to climb.
The comic strip experienced two other notable jumps in circulation. In 1954, when the Tokyo edition of Stars & Stripes dropped the strip because it supposedly engendered lack of respect for officers, the U.S. press had a field day attacking the maneuver, and 100 more newspapers enlisted "Beetle Bailey." Then in 1970, when Lt. Jack Flap first marched into Sarge's office, "Beetle Bailey" became the first established strip to integrate a black character into a white cast. Stars & Stripes and some Southern newspapers quickly discharged the strip, but 100 other newspapers joined up.
King Features now distributes "Beetle Bailey" to roughly 1,800 newspapers, to over 50 countries with a combined readership of over 200 million every day.
Walker's comic strip "Hi and Lois," which he created with Dik Browne, began in 1954 as a spin-off of "Beetle Bailey," when Beetle went home on furlough to visit his sister Lois and brother-in-law Hi.
Walker also created "Boner's Ark" in 1968 under the name "Addison," and created "Sam & Silo" with Jerry Dumas in 1977.
Walker has been recognized not only for the wide and enduring popularity of his work but also for his stylistic innovations and his leadership in the comics field. His use of high-contrast, deceptively simple imagery and compact gags became the standard for a generation of cartoonists and endures today.
Walker also recognized the historic contributions of his predecessors and contemporaries and in 1974, he founded the Museum of Cartoon Art, the first museum dedicated to the preservation and elevation of the art of comics. The museum now houses the largest complete collection of its kind, making it the premier showcase for one of America's few indigenous art forms. Walker was inducted into The Hearst Hall of Fame in 1989.
The museum started in a mansion in Greenwich, Connecticut, then moved to a castle in Rye Brook, New York.
In 1992 it relocated to Boca Raton, Florida. It's new name is The National Cartoon Museum. Walker's dedication to the project is tireless. He organizes exhibitions, creates fund-raising campaigns and is involved in all facets of the museum. A retrospective exhibit commemorating "50 years of Beetle Bailey" opened at the Museum on Veteran's Day, November 11, 2000 and ran through February 2001. The exhibition featured original comic strips and character art, special interactive exhibits for children, animated Beetle Bailey cartoons, Beetle and Sarge costumed character appearances, and a 16-foot-high birthday cake display, complete with animatronic Beetle and Sarge characters.
Walker has written several books on the art and history of comics, as well as children's books. He has published numerous collections of his comics work, including 92 "Beetle Bailey" and 35 "Hi and Lois" paperbacks. Available here, online or in bookstores is Walker's autobiography, "Mort Walker's Scrapbook: Celebrating a Life of Love and Laughter". An animated "Beetle Bailey" television special was created for CBS in 1989 and "Beetle" animated shorts are available on DVD.
Walker still oversees the 9-to-5 work of the staff at his Connecticut laugh factory studio, which was unofficially dubbed "King Features East" because the work generated there once rivaled the combined output of the entire King Features Syndicate comics department.
Walker and his wife, Catherine, have 9 children between them from previous marriages. Six of his children, as well as the son of his former collaborator Dik Browne, contribute to the funny business, along with several other artists and writers. The shop uses only the best gags -- there are more than 10,000 unused gags in the vault -- and in 55 years, the studio has never missed a deadline, keeping King Features happy and comics fans in stitches.
Some of Walker's many awards:
1953: "Cartoonist of the Year, "National Cartoonists Society" ("The Reuben").
1955: Banshee Award, Silver Lady, "Outstanding Cartoonist."
1966: "Best Humor Strip, "National Cartoonists Society."
1969: "Best Humor Strip, "National Cartoonists Society."
1972: Il Secolo XIX Award, Italy.
1975: Adamson Award, "Best International Cartoonist," Sweden.
1977: Power of Printing Award.
Elzie Segar Award, "Lifetime Achievement."
1978: Fourth Estate Award, American Legion.
1979: The Jester, Newspaper Features Council.
Inkpot Award, San Diego Comic Convention.
1980: Faculty Alumni Award, University of Missouri. Scholar in residence.
1981: Doctor of Letters, William Penn College.
1987: "Man of the Year," Kappa Sigma Fraternity.
1988: Adamson Award Platinum ( Sweden
1990: U.S. Army Certificate of Appreciation for Patriotic Civilian Service
1999: Golden T-Square, National Cartoonists Society ( 50 years of service
(Second ever to receive award)
1999: Order of Chevalier, French Minister of Culture and Communication
1999: Elzie Segar Award
2000: The Decoration for Distinguished Civilian Service
2005: The Connecticut Legend Award
MORT WALKER MILESTONE
Here’s a milestone we passed a while back and should have taken notice of. As of September 4, 2006, Mort Walker achieved a record: 56 years doing a syndicated daily comic strip, Beetle Bailey. I was jolted into this realization while proofing the last chapter of my biography on Milton Caniff, in which I asserted that he had been doing a syndicated daily comic strip for 55 years, a record that, at the time of his death, had not been surpassed by anyone. Well, now it has been exceeded. Congratulations, Mort—many happy returns. R.C. HARVEY
SPORTS ILLUSTRATED
August 16, 1994
This Week's Sign That The Apocalypse Is Upon Us
Edited by Hank Hersch, Richard O'Brien
Artist David Barsalou has created an exhibit at the Holyoke (Mass.) Community College art gallery entitled 4,256: The Rose Garden, which consists of 4,256 identical images of Pete Rose reproduced across 700 square feet of wall space as a way to "visualize Rose's career hit total."
vault.sportsillustrated.cnn.com/vault/article/magazine/MA...