View allAll Photos Tagged cutup
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
On a horrible October 20th 1991, 45052 and 31173 amongst others await final disposal at MC Metals scrapyard, Springburn.
"-Do we take prisoners?"
- "I don't"
CT-782 "Hevy"
This is a special tribute to the members of Domino Squad who got killed too fast.
Domino Squad was known for having difficulties working as a team. Now, they know the true meaning of teamwork, and will stay together, 'till the end. Rookies or not, they sure got what it takes to be a Clone Trooper.
A salute for these brave soldiers:
CT-782 "Hevy"
CT-00-2010 "Droidbait"
CT-4040 "Cutup"
instagram.com/jess_perez_mua
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Our neighbor does the harvesting of hay for others in the area, and keeps busy a good part of the summer this way. He has the equipment needed for mowing, raking and baling the hay. Following are the steps taken in a standard haying:
Cutting - commonly used with a rotary mower.
Tedding - a process to fluff up the hay once cut.
Raking - pulls the hay into windrows for baling
Baling - 2 types of balers, for square or round bales.
Storage - best stored in barns or sheds to to keep dry.
For more detail about the steps of harvesting hay, you will need to consult a farmer. My experience with harvesting hay is limited to that of a youngster on our small farm. My father used a tractor built from an old car, pulled a blade mower, and a rake with at least four foot looped tines. To me they looked like six or seven feet tall. I was too young to ride the rake. One rode on a tractor seat above the tines. I remember my mother riding on the rake at least once. Modern equipment, especially on big farms, is quite advanced in technology, and beyond me. Some tractors are quite advanced and even have air conditioning, necessary in some of the hot weather they work in.
Please don't look if you at all squeamish.
I was looking to photograph otters so headed down to Grass Point on Mull where I saw a large dog at the water's edge close to the rocks. He had his back to me and was there several minutes.
Curiosity got the better of me and I headed toward it over the wet rocks that were covered in seaweed. It probably took 5 minutes to get close and when the dog eventually noticed me, he barked then left the area.
I only had the one lens with me at the time, my 500mm f/4 lens so couldn't get too close to photograph this scene.
The big question is why did someone cut up the deer this way then deposit the remains close to the water's edge for either scavengers to take or to let the rising tide take it out to sea?
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
Scanned from a poor quality print sorry. Here we see 25151 parked at Toton with extensive accident damage. 25151 was working the 8E08 Oakleigh to Barnby Dunware Rockware Glass Works freight train, when it lost control on a down gradient at Slaithwaite near Huddersfield on the 03.09.1982. The signalman at Hillhouse managed to divert the train into Hillhouse Sidings were the crew jumped clear and the train collided with a ferry van. It was moved to Toton in 1983 and used for re-railing exercises often been tipped onto its side. It was eventually cut up at Vic Berry's in December 1987. Taken on the 04.08.1984
Collage I made today.
A film photo of my friend Emily, and a page from a random book that I clearly don't care about.
New set called Collage, check it out.
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
20031 was delivered new to Kittybrewster (61A) on 20th January 1960 and was withdrawn on 14th September 1990. It still exists today on the Keighley & Worth Valley Railway.
20046 was delivered new to Hornsey (34B) on 12th December 1959 to and withdrawn on 9th June 1983 and subsequently scrapped by MC Metals (Springburn) on 2nd September 1983.
40183 was delivered new to Camden (1B) on 21st March 1962 and withdrawn on 1st June 1983 due to bogie fractures. Cutup at Crewe Works in June 1986.
SX: Melo nel campo, Maso Rossi
DX: riflessi di luce nel torrente Fersina (Canezza di Pergine), out-of-focus
Exacerbated ritual mouths
Ace habit or screamed request
Black lips
Hunger is all
Resolution roulette
Nothing spoken of a
White habits final curtain...
(Man, that was pretty sombre, wasn't it? Blame Jason, he sent me a buncha cut-out words, with instructions to use 'em to create my own poetry-based image... I feel like I oughta be adding lines about scat and wamming and sh*t... ;) )
Collaboration with Jason Novak. Original montage: Luis Drayton; early 1994. Completed using cut-out words sent by Jason Novak; 08/03/11.
The best way to ensure that you will not feel the effects of the Christmas gift giving binge all year!
These were a collection of expired credit cards that I found in a drawer dating back to the 80's - I thought it would be a good idea to destroy them and get a photo op at the same time!
BR Standard 3MT tank 82019, already shorn of the smokebox door number plate, is leaving on a van train passing the shunter and green liveried BRCW D6544 (later to become 33-026 (not quite sure what a Hither Green engine was doing at Waterloo with the headcode for a Victoria/Sheerness, or Reading/Basingstoke/Yeovil service !
Tthe exact date of this pic is unknown, but must be very close to the end of steam on the former LSWR main line to Southampton and Bournemouth, as the smokebox door numberplate had been removed already !
82019 :
26 Sept 1952 - built Swindon, allocated to Exmouth Junction.
9 July 1967 - Withdrawn from Nine Elms (70A) - one of the last 2 surviving in service.
30 Niov 1967 - Scrapped at Bird's, Risca
None survived into preservation, but one is being built by the 82045 group on the Severn Valley Railway..
D6544
Feb 1961 To traffic at Hither Green
Dec 1964 To Eastleigh
May 1969 Repainted Rail Blue
Jan 1974 33-026
Aug 1991 Named "Seafire" at Eastleigh
May 1993 To Stewarts Lane
Aug 1998 Withdrawn at Eastleigh
Dec 2001 Sold for scrap at Eastleigh
Sep 2003 Cutup by Raxtar at Eastleigh
June (?) 1967
(Slidescan : WSS 4 - Alt Xpt 066a)
Frida Kahlo's paintings are frequently approached through the narratives that surround them. Illness, love, politics, “mexicanity” and biography have become the dominant interpretative framework through which her work is encountered, often preceding the paintings themselves. Such readings risk collapsing the distinction between artist and artwork, reducing a highly sophisticated pictorial practice to visual evidence of a life already narrated. To examine Kahlo's work art historically instead requires attention to the formal decisions through which meaning is constructed.
Kahlo's pictorial language is characterised by extraordinary compositional discipline. Her paintings are built through frontal organisation, carefully calibrated symmetry and an economy of spatial depth that privileges the image as an object rather than as an illusionistic window. Figures, animals, botanical forms and anatomical details are arranged within highly stable structures where every element occupies a precise visual function. Rather than relying on expressive brushwork, Kahlo establishes intensity through the relationships between forms, colour and scale. The surface remains remarkably controlled, allowing symbolic complexity to emerge from composition rather than painterly gesture.
Equally significant is her negotiation between multiple visual traditions. Kahlo does not simply appropriate Mexican popular painting, Catholic devotional imagery, scientific illustration or European portraiture; she places these traditions into dialogue, producing a pictorial language that resists straightforward stylistic categorisation. Her paintings move between naturalistic observation and symbolic construction without allowing either mode to dominate. This instability is not evidence of psychological ambiguity but of visual sophistication, demanding that the viewer negotiate several representational systems simultaneously.
The repetition of self-portraiture should likewise be understood less as autobiography than as a sustained formal investigation. The face becomes a stable compositional anchor through which variations in costume, iconography, scale and spatial organisation can be explored. Identity functions here not primarily as confession but as pictorial structure. The repeated self-image allows Kahlo to examine the relationship between body, object, landscape and symbol within a consistently recognisable visual framework.
From this perspective, Kahlo's significance lies not only in the subjects she painted but in the precision with which she constructed images that remain resistant to singular interpretation. Her paintings invite symbolic reading while simultaneously frustrating definitive iconographic closure. It is precisely this balance between visual clarity and interpretative openness that has enabled the works to circulate across multiple ideological and cultural contexts, becoming available for successive reinterpretations without exhausting their formal complexity.
To return to the paintings themselves is therefore not to reject biography but to suspend its explanatory privilege. Kahlo's achievement resides in the construction of a pictorial language whose formal coherence has too often been eclipsed by the narratives attached to her image. An art-historical reading begins not with the myth of Frida Kahlo, but with the material intelligence of the paintings.
The canonization of "Frida" is not only built on biography; it is enabled by an exceptionally consistent visual grammar. As William S,”. Burroughs points out in “Electronic Revolution” - a cut-up is needed.
ink, watercolor on paper
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Made in 2020, the figure has a ten gallon hat, Hawkeye's head, blue overalls, sleeves from Alice from the Disney cmf (which I didn't have so I painted to look similar), kneepads and a belt from the Xtreme line, a cutup handcuff for the robot hand, and a guitar. Made in honor of Kitty0706, as today was his birthday and the release of the Team Fabulous 2 Reanimated. Here is a link if you want to watch it: www.youtube.com/watch?v=OPV_3jkEpqI
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
View the full set from the start.
It all begins on the planet Kamino, where the training of clones who have been bred to be perfect soldiers occur. These cadets must first be subjected to intense physical and mental training before heading off to war. Five headstrong clones of Domino squad struggle to complete their training. These cadets -- Hevy, Cutup, Droidbait, Fives and Echo -- seem to be a "bad batch" and are unable to work as a team. They're given a final training run to prove their mettle and the clones finally learn to work together...
Top: Slaughter Steelgrave, leader of the Destructors, and Gouge.
Bottom: Hotshot, leader of the Protectors, and Cut-Up.
it.youtube.com/watch?v=qlCgz4wbreM&feature=related
Glenn Gould talks about Art of fugue
The image is taken from the web and I worked a lot on it
Is a sort of cut-up mixing images, colours , glam and music.