View allAll Photos Tagged cutup

Mexico DF

 

Fighting panda

There's the mess of the Anchorseal spill on the floor in the background, to the left, and some stacks of European olive turning blanks on the jointer above and behind it.

Not a very nice stencil, but it is akward and even signed. I am not sure I am getting the dolfin part... "Gañi"

Amo a Lucia "I love Lucia"

Stencil

San Cristobal de las Casas (Chiapas)

The bark peels pretty easily, but it likes to hold on in places, and it does need to be pried off. I found this metal wire brush in my drill press at a fast speed - maybe 1200RPM - cleaned the logs of their bug-eaten bark and bug waste layers pretty rapidly.

José María Morelos (important political character)

Sociedad stencil "Stencil society"

Collage

Morelia (Michoacán)

To reinforce these batteries, three new 6-inch batteries were also built. Battery Harry J. Harrison at Bolsa Chica, Battery Barnes at Long Point, and Battery 241 located on the Upper Reservation. These guns were protected by 6-inch thick “teardrop” shaped metal shields, and looked like they would be more at home on a warship rather than on a hilltop overlooking the Pacific Ocean. Additionally, more than a dozen 90mm and 37mm guns were installed around the harbor area. As these new weapons were installed, the older guns were deactivated and shortly after 1945, all of Fort MacArthur’s big guns were cutup for scrap. Fort MacArthur continued to serve as an induction and separation center throughout the 1940s and 1950s

 

Still from The Brothers Scarlamazov by Peter Hastie.

 

www.striplight.org

One of the things I love about being able to find logs and resaw them myself is the discovery. I take pictures of the find, wonder about it while transporting it, bring home leaves and branches - if any - and use them to hunt the species down online, which I've gotten rather good at. Another thing I love is that a few logs can yield quite a lot of useful pieces, which means that I get to practice on several before doing something for keeps, and it means I get to try out a variety of finishes on the end piece, to see what works best. This is such a valuable ability.

Whole and sliced carambolas

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In a book by the same name, William S. Burroughs and Brion Gysin use the term 'the third mind' to describe the collaborative process. This is the idea that the interaction of two minds produces a temporary third entity, one capable of producing things that neither of the two individuals would be able to create alone. And here we find ourselves on Flickr, sharing our photos with our contacts, our groups and the world, collaborating all the time – some consciously, some unconsciously, but all reacting in some way to one another’s work.

 

In our group pools and our 'new photos from your contacts' e-mails, we generate sort of a visual form of an avant-garde textual technique that Burroughs called the 'cut-up'. This technique takes a text stream – originally a single printed page – and physically divides it into multiple sections. Next, one or more additional text streams are divided in the same manner. Finally, the pieces are jumbled and pieced back together in a random order as a third text stream. Sections of Burroughs’ most famous work, Naked Lunch, use this technique. As Burroughs and Gysin described it, the cut-up creates a new context with new possibilities that wouldn't have existed otherwise.

 

How often, I wonder, does that sort of thing influence our collective efforts? Every thirty minutes or so, many of us on Flickr receive an e-mail message with links to our contacts' most recent uploads. This pulse of artistic expression is specific to the relationships we've made and tightly coupled to the individuals whose work is meaningful to us. And likewise, the groups to which we choose to belong are constantly changing with an influx of new visual information. In being added to a group or a ‘new photos’ e-mail, each photo is disconnected from its original context and placed into an entirely different context with a new set of possible meanings.

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Seminar "InfoBoard: Interaction & Motion"; vereint die Kurse 2.132 – 1 "Interaction Design: InfoBoard / Ubiquitous Interaction" (Prof Boris Müller) und 2.118 "Multimedia AV: CutUp.26: InfoBoard / Motiondesign" (Prof. Klaus Dufke)

 

Sommersemester 2013

dailykumo.wordpress.com/2011/03/20/book-the-remix/

Poirot replied by a French proverb: 'Devil take this maid she was not le vinaigre.'

Shield with wings with letters "SA"

 

Toronto, Ontario, Canada

CutUp.26 Abschlusspräsentation

cut-up's cânone fantástico. (2018-2020)

 

a partir de

 

alejandra pizarnik

poemas "vagar en lo opaco" y "reminiscencias quirománticas", del libro "la tierra más ajena" (1955). consultado y reproducido de "poesía completa" (2016).

 

diana morán garay

poema "convicción de golondrinas", del libro "reflexiones junto a tu piel - poemas del exílio" (1972-1979)

 

enriqueta ochoa

poemas "IV" y "V", del libro "las vírgenes terrestres" (1972). consultado y reproducido del sitio 'material de lectura UNAM'.

My first attempt at cyanotypes. Silly image inspired by Tony Bones-style graffiti art.

"Famous" "Stars" "Bang" "Straps" "And"

Sticker BD comic style with gun/weapon

 

Toronto, Ontario, Canada

Izložba, performans, instalacija, trikovi i štogod iskrsne u procesu

 

Pogon JEDINSTVO | velika dvorana | artist talks: 22. (Marko Tadić), 23. (Ivan Marušić Klif) i 24. (Boris Cvjetanović) 10. | 19:00 sati | predstavljanje istraživačkog procesa: 26.10.2013. | 19:00 sati | Organizator: OZAFIN ALU i POGON

 

oskudnost.wordpress.com

 

Sudjelovali: Ana Hušman, Nicole Hewitt, Ivan Slipčević, Marko Tadić, Ivan Marušić Klif, Boris Cvjetanović, Damir Žižić, Sonja Pregrad, Vida Guzmić, Hrvoslava Brkušić, Vanja Babić, Vladimir Cvijanović, Dejan Gotić, studenti, nastavnici, diplomanti i gosti Odsjeka za animirani film i nove medije.

Mexico DF

 

Smiling-laughing female face

windowzoo is invited to droog event 2: URBAN PLAY together with

Arno Piroud

Barsky Brothers

CutUp Collective

Gilberto Esparza

Graffiti Research Lab

Jason Eppink

Ji Lee

Joshua Allen Harris

Mark Jenkins

Leon Reid IV

Office for Subversive Architecture

Posterchild

Rebar

SpY

Truthtag

You are Beautiful - come to the opening on September 20th in Amsterdam!

this was my final project for my first year of my film photography class. i took a ton of pictures at different angles of the alley, printed them all, cut them up, and put them together to make one single image. it took forever!

large!

There's a really neat translucent marble quality to the wood. I don't know how well that holds up as it dries. This is very green.

Cartoon-like character with a barb

Mexico (DF)

 

Phiser

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