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From the album "Rising Scum"... Click here to order...
Music: Shaun Ali Bongo. Lyrics: Luis Drayton.
Video: Trudi Woof; 01/04/14.
He talked about doing a cutup of Time or Newsweek when he was a student at UC Santa Cruz and reading it realizing the news and the ads sounded the same.
And the only time he has shot a gun was with Burroughs
He asked us if he should read in the voice of Burroughs, so he did. At least a couple of people were recording it
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www.demotix.com/news/3896101/william-burroughs-100-readin...
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lawrence.com/news/2012/oct/14/beat-goes-river-city-reunio...
www.rivercityreunion.com/The-Photographs.html
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kcur.org/post/william-s-burroughs-and-lawrence-kansas-lin...
www.deafthreat.bravepages.com/Jello/Jello3.html
www.npr.org/2014/02/05/271558637/possessed-by-genius-a-ce...
www.williamsburroughsthemovie.com
www.pbs.org/independentlens/william-s-burroughs/film.html
www.theparisreview.org/interviews/4424/the-art-of-fiction...
newyorker.com/arts/critics/books/2014/02/03/140203crbo_bo...
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
This has meaning. What's yours?
Let's just say I was also inspired by Arnold Newman, but couldn't afford to actually cut up and tear up prints ...
08628 and 47315 are stabled next to the Saltley MPD building on Saturday the 2nd October 1999.
08628 is privately preserved but not yet restored I believe. 47315 was withdrawn in September 1999 and was cutup at Wigan in May 2000. It had mainly been on departmental duties for a number of years before withdrawal. Source class 47 group.
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
Cut-up set to "Jacking for Beats" by Ice Cube and "Burning Wheel" and "Get Duffy" by Primal Scream. Video: dou_ble_you; 19/02/11.
A Turkish Railway's American built Sky liner 2-10-0 heads away from Sumucuk with a northbound freight for Zonguldak on Thursday 22nd July 1976. The train is carrying the cut up remains of German Kreigslokomotiv No.56742. This engine was cut up at Sivas and the pieces sent to the steelworks at Karabuk north of Sumucuk.
This collage is from 1999. Instead of the face being hidden, in this one the face is pretty obvious and the other details are subliminal at first. I think the curving lines and layers give it some illusion of depth, like you can look into it and not at it. A lot of the material is sourced from The Sciences, an out-of-print magazine. This is also hung over the head of my bed.
L.M.S. 4F 44137 has been the victim of the cutters torch at Birds of Long Marston in November 1965. The engine still proudly states "Saltley" on the buffer beam.
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"I am William Burroughs.
I could not participate to RomaEuropaWebFactory.
Damn those bloody suckers couldn't tell art if it hit them in the forehead.
Deep shadows, close down over culture when culture is not able to catch up with the world it lives in.
I could not participate to RomaEuropaWebFactory.
I could not participate because I am an old man, cutting up pieces of paper, lookig for hidden poetry, forgotten literatures in things that have been thrown away, forgotten, put away, stashed in the trash.
I am William Burroughs.
I could not participate to RomaEuropaWebFactory."
William Burroughs, famous for his cut-up technique, allowing for the creation of beautiful literature compositions by remixing pieces of existing works, was rejected from the literature section of the RomaEuropa Web Factory.
"This is not original work!" was the scream of the Jury.
William Burroughs now joined RomaEuropaFAKEFactory, here:
The 17-year-old American war in Afghanistan : We do not discuss it; still it goes on. How can we remember that this violent activity continues abroad? That we fund it with our taxes? It is an open difficulty we have lived with for so long. Can we even look at it directly?
American poet/author William Burroughs created this form with poet Brion Gysin. Burroughs worked with image & text collage, later giving instruction for audiotape versions in his cutup trilogy (SOFT MACHINE etc).
Created in maxMSP+Jitter
Early Kissimmee museum of pioneer life on Shingle Creek. Cypress trees were used by early settlers and cutup into shingles thus giving the creek its name.
Woke up today wanting to shoot...what's new. The sun is shining, butI have class ALL day :(. The exact same thing happened last week and I blew off the entire day, skipping all sorts of good stuff to take pictures. I don't think I'm going to be so lucky today :(
So I decided to start early. Went back to the set I shot last night and whipped this together. I don't know...I kinda like it.
Tomorrow is Friday, folks.
JD Doyle introducing my fail hoaxer cover of The Beatles' "I Saw Her Standing There" on the QMH TG Music podcast for October 2011...
I hand designed this piece in a class from the local community theater. - For my first prosthetic, I'm very happy with how it turned out. - 05-06' school year. I was 15.
Americans love orgies, what they love best are
Trohpies of exotic Burger inside the female
Questions Answered:
the world is neither possible nor required.
Sundays and colonial conquests
can disrupt your life in unexpected ways.
don't be afraid to tell your partner
about
Problems in Your
modern metaphysics and scientific discoveries.
The only thing more tempting than
New subconscious discontinuity Disorders.
YOUR MOTHER'S BREASTS
are
psychologists credit cards.
Keep your head in a LITTLE TINY HEAD Portal.
février 2014, Théza.
"On part loin", metacarnet de voyage réalisé par la classe de Première STAV du LEGTA Federico Garcia Lorca
à Théza, a été encadré par Gaspard Bébié-Valérian et Manuel Fadat, artistes et intervenants pour l’association
Oudeis. Accompagnés également des enseignantes Laurie Bernadac, Anne Allié, Dorine Jadeau et Sophie Menet, cette réalisation tient en un objet éditorial situé entre la revue, le fanzine, le livre d’artiste. À partir de carnets de
voyages réalisés en 2012 suite à un voyage dans le pays basque, il a été question de réaliser un seul carnet de voyage, atypique, commun à tous les élèves, conçu et réalisé par ceux-ci.
Projet graphique, textuel, expérimental, utilisant une batterie de procédés, de techniques et de technologies
appropriées, étayé par un soubassement théorique ainsi que des exemples probants, l’atelier de création s’est appuyé sur leurs souvenirs, leur persistance, leur exactitude mais aussi leurs déformations, leurs transformations, a posé la
question de la mémoire (des lieux, des personnes, des rencontres, des sensations, des perceptions). Nous avons tous ensemble fait remonter à la surface le matériau avec lesquels les élèves ont créé, par le dialogue, l’interrogation,
la réflexion, l’imagination. Les objectifs et la nature de l’atelier, ont ceci de singulier qu’ils ont permis aux élèves d’éprouver et d’expérimenter toutes les phases d’un processus de création, d’édition.
Ce temps de travail se focalisa autour de procédés d’expérimentations visuelles et textuelles inspirées de l’écriture
automatique, du cadavre exquis, du caviardage, du haïku, du cut-up, de la métagraphie, de l’association libre, du jeu du hasard. Un moyen de faire cohabiter les diversités, de transformer, détourner, créer à partir de matériaux existants. Comment jouer, transformer l’anodin, comment susciter l’intrigue, induire de l’ambiguïté, de la poésie ou même provoquer le sourire, tout ceci à partir de journaux, d’images et supports diversifiés. Chacun des participants put s’adonner au plaisir de la juxtaposition, de la déchirure, du collage, du froissement, copier-outré, du bruissement, du raturage, du feutrage, du bombage, masquage, pliage, scotchage et autres manipulations graphiques.
Ouvrage réalisé collectivement par :
Bachelet Coralie, Boget Thomas, Bonjean Elodie, Bousquet Florian, Briet Sacha, Camps Clément, Colombo Maud, Dejean
Estelle, Dhenin Mallaury, Fabre Ugo, Gouagout Jérémy, Gouloumes Clémentine, Grau Sébastien, Grymonprez Déborah, Guiter
Armand, Kraeber Thomas, Le Houssel Loriane, Louchez Valentine, Magny-Carvalho Lolie, Marty Léa, Ribière Vincent, Rieutort
Fanny, Rolland-Lefebvre Oriane, Roudolff Valentin, Ruiz William, Sery Alexa, Texier Coraline.
Put into storage January 1995 at Toton ,never to work again,pictured there a month after being stored.
The former D5601 was cut up at TJ Thomson at Stockton in June 2003.
19 2 95
When I am creating an animation story, I get to a certain point where I create a rough storyboard on paper. Once I'm done I cut it up. Then I mix all the panels into a a big mess and reconstruct my story, throwing out the panels that are superfluous, and making a note where i need something additional.
I find that I need to go back and forth between order and chaos to end up with something that, eventually, does the job.
________
This image is part of 100 Days Envizualized, a project where I upload visual notes daily for 100 days in a row.
I'll be making an eBook will available of all 100 days worth of notes, with annotation, once the 100 days are over at envizualize.com/blog