View allAll Photos Tagged cutup
Week 42 was very dicey (uncertain outcome) at times, one might even say hardscrabble (earning a bare subsistence), and we had to be alert for cutups (pranksters). Eventually, we all got squared away (to put everything in order) even though everyone of us thought outside the box (beyond the bounds of convention).
This collage features photos from participating members. Find out more at Compositionally Challenged, where we aim to inspire creativity and improve our technical skills.
Everything Written Exists (2004) by F A Nettelbeck. Lucky Boy, Miami
Sent to me by the poet. Recall that we had met the poet and his family at the Squaw Flat Flea Market which I believe he owns.
From Wikipedia:
In the early 1970s he began work on a long poem that was to become an underground classic when it was published in 1979: Bug Death. Bug Death was created using cut-up and collage texts combined with original writing and represents a major advance in literary technique and thinking, advancing upon the innovations promoted by Brion Gysin and William Burroughs of a previous generation. The book was carefully written, edited, crafted, and designed over several years, in a multi-layered process involving much more than the usual processes of literary creation. It is a unique and stunningly effective combination of poetry, visual art, and documentation that has no real parallel. Nettelbeck's book has had a far-reaching influence on his contemporaries and on younger poets, not only because of its technical innovations, but because of the authentic and deeply-felt lyricism that pervades its pages.
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This conductor was a total trip this morning. A few score of students from Japan, Taiwan and Korea are at San Jose State University over the summer. A large group got on the train to go up to San Francisco this morning. The conductor went to the cute ones and let them announce the stops along the way.
Love this circle: A Edwards Circles of Life
Lined cards: Splendid Fiins Eclectic mix cards
Background paper: K Pertiet Pocket Pages No7-page3, blendable photo card
Flourish: K Pertiet Colorful Edgers No2-4
Red string: K Pertiet Totally Tied Up No1
Viewfinder frame: Paislee Press VFF frames 5
Sweet Smile charm: J Bullock Skippity doo kit elements
Life is so good: A Edwards Life Banners
Yes, This: A Edwards For the Love of Life Journal Cards
On the road: K Pertiet Garden Stakes Words
Self-portrait and camera: K Pertiet CutUps Photography
Right after playing at the Sunshine Park fountain, we were lucky to catch the ice cream truck. It's hard to see in this photo of a photo but i caught some sweet light in Kylie's eyes as she started eating her ice cream.
We ordered books 1-8 of the Ivy and Bean book series. The set came with Ivy and Bean paper dolls and lots of re-usable sticker clothes and accessories. Kylie has played with these dolls quite a bit this week. I’ve loved to watch her change their clothes and act out scenes with them.
Journaling on the card with red string: knew Kylie was too quiet. I was working in the office and realized that I hadn’t heard Kylie. I popped up and Kylie yelled, “Surprise!” from the kitchen. She had made a pretend laser beam obstacle course in the kitchen. She had taped red yarn in all different directions throughout the kitchen. It was very creative!
Knitting card: I finished knitting Mom’s “Baby It’s Cold Outside” poncho. I still need to weave in the ends and wash/block it. I started knitting Dad’s “Henry” scarf. I’m using Rowan’s Classic Yarns Cashsoft 4 ply yarn in a pretty gray color named “Thunder”. I’ve been knitting on it while watching the Olympics. Both knitting projects are going to be Christmas presents.
///// By the way, I looked all over the place for a ball-of-yarn Photoshop brush and couldn't find one anywhere. If anyone knows of such a brush or a knitting journaling card, please let me know. /////
Kylie has been adamant about opening the heavy doors at our local library. She loves to show me how strong she is.
You might think it's funny to have a "Life is so, so good" banner next to me running but I didn't really know just how much I loved to run until I was injured and couldn't run at all. The green journaling card states:
With trainer Joy’s help, I had a great month of training. I feel like I’m finally moving past my plantar fasciitis injury that I incurred in May and that waylaid me during June. I am thrilled to be running again!! In July I exercised 27 days and had 4 days off. This month I had:
14 runs for a total of 53.64 miles
5 bike rides for 62.32 miles
7 swims for 9700 yards (5.5 miles)
3 strength training sessions and
2 yoga sessions.
Thanks for looking!
Taken with Holga 120N | Kodak Portra 100 | Heavily edited in Photoshop | Mar09 | First attempts at a Holgarama
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We All We Got” is a celebration of local identity and collage culture, the world's dominant form of expression in the 21st century and the language of our children's generations. In part it is also a play on the philosophical understandings of contemporary expressive forms as understood by the writer and curator, Aaron Rose, and his contemporaries in both Europe and America. But more importantly is the message that we sometimes push off to the side. We are indeed all that we have in this great mystery of experience, and experience is fleeting. With a bit of symbolism we can transcend time, culture, and language with the goal of making the now-experience a little bit better than the past. And that's what these symbols are about, and that's the communication they've always been about. I learned at the Hahnemann University in Berlin that it's about “becoming light,” so that's what I've embedded here with whirls and swirls and symbols, and chickens too. (It could also be a play on words, as "Hahn" is "chicken" in German)
From the album "Rising Scum"... Click here to order...
Music: Shaun Ali Bongo. Lyrics: Luis Drayton.
Video: Trudi Woof; 01/04/14.
He talked about doing a cutup of Time or Newsweek when he was a student at UC Santa Cruz and reading it realizing the news and the ads sounded the same.
And the only time he has shot a gun was with Burroughs
He asked us if he should read in the voice of Burroughs, so he did. At least a couple of people were recording it
www.citylights.com/bookstore/?fa=event&event_id=2025
More photos available at
www.demotix.com/news/3896101/william-burroughs-100-readin...
www.alternativetentacles.com/bandinfo.php?band=jello
lawrence.com/news/2012/oct/14/beat-goes-river-city-reunio...
www.rivercityreunion.com/The-Photographs.html
www.rivercityreunion.com/The-Photos-page-3.html
kcur.org/post/william-s-burroughs-and-lawrence-kansas-lin...
www.deafthreat.bravepages.com/Jello/Jello3.html
www.npr.org/2014/02/05/271558637/possessed-by-genius-a-ce...
www.williamsburroughsthemovie.com
www.pbs.org/independentlens/william-s-burroughs/film.html
www.theparisreview.org/interviews/4424/the-art-of-fiction...
newyorker.com/arts/critics/books/2014/02/03/140203crbo_bo...
This has meaning. What's yours?
Let's just say I was also inspired by Arnold Newman, but couldn't afford to actually cut up and tear up prints ...
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
For my partner on swap bot!! This is for a recycling group so I used a cutup monopoly board for the backing and a charm from an old bracelet I found at a yard sale.
08628 and 47315 are stabled next to the Saltley MPD building on Saturday the 2nd October 1999.
08628 is privately preserved but not yet restored I believe. 47315 was withdrawn in September 1999 and was cutup at Wigan in May 2000. It had mainly been on departmental duties for a number of years before withdrawal. Source class 47 group.
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
Cut-up set to "Jacking for Beats" by Ice Cube and "Burning Wheel" and "Get Duffy" by Primal Scream. Video: dou_ble_you; 19/02/11.
A Turkish Railway's American built Sky liner 2-10-0 heads away from Sumucuk with a northbound freight for Zonguldak on Thursday 22nd July 1976. The train is carrying the cut up remains of German Kreigslokomotiv No.56742. This engine was cut up at Sivas and the pieces sent to the steelworks at Karabuk north of Sumucuk.
This collage is from 1999. Instead of the face being hidden, in this one the face is pretty obvious and the other details are subliminal at first. I think the curving lines and layers give it some illusion of depth, like you can look into it and not at it. A lot of the material is sourced from The Sciences, an out-of-print magazine. This is also hung over the head of my bed.
"I am William Burroughs.
I could not participate to RomaEuropaWebFactory.
Damn those bloody suckers couldn't tell art if it hit them in the forehead.
Deep shadows, close down over culture when culture is not able to catch up with the world it lives in.
I could not participate to RomaEuropaWebFactory.
I could not participate because I am an old man, cutting up pieces of paper, lookig for hidden poetry, forgotten literatures in things that have been thrown away, forgotten, put away, stashed in the trash.
I am William Burroughs.
I could not participate to RomaEuropaWebFactory."
William Burroughs, famous for his cut-up technique, allowing for the creation of beautiful literature compositions by remixing pieces of existing works, was rejected from the literature section of the RomaEuropa Web Factory.
"This is not original work!" was the scream of the Jury.
William Burroughs now joined RomaEuropaFAKEFactory, here:
The 17-year-old American war in Afghanistan : We do not discuss it; still it goes on. How can we remember that this violent activity continues abroad? That we fund it with our taxes? It is an open difficulty we have lived with for so long. Can we even look at it directly?
American poet/author William Burroughs created this form with poet Brion Gysin. Burroughs worked with image & text collage, later giving instruction for audiotape versions in his cutup trilogy (SOFT MACHINE etc).
Created in maxMSP+Jitter
Early Kissimmee museum of pioneer life on Shingle Creek. Cypress trees were used by early settlers and cutup into shingles thus giving the creek its name.
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Woke up today wanting to shoot...what's new. The sun is shining, butI have class ALL day :(. The exact same thing happened last week and I blew off the entire day, skipping all sorts of good stuff to take pictures. I don't think I'm going to be so lucky today :(
So I decided to start early. Went back to the set I shot last night and whipped this together. I don't know...I kinda like it.
Tomorrow is Friday, folks.
JD Doyle introducing my fail hoaxer cover of The Beatles' "I Saw Her Standing There" on the QMH TG Music podcast for October 2011...
Americans love orgies, what they love best are
Trohpies of exotic Burger inside the female
Questions Answered:
the world is neither possible nor required.
Sundays and colonial conquests
can disrupt your life in unexpected ways.
don't be afraid to tell your partner
about
Problems in Your
modern metaphysics and scientific discoveries.
The only thing more tempting than
New subconscious discontinuity Disorders.
YOUR MOTHER'S BREASTS
are
psychologists credit cards.
Keep your head in a LITTLE TINY HEAD Portal.
février 2014, Théza.
"On part loin", metacarnet de voyage réalisé par la classe de Première STAV du LEGTA Federico Garcia Lorca
à Théza, a été encadré par Gaspard Bébié-Valérian et Manuel Fadat, artistes et intervenants pour l’association
Oudeis. Accompagnés également des enseignantes Laurie Bernadac, Anne Allié, Dorine Jadeau et Sophie Menet, cette réalisation tient en un objet éditorial situé entre la revue, le fanzine, le livre d’artiste. À partir de carnets de
voyages réalisés en 2012 suite à un voyage dans le pays basque, il a été question de réaliser un seul carnet de voyage, atypique, commun à tous les élèves, conçu et réalisé par ceux-ci.
Projet graphique, textuel, expérimental, utilisant une batterie de procédés, de techniques et de technologies
appropriées, étayé par un soubassement théorique ainsi que des exemples probants, l’atelier de création s’est appuyé sur leurs souvenirs, leur persistance, leur exactitude mais aussi leurs déformations, leurs transformations, a posé la
question de la mémoire (des lieux, des personnes, des rencontres, des sensations, des perceptions). Nous avons tous ensemble fait remonter à la surface le matériau avec lesquels les élèves ont créé, par le dialogue, l’interrogation,
la réflexion, l’imagination. Les objectifs et la nature de l’atelier, ont ceci de singulier qu’ils ont permis aux élèves d’éprouver et d’expérimenter toutes les phases d’un processus de création, d’édition.
Ce temps de travail se focalisa autour de procédés d’expérimentations visuelles et textuelles inspirées de l’écriture
automatique, du cadavre exquis, du caviardage, du haïku, du cut-up, de la métagraphie, de l’association libre, du jeu du hasard. Un moyen de faire cohabiter les diversités, de transformer, détourner, créer à partir de matériaux existants. Comment jouer, transformer l’anodin, comment susciter l’intrigue, induire de l’ambiguïté, de la poésie ou même provoquer le sourire, tout ceci à partir de journaux, d’images et supports diversifiés. Chacun des participants put s’adonner au plaisir de la juxtaposition, de la déchirure, du collage, du froissement, copier-outré, du bruissement, du raturage, du feutrage, du bombage, masquage, pliage, scotchage et autres manipulations graphiques.
Ouvrage réalisé collectivement par :
Bachelet Coralie, Boget Thomas, Bonjean Elodie, Bousquet Florian, Briet Sacha, Camps Clément, Colombo Maud, Dejean
Estelle, Dhenin Mallaury, Fabre Ugo, Gouagout Jérémy, Gouloumes Clémentine, Grau Sébastien, Grymonprez Déborah, Guiter
Armand, Kraeber Thomas, Le Houssel Loriane, Louchez Valentine, Magny-Carvalho Lolie, Marty Léa, Ribière Vincent, Rieutort
Fanny, Rolland-Lefebvre Oriane, Roudolff Valentin, Ruiz William, Sery Alexa, Texier Coraline.
When I am creating an animation story, I get to a certain point where I create a rough storyboard on paper. Once I'm done I cut it up. Then I mix all the panels into a a big mess and reconstruct my story, throwing out the panels that are superfluous, and making a note where i need something additional.
I find that I need to go back and forth between order and chaos to end up with something that, eventually, does the job.
________
This image is part of 100 Days Envizualized, a project where I upload visual notes daily for 100 days in a row.
I'll be making an eBook will available of all 100 days worth of notes, with annotation, once the 100 days are over at envizualize.com/blog