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Beneath our feet
The temperature is disagreeable
I passed a lazy week on the beach
The astounding variety and beauty all around us
Hope offers stories
That address the questions
The skeleton game
Raises a chorus of voices in defense
I enjoyed hiking up local mountains
Catalogue the life buried beneath the earth's surface
A whiff of romance
Showing our visions of the past
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
This has meaning. What's yours?
Let's just say I was also inspired by Arnold Newman, but couldn't afford to actually cut up and tear up prints ...
08628 and 47315 are stabled next to the Saltley MPD building on Saturday the 2nd October 1999.
08628 is privately preserved but not yet restored I believe. 47315 was withdrawn in September 1999 and was cutup at Wigan in May 2000. It had mainly been on departmental duties for a number of years before withdrawal. Source class 47 group.
After Olo took us to another kava bar in town who didn't have kava I figred no kava in Wailapa that night. But we ran in to another old friend of mine named Basil. He had a head of kava in his house. He and other people prepared it village style. This means it was shared with friends, and made on my behalf. No one had to pay for it. I had three large shells. South Santo kava is also very good and strong. So for our walk home I was a little stoned.
Woke up today wanting to shoot...what's new. The sun is shining, butI have class ALL day :(. The exact same thing happened last week and I blew off the entire day, skipping all sorts of good stuff to take pictures. I don't think I'm going to be so lucky today :(
So I decided to start early. Went back to the set I shot last night and whipped this together. I don't know...I kinda like it.
Tomorrow is Friday, folks.
Cut-up set to "Jacking for Beats" by Ice Cube and "Burning Wheel" and "Get Duffy" by Primal Scream. Video: dou_ble_you; 19/02/11.
A Turkish Railway's American built Sky liner 2-10-0 heads away from Sumucuk with a northbound freight for Zonguldak on Thursday 22nd July 1976. The train is carrying the cut up remains of German Kreigslokomotiv No.56742. This engine was cut up at Sivas and the pieces sent to the steelworks at Karabuk north of Sumucuk.
L.M.S. 4F 44137 has been the victim of the cutters torch at Birds of Long Marston in November 1965. The engine still proudly states "Saltley" on the buffer beam.
This collage is from 1999. Instead of the face being hidden, in this one the face is pretty obvious and the other details are subliminal at first. I think the curving lines and layers give it some illusion of depth, like you can look into it and not at it. A lot of the material is sourced from The Sciences, an out-of-print magazine. This is also hung over the head of my bed.
#FacePaint #BodyPaint #DiamondFX #makeup #artist #art s #designs #ArtandBodyStudios #BodyPaintingMichigan #bodyandartstudios #FacePaintStore #cheapfacepaints #makeupartist #BodyPaintingKalamazoo #MichiganBodyPainter #BodyPainter
"I am William Burroughs.
I could not participate to RomaEuropaWebFactory.
Damn those bloody suckers couldn't tell art if it hit them in the forehead.
Deep shadows, close down over culture when culture is not able to catch up with the world it lives in.
I could not participate to RomaEuropaWebFactory.
I could not participate because I am an old man, cutting up pieces of paper, lookig for hidden poetry, forgotten literatures in things that have been thrown away, forgotten, put away, stashed in the trash.
I am William Burroughs.
I could not participate to RomaEuropaWebFactory."
William Burroughs, famous for his cut-up technique, allowing for the creation of beautiful literature compositions by remixing pieces of existing works, was rejected from the literature section of the RomaEuropa Web Factory.
"This is not original work!" was the scream of the Jury.
William Burroughs now joined RomaEuropaFAKEFactory, here:
The 17-year-old American war in Afghanistan : We do not discuss it; still it goes on. How can we remember that this violent activity continues abroad? That we fund it with our taxes? It is an open difficulty we have lived with for so long. Can we even look at it directly?
American poet/author William Burroughs created this form with poet Brion Gysin. Burroughs worked with image & text collage, later giving instruction for audiotape versions in his cutup trilogy (SOFT MACHINE etc).
Created in maxMSP+Jitter
Early Kissimmee museum of pioneer life on Shingle Creek. Cypress trees were used by early settlers and cutup into shingles thus giving the creek its name.
I hand designed this piece in a class from the local community theater. - For my first prosthetic, I'm very happy with how it turned out. - 05-06' school year. I was 15.
via WordPress ift.tt/2JIUnSV
HGTV
On “Property Brothers” this week, Jonathan and Drew Scott take a couple back in time to their childhood home with a daring mission: Can they make an old house new again?
In the episode titled “Country Chic for a New Generation,” Caroline and Gerald are living in a farmhouse in Ontario, Canada, with two grown kids. But now as they look toward retirement, they want a place of their own that’s not so remote—one where they will have plenty of room for their many antiques, and to entertain friends and family. They have $925,000 to spend in total.
Inspiration strikes once Caroline mentions her mother had recently moved to a senior facility, leaving Caroline’s childhood home empty and up for grabs. They haven’t tried to sell the home yet, Caroline explains, because “it needs a lot of work.”
“A lot of work?” Jonathan asks, eyes lighting up. That’s his specialty! So the four of them go over to the family home to check out its potential.
Caroline is dubious—she knows it’s dated, and most of it, including the green shag carpeting and bucolic wall mural, look like they came straight out of the ’70s. Because they actually did! In fact, the kitchen cabinets, which she’s always hated, look more like they came out of the ’50s. But when Jonathan talks about how it could be updated and still keep some of its familiar charm, she’s intrigued.
She checks with her sisters to see if they would be on board with the project, and they’re all for it. The home, and the 3 acres it sits on, have a value of $800,000, and Jonathan says he can make it look like vintage new for $125,000. It’s a deal!
Here’s how the Scott brothers bring this old home into the present day, and the lessons we can all learn along the way.
Bigger tiles = less grout to clean
Bigger tiles means there’s less grout to clean.
HGTV
Caroline explains that one of her least favorite chores as a child was cleaning the bathroom walls and floors, because they had very small tiles, and it was nearly impossible to keep the grouting between them clean.
Jonathan explains that although small subway tile has come back into fashion for bathrooms, Caroline is absolutely correct about how difficult it is to keep the grouting clean. So he promises, and delivers, updated tiles with minimal seaming … and grout.
Repurpose antiques
Gerald turned an antique dresser into a charming bathroom vanity.
HGTV
Gerald and Caroline have a lot of antiques they’d like to keep and use in the new design. Only how?
Gerald, for one, comes up with a way to use an antique dresser that the Scotts, and everyone else, absolutely love. He turns it into a bathroom vanity, with a modern basin on top and a faucet that looks like an antique pump. Jonathan sees it as the perfect way to give the room a chic vintage feel, without sacrificing updated fixture quality.
Also, since the antiques have a lot of detail, Jonathan keeps any new pieces neutral and simple so as not to make the rooms feel cramped and fussy.
Put up shelves to hide flaws in the wall
Jonathan Scott updates the 1950s kitchen by about 65 years.
HGTV
There’s a vertical crack in one wall where a wood beam was removed. Jonathan tells Caroline that they can “mud” it up, but it will only crack again later, so he suggests building a floor-to-ceiling shelf of reclaimed wood to cover the crack.
That sounds just fine to Caroline, who is eager to have a place to display her collection of oil-burning lamps. “It was a $20 solution,” Jonathan brags.
Jonathan updates the 1950s kitchen by about 65 years.
Do the stars of ‘Property Brothers’ deliver?
Drew and Jonathan Scott jam with Gerald and Caroline in their new-old home. What a pair of cutups!
HGTV
Caroline’s emotions were on the surface as Jonathan demolished and then rebuilt her family home, room by room. She was under no illusion that the dated features should be preserved, but it was just hard for her to see them go. So everyone is quite tentative on the day of the reveal.
Yet when Caroline sees how her old homestead has been opened up and decorated with all the antiques they know and love, she dissolves in tears of joy.
“It feels right,” she declares softly.
“It’s a tremendous job,” Gerald gushes. “It’s more than anything we could have imagined!”
The post Property Brothers Jonathan and Drew Scott Go Back to the Future! appeared first on Real Estate News & Insights | realtor.com®.
Property Brothers Jonathan and Drew Scott Go Back to the Future! published first on 8hulletcondo.tumblr.com/
“A Culture Full Of Venom”
Fall
Fall
Falling
So far down
Subterranean
Low to the ground
Beneath the ground
A burial mound
Something so inhuman
Beyond death
A relational touch with nature
Stomp down on the black earth
Fertile soil
Animals decompose
Plants breakdown
Flowers wilt
Something so sick just oozes
A flash of light and we reappear
In a new dimensional plane
A new space
Factory floors in Asia
Clothing from Indonesia
Microchips from Korea
A radical state
xUSAx absurdity and perversi0n
Sick po1itical parasitical vultures of death
A culture so full of venom
So hypnotized
Burning chi1dren
Flames lick the black sky
Arrested
Night-time pediatrics
St0len narc0tics
C0ugh syrup, dec0ngestants, and animal tranqui1izers
Here is my fuck1ng ID and insurance card
Satanic medical assistant
A beautiful set of t1ts with
Ruby red lips
Sexua1 pervers1on
Lost video tapes in a storage unit
Travel from person to person
Mind to mind
State to state
Like a vira1 sickness
I wish to remove myself
Right now
I wish to remove myself
#telepathy #esp #dreams #abstraction #abstractart #abstractexpressionism #outsiderart #mixedmedia #experimentalart #videoart #newcinema #independentfilm #pilotepisode #sciencefiction #suspense #supernaturalthriller #natbradley #indiefilm #automaticwriting #cutup
When I am creating an animation story, I get to a certain point where I create a rough storyboard on paper. Once I'm done I cut it up. Then I mix all the panels into a a big mess and reconstruct my story, throwing out the panels that are superfluous, and making a note where i need something additional.
I find that I need to go back and forth between order and chaos to end up with something that, eventually, does the job.
________
This image is part of 100 Days Envizualized, a project where I upload visual notes daily for 100 days in a row.
I'll be making an eBook will available of all 100 days worth of notes, with annotation, once the 100 days are over at envizualize.com/blog
Americans love orgies, what they love best are
Trohpies of exotic Burger inside the female
Questions Answered:
the world is neither possible nor required.
Sundays and colonial conquests
can disrupt your life in unexpected ways.
don't be afraid to tell your partner
about
Problems in Your
modern metaphysics and scientific discoveries.
The only thing more tempting than
New subconscious discontinuity Disorders.
YOUR MOTHER'S BREASTS
are
psychologists credit cards.
Keep your head in a LITTLE TINY HEAD Portal.
février 2014, Théza.
"On part loin", metacarnet de voyage réalisé par la classe de Première STAV du LEGTA Federico Garcia Lorca
à Théza, a été encadré par Gaspard Bébié-Valérian et Manuel Fadat, artistes et intervenants pour l’association
Oudeis. Accompagnés également des enseignantes Laurie Bernadac, Anne Allié, Dorine Jadeau et Sophie Menet, cette réalisation tient en un objet éditorial situé entre la revue, le fanzine, le livre d’artiste. À partir de carnets de
voyages réalisés en 2012 suite à un voyage dans le pays basque, il a été question de réaliser un seul carnet de voyage, atypique, commun à tous les élèves, conçu et réalisé par ceux-ci.
Projet graphique, textuel, expérimental, utilisant une batterie de procédés, de techniques et de technologies
appropriées, étayé par un soubassement théorique ainsi que des exemples probants, l’atelier de création s’est appuyé sur leurs souvenirs, leur persistance, leur exactitude mais aussi leurs déformations, leurs transformations, a posé la
question de la mémoire (des lieux, des personnes, des rencontres, des sensations, des perceptions). Nous avons tous ensemble fait remonter à la surface le matériau avec lesquels les élèves ont créé, par le dialogue, l’interrogation,
la réflexion, l’imagination. Les objectifs et la nature de l’atelier, ont ceci de singulier qu’ils ont permis aux élèves d’éprouver et d’expérimenter toutes les phases d’un processus de création, d’édition.
Ce temps de travail se focalisa autour de procédés d’expérimentations visuelles et textuelles inspirées de l’écriture
automatique, du cadavre exquis, du caviardage, du haïku, du cut-up, de la métagraphie, de l’association libre, du jeu du hasard. Un moyen de faire cohabiter les diversités, de transformer, détourner, créer à partir de matériaux existants. Comment jouer, transformer l’anodin, comment susciter l’intrigue, induire de l’ambiguïté, de la poésie ou même provoquer le sourire, tout ceci à partir de journaux, d’images et supports diversifiés. Chacun des participants put s’adonner au plaisir de la juxtaposition, de la déchirure, du collage, du froissement, copier-outré, du bruissement, du raturage, du feutrage, du bombage, masquage, pliage, scotchage et autres manipulations graphiques.
Ouvrage réalisé collectivement par :
Bachelet Coralie, Boget Thomas, Bonjean Elodie, Bousquet Florian, Briet Sacha, Camps Clément, Colombo Maud, Dejean
Estelle, Dhenin Mallaury, Fabre Ugo, Gouagout Jérémy, Gouloumes Clémentine, Grau Sébastien, Grymonprez Déborah, Guiter
Armand, Kraeber Thomas, Le Houssel Loriane, Louchez Valentine, Magny-Carvalho Lolie, Marty Léa, Ribière Vincent, Rieutort
Fanny, Rolland-Lefebvre Oriane, Roudolff Valentin, Ruiz William, Sery Alexa, Texier Coraline.
37885 (D6877) fresh from painting at the paint shop Toton 28/04/01. The loco was painted in the GIF livery for work in Spain. Unfortunately 37885 (L24) was involved in an accident near Zaragoza in March 2002. She was so badly damaged she was cut up by July 2003.
47298 nearest the camera and 47501 go north at Besford at 13.10 on the 18th January 2006 working 0Z47 from Plymouth to Carlisle.
It appears to be the only photo I have of 47298 in any livery? 47298 kept the same TOPS number throughout its life and was withdrawn from service in 07/02 but reinstated to Carlisle in 10/02 with DRS. Sadly it suffered a main generator fault in 10/06 and was again withdrawn, being moved to Booths, Rotherham in 05/07 and cutup that same month. Source class 47 group.